Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
5,601–5,800 of 13,187 records
- 1696–1756Ground Plan of the Catafalque for Anna Cristina, Wife of Carlo Emanuele II of Savoy — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Ground Plan for a Catafalque for a Prince of Lorraine — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Half Plan and Half Elevation for a Catafalque for an Electress Palatine — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1731Half Elevation and Half Ground Plan for Catafalque for Antonio Farnese, Duke of Parma (d. 1731) — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Half Ground Plan, Half elevation for a Catafalque for a Duchess de Berri — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1721Half Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721) — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Elevation of a Catafalque with a royal Crown surmounting the Casket — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Ground Plan for a Catafalque for a Duke of Wolfenbüttel-Brunswich, probably Anton Ulrich (d. 1714) — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1732Ground Plan for a Catafalque for the King of Sardinia, Vittorio Amedeo (d. 1732) — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Ground Plan for a Catafalque — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Ground Plan for a Catafalque for a Duchess of Hanover, probably Sophia (1630–1714), the mother of George I of England — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Half Elevation and Half Section of Catafalque for a Duchess of Hanover, probably Sophia (1630–1714) — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1733Ground Plan for a Catafalque for Frederick Augustus I, King of Poland and Elector of Saxony (1694–1733) — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Half Plan and Half Elevation for a Catafalque with Royal Crown Surmounting the Casket — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Half Elevation and Half Ground Plan for a Catafalque — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Elevation for a Catafalque Surmounted by an Obelisk — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Half Ground Plan and Half Elevation for a Catafalque for a Queen of Sardinia — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1720–40Elevation of a Catafalque: Four Large Obelisks at the Corners with Large one Surmounting the Top — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1720–40Elevation of a Catafalque: Obelisks at the Corners and One in Center — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1716–56Design for a Stage Set: Palace Hall with Columns and Statues — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Details of Theatre Interior: Interior Elevation of Corridor and Sections — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1750Ground Plan — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1750Half Longitudinal Section and Half Plan — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1750Elevation of Boxes and Royal Box as Presently Constituted and According to New Design — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- ca. 1750Elevation of Proscenium According to New Design and Lateral View of Boxes — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1696–1756Design for Stage Set: Centralized Villa with Cupola ("Villa rotunda" Style) and Colonnaded Wings — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1733Elevation of a Catafalque, Three Obelisks with Fleur-de-lys and Candles — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 18th centuryPerspective Sketch for a Palace Interior — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- early 18th centuryDesign for a Stage Set with a Monumental Arcaded Courtyard — Giuseppe Galli Bibiena · The Metropolitan Museum of Art
- 1740/1745Christ Led Captive from a Palace — Giuseppe Galli Bibiena · National Gallery of Art
- n.d.Piazza Signoria — Giuseppe Gherardi · Art Institute of Chicago
- n.d.View of Piazza in Fiesole — Giuseppe Gherardi · Art Institute of Chicago
- 1825Leo XII (Annibale della Genga, 1760-1829), Pope 1823 [obverse] — Giuseppe Girometti · National Gallery of Art
- 1825Leo XII and Cardinals Concluding the Jubilee Year [reverse] — Giuseppe Girometti · National Gallery of Art
- n.d.Islamic Plate — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Decorative Bowl — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Jewelled Bowl in the Treasury of San Marco, Venice — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Porphyry Vase — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Purple Bowl — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Red Saucer — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Red Marble Bowl — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Black Marble Bowl — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Sketch of Jewelled Antique Bust in the Medici Collection, Florence — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Ex Egiata — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Jasper Covered Dish — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Aquamarine Urn — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Agate Covered Bowl — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Porphyry Head (San Marco, Venice) — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Marbleized Bowl with Cover — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Agate Bowl — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Stone Urn — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Stone Basin — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Purple Shell on a Stand — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Irregular Green Stone Basin — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Fluted Bowl with Jewelled Base — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Two Fluted Bowls, One on Base — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Overview of Oval Shell Stone — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Double Handled Urn — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Overview of Shell with Medici Coat of Arms — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Overview of Lavender Elongated Shell — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Basin with Enamelled Handles, Decorated with Dragon and Ram Heads — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Blue and Green Shell with Dragon's Head — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Agate Bowl — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Lapis Covered Dish on Stand — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Stone Ewer with Ornate Handle — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Agate Head of Cleopatra — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Head of Tiberius — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Pattern for Ewer — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Head of Medusa (Sabbatini collection, Rome) — Giuseppe Grisoni · Art Institute of Chicago
- n.d.Monumental Jewelled Vase — Giuseppe Grisoni · Art Institute of Chicago
- c. 1660Vendor of Rosaries and Sacred Images — Giuseppe Maria Mitelli · Art Institute of Chicago
- 1677Allegorical Figures of Experience and Time — Giuseppe Maria Mitelli · The Metropolitan Museum of Art
- —A Caricature with Ball Players — Giuseppe Maria Mitelli · National Gallery of Art
- c. 1700Education of the Virgin — Giuseppe Mazzuoli · Cleveland Museum of Art
- 1700Charity — Giuseppe Mazzuoli · National Gallery of Art
- n.d.Triumph of Mordecai — Giuseppe Piattoli · Art Institute of Chicago
- 1785–1807Scene from Ancient History — Giuseppe Piattoli · The Metropolitan Museum of Art
- 1785–1807The Sword of Damocles — Giuseppe Piattoli · The Metropolitan Museum of Art
- 1562/64Bearded Man with his Right Arm Raised — Giuseppe Porta · Art Institute of Chicago
- c. 1556/1560Saint Michael with Lucifer — Giuseppe Porta · National Gallery of Art
- 1725/1735Bust of Woman in Profile to Left — Godfrey Kneller · Art Institute of Chicago
- fourth quarter 17th century or first quarter 18th centuryThe Infant St. John the Baptist — Godfrey Kneller · Cleveland Museum of Art
- 1680Head of Medusa — Godfried Maes · Art Institute of Chicago
- late 17th centuryDeath on a Canopied Throne (Design for a Title Page) — Godfried Maes · The Metropolitan Museum of Art
- 17th centuryAllegory of America, from the Four Continents — Godfried Maes · The Metropolitan Museum of Art
- 17th centuryAllegory of Asia, from the Four Continents — Godfried Maes · The Metropolitan Museum of Art
- 17th centuryAllegory of Africa, from the Four Continents — Godfried Maes · The Metropolitan Museum of Art
- 17th centuryAllegory of Europe, from the Four Continents — Godfried Maes · The Metropolitan Museum of Art
- late 17th centuryJupiter and Io, from "The Metamorphoses of Ovid" — Godfried Maes · The Metropolitan Museum of Art
- late 17th centuryJupiter and Io, disguised as a white heifer, from "The Metamorphoses of Ovid" — Godfried Maes · The Metropolitan Museum of Art
- late 17th centuryMercury Rescuing Io from Argus, from "The Metamorphoses of Ovid" — Godfried Maes · The Metropolitan Museum of Art
- probably 1680sCephalus and Procris — Godfried Schalcken · The Metropolitan Museum of Art
- 1685 - 1690Jonge vrouw met citroen — Godfried Schalcken · Rijksmuseum
- ca. 1692 - ca. 1697Portret van Willem III, prins van Oranje, stadhouder en sedert 1689 koning van Engeland — Godfried Schalcken · Rijksmuseum
- 1670 - 1675'Elk zijn meug' — Godfried Schalcken · Rijksmuseum
- 1685 - 1690'Differing tastes' — Godfried Schalcken · Rijksmuseum
- 1699 - 1706Josina Clara van Citters (1671-1753) — Godfried Schalcken · Rijksmuseum
- 1699 - 1706Miss van Gool, lady companion of Clara van Citters — Godfried Schalcken · Rijksmuseum
- n.d.The Transformed Beast — Gordon Frederick Browne · Art Institute of Chicago
- 1895Collapse of the Confederacy — Gordon Frederick Browne · Art Institute of Chicago
- 1742/1744The Horrors of War: A Sea Battle — Gottfried Bernhard Götz · National Gallery of Art
- —Saint Ambrose Suppressing Heresy — Gottfried Bernhard Götz · National Gallery of Art
- 1715–70The Good Shepherd — Gottfried Eichler the Younger · The Metropolitan Museum of Art
- 1747A Thesis Design with Doctors of the Church — Gottfried Eichler the Younger · National Gallery of Art
- c. 1638Joseph Interpreting the Prisoners' Dreams — Govaert Flinck · Art Institute of Chicago
- 1646Portrait of a Woman — Govaert Flinck · Cleveland Museum of Art
- —Saskia — Govaert Flinck · National Gallery of Art
- 1640sStudy of a Man Playing a Pipe — Govaert Flinck · National Gallery of Art
- 1633–36A Woman Asleep (recto); Landscape Composition with Well-Sweep (verso) — Govert Flinck · The Metropolitan Museum of Art
- mid-17th centuryHoly Family in the Stable — Govert Flinck · The Metropolitan Museum of Art
- 1645Bearded Man with a Velvet Cap — Govert Flinck · The Metropolitan Museum of Art
- —A Young Woman as a Shepherdess — Govert Flinck · The Metropolitan Museum of Art
- ca. 1638Isaak zegent Jakob — Govert Flinck · Rijksmuseum
- ca. 1635 - ca. 1636Portret van een man, mogelijk Gozen Centen (1611/12-1677) — Govert Flinck · Rijksmuseum
- ca. 1643Portrait of a Man, thought to be Johannes Uyttenbogaert (1608-80), Receiver-General of the Amsterdam District — Govert Flinck · Rijksmuseum
- 1937The Pump — Grant Wood · Art Institute of Chicago
- 1938January — Grant Wood · Art Institute of Chicago
- 1918Portrait of Second Lieutenant Wayne McMillen — Grant Wood · Art Institute of Chicago
- c. 1682Saint Michael and the Rebel Angels — Gregorio De Ferrari · National Gallery of Art
- —Echo and Narcissus — Gregorio De Ferrari · National Gallery of Art
- c. 1590The Flight into Egypt — Gregorio Pagani · Cleveland Museum of Art
- 1590–92Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso) — Gregorio Pagani · The Metropolitan Museum of Art
- n.d.Wall with Hunting Designs — Grinling Gibbons · Art Institute of Chicago
- c. 1675–77Overmantel Decoration — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–77Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–77Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Overdoor Decoration — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–77Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–77Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- c. 1675–1677Centerpiece of a Carving from an Overmantel — Grinling Gibbons · Cleveland Museum of Art
- 1534–77The Witches at the Walnut Tree of Benevento — Guglielmo della Porta · The Metropolitan Museum of Art
- 1534–77The Banquet of the Gods — Guglielmo della Porta · The Metropolitan Museum of Art
- ca. 1550–70Two Designs for a Flower Pedestal — Guglielmo della Porta · The Metropolitan Museum of Art
- c. 1553/1555Hunt of the Calydonian Boar — Guglielmo della Porta · National Gallery of Art
- c. 1553/1555Vulcan Capturing Mars and Venus — Guglielmo della Porta · National Gallery of Art
- c. 1553/1555Diana and Callisto — Guglielmo della Porta · National Gallery of Art
- ca.1800Meleager Presents to Atalanta the Head of the Calydonian Boar — Guillaume Boichot · The Metropolitan Museum of Art
- ca. 1760–80Design for Over Door — Guillaume Boichot · The Metropolitan Museum of Art
- 1660/64Dock Scene (recto); Two Sketches of Male Figures (verso) — Guillaume Courtois · Art Institute of Chicago
- 1648/79Mars and Venus (recto and verso) — Guillaume Courtois · Art Institute of Chicago
- c. 1660Study for God the Father — Guillaume Courtois · Art Institute of Chicago
- 17th centuryWatering Horses near Windmill — Guillaume Courtois · Art Institute of Chicago
- 17th centuryStudy for a Portrait of a Man — Guillaume Courtois · The Metropolitan Museum of Art
- 1762Portret van een dame uit de familie van de Poll, vermoedelijk Anna Maria Dedel (1729-79), echtgenote van Jan van de Poll — Guillaume de Spinny · Rijksmuseum
- 1759Portrait of Vice-Admiral Hendrik Lijnslager, Son of Harmen Lijnslager and Judith Allijn — Guillaume de Spinny · Rijksmuseum
- 1607Henri IV, 1553-1610, King of France 1589 — Guillaume Dupré · National Gallery of Art
- 1620Charles de Valois, 1573-1650 [obverse] — Guillaume Dupré · National Gallery of Art
- 1620Phoenix [reverse] — Guillaume Dupré · National Gallery of Art
- —Marie de' Medici, 1573-1642, Wife of King Henri IV of France 1600 [obverse] — Guillaume Dupré · National Gallery of Art
- —Marie de' Medici as Mother of the Gods — Guillaume Dupré · National Gallery of Art
- model 1612, cast after 1612Marcantonio Memmo, 1536-1615, Doge of Venice 1612 — Guillaume Dupré · National Gallery of Art
- 1603Henri IV, 1553-1610, King of France 1589, and Marie de' Medici, 1573-1642, His Wife 1600 [obverse] — Guillaume Dupré · National Gallery of Art
- 1603Louis XIII as Dauphin between Henri IV as Mars and Marie as Pallas Athena [reverse] — Guillaume Dupré · National Gallery of Art
- 1607Jean-Louis de Nogaret de la Valette, 1554-1642, Duke of Epernon, Colonel General of Infantry [obverse] — Guillaume Dupré · National Gallery of Art
- 1607Lion and Fury with Torches [reverse] — Guillaume Dupré · National Gallery of Art
- 1610Louis XIII, 1601-1643, King of France 1610 [obverse] — Guillaume Dupré · National Gallery of Art
- 1610Young Louis and Minerva [reverse] — Guillaume Dupré · National Gallery of Art
- 1611Henri II de Bourbon, 1588-1646, 3rd Prince of Condé, first Prince of the Blood [obverse] — Guillaume Dupré · National Gallery of Art
- 1611Charlotte-Marie de Montmorency, 1594-1650, Wife of Henri de Bourbon 1609 [reverse] — Guillaume Dupré · National Gallery of Art
- 1613Maria Magdalena, Grand Duchess of Tuscany, Wife of Cosimo II de' Medici 1589 — Guillaume Dupré · National Gallery of Art
- 1613Nicolas Brulart de Sillery, 1544-1624, Chancellor of France 1607 [obverse] — Guillaume Dupré · National Gallery of Art
- 1613Apollo Driving the Sun's Car [reverse] — Guillaume Dupré · National Gallery of Art
- 1618Pierre Jeannin, c. 1540-1622, Lawyer, Superintendent of Finances 1610 — Guillaume Dupré · National Gallery of Art
- 1623Louis XIII, 1601-1643, King of France 1610 [obverse] — Guillaume Dupré · National Gallery of Art
- 1620Anne of Austria, 1601-1666, Wife of King Louis XIII of France 1615 [reverse] — Guillaume Dupré · National Gallery of Art
- 1623Louis XIII, 1601-1643, King of France 1610 [obverse] — Guillaume Dupré · National Gallery of Art
- 1623Justice with Sword and Scales [reverse] — Guillaume Dupré · National Gallery of Art
- 1624Marie de' Medici, 1573-1642, Wife of King Henri IV of France 1600 [obverse] — Guillaume Dupré · National Gallery of Art
- 1624The Queen as Mother of the Gods [reverse] — Guillaume Dupré · National Gallery of Art
- 1624Marie de' Medici, 1573-1642, Wife of King Henri IV of France 1600 — Guillaume Dupré · National Gallery of Art
- 1634Jean de Caylar de Saint-Bonnet, 1585-1636, Marquis de Toiras, Marshall of France 1630 [obverse] — Guillaume Dupré · National Gallery of Art
- 1634Radiant Sun over a Landscape [reverse] — Guillaume Dupré · National Gallery of Art
- 1635Christine de France, 1606-1663, Duchess of Savoy, Wife of Victor Amadeus I 1619, Regent 1637-1648 — Guillaume Dupré · National Gallery of Art
- 1615Marie de' Medici, 1573-1642, Queen Regent of France 1610-1617 [obverse] — Guillaume Dupré · National Gallery of Art
- 1615The Queen at the Helm of a Ship in Stormy Seas [reverse] — Guillaume Dupré · National Gallery of Art
- c. 1812The Judgment of Paris [recto] — Guillaume Lethière · National Gallery of Art
- c. 1812Study of an Arm [verso] — Guillaume Lethière · National Gallery of Art
- early 19th centuryRumpelstiltskin Appearing to the Miller's Daughter — Gustav Heinrich Naeke · The Metropolitan Museum of Art
- c. 1818Head of a Young Man — Gustav Heinrich Naeke · National Gallery of Art
- 1820/1821Peter Paying the Temple Tax — Gustav Heinrich Naeke · National Gallery of Art
- 1820sA Seated Man Nude and then Clothed — Gustav Heinrich Naeke · National Gallery of Art
- n.d.Portrait of a Lady in a High Hat — Gustav Klimt · Art Institute of Chicago
- 1879Male Nude with Left Foot on a Pedestal — Gustav Klimt · Art Institute of Chicago
- 1910Seated Woman from the Front with Hat, Face Hooded — Gustav Klimt · Art Institute of Chicago
- c. 1904Hermine Gallia — Gustav Klimt · Cleveland Museum of Art
- 1918Half-figure of a Young Woman — Gustav Klimt · The Metropolitan Museum of Art
- 1903–1904Reclining Nude with Outstretched Left Arm — Gustav Klimt · The Metropolitan Museum of Art
- 1906–07Standing Nude — Gustav Klimt · The Metropolitan Museum of Art
- 1905–1906Two Reclining Nudes — Gustav Klimt · The Metropolitan Museum of Art
- 1914–15Two Studies for a Crouching Woman — Gustav Klimt · The Metropolitan Museum of Art
- ca. 1905–06Two Women Reclining — Gustav Klimt · The Metropolitan Museum of Art
- ca. 1912–13Reclining Nude with Drapery — Gustav Klimt · The Metropolitan Museum of Art
How Artmetria works with sources and evidence is set out in the methodology.