Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
4,601–4,800 of 13,187 records
- 1876Leslie Pease Barnum — Frank Duveneck · National Gallery of Art
- c. 1877-1878William Gedney Bunce — Frank Duveneck · National Gallery of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- 1834Illustration design for "The Economy of Human Life" — Frank Howard · The Metropolitan Museum of Art
- n.d.Two Women Seated — Frank Walter Taylor · Art Institute of Chicago
- n.d.Two Men at a Table — Frank Walter Taylor · Art Institute of Chicago
- n.d.Man Seated at Desk, with Man Standing Behind Him — Frank Walter Taylor · Art Institute of Chicago
- n.d.The Parting — Frank Walter Taylor · Art Institute of Chicago
- n.d.Abraham Lincoln at His Desk — Frank Walter Taylor · Art Institute of Chicago
- n.d.Man Reading a Book — Frank Walter Taylor · Art Institute of Chicago
- 1894/1921On the Terrace (recto); Man and Woman at a Doorway (verso) — Frank Walter Taylor · Art Institute of Chicago
- n.d.Adoration of the Magi — Frans Francken II · The Metropolitan Museum of Art
- early 17th centuryAllegory of the Death of a Religious Man — Frans Francken II · The Metropolitan Museum of Art
- c. 1637Portrait of Duijfje van Gerwen (1618-1658) — Frans Hals · Rijksmuseum
- ca. 1622Portrait of a Couple in a Landscape, probably Isaac Abrahamsz Massa (1586-1643) and Beatrix van der Laen (1592-1639) — Frans Hals · Rijksmuseum
- 1639Maritge Voogt Claesdr (1577-1644). Echtgenote van Pieter Jacobsz Olycan, burgemeester van Haarlem — Frans Hals · Rijksmuseum
- c. 1635Portrait of Lucas de Clercq — Frans Hals · Rijksmuseum
- 1635Portret van Feyntje van Steenkiste — Frans Hals · Rijksmuseum
- 1659Brazilian landscape with the village of Igaraçú. To the left the church of Sts Cosmas and Damian — Frans Jansz Post · Rijksmuseum
- ca. 1665 - ca. 1669Landschap in Nederlands-Brazilië — Frans Jansz Post · Rijksmuseum
- 1637View of the Island of Itamaracá, Brazil — Frans Jansz Post · Rijksmuseum
- 1675 - 1680Braziliaans dorp — Frans Jansz Post · Rijksmuseum
- 1675 - 1680Het huis van een Hollandse kolonist in Brazilië — Frans Jansz Post · Rijksmuseum
- 1662View of Olinda, Brazil — Frans Jansz Post · Rijksmuseum
- ca. 1616 - ca. 1620Still Life with Dead Game, Fruit and Vegetables — Frans Snijders · Rijksmuseum
- ca. 1616 - ca. 1625Larder Still life — Frans Snijders · Rijksmuseum
- ca. 1630–40Fox With Two Herons — Frans Snyders · The Metropolitan Museum of Art
- c. 1630Still Life with Grapes and Game — Frans Snyders · National Gallery of Art
- c. 1615Still Life with Flowers, Grapes, and Small Game Birds — Frans Snyders · National Gallery of Art
- c. 1650/1655Saying Grace — Frans van Mieris · National Gallery of Art
- c. 1657/1658A Soldier Smoking a Pipe — Frans van Mieris · National Gallery of Art
- c. 1750Study for "The Presentation of Christ in the Temple" (for Saint Ulrich, Vienna) — Franz Anton Maulbertsch · Cleveland Museum of Art
- mid-18th–late 18th centurySaint Wenceslas at the Vintage, Attended by Angels and Putti — Franz Anton Maulbertsch · The Metropolitan Museum of Art
- 1724–96The Adoration of the Holy Lamb — Franz Anton Maulbertsch · The Metropolitan Museum of Art
- ca. 1772–73The Glorification of the Royal Hungarian Saints — Franz Anton Maulbertsch · The Metropolitan Museum of Art
- 1757The Adoration of the Shepherds — Franz Anton Maulbertsch · National Gallery of Art
- before 1654The Sack of Troy: Pyrrhus Killing Priam — Franz Cleyn · The Metropolitan Museum of Art
- ca. 1626–36Border Designs for the Mortlake "Acts of the Apostles" Tapestries — Franz Cleyn · The Metropolitan Museum of Art
- 1749–1822Rocky Landscape with a Lake — Franz Kobell · The Metropolitan Museum of Art
- early 19th centuryMountainous Landscape with a Brook — Franz Kobell · The Metropolitan Museum of Art
- 1749–1822Classical Landscape with Figures — Franz Kobell · The Metropolitan Museum of Art
- late 18th–early 19th centuryView of Munich with Marienkirche on right — Franz Kobell · The Metropolitan Museum of Art
- 1824A View of Naples through a Window — Franz Ludwig Catel · Cleveland Museum of Art
- ca. 1820–1822View of the Bay of Naples with Mount Vesuvius — Franz Ludwig Catel · The Metropolitan Museum of Art
- ca. 1820–25First Steps — Franz Ludwig Catel · The Metropolitan Museum of Art
- 1841A Sailing Regatta near Berlin — Franz Ludwig Catel · The Metropolitan Museum of Art
- 1834View of the Church of San Pancrazio, Rome, from the South — Franz Ludwig Catel · The Metropolitan Museum of Art
- 1860A Farmyard near Merano — Franz Meyerheim · The Metropolitan Museum of Art
- 1860A Wooden Door of a Farm Building near Merano — Franz Meyerheim · The Metropolitan Museum of Art
- ca. 1807Medieval Hunting Scene — Franz Pforr · The Metropolitan Museum of Art
- c. 1810Scene from Act IV from Goethe's "Gotz von Berlichingen" — Franz Pforr · National Gallery of Art
- 19th centurySketch of the Monastery of St. George Chalkis — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryStatue of a Knight — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryThe Cloister Sanajia (?) at Kalki — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryInterior of the Alhambra(?) — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centurySketch of Building — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryLandscape with Bridge — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centurySketch of Building and Garden — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryLandscape — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryView of a Bay and Mountains — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryView of Town — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryLandscape near Constantinople — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryLandscape with Acquaduct near Smyrna — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 1818–83Landscape with a Large Building — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 1818–83Landscape with a Large Building — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- ca. 1814Allegory of Victory of Russians over Napoleon's Army, from a poem by Cremes — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 1815–83Daniel interprets Nebuchadnezzar's Dream — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centurySoldiers in a Cave Receiving Blessings from Heaven — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centurySoldiers in a Cave Receiving Blessings from Heaven — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centurySun King Anointing a Bound Couple, from August von Kotzebue's Die Sonnenjungfrau — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 19th centuryAssembly of Roman Figures, from Regulus, a play by Collin — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- 1812–83Two Mounted Soldiers in Classical Ruins, for a poem by Cremes — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- ca. 1814Allegory of Victory: Soldier Being Crowned by Laurels — Franz von Hauslab the Younger · The Metropolitan Museum of Art
- c. 1875Karl Eduard von Liphart — Franz von Lenbach · Cleveland Museum of Art
- 1900Marion Lenbach (1892–1947), the Artist's Daughter — Franz von Lenbach · The Metropolitan Museum of Art
- 1902Prince Regent Luitpold of Bavaria (1821–1912) — Franz von Lenbach · The Metropolitan Museum of Art
- probably 1869Edouard Blau — Frédéric Bazille · National Gallery of Art
- 1870Young Woman with Peonies — Frédéric Bazille · National Gallery of Art
- 1867The Western Ramparts at Aigues-Mortes — Frédéric Bazille · National Gallery of Art
- 1869Edmond Maître — Frédéric Bazille · National Gallery of Art
- 1860Twilight in the Wilderness — Frederic Edwin Church · Cleveland Museum of Art
- 1847Storm in the Mountains — Frederic Edwin Church · Cleveland Museum of Art
- probably 1856Niagara Falls by Moonlight — Frederic Edwin Church · Cleveland Museum of Art
- 1879The Monastery of San Pedro (Our Lady of the Snows) — Frederic Edwin Church · Cleveland Museum of Art
- 1857Niagara — Frederic Edwin Church · National Gallery of Art
- 1854Tamaca Palms — Frederic Edwin Church · National Gallery of Art
- 1877El Rio de Luz (The River of Light) — Frederic Edwin Church · National Gallery of Art
- 1853Magdalena River, New Granada, Equador — Frederic Edwin Church · National Gallery of Art
- n.d.The Artful Dodgers (Shrapnel Coming Down the Road) — Frederic Remington · Art Institute of Chicago
- n.d.The Cuban Martyrdom — Frederic Remington · Art Institute of Chicago
- n.d.The Last Horse Shot, the Thornburg Massacre — Frederic Remington · Art Institute of Chicago
- n.d.Arabian Chief and Cavalrymen — Frederic Remington · Art Institute of Chicago
- 1881/1909Initial Letters - Essentials at Fort Adobe - Letter T — Frederic Remington · Art Institute of Chicago
- n.d.The Branding Chute — Frederic Remington · Art Institute of Chicago
- modeled 1908, cast c. 1911Trooper of the Plains-1868 — Frederic Remington · Cleveland Museum of Art
- model 1903, cast 1904The Mountain Man — Frederic Remington · National Gallery of Art
- model 1902, cast 1903Off the Range (Coming Through the Rye) — Frederic Remington · National Gallery of Art
- 1889On the Bridle Path, Central Park, New York — Frederic Remington · National Gallery of Art
- c. 1886The Eavesdropper — Frederick Barnard · Art Institute of Chicago
- 1880/96Two Gentlemen Helping a Drunk — Frederick Barnard · Art Institute of Chicago
- 1875And What has Brought [sic] Him to This?-The Bottle!! — Frederick Barnard · Art Institute of Chicago
- n.d.The Boy at the Gnaw — Frederick Barnard · Art Institute of Chicago
- 1892/1920The Aunt — Frederick Henry Townsend · Art Institute of Chicago
- 1892/1920The Interview — Frederick Henry Townsend · Art Institute of Chicago
- 1920Study for Palace Farm — Frederick Landseer Maur Griggs · Art Institute of Chicago
- 1904The Temple, Paris — Frederick Landseer Maur Griggs · Cleveland Museum of Art
- n.d.University Buildings from Exeter College Gardens — Frederick MacKenzie · Art Institute of Chicago
- c. 1816Interior of Christ Church — Frederick MacKenzie · Art Institute of Chicago
- 1815/16Old Magdalen Hall from the Gravel Walk Burnt Down A.D. — Frederick MacKenzie · Art Institute of Chicago
- n.d.View From Radcliffe Library — Frederick MacKenzie · Art Institute of Chicago
- c. 1816Library of Winchester College — Frederick MacKenzie · Art Institute of Chicago
- 1815/20South Side of King's College Chapel, Cambridge — Frederick MacKenzie · Art Institute of Chicago
- n.d.Writing School, Christ's Hospital — Frederick MacKenzie · Art Institute of Chicago
- 1862Susanna Anderson Rose — Frederick Sandys · Cleveland Museum of Art
- 1871The Coral Necklace — Frederick Sandys · Cleveland Museum of Art
- 1894Bacchante and Infant Faun — Frederick William MacMonnies · Cleveland Museum of Art
- 1890Pan of Rohallion — Frederick William MacMonnies · Cleveland Museum of Art
- model 1889/1890, cast 1890Nathan Hale — Frederick William MacMonnies · National Gallery of Art
- model 1890, cast 1894/1904Young Faun with Heron — Frederick William MacMonnies · National Gallery of Art
- 1826Trees by the River at Castle Bromwich — Frederick William Watts · National Gallery of Art
- mid-19th centuryA Drover with Sheep, a Church Beyond — Frederick William Watts · National Gallery of Art
- 1830–62Decorated Border with Nativity Scene — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial "O" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Letter "D" within a Decorated Border — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Floral Border Design — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial "N" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial "O" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial "C" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial "D" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial "B" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial from Hymnal — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Initial and Saint — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Leaf with Initial "I" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Illuminated Leaf with Initial "E" (recto); Vine Border (verso) — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Six Border Designs — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Title page design for "The Court Journal" — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Inscription in Gothic Letters — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Charity — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Decorated Border — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Decorated Border — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Hope — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Faith — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62The Bridge of Sighs — Freeman Gage Delamotte · The Metropolitan Museum of Art
- 1830–62Another Year of LIfe Has Flown — Freeman Gage Delamotte · The Metropolitan Museum of Art
- c. 1825–62Peasant Woman — Friedrich Gauermann · Cleveland Museum of Art
- 1827/1839A Ferry on the Königsee — Friedrich Gauermann · National Gallery of Art
- 1527–1546Portrait of a Man — Friedrich Hagenauer · Cleveland Museum of Art
- 1527Sebastian Liegsalz (Ligsalz), 1483-1534, Munich Patrician — Friedrich Hagenauer · National Gallery of Art
- 1527Ursula Saemftl, 1499-1551, Second Wife of Sebastian Liegsalz 1522 — Friedrich Hagenauer · National Gallery of Art
- 1529Giovanni Alessandro Balbiani, Count of Chiavenna, Captain in the Army of Georg van Frundsberg — Friedrich Hagenauer · National Gallery of Art
- —Portrait of a Young Man — Friedrich Hagenauer · National Gallery of Art
- 1540Johannes Mulicum, Infirmarian of the Cistercian Monastery at Kamp near Neuss [obverse] — Friedrich Hagenauer · National Gallery of Art
- probably 1540Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- 1543Philipp Melanchthon, 1497-1560, Reformer [obverse] — Friedrich Hagenauer · National Gallery of Art
- 1543Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- probably 1543Philipp Melanchthon, 1497-1560, Reformer [obverse] — Friedrich Hagenauer · National Gallery of Art
- probably 1543Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- 1543Caspar von Mulheim, 1506-1570/1571, Counselor of Cologne [obverse] — Friedrich Hagenauer · National Gallery of Art
- 1543Shield with House-mark [reverse] — Friedrich Hagenauer · National Gallery of Art
- 1544Hans Hauschel, born 1520 [obverse] — Friedrich Hagenauer · National Gallery of Art
- 1544Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- —Caspar Hedio, 1494-1552, Preacher and Minister — Friedrich Hagenauer · National Gallery of Art
- —Jakob von Strasbourg, Linguist — Friedrich Hagenauer · National Gallery of Art
- —Ludwig Senfl (Sennfel), c. 1486-1542/1543, German Musician and Composer [obverse] — Friedrich Hagenauer · National Gallery of Art
- —Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- 1529Margaret von Firmian, 1509-1536, Wife of Caspar von Frundsberg — Friedrich Hagenauer · National Gallery of Art
- 1526Caspar Wintzerer, 1465 or 1475-1542, Bavarian Soldier [obverse] — Friedrich Hagenauer · National Gallery of Art
- 1526Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- 1527Georg Vitill, born 1491, of Augsburg — Friedrich Hagenauer · National Gallery of Art
- 1530Joachim I, Prince of Brandenburg, 1484-1535 [obverse] — Friedrich Hagenauer · National Gallery of Art
- 1530Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- 1526Augustus Lösch, 1471-1535, Chancellor of the Duchy of Bavaria — Friedrich Hagenauer · National Gallery of Art
- —Ladislaus of Prague, Baron of Windhag — Friedrich Hagenauer · National Gallery of Art
- 1527Conrad Peutinger, 1465-1547, Humanist and Antiquarian — Friedrich Hagenauer · National Gallery of Art
- 1543Johannes Pistorius,1504-1583, Theologian [obverse] — Friedrich Hagenauer · National Gallery of Art
- 1543Inscription [reverse] — Friedrich Hagenauer · National Gallery of Art
- 1825–35Mountain Path with a Tree — Friedrich Nerly · The Metropolitan Museum of Art
- c. 1833Campagniolo romano — Friedrich Nerly · National Gallery of Art
- c. 1851Greek Sailors on a Venetian Canal — Friedrich Nerly · National Gallery of Art
- 1830–35Return of the Prodigal Son — Friedrich Olivier · The Metropolitan Museum of Art
- late 18th–19th centuryThe Good Shepherd (recto); Cloud Studies (verso) — Friedrich Olivier · The Metropolitan Museum of Art
- 1818Fighting Horsemen — Friedrich Olivier · The Metropolitan Museum of Art
- 1829La Serpentara near Olevano — Friedrich Preller · Cleveland Museum of Art
- 1838Musicale at the Prellers' — Friedrich Preller · Cleveland Museum of Art
- 1838Self-Portrait — Friedrich Preller · Cleveland Museum of Art
- ca. 1848The Artist's Children: Friedrich, Emil, and Ernst — Friedrich Preller the Elder · The Metropolitan Museum of Art
- 1873Italian Landscape with the Tiber River and Men with Cattle and a Boat — Friedrich Preller the Elder · The Metropolitan Museum of Art
- 1824–78Centaurs at a Pond — Friedrich Preller the Elder · The Metropolitan Museum of Art
- c. 1831An Italianate Landscape with Shepherds — Friedrich Preller the Elder · National Gallery of Art
- 1828/1831Italian Coastal Landscape with a Thunderstorm — Friedrich Preller the Elder · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.