Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
7,001–7,200 of 13,187 records
- 1890-1891Paintings — James Henry Moser · National Gallery of Art
- 1890-18911892 Corcoran Gallery of Art Catalogue — James Henry Moser · National Gallery of Art
- 1890-1891The Corcoran Gallery of Art — James Henry Moser · National Gallery of Art
- 1890-1891Electrotype Reproductions — James Henry Moser · National Gallery of Art
- 1890-1891Casts from Antique Sculpture: The Parthenon — James Henry Moser · National Gallery of Art
- 1890-1891History of the Corcoran Gallery of Art — James Henry Moser · National Gallery of Art
- 1890-1891Bronzes — James Henry Moser · National Gallery of Art
- 1890-1891Porcelains and Glass — James Henry Moser · National Gallery of Art
- 1890-1891Index — James Henry Moser · National Gallery of Art
- 1890-1891Palette — James Henry Moser · National Gallery of Art
- 1890Study for "Sculpture" — James Henry Moser · National Gallery of Art
- 1873Morning in New England — James McDougal Hart · Cleveland Museum of Art
- 1856Still Life with Fruit — James McDougal Hart · National Gallery of Art
- 1858Pond Edge — James McDougal Hart · National Gallery of Art
- c. 1893Green and Blue: The Dancer — James McNeill Whistler · Art Institute of Chicago
- c. 1890Three Butterflies — James McNeill Whistler · Art Institute of Chicago
- 1898/99Butterfly (recto); Fragment of Butterfly (verso) — James McNeill Whistler · Art Institute of Chicago
- 1898/99Butterfly (recto); Study of Butterfly (verso) — James McNeill Whistler · Art Institute of Chicago
- 1854/55Hussar (recto) Man with a Top Hat and Bandaged Head (verso) — James McNeill Whistler · Art Institute of Chicago
- 1871/73Self-Portrait — James McNeill Whistler · Art Institute of Chicago
- 1897/1900Chelsea Shop — James McNeill Whistler · Art Institute of Chicago
- 1893Reclining Draped Figure — James McNeill Whistler · Art Institute of Chicago
- c. 1890Butterfly — James McNeill Whistler · Art Institute of Chicago
- c. 1890Butterfly — James McNeill Whistler · Art Institute of Chicago
- 1898/99Butterfly — James McNeill Whistler · Art Institute of Chicago
- 1898/99A Club on a Cushion — James McNeill Whistler · Art Institute of Chicago
- 1898/99Butterfly — James McNeill Whistler · Art Institute of Chicago
- 1870/73Figures by a Railing — James McNeill Whistler · Art Institute of Chicago
- c. 1879Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder" — James McNeill Whistler · Art Institute of Chicago
- c. 1881Sketch after "Arrangement in Black: Lady Meux" — James McNeill Whistler · Art Institute of Chicago
- 1896Study for Portrait of Thomas Way — James McNeill Whistler · Art Institute of Chicago
- 1893/95The Little Blue Cap — James McNeill Whistler · Art Institute of Chicago
- 1880Corte del Paradiso — James McNeill Whistler · Art Institute of Chicago
- 1855/57Scene from Bohemian Life — James McNeill Whistler · Art Institute of Chicago
- c. 1882Girl Reading in Bed — James McNeill Whistler · Art Institute of Chicago
- 1854/55Soldier with Lance — James McNeill Whistler · Art Institute of Chicago
- 1854/55Policeman and Citizen — James McNeill Whistler · Art Institute of Chicago
- 1854/55Gendarme — James McNeill Whistler · Art Institute of Chicago
- 1854/55Lancer — James McNeill Whistler · Art Institute of Chicago
- 1898Sketch of the Peacock Room — James McNeill Whistler · Art Institute of Chicago
- c. 1878A Nude Figure — James McNeill Whistler · Art Institute of Chicago
- 1866/69Draped Model — James McNeill Whistler · Art Institute of Chicago
- 1873/75At the Piano — James McNeill Whistler · Art Institute of Chicago
- c. 1900The Dancer, No. 1 — James McNeill Whistler · Cleveland Museum of Art
- c. 1872Japanese Woman Painting a Fan (recto); Standing Woman Holding Up Her Dress (verso) — James McNeill Whistler · Cleveland Museum of Art
- c. 1872Japanese Woman Painting a Fan (recto) — James McNeill Whistler · Cleveland Museum of Art
- c. 1894The Violin Player — James McNeill Whistler · Cleveland Museum of Art
- 1879–80The Riva, Venice — James McNeill Whistler · Cleveland Museum of Art
- 1882Mrs or Miss McNay — James McNeill Whistler · National Gallery of Art
- 1868/1873Standing Female Nude Holding a Bowl [recto] — James McNeill Whistler · National Gallery of Art
- 1868/1873Study for "Variations in Blue and Green" [verso] — James McNeill Whistler · National Gallery of Art
- c. 1878Nude Standing with Legs Crossed — James McNeill Whistler · National Gallery of Art
- 1871/1874Standing Figure [verso] — James McNeill Whistler · National Gallery of Art
- 1870/1873Seated Woman with Red Hair — James McNeill Whistler · National Gallery of Art
- 1873/1875Woman with a Fan — James McNeill Whistler · National Gallery of Art
- probably 1887Two Sketches of Landscape Pictures hung at the Society of British Artists — James McNeill Whistler · National Gallery of Art
- 1886/1887Sketch of Mrs. Godwin's Portrait when hung at the Society of British Artists — James McNeill Whistler · National Gallery of Art
- probably 1901At Sea — James McNeill Whistler · National Gallery of Art
- probably 1880Nocturnal Note — James McNeill Whistler · National Gallery of Art
- c. 1883Standing Female Figure — James McNeill Whistler · National Gallery of Art
- c. 1871/1873Sketch of Maud — James McNeill Whistler · National Gallery of Art
- 1888(?)-1900Mother of Pearl and Silver: The Andalusian — James McNeill Whistler · National Gallery of Art
- 1861-1863, 1872Symphony in White, No. 1: The White Girl — James McNeill Whistler · National Gallery of Art
- c. 1864/1868Grey and Silver: Chelsea Wharf — James McNeill Whistler · National Gallery of Art
- 1901A Doorway in Ajaccio — James McNeill Whistler · National Gallery of Art
- 1879/1880The Palace; white and pink — James McNeill Whistler · National Gallery of Art
- 1880The Church of San Giorgio Maggiore — James McNeill Whistler · National Gallery of Art
- c. 1900Marsh in Zeeland — James McNeill Whistler · National Gallery of Art
- c. 1863Sleeping Woman — James McNeill Whistler · National Gallery of Art
- c. 1895Alice Butt — James McNeill Whistler · National Gallery of Art
- 1897/1903George W. Vanderbilt — James McNeill Whistler · National Gallery of Art
- 1860-1864Wapping — James McNeill Whistler · National Gallery of Art
- 1883/1884Study in Black and Gold (Madge O'Donoghue) — James McNeill Whistler · National Gallery of Art
- c. 1863Battersea Reach — James McNeill Whistler · National Gallery of Art
- c. 1777/1780Lord Algernon Percy — James Millar · National Gallery of Art
- c. 1777/1780Lady Algernon Percy — James Millar · National Gallery of Art
- 1796Portrait of Susan Coren Towers — James Peale · Cleveland Museum of Art
- 1798A. T. Kerr, Esquire — James Peale · National Gallery of Art
- 1797Marcia Burns — James Peale · National Gallery of Art
- 1824Fruit Still Life with Chinese Export Basket — James Peale · National Gallery of Art
- c. 1840Allegory of Fishing — James Pradier · Cleveland Museum of Art
- 1834Portrait of Jean-Pierre-Joseph Darcet — James Pradier · Cleveland Museum of Art
- c. 1830Sappho: Portrait of a Woman (Louise Colet) — James Pradier · Cleveland Museum of Art
- 1865Farmington, Connecticut — James Renwick Brevoort · National Gallery of Art
- 1872Gloucester, Massachusetts — James Renwick Brevoort · National Gallery of Art
- n.d.Two Horses Drinking — James Seymour · Art Institute of Chicago
- —Portrait of a Horseman — James Seymour · The Metropolitan Museum of Art
- c. 1743A Hound Jumping — James Seymour · National Gallery of Art
- —Huntsmen with Hounds and a Crouching Hare [recto] — James Seymour · National Gallery of Art
- —Mounted Horsemen [verso] — James Seymour · National Gallery of Art
- before 1822Study of an orchid, "Vanda Roxburgia" — James Sowerby · The Metropolitan Museum of Art
- before 1822Study of a thistle — James Sowerby · The Metropolitan Museum of Art
- n.d.Holy Family — James Stuart · Art Institute of Chicago
- 1735–88Design for a Fireplace with Frontal and Profile Views — James Stuart · The Metropolitan Museum of Art
- n.d.Lupercalia (recto), and Sketches of Figures (verso) — James Thornhill · Art Institute of Chicago
- n.d.Moses and the Tables of Law — James Thornhill · Art Institute of Chicago
- 1718/25Securitas Publica — James Thornhill · Art Institute of Chicago
- n.d.Portrait of a Geographer, Wife, and Child — James Thornhill · Art Institute of Chicago
- n.d.Deifying of Horofilia — James Thornhill · Art Institute of Chicago
- n.d.Sir J. Thorndale — James Thornhill · Art Institute of Chicago
- n.d.Edmond Nicholas — James Thornhill · Art Institute of Chicago
- n.d.Grinling Gibbons — James Thornhill · Art Institute of Chicago
- n.d.Bacchus and Ariadne — James Thornhill · Art Institute of Chicago
- c. 1718Flora Design for Closet Ceiling (left) and Statue of Apollo Design for Blank Niche (right), for Bateman House, London — James Thornhill · Art Institute of Chicago
- n.d.Neptune and Amphitrite Flanked by Jupiter and Juno: Design for Painted Hall or Garden Bench — James Thornhill · Art Institute of Chicago
- 1695/1734Design for Stage Scenery (Hampton Court) with Mythological Figures — James Thornhill · Art Institute of Chicago
- 1695/1734Wall Decoration with Story of Egeria & Numa Pompilius — James Thornhill · Art Institute of Chicago
- n.d.Five Sketches for the Triumph of Silenus — James Thornhill · Art Institute of Chicago
- n.d.Design for Ceiling Fresco: Apollo and the Muses with Minerva Destroying Ignorance — James Thornhill · Art Institute of Chicago
- c. 1714Saint Paul and Barnabas at Lystra — James Thornhill · Art Institute of Chicago
- c. 1719Study — James Thornhill · Art Institute of Chicago
- n.d.Four Classic Scenes for Overdoors — James Thornhill · Art Institute of Chicago
- n.d.Design for the Overmantel of a Chimneypiece with Bust of Pompilius Numa — James Thornhill · Art Institute of Chicago
- c. 1730Study for King Josiah Rending his Garments — James Thornhill · Cleveland Museum of Art
- 1878Seaside (July: Specimen of a Portrait) — James Tissot · Cleveland Museum of Art
- 1872The Lovers — James Tissot · Cleveland Museum of Art
- 1862–63Study of a young man bending forward to kiss a hand, for the painting "The Departure of the Prodigal Son" — James Tissot · The Metropolitan Museum of Art
- 1862–63The Departure of the Prodigal Son — James Tissot · The Metropolitan Museum of Art
- 1872Tea — James Tissot · The Metropolitan Museum of Art
- ca. 1881In Full Sunlight (En plein soleil) — James Tissot · The Metropolitan Museum of Art
- ca. 1875Spring Morning — James Tissot · The Metropolitan Museum of Art
- n.d.Swallows Before They Take Their Departure — James Ward · Art Institute of Chicago
- n.d.Horse and Mules Grazing — James Ward · Art Institute of Chicago
- 1819Woman Near Stove — James Ward · Art Institute of Chicago
- n.d.Herefordshire Fat Ox — James Ward · Art Institute of Chicago
- 1801–59Lions Attacking Two Men and a Horse — James Ward · The Metropolitan Museum of Art
- ca. 1811A Rocky Stream or River — James Ward · The Metropolitan Museum of Art
- ca. 1811The Falls of the Clyde after a Flood — James Ward · The Metropolitan Museum of Art
- c. 1797Study of an Elderly Woman for "Disobedience Discovered" — James Ward · National Gallery of Art
- probably c. 1802Landing Place near Tintern Abbey — James Ward · National Gallery of Art
- 1794 or shortly thereafterThe Earth Stopper — James Ward · National Gallery of Art
- c. 1800/1810A Sheep Resting — James Ward · National Gallery of Art
- —Two Studies of a Seated Man — James Ward · National Gallery of Art
- 1875-1876Customs Shed — James Wells Champney · National Gallery of Art
- 1862Camp — James Wells Champney · National Gallery of Art
- 1862Mr. Way and Mr. Booth — James Wells Champney · National Gallery of Art
- 1863Landscape with Three Trees — James Wells Champney · National Gallery of Art
- c. 1874Moat at Fort Marion, Florida — James Wells Champney · National Gallery of Art
- c. 1874Fort Marion, Florida — James Wells Champney · National Gallery of Art
- mid-18th–early 19th centuryDesign for a Mirror in the Form of a Horizontal Oval, Elevation — James Wyatt · The Metropolitan Museum of Art
- mid-18th–early 19th centuryDesign for a Hall Lantern, Elevation — James Wyatt · The Metropolitan Museum of Art
- mid-18th–early 19th centuryDesign for a Mirror — James Wyatt · The Metropolitan Museum of Art
- ca. 1771Design for WIthdrawing Room Ceiling at Hagley Park, Staffordshire — James Wyatt · The Metropolitan Museum of Art
- ca. 1770Design for Ceiling of Ladies' Dressing Room at the Pantheon, Oxford Street, London — James Wyatt · The Metropolitan Museum of Art
- ca. 1800Design for the Ceiling of a Bedchamber at Goodwood House, Sussex — James Wyatt · The Metropolitan Museum of Art
- ca. 1786–87Design for the Ceiling of the Supper Room at Curraghmore, County Waterford, Ireland — James Wyatt · The Metropolitan Museum of Art
- ca. 1790–97Design for Drawing Room Ceiling, Castlecoole, County Fermanagh, Ireland — James Wyatt · The Metropolitan Museum of Art
- ca. 1790–97Design for Lobby Ceiling after Piranesi, Chamber Story, Castlecoole, County Fermanagh, Ireland — James Wyatt · The Metropolitan Museum of Art
- 18th–19th centuryDesign for an Oblong Ceiling with an Oval Centre — James Wyatt · The Metropolitan Museum of Art
- 1667 - 1680Engel de Ruyter (1649-83), Vice Admiral, Son of Michiel Adriaensz de Ruyter — Jan Andrea Lievens · Rijksmuseum
- 1668Jan van Gelder (1647-73), Naval Captain, Stepson of Michiel Adriaensz de Ruyter — Jan Andrea Lievens · Rijksmuseum
- 1634Portret van een man, vermoedelijk Jan Doublet, heer van Sint Annaland, ontvanger-generaal van de Generaliteit — Jan Antonisz van Ravesteyn · Rijksmuseum
- c. 1620 - c. 1623Portret van Sir John Burroughs (1587-1627) — Jan Antonisz van Ravesteyn · Rijksmuseum
- c. 1610 - c. 1620Portret van een man, vermoedelijk Justinus van Nassau (1559-1631), natuurlijke zoon van prins Willem I en Eva Elinx — Jan Antonisz van Ravesteyn · Rijksmuseum
- ca. 1630 - ca. 1635Portrait of a Man — Jan Antonisz van Ravesteyn · Rijksmuseum
- 1640 - 1652A Waterside Ruin in Italy — Jan Asselijn · Rijksmuseum
- c. 1650De bedreigde zwaan; later opgevat als allegorie op Johan de Witt — Jan Asselijn · Rijksmuseum
- 1646Ruitergevecht bij zonsondergang — Jan Asselijn · Rijksmuseum
- ca. 1650Donkey Drivers beside a ruin in Italy — Jan Asselijn · Rijksmuseum
- 1727Jupiter, Disguised as Diana, Seducing the Nymph Callisto — Jan Baptist de Surmont van Vlooswijk · Rijksmuseum
- 1727Jupiter, Disguised as a Shepherd, Seducing Mnemosyne, the Goddess of Memory — Jan Baptist de Surmont van Vlooswijk · Rijksmuseum
- 1648Hunters Near Ruins — Jan Baptist Weenix · Cleveland Museum of Art
- mid-17th centuryAn Extensive Panoramic Landscape with a Windmill — Jan Baptist Weenix · The Metropolitan Museum of Art
- 1645 - 1660Liggende bok — Jan Baptist Weenix · Rijksmuseum
- 1645 - 1660Een hond en een kat bij een half geslachte ree — Jan Baptist Weenix · Rijksmuseum
- c. 1656Na de jacht (Après la Chasse) — Jan Baptist Weenix · Rijksmuseum
- 1642/52Italian Landscape with a Bridge — Jan Both · Art Institute of Chicago
- n.d.Italianate Landscape with Ruins, Woman and Donkey — Jan Both · Art Institute of Chicago
- mid-17th centuryRocky Landscape — Jan Both · The Metropolitan Museum of Art
- 17th centuryLandscape with a Mounted Herdsman and Cows, a City in the Background — Jan Both · The Metropolitan Museum of Art
- 17th centuryStanding Beggar — Jan Both · The Metropolitan Museum of Art
- c. 1650An Italianate Evening Landscape — Jan Both · National Gallery of Art
- c. 1640A Cavalier Lying on the Ground — Jan Both · National Gallery of Art
- 1605Landscape with Travelers — Jan Brueghel · Cleveland Museum of Art
- c. 1619A View of Spa — Jan Brueghel · Cleveland Museum of Art
- 1840 - 1845Johannes Kinker (1764-1845). Amsterdams letterkundige en wijsgeer, hoogleraar te Luik — Jan Cornelis van Rossum · Rijksmuseum
- 1545Portrait of a Man with a Rosary — Jan Cornelisz Vermeyen · The Metropolitan Museum of Art
- —Mary (1505–1558), Queen of Hungary — Jan Cornelisz Vermeyen · The Metropolitan Museum of Art
- c. 1528 - c. 1530Erard de la Marck (1472-1538). Prins-bisschop van Luik — Jan Cornelisz Vermeyen · Rijksmuseum
- c. 1528 - c. 1530The Holy Family — Jan Cornelisz Vermeyen · Rijksmuseum
- ca. 1825Siberian Greyhound — Jan Dasveldt · Rijksmuseum
- 1810 - 1855Twee honden — Jan Dasveldt · Rijksmuseum
- ca. 1640Still Life with a Glass and Oysters — Jan Davidsz de Heem · The Metropolitan Museum of Art
- ca. 1640–41Still Life: A Banqueting Scene — Jan Davidsz de Heem · The Metropolitan Museum of Art
- 1670Hieronymus van Beverningk — Jan de Baen · Rijksmuseum
- 1670Johanna le Gillon — Jan de Baen · Rijksmuseum
- 1650A Portrait of a Man — Jan de Bray · Art Institute of Chicago
- 1650A Portrait of a Woman — Jan de Bray · Art Institute of Chicago
- 1667Laban Searching for his Idols — Jan de Bray · The Metropolitan Museum of Art
- 1664Portrait of the Artist's Parents, Salomon de Bray and Anna Westerbaen — Jan de Bray · National Gallery of Art
- 1659Judith en Holofernes — Jan de Bray · Rijksmuseum
- 1675De overlieden van het Sint Lucasgilde te Haarlem, 1675 — Jan de Bray · Rijksmuseum
- 1667The Distribution of the Franciscan Cords — Jan Erasmus Quellinus · The Metropolitan Museum of Art
- n.d.Samuel Anointing the Young David (?) — Jan Erasmus Quellinus · The Metropolitan Museum of Art
- mid-17th–early 18th centuryBenedict of Nursia Orders the Destruction of the Temple of Apollo at Monte Cassino — Jan Erasmus Quellinus · The Metropolitan Museum of Art
- n.d.Mythological Birth of a God or Demi-God from a River — Jan Goeree · Art Institute of Chicago
- before 1704Study for Title Page to "Thesavrvs Antiqvitatvm Romanarvm", 1696 — Jan Goeree · The Metropolitan Museum of Art
- before 1704Map of Ancient Rome Illustrating Major Monuments and the Seven Hills — Jan Goeree · The Metropolitan Museum of Art
- before 1704Two Maps of Ancient Rome with a River God and Romulus and Remus — Jan Goeree · The Metropolitan Museum of Art
- before 1704Reconstruction of the Circus Maximus (above) and a View of the Site (below) — Jan Goeree · The Metropolitan Museum of Art
How Artmetria works with sources and evidence is set out in the methodology.