Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
6,401–6,600 of 13,187 records
- —Scene in a Palace of Justice — Honoré Daumier · National Gallery of Art
- —The Reading — Honoré Daumier · National Gallery of Art
- —Woman with Veil — Honoré Daumier · National Gallery of Art
- —Head of a Man — Honoré Daumier · National Gallery of Art
- —Head of a Man — Honoré Daumier · National Gallery of Art
- —The Prodigal Son — Honoré Daumier · National Gallery of Art
- —The Prodigal Son — Honoré Daumier · National Gallery of Art
- —The Prodigal Son — Honoré Daumier · National Gallery of Art
- —The Prodigal Son — Honoré Daumier · National Gallery of Art
- 1865/1868Advice to a Young Artist — Honoré Daumier · National Gallery of Art
- 1830 - 1879Christ and his Disciples — Honoré Daumier · Rijksmuseum
- 1784Portrait of Lady Grace Anna Newenham — Horace Hone · Cleveland Museum of Art
- 1786Portrait of a Woman, called Mrs. Close — Horace Hone · Cleveland Museum of Art
- 1791Portrait of a Woman, Said to Be Lady Agnes Anne Wrothesley — Horace Hone · The Metropolitan Museum of Art
- —Study of a Hand — Horatio Greenough · National Gallery of Art
- 1847Right Hand Holding Short Rod — Horatio Greenough · National Gallery of Art
- 1847Right Hand Holding Short Rod — Horatio Greenough · National Gallery of Art
- c. 1850The Artist's Brother - Richard Greenough (?) — Horatio Greenough · National Gallery of Art
- —Classical Head in Profile — Horatio Greenough · National Gallery of Art
- 1887The Princess Dwells in the Oak Tree Where ye Wild Pigeons Come to Feed Her, for "The Wonder Clock" — Howard Pyle · The Metropolitan Museum of Art
- 1887Master Jacob, for "The Wonder Clock" — Howard Pyle · The Metropolitan Museum of Art
- 1887The Blacksmith Chooses Ye Raven and Runs Away With It, for "The Wonder Clock" — Howard Pyle · The Metropolitan Museum of Art
- 1887The Master of the Black Arts Bringeth a Curious Little Black Hen to the King, for "The Wonder Clock" — Howard Pyle · The Metropolitan Museum of Art
- 1887Title Page for "The Wonder Clock, or Four & Twenty Marvelous Tales, Being One for Each Hour of the Day" — Howard Pyle · The Metropolitan Museum of Art
- 1887A Princess Walks Beside ye Water, into Whose Basket Leaps ye Ring, for "The Wonder Clock" — Howard Pyle · The Metropolitan Museum of Art
- 1887What Happened to the Master of Black Arts after All His Tricks, for "The Wonder Clock" — Howard Pyle · The Metropolitan Museum of Art
- 1905Sir Launcelot and Elouise the Fair, for "The Story of the Champions of the Round Table" — Howard Pyle · The Metropolitan Museum of Art
- c. 1919––1925 House razed in 1970sJohn T. McCutcheon House, Lake Forest, Illinois, Alterations — Howard Van Doren Shaw · Art Institute of Chicago
- 1903Mrs. E.F. Bullard House, Jacksonville, Illinois, Working Drawings — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1898John Dorr Bradley House, Lake Forest, Illinois, Working Drawings — Howard Van Doren Shaw · Art Institute of Chicago
- N.d.Apartment H, Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1929McCutcheon Customs House, Bahamas, Keystone — Howard Van Doren Shaw · Art Institute of Chicago
- 1921John T. McCutcheon, Garage and Studio, Lake Forest, Illinois — Howard Van Doren Shaw · Art Institute of Chicago
- 1918R.L. Cottage Design, Plan and Elevation — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1897Ragdale House, Lake Forest, Illinois, Fireplace Sketch — Howard Van Doren Shaw · Art Institute of Chicago
- 1916Ragdale House, Lake Forest, Illinois, Garden Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1903/09Ragdale House, Lake Forest, Illinois, Additions and Alterations — Howard Van Doren Shaw · Art Institute of Chicago
- 1909/10Peter Fortune, Residence: First Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1909Peter Fortune, Residence: Third Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1910Peter Fortune, Residence: Plan of Wall and Gates — Howard Van Doren Shaw · Art Institute of Chicago
- 1922Catherine and Jessica Colvin House, Lake Forest, Illinois, First Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1922Catherine and Jessica Colvin House, Lake Forest, Illinois, Second Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1914Clayton Mark House, Lake Forest, Illinois, First Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1914Clayton Mark House, Lake Forest, Illinois, Second Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1922Catherine and Jessica Colvin House, Lake Forest, Illinois, First Floor Plan "A" — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1757Second Day, Second Story: Rinaldo d'Asti and the Widow — Hubert François Gravelot · National Gallery of Art
- c. 1757Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello — Hubert François Gravelot · National Gallery of Art
- c. 1757Nine Children Listening to a Girl Tell a Story; A Boy Handing a Purse to a Girl Seated on a Bed — Hubert François Gravelot · National Gallery of Art
- 1765Le Mari sylphe — Hubert François Gravelot · National Gallery of Art
- 1765Le Connoisseur — Hubert François Gravelot · National Gallery of Art
- —The Landing of the Dutch Expedition Party in New York — Hubert François Gravelot · National Gallery of Art
- 1730/1750Self-Portrait — Hubert François Gravelot · National Gallery of Art
- —Je suis vengé de toi: l'on te hait, et l'on m'aime — Hubert François Gravelot · National Gallery of Art
- —Quoi donc, les vrais Chrétiens auraient tant de vertu — Hubert François Gravelot · National Gallery of Art
- —Calmine, quel objet vient Effrayer ma vue? — Hubert François Gravelot · National Gallery of Art
- —Du plus grand des Romains voilà ce qui vous reste — Hubert François Gravelot · National Gallery of Art
- —Quoi! Vous servez Valois... — Hubert François Gravelot · National Gallery of Art
- —Mayenne qui de loin voit leur folle Entreprise... — Hubert François Gravelot · National Gallery of Art
- —Il monte: il a déjà de ses mains triomphantes... — Hubert François Gravelot · National Gallery of Art
- —Regne, dit-il, triomphe et sois en tout mon fils — Hubert François Gravelot · National Gallery of Art
- —Tremblez malheureux Roi, votre Règne est passe — Hubert François Gravelot · National Gallery of Art
- —Oui, je la connais Traitre, et je connais ton Coeur — Hubert François Gravelot · National Gallery of Art
- —Captives before a Commander — Hubert François Gravelot · National Gallery of Art
- —Hob Surprised by Sir Thomas with Mr. Friendly's Letter — Hubert François Gravelot · National Gallery of Art
- —Title Cartouche for a Map of the Chateau and Village of Le Plessis aux Bois — Hubert François Gravelot · National Gallery of Art
- —A Plinth Surmounted by the Arms of the King of France — Hubert François Gravelot · National Gallery of Art
- —Armorial Cartouche with Crown and Swags — Hubert François Gravelot · National Gallery of Art
- —Ornamental Medallions with the Adoration of the Magi and Two Bibliophiles — Hubert François Gravelot · National Gallery of Art
- —Double Cartouche with Two Heads and Symbols of Fame and Folly — Hubert François Gravelot · National Gallery of Art
- —An Ornament with Symbols — Hubert François Gravelot · National Gallery of Art
- —An Ornamental Trophy — Hubert François Gravelot · National Gallery of Art
- —Coat of Arms with Two Eagles — Hubert François Gravelot · National Gallery of Art
- —Arms of the King of France with Wings and Scientific Instruments — Hubert François Gravelot · National Gallery of Art
- —Coat of Arms with Three Putti — Hubert François Gravelot · National Gallery of Art
- 1781Ruins of the Opera After the Fire of 1781 — Hubert Robert · Art Institute of Chicago
- c. 1759An Olive Oil Press — Hubert Robert · Art Institute of Chicago
- 1780sThe Nest Robber — Hubert Robert · Art Institute of Chicago
- 1762Temple of Vespasian — Hubert Robert · Art Institute of Chicago
- c. 1785Interior with a Couple Before a Chimney-Piece — Hubert Robert · Art Institute of Chicago
- c. 1759An Artist Seated in the Ruins of the Colosseum — Hubert Robert · Art Institute of Chicago
- n.d.Moses Saved from the Waters — Hubert Robert · Art Institute of Chicago
- c. 1770–79Vaulted Staircase — Hubert Robert · Cleveland Museum of Art
- 1774Roman Ruins, Villa Pamfili — Hubert Robert · Cleveland Museum of Art
- c.1769Pair of Paintings: The Colonnade of St. Peter's, Rome, during the Conclave and The Grotto of Posillipo — Hubert Robert · Cleveland Museum of Art
- c.1769The Colonnade of St. Peter's, Rome, during the Conclave — Hubert Robert · Cleveland Museum of Art
- 1760A Palace with an Arched Bridge (A Roman Villa) — Hubert Robert · Cleveland Museum of Art
- n.d.Entrance to the Grotto of Posillipo — Hubert Robert · The Metropolitan Museum of Art
- n.d.Architectural Capriccio with Roman Monuments and Washerwomen — Hubert Robert · The Metropolitan Museum of Art
- ca. 1773Young Women in a Landscape with Architectural Fragments — Hubert Robert · The Metropolitan Museum of Art
- 1763Figures in a Roman Arcade — Hubert Robert · The Metropolitan Museum of Art
- ca.1763–65Young Artists in the Studio — Hubert Robert · The Metropolitan Museum of Art
- 18th CenturyGardens of the Villa Pamphili, Rome — Hubert Robert · The Metropolitan Museum of Art
- ca. 1760Washerwomen in a Ruined Gallery — Hubert Robert · The Metropolitan Museum of Art
- 1773The Portico of a Country Mansion — Hubert Robert · The Metropolitan Museum of Art
- 1784The Mouth of a Cave — Hubert Robert · The Metropolitan Museum of Art
- —Aqueduct in Ruins — Hubert Robert · The Metropolitan Museum of Art
- —Arches in Ruins — Hubert Robert · The Metropolitan Museum of Art
- 1777–79The Bathing Pool — Hubert Robert · The Metropolitan Museum of Art
- —Bridge over a Cascade — Hubert Robert · The Metropolitan Museum of Art
- —A Colonnade in Ruins — Hubert Robert · The Metropolitan Museum of Art
- 1777–79The Dance — Hubert Robert · The Metropolitan Museum of Art
- 1777–79The Fountain — Hubert Robert · The Metropolitan Museum of Art
- ca. 1773–75The Return of the Cattle — Hubert Robert · The Metropolitan Museum of Art
- 1777–79The Swing — Hubert Robert · The Metropolitan Museum of Art
- 1777–79Wandering Minstrels — Hubert Robert · The Metropolitan Museum of Art
- ca. 1762–65Figure studies mounted on an album page — Hubert Robert · The Metropolitan Museum of Art
- 1793Self-Portrait in Saint-Lazare Prison — Hubert Robert · The Metropolitan Museum of Art
- late 18th centuryCouple by a Fountain — Hubert Robert · National Gallery of Art
- c. 1775The Ponte Salario — Hubert Robert · National Gallery of Art
- c. 1780/1785Charitable Ladies — Hubert Robert · National Gallery of Art
- c. 1770/1775The Peasant Dance — Hubert Robert · National Gallery of Art
- c. 1770/1775Ruined Farm — Hubert Robert · National Gallery of Art
- 1770/1775Herdsmen Crossing a Waterfall — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of Abundance [recto] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of a Male Nude with Hand on Hip — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Figures on a Monumental Interior Stairway [recto] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Kneeling Figure in a Hooded Robe [verso] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Two Women Seen from Behind — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Man with a Walking Stick, Seen in Profile [recto] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Buildings along a Riverside [verso] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of Alexander and Bucephalus [recto] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Two Studies of the Statue of Alexander and Bucephalus [verso] — Hubert Robert · National Gallery of Art
- 1754/1765Statue of Jupiter, Seated [recto] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Woman in Toga [verso] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Woman and Smaller Male Figure on Grand Stairway [recto] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Two Seated Women with Male Figure between Them [verso] — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Head of a Man — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of a Nude before a Window View — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of Zeus Holding a Thunderbolt — Hubert Robert · National Gallery of Art
- 1754/1765Interior of a Roman Palace — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of Cleopatra — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Group of Male Figures Conversing — Hubert Robert · National Gallery of Art
- probably c. 1754/1765S. Rocco — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Italian City Scene — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Seated Male Nude with Arm over Head, Seen from the Side — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Young Woman's Head in Profile — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Little Girl with a Large Basket — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of a Vestal Virgin — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Villa Medici — Hubert Robert · National Gallery of Art
- probably c. 1754/1765View from a Ridge to a Village and Distant Mountain — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Monumental Stairway — Hubert Robert · National Gallery of Art
- 1754/1765The Obelisk in Saint Peter's Square — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Capitoline Hill — Hubert Robert · National Gallery of Art
- 1754/1765One of the "Dioscuri" and a Barbarian Prisoner — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Monumental Arch — Hubert Robert · National Gallery of Art
- —Three Ladies Chatting — Hubert Robert · National Gallery of Art
- —Fantasy on an Ancient Campidoglio — Hubert Robert · National Gallery of Art
- c. 1760Architectural Fantasy with a Triumphal Bridge — Hubert Robert · National Gallery of Art
- 1760/1765The Garden Gate — Hubert Robert · National Gallery of Art
- 1770Portrait of a Man — Hugh Douglas Hamilton · Art Institute of Chicago
- 1785George Clavering Cowper, 3rd Earl Cowper — Hugh Douglas Hamilton · Cleveland Museum of Art
- ca. 1768–89William Evelyn of St Clere, Kent, holding a spaniel — Hugh Douglas Hamilton · The Metropolitan Museum of Art
- 1790Frederick North, Later Fifth Earl of Guilford, in Rome — Hugh Douglas Hamilton · National Gallery of Art
- c. 1770Lady Holland (Lady Mary Fitzpatrick) — Hugh Douglas Hamilton · National Gallery of Art
- n.d.Landscape with Gate at Sunset — Hugh Huntington Howard · Art Institute of Chicago
- before 1919Evening — Hugh Huntington Howard · Cleveland Museum of Art
- ca. 1475Portrait of a Man — Hugo van der Goes · The Metropolitan Museum of Art
- —A Benedictine Monk — Hugo van der Goes · The Metropolitan Museum of Art
- —The Adoration of the Magi — Hugo van der Goes · The Metropolitan Museum of Art
- ca. 1470–75Portrait of an Old Man — Hugo van der Goes · The Metropolitan Museum of Art
- 1872Falling Leaves, Allegory of Autumn — Hugues Merle · The Metropolitan Museum of Art
- c. 1860Children Playing in a Park — Hugues Merle · National Gallery of Art
- mid-1700sBamboo and Rocks in Clearing Skies — Ike Taiga · Cleveland Museum of Art
- 1700sFishing in Springtime — Ike Taiga · Cleveland Museum of Art
- mid-1700sWest Lake — Ike Taiga · Cleveland Museum of Art
- c. 1745–76Hanshan and Shide — Ike Taiga · Cleveland Museum of Art
- mid- to late 1700sIllustration of Zhang Qi's Poem on the Cold Mountain Temple — Ike Taiga · Cleveland Museum of Art
- 1700sSpring Landscape — Ike Taiga · Cleveland Museum of Art
- —Interior of the Colosseum — Ippolito Caffi · National Gallery of Art
- —The Arch of Titus and the Temple of Venus and Rome near the Roman Forum — Ippolito Caffi · National Gallery of Art
- 1713Fantastic Harbor Scene with Architecture and Figures — Isaac de Moucheron · Cleveland Museum of Art
- c. 1695–97View near Orleans — Isaac de Moucheron · Cleveland Museum of Art
- n.d.Classical Landscape — Isaac de Moucheron · The Metropolitan Museum of Art
- n.d.Landscape with Architecture — Isaac de Moucheron · The Metropolitan Museum of Art
- 1730sAn Italianate Garden with a Parrot, a Poodle, and a Man — Isaac de Moucheron · National Gallery of Art
- 1725Gezicht op Tivoli — Isaac de Moucheron · Rijksmuseum
- 1700 - 1744Waterpartij met beelden en gebouwen in een park — Isaac de Moucheron · Rijksmuseum
- 1754Jan Hendrik van Rijswijk (geb 1717) — Isaac Lodewijk la Fargue van Nieuwland · Rijksmuseum
- 1754Johanna van Rijswijk (b. 1715), Wife of Jan Hendrik van Rijswijk — Isaac Lodewijk la Fargue van Nieuwland · Rijksmuseum
- 16th–17th centurySt. Jerome reading — Isaac Oliver · The Metropolitan Museum of Art
- 1590 - 1615Arabella Stuart (gest 1615). Dochter van Charles Lennox — Isaac Oliver · Rijksmuseum
- 1575 - 1617Portret van een vrouw in maskeradekleding als Flora — Isaac Oliver · Rijksmuseum
- 1800–1856Three Friezes of Chinese Figures — Isaac Robert Cruikshank · The Metropolitan Museum of Art
- 1830–44Miss Horton as Morgana — Isaac Robert Cruikshank · The Metropolitan Museum of Art
- 1833Connecticut Sea Captain — Isaac Sheffield · National Gallery of Art
- 1833Connecticut Sea Captain's Wife — Isaac Sheffield · National Gallery of Art
- 17th centuryBarn Interior with Peasants and Cows (recto); Six Studies of Peasants (verso) — Isaac van Ostade · The Metropolitan Museum of Art
- 17th centuryDistribution of the Catch by Night — Isaac van Ostade · The Metropolitan Museum of Art
- ca. 1646–49Study of a Covered Wagon — Isaac van Ostade · The Metropolitan Museum of Art
- 1643Boerenherberg met paard aan de trog — Isaac van Ostade · Rijksmuseum
- 1642Interior of a Stable with three Children — Isaac van Ostade · Rijksmuseum
- 1640 - 1649Boerenherberg met paard en wagen — Isaac van Ostade · Rijksmuseum
- 1645The Halt at the Inn — Isack van Ostade · National Gallery of Art
- c. 1645Workmen before an Inn — Isack van Ostade · National Gallery of Art
- 1645Workmen before an Inn — Isack van Ostade · National Gallery of Art
- c. 1808Sheet of Sketches for a Monument to Dante (recto); Cupid and Psyche (verso) — Isidore Pils · Art Institute of Chicago
- c. 1841Study of a Reclining Nude — Isidore Pils · Cleveland Museum of Art
- c. 1851Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor) — Isidore Pils · Cleveland Museum of Art
- c. 1860Militaire a cheval (Soldier on Horseback) — Isidore Pils · Cleveland Museum of Art
- c. 1832–1855Girl on a Donkey — Isidore Pils · Cleveland Museum of Art
How Artmetria works with sources and evidence is set out in the methodology.