Artmetria · Connaissance publique
Connaissance publique
Notices de catalogue factuelles d’œuvres conservées dans des collections publiques. Chaque page indique ce que l’institution détentrice enregistre, nomme cette institution, porte le statut de droits de la notice et renvoie à la notice de l’institution elle-même, pour que chaque fait puisse être vérifié à sa source.
Ces pages ne portent aucune estimation de valeur, aucune estimation et aucune analyse de marché.
1–200 sur 13 187 notices
- —Virgin and Child (recto); Sketch of Three Saints and Caricature Sketch (verso) — After Parmigianino · Italian, 1503-1540 · Art Institute of Chicago
- 1864Korin Shinsen Hyakuzu (New Selection of Hundred Works by Korin) — After Ogata Korin (Japanese, 1658-1716) · Art Institute of Chicago
- 1891Korin gafu (Korin's book of paintings) — After Ogata Korin (Japanese 1658-1716) · Art Institute of Chicago
- c. 1870-1940The Three Marys at the Tomb with the Angel — After Jacques Bellange · French, 1594-1638 · Art Institute of Chicago
- 1857View from Little Sewell Mountain, No. 1 — after Edward Beyer · National Gallery of Art
- —John Frederic the Magnanimous, in Electoral Robes — after Lucas Cranach the Younger · National Gallery of Art
- c. 1330Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant — Attributed to Ugolino di Nerio (Italian, active 1317–1339/49) · Art Institute of Chicago
- Ming dynasty (1368-1644)Cranes and Landscape — Attributed to Lin Liang (Chinese, c. 1424-1500) · Art Institute of Chicago
- 1636Title Page for Callot's "The Calendar of Saints" — Attributed to Abraham Bosse · National Gallery of Art
- —The Crucifixion — Attributed to Giovanni Battista Naldini · National Gallery of Art
- c. 1630The Raising of Lazarus — Follower of Rembrandt van Rijn (Dutch, 1606–1669) · Art Institute of Chicago
- —A Standing Male Nude — Circle of Raphael · National Gallery of Art
- late 19th centuryCharles L. Freer (?) — Follower of James McNeill Whistler · National Gallery of Art
- n.d.Travelers on a Winding Road — Style of Alessio de Marchis (Italian, 1684-1752) · or Marco Ricci (Italian, 1676-1729) · Art Institute of Chicago
- —A Standing Man Wearing a Great Coat and Boots — Style of Giovanni Battista Tiepolo · National Gallery of Art
- c. 1500Figure of an Archer [recto] — Style of Pietro Perugino · National Gallery of Art
- 1893Jeanne Bloch, from Le Café-Concert — Henri-Gabriel Ibels (French, 1867-1936) · printed by Edward Ancourt & Cie (French, 19th-20th century) · published by L'Estampe originale (French, 1893-1895) · Art Institute of Chicago
- 1928Svet, ktery, se smeje. O humoru, clownech a dadaistech (World which is Laughing. On humor, Clowns and Dadaists.) — Karel Teige (Czech, 1900–1951) · Art Institute of Chicago
- c. 1828–48Ehon Teikin Ōrai — Katsushika Hokusai 葛飾北齋 · Japanese, 1760-1849 · Art Institute of Chicago
- Paris: Éditions Hémispheres, 1947Le mythe de la Roche Perçee: poeme (The Myth of the Pierced Rock) — Yves Tanguy · French, 1900-1955 · written by Yvan Goll (French, 1891-1950) · Art Institute of Chicago
- about 1834-5100 views of Mt Fuji (Fugaku hyakkei), 3 vols. — Katsushika Hokusai (Japanese 1760-1849) · Art Institute of Chicago
- 1596–98Passion Set: Christ on the Mount of Olives — Zacharias Dolendo · Cleveland Museum of Art
- n.d.Covered Goblet With Owl — Virgil Solis · The Metropolitan Museum of Art
- 1863Railroad Yard, Alexandria, Virginia — Andrew Joseph Russell · National Gallery of Art
- 2e moitié du 19e siècleVue de l'ancien hôtel de Belle-Isle, 56 rue de Lille (Caisse de Dépôts et Consignations) après l'incendie de la Commune, 1871 — Valentin, Henry Augustin (1822-1886) · Paris Musées (City of Paris — 14 municipal museums)
- 1855Ericstan, for John J. Herrick, Tarrytown, New York (perspective) — Alexander Jackson Davis · The Metropolitan Museum of Art
- probably 1826First Merchants' Exchange, New York (elevation of main façade) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1835–92The J. C. Baughman (Scotten) House, Detroit, Michigan (front elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1838University of Michigan (elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1853Whitby, William P. Chapman House, Rye, New York (plan and partial elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1828New Bowery Theatre, Elizabeth Street Facade, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1842Design for a Cottage-Villa in the Bracketted Mode, Constructed in Wood (perspective and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1849Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1845Belmead, for Philip St. George Cocke, Powhatan Co., Virginia (elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1850–58University of North Carolina, Chapel Hill (distant perspective and plan of grounds) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1881Proposal for Raising by 15 feet, Alumni Hall, Yale College, New Haven (elevation of facade) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1836House for Henry Whitney, New Haven, Connecticut (plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1835House for Henry Whitney, New Haven, Connecticut (front and side elevations) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1839The Second Premium Design for the Capitol of Ohio, Columbus — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1839For the Capitol of Ohio, by A.J.D. arch. — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1866Technical Drawing of the Sliding Door for the Dining Room at Lyndhurst for George Merritt, Tarrytown, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1864–65Mason's Template for the Battlement over a Cornice at Lyndhurst for George Merritt, Tarrytown, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1839Technical Drawing of a Fireplace Mantel for Knoll (now Lyndhurst), Tarrytown, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1866Elevation of a Marble Tower Turret at Lyndhurst for George Merritt, Tarrytown, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- n.d.Standing Female Nude — Alphonse Legros · Art Institute of Chicago
- 1837–1911Head of a Man — Alphonse Legros · The Metropolitan Museum of Art
- 1888Study of a Figure — Alphonse Legros · The Metropolitan Museum of Art
- 1837–1911Study of a Figure — Alphonse Legros · The Metropolitan Museum of Art
- 1837–1911Head of a Quarryman — Alphonse Legros · The Metropolitan Museum of Art
- 1892Study for the hands in the Portrait of Edward D. Adams — Alphonse Legros · The Metropolitan Museum of Art
- 1892Study for the Portrait of Edward D. Adams — Alphonse Legros · The Metropolitan Museum of Art
- 1892Study for the Portrait of Edward D. Adams — Alphonse Legros · The Metropolitan Museum of Art
- —Crowd of People Seen between Two Columns [verso] — Alphonse Legros · National Gallery of Art
- 1897Head of an Old Man — Alphonse Legros · National Gallery of Art
- —The Big Trees — Alphonse Legros · National Gallery of Art
- —Mountains Seen beyond a Lake — Alphonse Legros · National Gallery of Art
- —Countryside of Burgundy [recto] — Alphonse Legros · National Gallery of Art
- —Head of a Man with a Skullcap — Alphonse Legros · National Gallery of Art
- —The Big Tree — Alphonse Legros · National Gallery of Art
- —Centaur Woman — Alphonse Legros · National Gallery of Art
- —Study of Woman's Head, Turned Right — Alphonse Legros · National Gallery of Art
- —Head of a Man — Alphonse Legros · National Gallery of Art
- —Two Studies of Hands — Alphonse Legros · National Gallery of Art
- —Head of a Man Facing Left — Alphonse Legros · National Gallery of Art
- model c. 1820sTortoise — Antoine-Louis Barye · National Gallery of Art
- model 1840Reclining Tunisian Panther — Antoine-Louis Barye · National Gallery of Art
- model 1831Walking Panther — Antoine-Louis Barye · National Gallery of Art
- n.d.Panther Seizing a Stag — Antoine-Louis Barye · National Gallery of Art
- model 1836/1840 and 1857, cast by 1873Charles VII Victorious — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1857/1873Walking Jaguar — Antoine-Louis Barye · National Gallery of Art
- model 1868, cast by 1874Tom, Algerian Greyhound — Antoine-Louis Barye · National Gallery of Art
- model 1849, cast 1873Theseus Fighting the Centaur Bienor — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1840/1873Walking Lion — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1838/1874Reclining Panther — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1865/1874Candlestick, Greek Style with Antique Medallions — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1857/1873Virginia Deer, Left Foot Raised — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast by 1874Persian Camel — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast after 1845 by 1873Crocodile Devouring an Antelope — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1870/1873Walking Wolf — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1857/1873Theseus Fighting the Minotaur — Antoine-Louis Barye · National Gallery of Art
- model c. 1841, cast by 1873Python Crushing a Gazelle — Antoine-Louis Barye · National Gallery of Art
- model 1845, cast by 1873Tartar Warrior Checking His Horse — Antoine-Louis Barye · National Gallery of Art
- model c. 1838, cast after 1847General Bonaparte on Horseback — Antoine-Louis Barye · National Gallery of Art
- model c. 1840, cast after 1855Juno with Her Peacock — Antoine-Louis Barye · National Gallery of Art
- c. 1914–1924The Mine — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Marais de Saint-Gond — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Vaillants Allemands!! — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Viviani — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Le roi des Belges dans les tranchées — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Constantinople — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Après la bataille, chevaux morts — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Le G.V.C. — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Troupe en marche — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Fantassin à l'abri d'un arbre — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Regardant la plaine du Rhin — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Dans une tranchée, des soldats allemands se rendent — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Au Maroc — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Mitrailleurs anglais — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Siège des Maubeuge — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Bataille du Col de la Chiprotte — Auguste Louis Lepère · Cleveland Museum of Art
- 1914Dans les Vosges — Auguste Louis Lepère · Cleveland Museum of Art
- 1914La Retraite après Charleroi... — Auguste Louis Lepère · Cleveland Museum of Art
- 1914La Mort et les Passions fondant sur la terre — Auguste Louis Lepère · Cleveland Museum of Art
- 1914La Mort et les Passions fondant sur la terre — Auguste Louis Lepère · Cleveland Museum of Art
- 1860–1919Young Woman with a Muff — Auguste Renoir · The Metropolitan Museum of Art
- 1871Madame Édouard Bernier (Marie-Octavie-Stéphanie Laurens, 1838–1920) — Auguste Renoir · The Metropolitan Museum of Art
- 1881The Bay of Naples — Auguste Renoir · The Metropolitan Museum of Art
- 1908–14The Farm at Les Collettes, Cagnes — Auguste Renoir · The Metropolitan Museum of Art
- 1888–92In the Meadow — Auguste Renoir · The Metropolitan Museum of Art
- ca. 1875Young Woman (La Servante) — Auguste Renoir · The Metropolitan Museum of Art
- ca. 1891Young Girl in a Pink-and-Black Hat — Auguste Renoir · The Metropolitan Museum of Art
- c. 1889Girl with a Basket of Fish — Auguste Renoir · National Gallery of Art
- c. 1876Madame Henriot — Auguste Renoir · National Gallery of Art
- c. 1885Caroline Rémy ("Séverine") — Auguste Renoir · National Gallery of Art
- 1883Mlle Charlotte Berthier — Auguste Renoir · National Gallery of Art
- 1872Pont Neuf, Paris — Auguste Renoir · National Gallery of Art
- 1874Madame Monet and Her Son — Auguste Renoir · National Gallery of Art
- 1866Woman by a Fence — Auguste Renoir · National Gallery of Art
- 1887/1888Child with Brown Hair — Auguste Renoir · National Gallery of Art
- c. 1888Young Girl Reading — Auguste Renoir · National Gallery of Art
- 1882Small Study for a Nude — Auguste Renoir · National Gallery of Art
- c. 1890/1900The Blue River — Auguste Renoir · National Gallery of Art
- 1906/1907Maison de la Poste, Cagnes — Auguste Renoir · National Gallery of Art
- c. 1866Flowers in a Vase — Auguste Renoir · National Gallery of Art
- 1860/1917Sunrise (recto); Female Nude Lying on Her Back (verso) — Auguste Rodin · Art Institute of Chicago
- c. 1900Lightly Draped Dancing Female Nude — Auguste Rodin · Art Institute of Chicago
- c. 1900Reclining Nude — Auguste Rodin · Art Institute of Chicago
- 1882Portrait of William E. Henley — Auguste Rodin · Cleveland Museum of Art
- c. 1880 – 1917Model of a Foot (left foot) — Auguste Rodin · Cleveland Museum of Art
- 1900–1910The Embrace — Auguste Rodin · The Metropolitan Museum of Art
- 1900–1910Nero — Auguste Rodin · The Metropolitan Museum of Art
- 1900–1912Nude female figure holding left foot — Auguste Rodin · The Metropolitan Museum of Art
- 1905–8Study of a nude female figure (Satyress) — Auguste Rodin · The Metropolitan Museum of Art
- possibly 1880sRight Hand — Auguste Rodin · National Gallery of Art
- model 1878-1900, cast probably 1903The Walking Man (L'Homme qui marche) — Auguste Rodin · National Gallery of Art
- model 1880-1887, cast c. 1898/1902The Kiss (Le Baiser) — Auguste Rodin · National Gallery of Art
- 1906Morning — Auguste Rodin · National Gallery of Art
- possibly 1880Right Hand — Auguste Rodin · National Gallery of Art
- possibly 1880Left Hand — Auguste Rodin · National Gallery of Art
- 1909Nude Woman Carrying Vase on Head — Auguste Rodin · National Gallery of Art
- —Figure Bending Forward with Right Knee Raised — Auguste Rodin · National Gallery of Art
- —Figure Facing Forward — Auguste Rodin · National Gallery of Art
- 1908Seated Female Nude Leaning to the Left — Auguste Rodin · National Gallery of Art
- model early 1880s, carved 1909Figure of a Woman "The Sphinx" — Auguste Rodin · National Gallery of Art
- 1780The Raising of Lazarus — Benjamin West · Art Institute of Chicago
- c. 1770Alexander's Confidence with his Physician Philip — Benjamin West · Art Institute of Chicago
- n.d.Portrait of a Man Standing in Front of Window — Benjamin West · Art Institute of Chicago
- n.d.Two Sketches of a Weeping Woman — Benjamin West · Art Institute of Chicago
- n.d.St. Paul Shaking off the Viper — Benjamin West · Art Institute of Chicago
- 1792Head of a Screaming Man (recto); Woman and Man Playing Cards (verso) — Benjamin West · Cleveland Museum of Art
- 1792Head of a Screaming Man (recto) — Benjamin West · Cleveland Museum of Art
- 1792Woman and Man Playing Cards (verso) — Benjamin West · Cleveland Museum of Art
- 1791British Manufactory; A Sketch — Benjamin West · Cleveland Museum of Art
- 1774Cupid, Stung by a Bee, Is Cherished by his Mother — Benjamin West · National Gallery of Art
- 1780-1810Jephthah's Daughter — Benjamin West · National Gallery of Art
- 1799Maria Hamilton Beckford (Mrs. William Beckford) — Benjamin West · National Gallery of Art
- c. 1797Elizabeth, Countess of Effingham — Benjamin West · National Gallery of Art
- 1755/1756Mary Bethel Boude (Mrs. Samuel Boude) — Benjamin West · National Gallery of Art
- 1805The Adoration of the Shepherds — Benjamin West · National Gallery of Art
- 1796/1797The Crucifixion — Benjamin West · National Gallery of Art
- 1788Vagabond Family [recto] — Benjamin West · National Gallery of Art
- probably c. 1788Cross Section of a Gothic Church [verso] — Benjamin West · National Gallery of Art
- c. 1800The Flight into Egypt — Benjamin West · National Gallery of Art
- 1778Study of Moses Striking the Rock and a Procession [verso] — Benjamin West · National Gallery of Art
- 1836Le Martinet near Montpellier — Camille Corot · The Metropolitan Museum of Art
- ca. 1850Three Nymphs and a Youth: study for a decorative lunette — Camille Corot · The Metropolitan Museum of Art
- 1843 or 1826View of Nemi — Camille Corot · The Metropolitan Museum of Art
- 1865Bacchante by the Sea — Camille Corot · The Metropolitan Museum of Art
- 1872Landscape with Figures (Les Bohémiens) — Camille Corot · The Metropolitan Museum of Art
- 1832 or 1833Fontainebleau: Oak Trees at Bas-Bréau — Camille Corot · The Metropolitan Museum of Art
- 1860–65Girl Weaving a Garland — Camille Corot · The Metropolitan Museum of Art
- ca. 1830Honfleur: Calvary — Camille Corot · The Metropolitan Museum of Art
- ca. 1825–28Italian Landscape — Camille Corot · The Metropolitan Museum of Art
- 1826–27Lake Albano and Castel Gandolfo — Camille Corot · The Metropolitan Museum of Art
- ca. 1870–73A Lane through the Trees — Camille Corot · The Metropolitan Museum of Art
- ca. 1865The Letter — Camille Corot · The Metropolitan Museum of Art
- 1865River with a Distant Tower — Camille Corot · The Metropolitan Museum of Art
- 1843Study for "The Destruction of Sodom" — Camille Corot · The Metropolitan Museum of Art
- 1852, 1857, or 1863A Village Street: Dardagny — Camille Corot · The Metropolitan Museum of Art
- 1870Ville-d'Avray — Camille Corot · The Metropolitan Museum of Art
- ca. 1871–74A Woman Gathering Faggots at Ville-d'Avray — Camille Corot · The Metropolitan Museum of Art
- 1869 and 1870A Woman Reading — Camille Corot · The Metropolitan Museum of Art
- 1860–64The Curious Little Girl — Camille Corot · The Metropolitan Museum of Art
- —Cow in a Barn — Camille Corot · The Metropolitan Museum of Art
- 1890/1897Studies for Lunettes — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of Figures in a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of a Figure from Behind — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Figure Study — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Panel — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design [recto] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design [verso] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for Border Designs — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design with a Sketch of a Tree — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design [verso] — Charles Sprague Pearce · National Gallery of Art
La manière dont Artmetria travaille avec les sources et les éléments de preuve est exposée dans la méthode.