Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
4,201–4,400 of 13,187 records
- 18th centuryGideon Gathering His Army, Scene from the Book of Judges — Etienne Parrocel · The Metropolitan Museum of Art
- —The Drawing of Lots to Divide the Promised Land — Etienne Parrocel · National Gallery of Art
- c. 1750Study for an Allegory of Painting — Etienne Parrocel · National Gallery of Art
- —The Punishment of Cupid — Etienne-Maurice Falconet · National Gallery of Art
- —Venus of the Doves — Etienne-Maurice Falconet · National Gallery of Art
- 1839Des Pfarrers Tochter von Taubenhein (The Parson's Daughter from Taubenhain) — Eugen Napoleon Neureuther · National Gallery of Art
- 1840sThe Happy Squire and His Bride — Eugen Napoleon Neureuther · National Gallery of Art
- 1817–70The Chastisement of Luxury — Eugenio Lucas · The Metropolitan Museum of Art
- 1817–70Arabs Resting — Eugenio Lucas · The Metropolitan Museum of Art
- c. 1820Family Group at Piano — Eunice Pinney · Art Institute of Chicago
- c. 1815Mother and Child — Eunice Pinney · National Gallery of Art
- —Mother and Daughter — Eunice Pinney · National Gallery of Art
- 1810Lolotte and Werther — Eunice Pinney · National Gallery of Art
- c. 1815The Cotters Saturday Night — Eunice Pinney · National Gallery of Art
- c. 1654Study for Saint Louis Healing the Sick — Eustache Le Sueur · Art Institute of Chicago
- n.d.Study for Priest Bearing Crozier — Eustache Le Sueur · Art Institute of Chicago
- 1646/49Head of a Woman — Eustache Le Sueur · Art Institute of Chicago
- mid-17th centuryGod the Father — Eustache Le Sueur · The Metropolitan Museum of Art
- ca. 1652Study for Saint Gervasius — Eustache Le Sueur · The Metropolitan Museum of Art
- 17th centuryDesign for a Medallion: Huntress Kneeling before an Armed Goddess — Eustache Le Sueur · The Metropolitan Museum of Art
- 17th centuryMinerva Presenting Two Portraits to Apollo — Eustache Le Sueur · The Metropolitan Museum of Art
- probably ca. 1640The Rape of Tamar — Eustache Le Sueur · The Metropolitan Museum of Art
- 1885The Angel of Death — Evelyn De Morgan · Art Institute of Chicago
- 1905Study of Arms for "The Cadence of Autumn" — Evelyn De Morgan · The Metropolitan Museum of Art
- 1905Study of Arms for "The Cadence of Autumn" — Evelyn De Morgan · The Metropolitan Museum of Art
- 1901The Tired City (Early Morning, Paris) — Everett Shinn · Art Institute of Chicago
- n.d.Hanging on the Rim of the Rock, from Peter Rabbit — Everett Shinn · Art Institute of Chicago
- 1899Cross Streets of New York — Everett Shinn · National Gallery of Art
- 1907Woman with Two Children Waling Along Beach — Evert Pieters · Art Institute of Chicago
- n.d.Interior, Dutch Girl Peeling an Apple — Evert Pieters · Art Institute of Chicago
- c. 1810John Scoville — Ezra Ames · Cleveland Museum of Art
- c. 1815Maria Gansevoort Melvill (Mrs. Allan Melvill) — Ezra Ames · National Gallery of Art
- 1908The George Inn, Beaconsfield — F.L. Griggs · National Gallery of Art
- 1902St. Mary's College, St. David's — F.L. Griggs · National Gallery of Art
- 1909Garden House — F.L. Griggs · National Gallery of Art
- 1922Apse of St.-Didier, Avignon — F.L. Griggs · National Gallery of Art
- 1909North Marston Church — F.L. Griggs · National Gallery of Art
- 1922Cloitre St. Pierre, Avignon — F.L. Griggs · National Gallery of Art
- 1921Landscape with Castle — F.L. Griggs · National Gallery of Art
- 1910Topiary Archway — F.L. Griggs · National Gallery of Art
- 1903St. Anne's Church from Southover — F.L. Griggs · National Gallery of Art
- 1902Sunset and Moonrise at Cilian-Aeron — F.L. Griggs · National Gallery of Art
- 1572–1642Scheme for an Architectural Decoration with a Standing Male Figure in a Niche — Fabrizio Boschi · The Metropolitan Museum of Art
- 1572–1642Saint Matthew Seated in a Niche — Fabrizio Boschi · The Metropolitan Museum of Art
- 1707–94Street Scene with a Palace Façade and an Arcade — Fabrizio Galliari · The Metropolitan Museum of Art
- 1709–90Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors. — Fabrizio Galliari · The Metropolitan Museum of Art
- —Design for Entrance to a Hall — Fabrizio Galliari · National Gallery of Art
- 1576–1623Saint Andrew, Apostle, with Transverse Cross, Book, and Fish, (recto); Architectural sketch (verso) — Fabrizio Santafede · The Metropolitan Museum of Art
- 1575–1623Virgin and Child with two angels appearing to two saints — Fabrizio Santafede · The Metropolitan Museum of Art
- c. 1250–79Dragon; Tiger — Fachang Muqi · Cleveland Museum of Art
- c. 1250–79Dragon — Fachang Muqi · Cleveland Museum of Art
- c. 1250–79Tiger — Fachang Muqi · Cleveland Museum of Art
- mid-1200sSwallow and Lotus — Fachang Muqi · Cleveland Museum of Art
- mid-1200sWillow and Magpie — Fachang Muqi · Cleveland Museum of Art
- n.d.Design for a Trompe L'Oeil Ceiling with a Loggia — Faustino Trebbi · The Metropolitan Museum of Art
- —Design for a Ceiling — Faustino Trebbi · The Metropolitan Museum of Art
- —Design for Part of a Wall Elevation with a Balcony flanking an Arch — Faustino Trebbi · The Metropolitan Museum of Art
- 1880/1917Seated Woman and Small Dog — Federigo Zandomeneghi · Art Institute of Chicago
- 1880/1917Woman Looking into a Shop Window — Federigo Zandomeneghi · Art Institute of Chicago
- 1592Dionisio Ratta of Bologna, died 1597 [obverse] — Felice Antonio Casone · National Gallery of Art
- 1592Inscription [reverse] — Felice Antonio Casone · National Gallery of Art
- 1611Lavinia Fontana, 1552-1614, Bolognese Painter [obverse] — Felice Antonio Casone · National Gallery of Art
- 1611Figure of Inspiration at an Easel [reverse] — Felice Antonio Casone · National Gallery of Art
- ca. 1852Uncle Toby, from Laurence Sterne's "Tristram Shandy" — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- 1847Uncle Toby and the Fly, from Laurence Sterne's "Tristram Shandy" — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- 1842–88Allegorical Cartouche — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- 1845–88A train in a landscape — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- ca. 1879The Market Place, from Nathaniel Hawthorne's "The Scarlet Letter" — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- ca. 1879Revelation of the Scarlet Letter, from Nathaniel Hawthorne's "The Scarlet Letter" — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- 1866"On the Corniche Road," an early idea for "Sketches Abroad with Pen and Pencil" — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- ca. 1856Parson Wells and his Wife, from Judd's "Margaret: A Tale of the Real and Ideal, Blight and Bloom" — Felix Octavius Carr Darley · The Metropolitan Museum of Art
- 1848-1855Blacksmith in the Goldfields — Felix Octavius Carr Darley · National Gallery of Art
- c. 1842The Scalp-Dance of the Sioux — Felix Octavius Carr Darley · National Gallery of Art
- 1850sMan Flailing — Felix Octavius Carr Darley · National Gallery of Art
- 1859/1861The Squatter's Death — Felix Octavius Carr Darley · National Gallery of Art
- c. 1867Bernini Fountain, Rome [recto] — Felix Octavius Carr Darley · National Gallery of Art
- —Chef Tossing Pancakes and Group of Four Men [verso] — Felix Octavius Carr Darley · National Gallery of Art
- 1877Frontispiece for L'Illustration Nouvelle: The Burial of the Burin — Félix-Hilaire Buhot · National Gallery of Art
- —Head of a Man — Félix-Hilaire Buhot · National Gallery of Art
- —Figures on Top of a Hill, Overlooking the Sea — Félix-Hilaire Buhot · National Gallery of Art
- 1874Les Courses de Deauville — Félix-Hilaire Buhot · National Gallery of Art
- —Studies of Clouds and an Old Woman — Félix-Hilaire Buhot · National Gallery of Art
- —Two Studies of an Interior with Furniture — Félix-Hilaire Buhot · National Gallery of Art
- —A Gathering in an Interior; A Curtained Doorway — Félix-Hilaire Buhot · National Gallery of Art
- —Drawing for a Fan — Félix-Hilaire Buhot · National Gallery of Art
- —Sketch of Trees with a Statue on a Pedestal — Félix-Hilaire Buhot · National Gallery of Art
- c. 1875Fan with Wildflowers and Butterflies against the Norman Coast — Félix-Hilaire Buhot · National Gallery of Art
- c. 1875Figures on a Shore [verso] — Félix-Hilaire Buhot · National Gallery of Art
- 1876 or 1879Ebury Street — Félix-Hilaire Buhot · National Gallery of Art
- c. 1884Shipping in the Port of London [recto] — Félix-Hilaire Buhot · National Gallery of Art
- c. 1884Gillingham Pier, London [verso] — Félix-Hilaire Buhot · National Gallery of Art
- c. 1840View of La Cava — Félix-Hippolyte Lanoüe · National Gallery of Art
- c. 1840The Aqua Claudia in the Roman Campagna — Félix-Hippolyte Lanoüe · National Gallery of Art
- 1660 - 1663Abraham Entertaining the Three Angels — Ferdinand Bol · Rijksmuseum
- 1660 - 1663The Captain of God's Army Appearing to Joshua — Ferdinand Bol · Rijksmuseum
- 1655 - 1669Salomo ontvangt geschenken — Ferdinand Bol · Rijksmuseum
- ca. 1669Zelfportret — Ferdinand Bol · Rijksmuseum
- 1663Portrait of a Man — Ferdinand Bol · Rijksmuseum
- 1667Portrait of Michiel Adriaenszoon de Ruyter (1607-1676), Vice Admiral — Ferdinand Bol · Rijksmuseum
- 1662 - 1669A Mother, thought to be Johanna de Geer (1627-1691), and two Children — Ferdinand Bol · Rijksmuseum
- 1663Margarita Trip as Minerva, Instructing her Sister Anna Maria Trip — Ferdinand Bol · Rijksmuseum
- ca. 1658Venus en Adonis — Ferdinand Bol · Rijksmuseum
- 1658 - 1662De vredesonderhandelingen tussen Claudius Civilis en Quintus Petillius Cerealis op de afgebroken brug — Ferdinand Bol · Rijksmuseum
- 1661 - 1663Consul Titus Manlius Torquatus laat zijn zoon onthoofden — Ferdinand Bol · Rijksmuseum
- ca. 1661 - ca. 1663Aeneas kroont Cloanthus — Ferdinand Bol · Rijksmuseum
- 1650Roelof Meulenaer (1618/19-1691). Amsterdam Mercantile Courier or Postmaster on the Antwerp Route — Ferdinand Bol · Rijksmuseum
- 1650Maria Rey (1630/31-1703). Echtgenote van Roelof Meulenaer — Ferdinand Bol · Rijksmuseum
- 1667Portret van een zee-overste, waarschijnlijk vice-admiraal Aert van Nes (1626-1693) — Ferdinand Bol · Rijksmuseum
- 1657-07-24Six Regents and the Beadle of the Nieuwezijds Institute for the Outdoor Relief of the Poor, Amsterdam, 1657 — Ferdinand Bol · Rijksmuseum
- 1728Dr. John Freind, 1675-1728, English Physician [obverse] — Ferdinand de Saint-Urbain · National Gallery of Art
- 1728Hippocrates and Dr. John Freind [reverse] — Ferdinand de Saint-Urbain · National Gallery of Art
- 1703/1738Nicolas François, 1612-1670, Duc de Lorraine 1634-1661 [obverse] — Ferdinand de Saint-Urbain · National Gallery of Art
- 1703/1738Claudia, 1612-1648, Duchesse de Lorraine 1634 [reverse] — Ferdinand de Saint-Urbain · National Gallery of Art
- 1727Leopold Joseph I, 1679-1729, Duke of Lorraine 1697 [obverse] — Ferdinand de Saint-Urbain · National Gallery of Art
- 1727Mounted Traveller [reverse] — Ferdinand de Saint-Urbain · National Gallery of Art
- c. 1831Prater Landscape — Ferdinand Georg Waldmüller · Cleveland Museum of Art
- 1828Countess Széchenyi — Ferdinand Georg Waldmüller · Cleveland Museum of Art
- 1800–1865Portrait of Franz Jauner (Vienna 1832-1900 Vienna), Theater Director and Actor in Vienna — Ferdinand Georg Waldmüller · The Metropolitan Museum of Art
- —Landscape with a View in a Valley — Ferdinand Georg Waldmüller · The Metropolitan Museum of Art
- 1835Prince Rudolph Joseph of Colloredo-Mansfeld — Ferdinand Georg Waldmüller · The Metropolitan Museum of Art
- mid-19th centuryPortrait of a Woman in a Lace Bonnet, in three-quarter profile to the left — Ferdinand Georg Waldmüller · The Metropolitan Museum of Art
- 1824The Cartographer Professor Josef Jüttner and His Wife — Ferdinand Georg Waldmüller · National Gallery of Art
- 1760–99Southern Landscape with Resting Wayfarers at a River — Ferdinand Kobell · The Metropolitan Museum of Art
- 1740–99Landscape with Wayfarers — Ferdinand Kobell · The Metropolitan Museum of Art
- 1740–99Landscape with Lovers — Ferdinand Kobell · The Metropolitan Museum of Art
- 1783A Battle Scene — Ferdinand Kobell · The Metropolitan Museum of Art
- 1783A Battle Scene — Ferdinand Kobell · The Metropolitan Museum of Art
- late 18th centuryShepherds at rest — Ferdinand Kobell · The Metropolitan Museum of Art
- late 18th centuryLandscape with a Brook and Farm Buildings — Ferdinand Kobell · The Metropolitan Museum of Art
- late 18th centuryA Path Bordered by Trees with two Beggars and a Couple Strolling — Ferdinand Kobell · The Metropolitan Museum of Art
- late 18th centurySouthern Landscape with a Waterfall and Goats — Ferdinand Kobell · The Metropolitan Museum of Art
- 1677–1743Design for a Stage Set: A Town Square with a Fountain — Ferdinando Galli Bibiena · The Metropolitan Museum of Art
- 1657–1743Stage Setting with Ballet — Ferdinando Galli Bibiena · The Metropolitan Museum of Art
- 1677–1743Foreshortened or Trompe L'Oeil View of the Architecture Surrounding a Courtyard — Ferdinando Galli Bibiena · The Metropolitan Museum of Art
- 1657–1743Architectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns — Ferdinando Galli Bibiena · The Metropolitan Museum of Art
- ca. 1680–1710Design for a Stage Set of a Palace Interior Decorated with Putti, Garlands and Three Portrait Medallions — Ferdinando Galli Bibiena · The Metropolitan Museum of Art
- 1675–1743Vaulted Hall with Candelabra — Ferdinando Galli Bibiena · The Metropolitan Museum of Art
- c. 1711Stage Design of Garden Pavilions — Ferdinando Galli Bibiena · National Gallery of Art
- 1720/1740A Grand Illusionistic Ceiling — Ferdinando Galli Bibiena · National Gallery of Art
- 1912Self-Portrait — Fernand Cormon · Cleveland Museum of Art
- n.d.Crouching Woman — Fernand Cormon · The Metropolitan Museum of Art
- 1863Bird's Nest and Ferns — Fidelia Bridges · Art Institute of Chicago
- 1875Pink Roses — Fidelia Bridges · National Gallery of Art
- 1870sDead Yellow-breasted Bird in Autumn Landscape — Fidelia Bridges · National Gallery of Art
- 1870sFlowers in a Pitcher — Fidelia Bridges · National Gallery of Art
- 1863Trailing Arbutus — Fidelia Bridges · National Gallery of Art
- c. 1490St. Jerome in His Study — Filippino Lippi · Cleveland Museum of Art
- c. 1488–93The Holy Family with Saint John the Baptist and Saint Margaret — Filippino Lippi · Cleveland Museum of Art
- second half 1400sHead of a Young Man — Filippino Lippi · Cleveland Museum of Art
- ca. 1480Standing Male Figure — Filippino Lippi · The Metropolitan Museum of Art
- 1457/58–1504Virgin and Child Attended by Angels — Filippino Lippi · The Metropolitan Museum of Art
- ca. 1483–84Madonna and Child — Filippino Lippi · The Metropolitan Museum of Art
- —The Descent from the Cross — Filippino Lippi · The Metropolitan Museum of Art
- probably ca. 1500The Virgin of the Nativity — Filippino Lippi · The Metropolitan Museum of Art
- ca. 1500St. Joseph with the Christ Child and St. John the Baptist — Filippino Lippi · The Metropolitan Museum of Art
- c. 1475The Coronation of the Virgin — Filippino Lippi · National Gallery of Art
- c. 1475/1480The Adoration of the Child — Filippino Lippi · National Gallery of Art
- c. 1485Portrait of a Youth — Filippino Lippi · National Gallery of Art
- c. 1475/1480Tobias and the Angel — Filippino Lippi · National Gallery of Art
- c. 1500Pietà (The Dead Christ Mourned by Nicodemus and Two Angels) — Filippino Lippi · National Gallery of Art
- c. 1496Standing Nude Youth — Filippino Lippi · National Gallery of Art
- c. 1500Man with a Stick — Filippino Lippi · National Gallery of Art
- c. 1493/1495Various Figure Studies — Filippino Lippi · National Gallery of Art
- c. 1493/1497Dancing Putto Holding a Drapery — Filippino Lippi · National Gallery of Art
- c. 1500/1504An Angel Carrying a Torch — Filippino Lippi · National Gallery of Art
- c. 1501Two Angels Carrying Torches — Filippino Lippi · National Gallery of Art
- c. 1488Standing Woman with Her Hands Clasped in Prayer — Filippino Lippi · National Gallery of Art
- 1488/1493Two Draped Women Standing on Either Side of a Herm — Filippino Lippi · National Gallery of Art
- c. 1590The Verification of the True Cross — Filippo Bellini · Cleveland Museum of Art
- 1550–1604Christ in Limbo: Design for the Standard of a Confraternity — Filippo Bellini · The Metropolitan Museum of Art
- 1560–1600Annunciation — Filippo Bellini · The Metropolitan Museum of Art
- —The Crucifixion with Saints Roch and Augustine — Filippo Bellini · National Gallery of Art
- 1676–1736Architectural Study (recto); Separate Sheet with Architectural Drawing (verso) — Filippo Juvarra · The Metropolitan Museum of Art
- c. 1715Studies for the Façade of Santa Cristina [recto] — Filippo Juvarra · National Gallery of Art
- —Floor Plan [verso] — Filippo Juvarra · National Gallery of Art
- 1704Architectural Fantasies with Temples and Pyramids — Filippo Juvarra · National Gallery of Art
- 1607-1629Young Man in Profile with Chin in Hand, Leaning on Raised Knee — Filippo Napoletano · Art Institute of Chicago
- 1600–1614(?)Landscape with Tower at Seashore — Filippo Napoletano · Cleveland Museum of Art
- c. 1700–1725Winter — Filippo Parodi · Cleveland Museum of Art
- c. 1675Sleeping Christ Child — Filippo Parodi · Cleveland Museum of Art
- 1763–1856Orpheus and Eurydice — Filippo Pedrini · The Metropolitan Museum of Art
- 1792–1816Allegorical Figure of Chastity — Filippo Pedrini · The Metropolitan Museum of Art
- c. 1846–1847Harbor of Boston, with the City in the Distance — Fitz Henry Lane · Cleveland Museum of Art
- 1850The United States Frigate "President" Engaging the British Squadron, 1815 — Fitz Henry Lane · National Gallery of Art
- 1863Lumber Schooners at Evening on Penobscot Bay — Fitz Henry Lane · National Gallery of Art
- 1860Becalmed off Halfway Rock — Fitz Henry Lane · National Gallery of Art
- 1852New York Harbor — Fitz Henry Lane · National Gallery of Art
- 1872David and Goliath, Cartoon for Stained Glass Window at Jesus College, Cambridge — Ford Madox Brown · Cleveland Museum of Art
- 1854Cordelia Parting from her Sisters — Ford Madox Brown · Cleveland Museum of Art
- 1872The Convalescent (A Portrait of the Artist's Wife) — Ford Madox Brown · The Metropolitan Museum of Art
- 1844The Virgin Swooning [recto] — Ford Madox Brown · National Gallery of Art
- c. 1844Two Drapery Studies [verso] — Ford Madox Brown · National Gallery of Art
- 1787–1863Congregation in a Temple — Fortunato Duranti · The Metropolitan Museum of Art
- 1787–1863The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound — Fortunato Duranti · The Metropolitan Museum of Art
- 1787–1863The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet — Fortunato Duranti · The Metropolitan Museum of Art
- 1835/1845Falsehood Is the Cause of All Evil (recto); An Allegory of Truth and Falsehood (verso) — Fortunato Duranti · National Gallery of Art
- 1835/1845An Allegory of Truth and Falsehood (verso) — Fortunato Duranti · National Gallery of Art
- 1420sCoronation of the Virgin — Fra Angelico · Cleveland Museum of Art
- c. 1438/1440The Healing of Palladia by Saint Cosmas and Saint Damian — Fra Angelico · National Gallery of Art
- c. 1430The Madonna of Humility — Fra Angelico · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.