Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
1,801–2,000 of 13,187 records
- early 1820sPortrait of a Man with a Cleft Lip — Anson Dickinson · Cleveland Museum of Art
- 1790 - 1800Portrait of a Woman — Anthonie Joseph Helant · Rijksmuseum
- mid-17th centuryBarnyard Scene: two birds fighting (recto) Studies of Birds(verso) — Anthonie van Borssom · The Metropolitan Museum of Art
- 17th centuryLandscape with Bridge — Anthonie van Borssom · The Metropolitan Museum of Art
- 17th centuryCanal with a Boat and Ducks — Anthonie van Borssom · The Metropolitan Museum of Art
- 17th centuryElegant Party on the Tafelberg — Anthonie van Borssom · The Metropolitan Museum of Art
- ca. 1650–55Barnyard Scene — Anthonie van Borssom · The Metropolitan Museum of Art
- c. 1645River Scene with Windmill and Boats, Evening — Anthonie van Borssom · National Gallery of Art
- —Landscape — Anthonie van Borssom · National Gallery of Art
- 1650 - 1677Animals and Plants — Anthonie van Borssom · Rijksmuseum
- 1640 - 1677Moonlit Landscape — Anthonie van Borssom · Rijksmuseum
- c. 1660Winter Landscape with a Man Crossing — Anthonie Waterloo · Art Institute of Chicago
- second or third quarter 17th centuryThe Little Hamlet — Anthonie Waterloo · Cleveland Museum of Art
- after 1648Wooded Landscape — Anthonie Waterloo · Cleveland Museum of Art
- after 1640A Track on the Edge of a Wood with a Peasant Carrying Sheep — Anthonie Waterloo · Cleveland Museum of Art
- 17th centuryA House near a Bridge — Anthonie Waterloo · The Metropolitan Museum of Art
- 17th centuryLandscape with a Mill (recto); A Steepled Façade and Farm House (verso) — Anthonie Waterloo · The Metropolitan Museum of Art
- 17th centuryRiver Landscape with Mountain Stream — Anthonie Waterloo · The Metropolitan Museum of Art
- 17th centuryRiver Landscape — Anthonie Waterloo · The Metropolitan Museum of Art
- 17th centuryApse of a Church Seen Through the Snowy Branches of a Tree — Anthonie Waterloo · The Metropolitan Museum of Art
- ca. 1656–58Landscape with the Ruins of the Church of Heelsum — Anthonie Waterloo · The Metropolitan Museum of Art
- ca. 1658-60The Winsertor on the Messberg Hamburg (recto); View of the City Walls of Hamburg (verso) — Anthonie Waterloo · The Metropolitan Museum of Art
- 1629–90A Wooded Landscape with Travelers Crossing a Small Bridge over a River — Anthonie Waterloo · The Metropolitan Museum of Art
- 1629–90Landscape with a Traveler Crossing a Bridge (recto); Sketches of a Gate, a Bridge, and a Town Hall (verso) — Anthonie Waterloo · The Metropolitan Museum of Art
- —Landscape with a Wooded Ravine — Anthonie Waterloo · National Gallery of Art
- 1640 - 1690Boomrijk landschap — Anthonie Waterloo · Rijksmuseum
- c. 1560 - c. 1565Portretten van Sir Thomas Gresham en Anne Fernely — Anthonis Mor · Rijksmuseum
- ca. 1560 - ca. 1565Portraits of Sir Thomas Gresham and Anne Fernely — Anthonis Mor · Rijksmuseum
- 1772/1781View of the Needles, and White Cliffs Taken from Allum Bay, Isle of Wight — Anthony Devis · National Gallery of Art
- after 1780Deer Resting in Albury Park — Anthony Devis · National Gallery of Art
- —Sunset over the Valley — Anthony Devis · National Gallery of Art
- —Zahara — Anthony Devis · National Gallery of Art
- —Wooded Landscape — Anthony Devis · National Gallery of Art
- c. 1623–25A Genoese Lady with Her Child — Anthony van Dyck · Cleveland Museum of Art
- 1600s or laterPortrait of Charles I (1600–1649) — Anthony van Dyck · Cleveland Museum of Art
- early 17th centuryHead of an Apostle — Anthony van Dyck · The Metropolitan Museum of Art
- 17th centuryAlbert de Ligne, Count of Arenberg, Prince of Brabançon (1600–1674) — Anthony van Dyck · The Metropolitan Museum of Art
- 1615–41Sheet of Studies of Heads — Anthony van Dyck · The Metropolitan Museum of Art
- early 17th centuryA Group a Trees — Anthony van Dyck · The Metropolitan Museum of Art
- n.d.Christ on the Cross; verso: St. Jerome Reading by Candlelight, and Sketch of Male Torso (?) — Anthony van Dyck · The Metropolitan Museum of Art
- early 17th centuryStudy for a Portrait of a Lady — Anthony van Dyck · The Metropolitan Museum of Art
- n.d.Study of the Christ Child and the Hand of the Madonna. Verso; Profile of a Man — Anthony van Dyck · The Metropolitan Museum of Art
- early 17th centuryChrist and the Pharisees; verso; Christ and a Pharisee — Anthony van Dyck · The Metropolitan Museum of Art
- early 17th centuryLandscape with a Gnarled Tree and a Farm — Anthony van Dyck · The Metropolitan Museum of Art
- 1635–41Portrait Study — Anthony van Dyck · The Metropolitan Museum of Art
- 1621–27Sheet of Studies — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1629The Blessed Aloysius Gonzaga in Ecstasy — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1633–35James Stuart (1612–1655), Duke of Richmond and Lennox — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1622Lucas van Uffel (died 1637) — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1618Portrait of a Man — Anthony van Dyck · The Metropolitan Museum of Art
- probably ca. 1622–25Portrait of a Woman, Called the Marchesa Durazzo — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1632–35Robert Rich (1587–1658), Second Earl of Warwick — Anthony van Dyck · The Metropolitan Museum of Art
- 1624Saint Rosalie Interceding for the Plague-stricken of Palermo — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1620–21Self-Portrait — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1617–20Study Head of an Old Man with a White Beard — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1620Virgin and Child — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1630Virgin and Child with Saint Catherine of Alexandria — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1630A Man Mounting a Horse — Anthony van Dyck · The Metropolitan Museum of Art
- ca. 1630A Man Riding a Horse — Anthony van Dyck · The Metropolitan Museum of Art
- —Sir Peter Paul Rubens (1577–1640) — Anthony van Dyck · The Metropolitan Museum of Art
- —Two Tritons at the Feast of Acheloüs — Anthony van Dyck · The Metropolitan Museum of Art
- 1636Queen Henrietta Maria — Anthony van Dyck · The Metropolitan Museum of Art
- 1634 - c. 1635Portret van een edelman, mogelijk Nicolaes van der Borght — Anthony van Dyck · Rijksmuseum
- 1641Maria Stuart en Willem II — Anthony van Dyck · Rijksmuseum
- c. 1620The Penitent Magdalen — Anthony van Dyck · Rijksmuseum
- ca. 1620Portret van een man — Anthony van Dyck · Rijksmuseum
- n.d.Dunbarton from the West — Anthony Vandyke Copley Fielding · Art Institute of Chicago
- n.d.Dunbarton Looking from the Clyde — Anthony Vandyke Copley Fielding · Art Institute of Chicago
- c. 1807–55Marine — Anthony Vandyke Copley Fielding · Cleveland Museum of Art
- late 18th–early 19th centuryIllustrations for an Allegorical Pattern Book — Antoine Borel · The Metropolitan Museum of Art
- late 18th–early 19th centuryIllustrations for an Allegorical Pattern Book — Antoine Borel · The Metropolitan Museum of Art
- 1790Le mari confident — Antoine Borel · National Gallery of Art
- 1842Louis Philippe, 1773-1850, King of the French 1830-1848 [obverse] — Antoine Bovy · National Gallery of Art
- 1842The Establishment of the French Railway System: The Law of 11 June 1842 [reverse] — Antoine Bovy · National Gallery of Art
- after 1857The Marl Pit at Mulcent: Evening — Antoine Chintreuil · Cleveland Museum of Art
- c. 1865–1870Industrial Plant — Antoine Chintreuil · Cleveland Museum of Art
- n.d.Orpheus on the River Styx — Antoine Coypel · Art Institute of Chicago
- n.d.Hand Pointing and Forearm — Antoine Coypel · Art Institute of Chicago
- n.d.Back of Hand and Forearm — Antoine Coypel · Art Institute of Chicago
- 1715–1717Head of a Young Man — Antoine Coypel · Cleveland Museum of Art
- —Seated Old Man Holding a Staff — Antoine Coypel · The Metropolitan Museum of Art
- —Standing Figure of Apollo — Antoine Coypel · The Metropolitan Museum of Art
- —Zephyr and Flora — Antoine Coypel · The Metropolitan Museum of Art
- ca. 1716–17Study for the Funeral of Pallas — Antoine Coypel · The Metropolitan Museum of Art
- ca. 1695The Shade of the Prophet Samuel Invoked by King Saul and Conjured by the Witch of Endor — Antoine Coypel · The Metropolitan Museum of Art
- c. 1716Head of an Old Man — Antoine Coypel · National Gallery of Art
- 1705/1708Cupid Stealing Venus's Floral Crown — Antoine Coypel · National Gallery of Art
- mid-18th–early 19th centuryHead of a Bearded Old Man Wearing a Laurel Crown — Antoine François Callet · The Metropolitan Museum of Art
- ca. 1777Jupiter and Ceres — Antoine François Callet · The Metropolitan Museum of Art
- 1787Louis XVI (1754–1793), King of France — Antoine François Callet · The Metropolitan Museum of Art
- 1756Lot and His Daughters — Antoine Pesne · Cleveland Museum of Art
- 1750Bathsheba at the Bath — Antoine Pesne · The Metropolitan Museum of Art
- 1823The Curious One — Antoine Pierre Mongin · Cleveland Museum of Art
- 1803The Progress of Love — Antoine Pierre Mongin · The Metropolitan Museum of Art
- ca. 1718Head of a Man — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1715–16Study of a Nude Man Holding Bottles — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1714Landscape with a Cottage and Well — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1714Landscape with a Country House — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1714–18Studies of a Standing Woman Holding a Spindle and a Woman’s Head in Profile to the Right — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1717Seated Woman Holding a Fan — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1715Landscape with an Old Woman Holding a Spindle, after Domenico Campagnola — Antoine Watteau · The Metropolitan Museum of Art
- n.d.Head of a Satyr — Antoine Watteau · The Metropolitan Museum of Art
- n.d.Reclining Nude Figure (recto); unidentifiable sketches (verso) — Antoine Watteau · The Metropolitan Museum of Art
- n.d.Farm House along a River, two figures at left — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1715Standing Savoyarde with a Marmot Box — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1717–18Studies of a Woman Wearing a Cap — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1717Study of a Woman's Head and Hands — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1720The French Comedians — Antoine Watteau · The Metropolitan Museum of Art
- ca. 1718–20Mezzetin — Antoine Watteau · The Metropolitan Museum of Art
- —The Cascade — Antoine Watteau · The Metropolitan Museum of Art
- —The Country Dance — Antoine Watteau · The Metropolitan Museum of Art
- c. 1712The Wedding Procession — Antoine Watteau · National Gallery of Art
- c. 1718Italian Comedians Taking Their Bows — Antoine Watteau · National Gallery of Art
- 1710A Shepherd and Shepherdess Seated under a Tree — Antoine Watteau · National Gallery of Art
- 1709/1710Two Standing Soldiers, One Wearing a Hat — Antoine Watteau · National Gallery of Art
- c. 1708/1709Children Parodying a Triumph of Bacchus — Antoine Watteau · National Gallery of Art
- probably 1720The Italian Comedians — Antoine Watteau · National Gallery of Art
- 1717/1718Two Studies of a Violinist Tuning His Instrument — Antoine Watteau · National Gallery of Art
- c. 1717/1718Ceres (Summer) — Antoine Watteau · National Gallery of Art
- c. 1716Mezzetin — Antoine Watteau · National Gallery of Art
- 1718/1719Three Studies of a Woman's Head and a Study of Hands [recto] — Antoine Watteau · National Gallery of Art
- 1718/1719View of a House, a Cottage, and Two Figures [verso] — Antoine Watteau · National Gallery of Art
- c. 1716The Bower — Antoine Watteau · National Gallery of Art
- c. 1711-1712A Fête Galante with Falconers — Antoine Watteau · National Gallery of Art
- c. 1715/1716The March of Silenus [recto] — Antoine Watteau · National Gallery of Art
- c. 1715/1716Figure Sketches and a Copy After a Sculpted Head [verso] — Antoine Watteau · National Gallery of Art
- c. 1720/1721Seated Woman Looking Down — Antoine Watteau · National Gallery of Art
- c. 1716A Man Reclining and a Woman Seated on the Ground — Antoine Watteau · National Gallery of Art
- c. 1711-1712The Gallant Gardener — Antoine Watteau · National Gallery of Art
- —Seated Guitarist [recto] — Antoine Watteau · National Gallery of Art
- —Treetops [verso] — Antoine Watteau · National Gallery of Art
- model before 1855Reclining Doe and Deer — Antoine-Louis Barye · National Gallery of Art
- model c. 1820sCrouching Rabbit — Antoine-Louis Barye · National Gallery of Art
- model before 1847Fawn Scratching — Antoine-Louis Barye · National Gallery of Art
- model c. 1830sAsian Elephant Walking — Antoine-Louis Barye · National Gallery of Art
- model 1831Tiger Devouring a Gavial of the Ganges — Antoine-Louis Barye · National Gallery of Art
- model date unknown, cast after 1862Eagle with Wings Outstretched and Open Beak — Antoine-Louis Barye · National Gallery of Art
- model 1831Leopard — Antoine-Louis Barye · National Gallery of Art
- model c. 1846, cast after 1870Seated Lion — Antoine-Louis Barye · National Gallery of Art
- model date unknown, cast after 1862Algerian Dromedary — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1845/1874Candlestick, Cup Form, with Arabesques, Bell Flowers, Owls, and Panthers' Heads — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1860/1873Panther of Tunis — Antoine-Louis Barye · National Gallery of Art
- model 1840, cast by 1874Doe Reclining — Antoine-Louis Barye · National Gallery of Art
- model 1831, cast by 1874Genet Carrying off a Bird — Antoine-Louis Barye · National Gallery of Art
- model c. 1831, cast by 1874Panther — Antoine-Louis Barye · National Gallery of Art
- model 1840, cast by 1874Fawn Reclining — Antoine-Louis Barye · National Gallery of Art
- model 1841, cast by 1873Walking Tiger — Antoine-Louis Barye · National Gallery of Art
- model 1831, cast by 1874Virginia Deer — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 144/1873Duke of Orléans — Antoine-Louis Barye · National Gallery of Art
- 1820sFawn Scratching — Antoine-Louis Barye · National Gallery of Art
- model c. 1840, cast by 1873Minerva — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1857/1873Standing Bear — Antoine-Louis Barye · National Gallery of Art
- model 1831, cast by 1874Leopard — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1874Reclining Greyhound — Antoine-Louis Barye · National Gallery of Art
- model 1841, cast by 1873Elk Surprised by a Lynx — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1873Stag, Doe, and Fawn — Antoine-Louis Barye · National Gallery of Art
- model c. 1840, cast by 1873Juno — Antoine-Louis Barye · National Gallery of Art
- model 1850, cast by 1874Jaguar Devouring a Hare — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1857/1873Turkish Horse, Left Foreleg Raised — Antoine-Louis Barye · National Gallery of Art
- model 1837, cast by 1873Sleeping Jaguar — Antoine-Louis Barye · National Gallery of Art
- model c. 1847, cast by 1873Seated Lion — Antoine-Louis Barye · National Gallery of Art
- model 1832/1838, cast by 1873Two Young Lions — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1860/1873Panther of India — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1874Pheasant, Head to Right — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1874Parakeet Seated on a Tree — Antoine-Louis Barye · National Gallery of Art
- model c. 1835, cast by 1873Tiger Attacking a Stag — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1874Antique Style Three Light Candelabra with Chains — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1850/1874Two Light Candlestick — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast after 1870 by 1873Bear Fleeing from Dogs — Antoine-Louis Barye · National Gallery of Art
- model 1836, cast by 1873Lion of the Column of July — Antoine-Louis Barye · National Gallery of Art
- model 1839, cast by 1873Ocelot Carrying Off a Heron — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1873Half-Blooded Horse, with Head Down — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1857/1873Horse Attacked by a Lion — Antoine-Louis Barye · National Gallery of Art
- model 1833, cast by 1873Seated Bear — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast possibly c. 1857/1873Ten-Point Stag Brought Down by Two Scotch Hounds — Antoine-Louis Barye · National Gallery of Art
- model before 1843, cast by 1873North African Horseman Surprised by a Serpent — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1857/1873Panther Surprising a Civet Cat — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1873General Bonaparte — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1874Card Receiver with Fawn's Feet and Grapes — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1862/1873Tiger Attacking an Antelope — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1857/1874Candlestick with Leaves and Clochettes, and a Scarab on the Stem — Antoine-Louis Barye · National Gallery of Art
- model c. 1870, cast by 1873Huntsman, Louis XV Period — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1860/18731English Basset — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1840/1873Bull Brought Down by a Bear — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1857/1873Bull — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1857/1873Turkish Horse, Right Foreleg Raised — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1870/1873Greyhound Retrieving a Hare — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1845/1873Equestrienne in 1830 Dress — Antoine-Louis Barye · National Gallery of Art
- model c. 1870, cast by 1873Caucasian Warrior — Antoine-Louis Barye · National Gallery of Art
- model 1833, cast by 1873Two Bears Fighting — Antoine-Louis Barye · National Gallery of Art
- model 1837, cast by 1873Virginia Deer Reclining — Antoine-Louis Barye · National Gallery of Art
- model 1841, cast by 1873Python Crushing a Crocodile — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1860/1873Standing Jaguar — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1862/1873Jaguar Devouring a Crocodile — Antoine-Louis Barye · National Gallery of Art
- model 1837, cast by 1873Lion Devouring a Doe — Antoine-Louis Barye · National Gallery of Art
- model 1838, cast by 1873Lion Crushing a Serpent — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1874Pheasant, Head to Left — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1870/1874Ratel Stealing Eggs — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast 1857/1873Tiger Devouring a Gazelle — Antoine-Louis Barye · National Gallery of Art
- model n.d., cast c. 1845/1874Card Receiver with Inverted Border on High Stem — Antoine-Louis Barye · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.