Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
9,201–9,400 of 13,187 records
- c.1575/1590sPlate 14: Spoonbill Crane and Flamingo — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 15: Common Crane and Bittern(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 16: Gray Heron and Purple Heron(?) with a Sunflower — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 17: White Heron(?) and Black Stork Killing a Snake with a Dragon's Blood Tree — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 1: Two Ostriches and a Starling — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 19: Two Great Egrets with Green Breeding Masks — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 20: A Plover with Four Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 21: Swamp Hen and Woodcock with a Streaked Rosefinch, a Finch, and Oak Galls — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 22: Two White Pelicans with a Sycamore Fig — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 24: Two Swans, a Kingfisher, and a Bullfinch — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 26: Cormorant and Coot — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 27: A Common Scoter, a Eurasian Coot, and a Rosefinch(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 28: Barnacle Goose with Shrikes and Other Birds — Joris Hoefnagel · National Gallery of Art
- 1576Plate 2: Two Eagles — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 29: Geese with Poppies and a Cyclamen — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 30: A Muscovy(?) Duck, a Four-Legged Duck, and Two Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 31: Duck, Merganser, and Three Goldfinches — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 32: A Green-Winged Teal, a Juvenile Green Woodpecker, and Two Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 33: A Pair of Bohemian Waxwings, a Shelduck(?), and a Brant Goose with a Ginger Plant — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 34: Bird of Paradise with Mereganser(?) and Grebe(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 35: Female Green-Winged Teal, Red-Breasted Merganser(?), Sparrow, and a Greenfinch(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 36: Red-Breasted Merganser, Shoveler, and Mallard, and Duck with Artichokes — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 37: Three Waterfowl with Two Nightingales(?) Perched in Citrus Trees — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 3: Two Hawks — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 39: A Scaup with Two Other Waterfowl beneath a Garland of Produce — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 41: Two Gray Geese with Songbirds in a Cherry Tree — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 42: Two Gray Geese with a Third Bird and Hanging Grapes — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 43: Sandpipers and Other Shore Birds Admiring a Garland of Flowers — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 44: Godwit(?) and Sandpipers with Two Gourds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 45: Spotted Nutcracker and Shore Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 46: Bats, Quail, and Oystercatcher(?) by the Water — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 48: Wood Grouse, Rail, and Curlew with Hazelnuts and Figs — Joris Hoefnagel · National Gallery of Art
- 1580Plate 4: An Egyptian Vulture, a Northern Goshawk(?), and an "Aquila Heteropode" (Short Toed Eagle?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 50: An Avocet with Two Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 51: Crossbeak, Chough, Bee-Eater, and Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 52: Blue Tit with Three Wading Birds and a Fig Tree — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 53: Three Brightly Colored Birds, including a Brazilian Tanager(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 54: An Owl, with a Second in the Distance Eating a Rabbit — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 55: A Tawny Owl, an Eagle Owl, and Two other Owls — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 56: Barn Owls with a Mouse, Eagle Owl(?) and Another Owl — Joris Hoefnagel · National Gallery of Art
- 1576Plate 57: Scarlet Macaw with Two Smaller Green Parrots — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 58: African Gray Parrot, Indian Ring-Necked Parrot, and a Third Parrot — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 5: A Hooded Falcon and Its Wild Counterpart — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 59: Curlew and Crow with Horse Skull — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 60: Magpie, Crow, and Goldfinch — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 61: Blue Crow(?), Jackdaw, Chickadee or Tit, and Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 62: Northern Bald Ibis and Glossy Ibis with Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 63: Six Small Birds, Including a Bluethroat and a Cuckoo(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 64: Two Partridges, a Wren, and Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 66: Doves and Pigeons — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 67: Two Doves beneath a Gourd and Apples — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 68: A Ptarmigan, Swallows, and Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 6: Four Birds of Prey, Including a Sparrowhawk(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 69: Black Woodpecker, European Green Woodpecker, Nuthatch, and Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 70: Empty Oval — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 72: Empty Oval — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 7: Four Birds of Prey on a Wooden Frame — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 8: Bearded Vulture with Two Birds of Prey — Joris Hoefnagel · National Gallery of Art
- c. 1912Pan and Syrinx — Joseph Antoine Bernard · Art Institute of Chicago
- c. 1912Mother and Child Dancing — Joseph Antoine Bernard · Art Institute of Chicago
- 1810Ruins of the Imperial Palaces in Rome — Joseph Anton Koch · The Metropolitan Museum of Art
- 18th–19th centuryThe Triumph of Bacchus — Joseph Anton Koch · The Metropolitan Museum of Art
- 18th–19th centuryRoman landscape with figures near Paliano — Joseph Anton Koch · The Metropolitan Museum of Art
- 1822Weekly Calendar — Joseph Anton Koch · The Metropolitan Museum of Art
- 1800View of Vietri with Young Country Women Dancing for Shepherds in the Foreground — Joseph Anton Koch · The Metropolitan Museum of Art
- 1760Hannah Wentworth Atkinson — Joseph Blackburn · Cleveland Museum of Art
- c. 1760John Browne — Joseph Blackburn · Cleveland Museum of Art
- c. 1760Portrait of a Gentleman — Joseph Blackburn · National Gallery of Art
- 1756A Military Officer — Joseph Blackburn · National Gallery of Art
- 1808Portrait of a Woman — Joseph Bordes · The Metropolitan Museum of Art
- 1812Portrait of a Woman — Joseph Bordes · The Metropolitan Museum of Art
- ca. 1810Portrait of a Man — Joseph Bordes · The Metropolitan Museum of Art
- 1808East North East View of Lancaster — Joseph Farington · Art Institute of Chicago
- ca. 1800Cottage on the Road from Lausanne to Geneva — Joseph Farington · The Metropolitan Museum of Art
- 1788Corra Linn, the Falls of the Clyde — Joseph Farington · The Metropolitan Museum of Art
- 1788Dumbarton Rock from the South — Joseph Farington · The Metropolitan Museum of Art
- n.d.Aurora in Her Chariot — Joseph Francois Parrocel · Art Institute of Chicago
- n.d.Diana in Her Chariot — Joseph Francois Parrocel · Art Institute of Chicago
- 1850Charles H. Sisson — Joseph Goodhue Chandler · National Gallery of Art
- c. 1836/1838Girl with Kitten — Joseph Goodhue Chandler · National Gallery of Art
- 1585Figures Adoring a Statue of the "Magna Mater" — Joseph Heintz the Elder · The Metropolitan Museum of Art
- 16th centuryThe Sense of Hearing — Joseph Heintz the Elder · The Metropolitan Museum of Art
- late 16th–early 17th centuryMadonna and Child with Mary Magdalen — Joseph Heintz the Elder · The Metropolitan Museum of Art
- c. 1591The Fall of Phaeton — Joseph Heintz the Elder · National Gallery of Art
- c. 1590The Toilet of Venus — Joseph Heintz the Elder · National Gallery of Art
- 1591The Daughters of the Po with River Gods — Joseph Heintz the Elder · National Gallery of Art
- c. 1587Giovanni da Bologna — Joseph Heintz the Elder · National Gallery of Art
- 1626Jupiter and Ganymede — Joseph Heintz the Younger · The Metropolitan Museum of Art
- 1600–1678Madonna and Child Surrounded by Female Saints — Joseph Heintz the Younger · The Metropolitan Museum of Art
- —The Stoning of Saint Stephen — Joseph Ignace François Parrocel · National Gallery of Art
- 1740s(?)A Fountain with Three Nereids — Joseph Ignace François Parrocel · National Gallery of Art
- 1740s(?)A Fountain with Three Tritons — Joseph Ignace François Parrocel · National Gallery of Art
- 19th centuryArchitectural Fantasy — Joseph Lemercier · The Metropolitan Museum of Art
- 19th centuryClassical Ruins: A Public Bath — Joseph Lemercier · The Metropolitan Museum of Art
- 19th centuryDesign for a Triumphal Bridge — Joseph Lemercier · The Metropolitan Museum of Art
- 19th centuryThe Palace of Neptune (Water Palace) — Joseph Lemercier · The Metropolitan Museum of Art
- 19th centuryA Ruler's Palace — Joseph Lemercier · The Metropolitan Museum of Art
- n.d.St. Peter’s Seen Through the Porta Angelica — Joseph Mallord William Turner · Art Institute of Chicago
- n.d.Scenes on the Kibble near Little Milton Hall, Lancashire — Joseph Mallord William Turner · Art Institute of Chicago
- n.d.Sketches of Elm and Ash Trees — Joseph Mallord William Turner · Art Institute of Chicago
- 1842View in the St. Gotthard Pass, Switzerland — Joseph Mallord William Turner · Art Institute of Chicago
- 1835The Burning of the Houses of Lords and Commons, 16 October 1834 — Joseph Mallord William Turner · Cleveland Museum of Art
- 1845Flüelen, from the Lake of Lucerne — Joseph Mallord William Turner · Cleveland Museum of Art
- 1843The Lake of Zug — Joseph Mallord William Turner · The Metropolitan Museum of Art
- 1825View of London from Greenwich — Joseph Mallord William Turner · The Metropolitan Museum of Art
- ca. 1835Venice, from the Porch of Madonna della Salute — Joseph Mallord William Turner · The Metropolitan Museum of Art
- ca. 1845Whalers — Joseph Mallord William Turner · The Metropolitan Museum of Art
- —Tewkesbury Abbey — Joseph Mallord William Turner · National Gallery of Art
- 1844Approach to Venice — Joseph Mallord William Turner · National Gallery of Art
- 1835Keelmen Heaving in Coals by Moonlight — Joseph Mallord William Turner · National Gallery of Art
- 1807The Junction of the Thames and the Medway — Joseph Mallord William Turner · National Gallery of Art
- 1793Tewkesbury Abbey No. 2 — Joseph Mallord William Turner · National Gallery of Art
- 1795/1796A Waterfall — Joseph Mallord William Turner · National Gallery of Art
- 1833Rotterdam Ferry-Boat — Joseph Mallord William Turner · National Gallery of Art
- c. 1836A Packet Boat off Dover — Joseph Mallord William Turner · National Gallery of Art
- c. 1827A Yorkshire River — Joseph Mallord William Turner · National Gallery of Art
- n.d.Kneeling Figure Wearing a Cope — Joseph Marie Vien · The Metropolitan Museum of Art
- ca. 1744–50View of the Colosseum — Joseph Marie Vien · The Metropolitan Museum of Art
- 1796Allegory of the Arts — Joseph Marie Vien · The Metropolitan Museum of Art
- ca.1755Bacchanal: Arrival at the Wine Vat — Joseph Marie Vien · The Metropolitan Museum of Art
- 1828Landscape with rising sun, December 1, 1828, 8:30 a.m. — Joseph Michael Gandy · The Metropolitan Museum of Art
- 1797 (?)Spired Gothic Monument — Joseph Michael Gandy · The Metropolitan Museum of Art
- 1844Town and Castle of Hay — Joseph Murray Ince · Art Institute of Chicago
- 1844Town and Castle of Hay — Joseph Murray Ince · Art Institute of Chicago
- 1825–78Scene with Family and Guest in Seventeenth-Century Interior — Joseph Nash · The Metropolitan Museum of Art
- 1838The State Bed Chamber, Stowe Buckinghamshire — Joseph Nash · The Metropolitan Museum of Art
- 1776Madame de Saint-Morys (Eléonore Elisabeth Angélique de Beauterne, 1742–1824) — Joseph Siffred Duplessis · The Metropolitan Museum of Art
- 1778Benjamin Franklin (1706–1790) — Joseph Siffred Duplessis · The Metropolitan Museum of Art
- —Benjamin Franklin (1706–1790) — Joseph Siffred Duplessis · The Metropolitan Museum of Art
- ca. 1740–60Oval, bust-length portrait study of a young man — Joseph van Aken · The Metropolitan Museum of Art
- ca. 1740–60Half-length portrait study of a wigged man — Joseph van Aken · The Metropolitan Museum of Art
- ca. 1740–60Three-quarter length portrait study of a man seated at a desk with a dog — Joseph van Aken · The Metropolitan Museum of Art
- ca. 1740–60Half-length portrait study of a woman wearing a cap and pearl earrings — Joseph van Aken · The Metropolitan Museum of Art
- ca. 1740–60Half-length portrait study of a young woman with long hair — Joseph van Aken · The Metropolitan Museum of Art
- ca. 1740–60Bust-length portrait study of a young woman with a striped shawl — Joseph van Aken · The Metropolitan Museum of Art
- n.d.Moonlight — Joseph Vernet · The Metropolitan Museum of Art
- n.d.Storm — Joseph Vernet · The Metropolitan Museum of Art
- 18th centuryPonte Molle, Rome — Joseph Vernet · The Metropolitan Museum of Art
- ca. 1737–53The Castel Nuovo in Naples, with a View of Mount Vesuvius — Joseph Vernet · The Metropolitan Museum of Art
- 18th centuryThe Ponte Acquoria — Joseph Vernet · The Metropolitan Museum of Art
- ca. 1750View of the Caelian Hill, Rome, with the church of Santi Giovanni e Paolo, seen from the Aventine, Rome — Joseph Vernet · The Metropolitan Museum of Art
- 17th–early 18th centuryCupid with a Bird on a String — Joseph Werner the Younger · The Metropolitan Museum of Art
- —Study of Overgrown Trees; verso: Study of a Cypress and Two Overgrown Trees — Joseph Werner the Younger · The Metropolitan Museum of Art
- c. 1783/1784Elizabeth Stevens Carle — Joseph Wright · National Gallery of Art
- c. 1760Portrait of a Gentleman — Joseph Wright · National Gallery of Art
- c. 1770-1773Portrait of a Gentleman — Joseph Wright · National Gallery of Art
- 1782-1784The Corinthian Maid — Joseph Wright · National Gallery of Art
- 1790Italian Landscape — Joseph Wright · National Gallery of Art
- 1754/97Wooded Landscape — Joseph Wright of Derby · Art Institute of Chicago
- 1765/68Self-Portrait in a Fur Cap — Joseph Wright of Derby · Art Institute of Chicago
- c. 1771–72Portrait of Colonel Charles Heathcote — Joseph Wright of Derby · Cleveland Museum of Art
- 1744/1750Ruins of the Imperial Palaces on the Palatine Hill — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Landscape with the Church of San Teodoro — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Walls of Rome with Santa Maria del Popolo in the Distance — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Arched Passageways of a Ruined Building — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Arch of Drusus near the Appian Way — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Villa d'Este, Tivoli — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Casino Farnese on the Palatine Hill, Rome — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Entrance to a Walled Garden — Joseph-Marie Vien · National Gallery of Art
- 1744/1750House and Trees across a Garden Wall — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Portico of the Palazzo Nuovo, on the Campidoglio — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Terrace by a River with a Villa and Trees Beyond — Joseph-Marie Vien · National Gallery of Art
- 1746/1749The Fishpond at Villa Madama — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Roman Rooftops — Joseph-Marie Vien · National Gallery of Art
- 1744/1750A Stone Bridge and the Fortified Entrance to a Town — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Fountain of Pomona in the Gardens of the Villa d'Este, Tivoli — Joseph-Marie Vien · National Gallery of Art
- 1746/1749Saint Peter's Basilica and the Papal Palace — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Houses in Italy — Joseph-Marie Vien · National Gallery of Art
- 1744/1750The Water Organ in the Gardens of the Villa d'Este, Tivoli — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Trees Screening a House Built on Ancient Ruins — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Corner of an Italian Garden with a Church Beyond — Joseph-Marie Vien · National Gallery of Art
- 1744/1750An Italian Town with a Stone Bridge and a Waterfall — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Italian Buildings on a Hillside — Joseph-Marie Vien · National Gallery of Art
- 1744/1750The Grotto of the Nymph Egeria — Joseph-Marie Vien · National Gallery of Art
- 1746/1749Entrance to the Gardens of the Villa Giulia — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Castel Sant'Angelo from the Northwest — Joseph-Marie Vien · National Gallery of Art
- 1746/1749A Towering Tree with Travelers — Joseph-Marie Vien · National Gallery of Art
- 1744/1750The Ponte Sant'Angelo and Houses on the East Bank of the Tiber — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Buildings behind the Vatican — Joseph-Marie Vien · National Gallery of Art
- 1744/1750A High Bridge in Tivoli — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Gardens of an Italian Villa — Joseph-Marie Vien · National Gallery of Art
- 1744/1750A Balcony in the Roman Forum — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Roman Buildings with an Open Shed — Joseph-Marie Vien · National Gallery of Art
- early 19th centuryGenzano and Lake Nemi — Josephus Augustus Knip · The Metropolitan Museum of Art
- early 19th centuryBurdocks, Campions and Brambles by a Treetrunk on a River Bank — Josephus Augustus Knip · The Metropolitan Museum of Art
- 1818The Gulf of Naples with the Island of Ischia in the Distance — Josephus Augustus Knip · Rijksmuseum
- 1800The Bombardment of 's-Hertogenbosch — Josephus Augustus Knip · Rijksmuseum
- 1818A Scene Near Lodore, Cumberland — Joshua Cristall · Art Institute of Chicago
- n.d.Abduction of Helen — Joshua Cristall · Art Institute of Chicago
- n.d.Ceres and Proserpine — Joshua Cristall · Art Institute of Chicago
- 1808/47Washtub and Barrel — Joshua Cristall · Art Institute of Chicago
- 1808/47Wickerwork Washbasket — Joshua Cristall · Art Institute of Chicago
- 1808/47Clump of Leaves and Flowers — Joshua Cristall · Art Institute of Chicago
- 1808/47Clump of Leaves and Flowers — Joshua Cristall · Art Institute of Chicago
- 1808/47Wicker Basket, Mallet, Shovel, Pick — Joshua Cristall · Art Institute of Chicago
- 1808/47Mallet, Pick and Shovel — Joshua Cristall · Art Institute of Chicago
- 1818 (?)Barking Timber in Wychwood Forest, Oxfordshire — Joshua Cristall · The Metropolitan Museum of Art
- 1807Young Woman in a Kerchief and Cloak at Hastings — Joshua Cristall · National Gallery of Art
- c. 1806Grace Allison McCurdy (Mrs. Hugh McCurdy) and Her Daughters, Mary Jane and Letitia Grace — Joshua Johnson · National Gallery of Art
- c. 1807The Westwood Children — Joshua Johnson · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.