Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
9,601–9,800 of 13,187 records
- 1900Design for Breakfront — Karel Vitezslav Masek · National Gallery of Art
- 1921Vapenice — Karel Vitezslav Masek · National Gallery of Art
- c. 1890Illustration for "Jestrab Kontra Hrdlicka, XXII" (Girl asleep on a bed) — Karel Vitezslav Masek · National Gallery of Art
- 1896Standing Nude Woman Holding a Box — Karel Vitezslav Masek · National Gallery of Art
- 1896Standing Saint holding the Christ Child — Karel Vitezslav Masek · National Gallery of Art
- 1895Zeus and Hera — Karel Vitezslav Masek · National Gallery of Art
- 1890sThistle — Karel Vitezslav Masek · National Gallery of Art
- c.1890sOrnamental design with two birds pecking at fruit — Karel Vitezslav Masek · National Gallery of Art
- c.1900Ornamental Design with Birds and Lily — Karel Vitezslav Masek · National Gallery of Art
- c.1900Nude and Fish with Flowers (Study for etched bathroom window) — Karel Vitezslav Masek · National Gallery of Art
- 1896Female Nude with Outstretched Arms — Karel Vitezslav Masek · National Gallery of Art
- 1898Female Nude with a Platter — Karel Vitezslav Masek · National Gallery of Art
- 1898Female Nude with Outstretched Arm — Karel Vitezslav Masek · National Gallery of Art
- 1888Drapery Study — Karel Vitezslav Masek · National Gallery of Art
- 1900Study of the shrub — Karel Vitezslav Masek · National Gallery of Art
- 1898Woman in Bath, Holding a Glass of Wine — Karel Vitezslav Masek · National Gallery of Art
- 1915Angel — Karel Vitezslav Masek · National Gallery of Art
- 1800–1840Rocks in the Bode Valley; verso: Small Landscape Studies — Karl Blechen · The Metropolitan Museum of Art
- 1800–1840The Bode Valley with Rocks and Trees; verso: Landscape Studies — Karl Blechen · The Metropolitan Museum of Art
- ca. 1824Inundated Ruins of a Monastery — Karl Blechen · The Metropolitan Museum of Art
- 1831A Fountain in the Park — Karl Blechen · The Metropolitan Museum of Art
- 1825–93Design for a Plate — Karl Bodmer · The Metropolitan Museum of Art
- 1825–93Design for a Plate Decorated with a Bird and Plant Motifs — Karl Bodmer · The Metropolitan Museum of Art
- c. 1835Ruined Towers Overlooking the Rhine — Karl Bodmer · National Gallery of Art
- 1810/15Gothic Cathedral Behind a Pond with Swans — Karl Friedrich Schinkel · Art Institute of Chicago
- 1840Elevation and Plan of the Façade of a Building — Karl Friedrich Schinkel · The Metropolitan Museum of Art
- 1831Campanile of a Cathedral for Berlin — Karl Friedrich Schinkel · National Gallery of Art
- 1827Ground Plan of a Cathedral for Berlin — Karl Friedrich Schinkel · National Gallery of Art
- 1827The Façade and Suroundings of a Cathedral for Berlin — Karl Friedrich Schinkel · National Gallery of Art
- 1827The Nave, Apse, and Crossing of a Cathedral for Berlin — Karl Friedrich Schinkel · National Gallery of Art
- 1827Longitudinal Section of a Cathedral for Berlin — Karl Friedrich Schinkel · National Gallery of Art
- 1827Section of the Crossing and the West End of a Cathedral for Berlin — Karl Friedrich Schinkel · National Gallery of Art
- 1827/1828The Nave and Apse, without a Transept, of a Cathedral for Berlin — Karl Friedrich Schinkel · National Gallery of Art
- c. 1820Stage Design: A Sepulchral Vault — Karl Friedrich Schinkel · National Gallery of Art
- 1837Bertel Thorvaldsen, 1770-1844, Sculptor [obverse] — Karl Friedrich Voigt · National Gallery of Art
- 1837Cupid and Erato [reverse] — Karl Friedrich Voigt · National Gallery of Art
- —Schloss Lauter zwischen Creutznach u. Zweibrücken an d. Lauter — Karl Julius von Leypold · National Gallery of Art
- —Schloss Landstuhl b. Kaisers, Lautern, den Prinzen v. Sickingen gehürig — Karl Julius von Leypold · National Gallery of Art
- —Das alte Schloss Gutenfeis bei Caub am Rhein — Karl Julius von Leypold · National Gallery of Art
- —Schloss Windeck b. Weinhelm a. d. Bergstrasse — Karl Julius von Leypold · National Gallery of Art
- —Das Schloss zu Kaiserslautern — Karl Julius von Leypold · National Gallery of Art
- —Schloss Lindenfels bei Weinheim im Odenwald — Karl Julius von Leypold · National Gallery of Art
- 1871The Dead Wallenstein Being Carried Away by Soldiers — Karl Theodor von Piloty · The Metropolitan Museum of Art
- ca. 1875Thusnelda at the Triumphal Entry of Germanicus into Rome — Karl Theodor von Piloty · The Metropolitan Museum of Art
- 1894Little Girl in a Garden — Kate Greenaway · Art Institute of Chicago
- c. 1894Three Figures in a Landscape with a Windmill — Kate Greenaway · Art Institute of Chicago
- 1900Two Little Girls in Fur-Trimmed Coats — Kate Greenaway · Art Institute of Chicago
- n.d.Woman at Lattice Window — Kate Greenaway · Art Institute of Chicago
- 1886Seated Girl with Primroses — Kate Greenaway · Art Institute of Chicago
- n.d.Woman with Broom and Little Girl — Kate Greenaway · Art Institute of Chicago
- 1898Hannah Jane Locker Lampson — Kate Greenaway · Art Institute of Chicago
- n.d.Girl and Boy Picking Apples — Kate Greenaway · Art Institute of Chicago
- n.d.Woman with Child — Kate Greenaway · Art Institute of Chicago
- c. 1883Study for Home-Beauty — Kate Greenaway · Art Institute of Chicago
- 1885Study for From Wonder World, from Marigold Garden — Kate Greenaway · Art Institute of Chicago
- n.d.Young Girl with Blue Ribbons — Kate Greenaway · Art Institute of Chicago
- 1885Study for Tip a Toe, from Marigold Garden — Kate Greenaway · Art Institute of Chicago
- n.d.Self-Portrait — Kate Greenaway · Art Institute of Chicago
- 1883Two Children with Dog — Kate Greenaway · Art Institute of Chicago
- 1883Girl with Cat — Kate Greenaway · Art Institute of Chicago
- 1883Two Little Girls with Bonnets — Kate Greenaway · Art Institute of Chicago
- n.d.Seated Girl with Muff — Kate Greenaway · Art Institute of Chicago
- n.d.Girl with Eggs and Geese — Kate Greenaway · Art Institute of Chicago
- n.d.Eddie at the Seashore — Kate Greenaway · Art Institute of Chicago
- n.d.Two Figures Walking — Kate Greenaway · Art Institute of Chicago
- n.d.Discovery of Bird's Nest — Kate Greenaway · Art Institute of Chicago
- n.d.Group of Children — Kate Greenaway · Art Institute of Chicago
- n.d.Children Playing on the Beach — Kate Greenaway · Art Institute of Chicago
- n.d.Frightful Result — Kate Greenaway · Art Institute of Chicago
- 1884Welcome Once Again — Kate Greenaway · Art Institute of Chicago
- 1898Mother and Child — Kate Greenaway · Cleveland Museum of Art
- 1883Woman and Child — Kate Greenaway · The Metropolitan Museum of Art
- late 1700s–1849Risshi by the Sea Watching Birds — Katsushika Hokusai · Cleveland Museum of Art
- c. 1780s-1849Sketch Page with Birds and Spider — Katsushika Hokusai · Cleveland Museum of Art
- c. 1775–1849Beauty (Bijin) — Katsushika Hokusai · Cleveland Museum of Art
- 1905Christ — Kenyon Cox · Cleveland Museum of Art
- 1912Design for United States Currency — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1912Mercury — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1912Allegorical Female Figures — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1912Sketch — Kenyon Cox · Cleveland Museum of Art
- 1916Tradition — Kenyon Cox · Cleveland Museum of Art
- 1883Flying Shadows — Kenyon Cox · National Gallery of Art
- 1884A Corner Window, Will Low — Kenyon Cox · National Gallery of Art
- 1905Seated Male Nude: Study for "Science" - Iowa State Capitol — Kenyon Cox · National Gallery of Art
- —Reclining Female Nude Study for "Painting" — Kenyon Cox · National Gallery of Art
- —Study of a Plaster Torso — Kenyon Cox · National Gallery of Art
- —Drapery Study for Reclining Female Study for "Painting" — Kenyon Cox · National Gallery of Art
- ca. 1600A Mountainous Landscape with a Waterfall — Kerstiaen de Keuninck · The Metropolitan Museum of Art
- 1600 - 1625Landscape with Conversion of Saint Paul — Kerstiaen de Keuninck · Rijksmuseum
- 1618From Dohras (Songs) 40 and 36 from the Kitab-i Nauras of Sultan Ibrahim Adil Shah II (verso) — Khalilullah Butshikan · Cleveland Museum of Art
- early 19th centuryBamboo — Kishi Ganku · Art Institute of Chicago
- early 1800sTiger Family — Kishi Ganku · Cleveland Museum of Art
- early 1800sTiger Family — Kishi Ganku · Cleveland Museum of Art
- early 1800sTiger Family — Kishi Ganku · Cleveland Museum of Art
- Mid-18th to early 19th centuryWomen's Bathhouse and Laundry — Kitao Shigemasa · Art Institute of Chicago
- late 1700s–early 1800sTwo Beauties — Kitao Shigemasa · Cleveland Museum of Art
- 1902Two Women in an Interior Listening to a Young Musician in Antique Times — Kristian Zahrtmann · The Metropolitan Museum of Art
- 1889Two Seated Italian Women with a Baby in a Cradle — Kristian Zahrtmann · The Metropolitan Museum of Art
- early 1900sWoman and Two Children — Kubo Shunman · Cleveland Museum of Art
- late 1700s–early 1800sChinese Beauty — Kubo Shunman · Cleveland Museum of Art
- late 1700s-early 1800sMt. Fuji through Pines — Kubo Shunman · Cleveland Museum of Art
- early 1800sBeauty with Fireflies — Kubo Shunman · Cleveland Museum of Art
- mid- to late 1600sEmperor Yao Visiting Yu Chonghua — Kusumi Morikage · Cleveland Museum of Art
- mid- to late 1600sA Samurai on Horseback — Kusumi Morikage · Cleveland Museum of Art
- 1559Adoration of the Magi — Lambert van Noort · Art Institute of Chicago
- 1555St. George and the Sorcerer of Dacian — Lambert van Noort · The Metropolitan Museum of Art
- 1863-1864Echo — Larkin Goldsmith Mead · National Gallery of Art
- c. 1865/1866Venezia — Larkin Goldsmith Mead · National Gallery of Art
- 1565/69Ceiling Design with Mars Driving His Chariot — Lattanzio Gambara · Art Institute of Chicago
- ca. 1550–55Antique Naval Battle (recto); A Battle Scene (verso) — Lattanzio Gambara · The Metropolitan Museum of Art
- 16th centuryProject for a Façade Decoration (recto); Architectural Studies (verso) — Lattanzio Gambara · The Metropolitan Museum of Art
- 1567/1573Plague Victims Pleading for Help from Christ, the Virgin, and Saint Roch — Lattanzio Gambara · National Gallery of Art
- 1567/1573Saint Roch Interceding on Behalf of Plague Victims — Lattanzio Gambara · National Gallery of Art
- 1550sSamson Destroying the Temple — Lattanzio Gambara · National Gallery of Art
- —Two Architectural Studies — Lattanzio Gambara · National Gallery of Art
- 1572/1573A Soldier in Ancient Roman Costume with Pike and Shield — Lattanzio Gambara · National Gallery of Art
- 1567/1573Study for a Prophet — Lattanzio Gambara · National Gallery of Art
- c. 1649Study for Mercury and Herse — Laurent de La Hyre · Art Institute of Chicago
- 1654The Kiss of Peace and Justice — Laurent de La Hyre · Cleveland Museum of Art
- c. 1639The Crucified Christ as the Tree of Life with Monks and Nuns — Laurent de La Hyre · Cleveland Museum of Art
- ca. 1644Cephalus Receiving the Spear and Hound from Procris — Laurent de La Hyre · The Metropolitan Museum of Art
- 17th centurySt. Roch Interceding before the Holy Trinity for Plague Victims — Laurent de La Hyre · The Metropolitan Museum of Art
- 1649Allegory of Music — Laurent de La Hyre · The Metropolitan Museum of Art
- mid-17th centuryHoly Family Resting on the Flight into Egypt — Laurent de La Hyre · National Gallery of Art
- c. 1648The Presentation in the Temple — Laurent de La Hyre · National Gallery of Art
- ca. 1580Portrait of a Prelate — Lavinia Fontana · The Metropolitan Museum of Art
- c. 1590Lucia Bonasoni Garzoni — Lavinia Fontana · National Gallery of Art
- n.d.Study for the Annunciation — Lazzaro Baldi · Art Institute of Chicago
- 1622–1703Monastic Saint Presented to the Holy Trinity by the Virgin, Study for a Circular Ceiling Decoration — Lazzaro Baldi · The Metropolitan Museum of Art
- 1642–1703The Sacrifice of Noah — Lazzaro Baldi · The Metropolitan Museum of Art
- 1600Study for Saint James Saving an Innocent from the Flames — Lazzaro Tavarone · Art Institute of Chicago
- 1590/1614Design for a Ceiling Decoration — Lazzaro Tavarone · Art Institute of Chicago
- n.d.Seated Female Figure (Saint Scholastica?) Holding a Dove — Lazzaro Tavarone · Art Institute of Chicago
- c. 1600Crew Abandoning Ship (recto) Sketches of Corinthian Columns (verso) — Lazzaro Tavarone · Art Institute of Chicago
- 1590/1614Design for Corner of a Ceiling Decoration — Lazzaro Tavarone · Art Institute of Chicago
- c. 1634Queen Intervening to Spare the Life of a Bishop Saint — Lazzaro Tavarone · Art Institute of Chicago
- n.d.Tobias and Sarah Praying on Their Wedding Night — Lazzaro Tavarone · Art Institute of Chicago
- 1556–1641Allegorical Female Figure Holding a Branch and a Dish — Lazzaro Tavarone · The Metropolitan Museum of Art
- 1576–1641Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches — Lazzaro Tavarone · The Metropolitan Museum of Art
- 1556–1641Christ Crucified, Attended by the Virgin, Saint Mary Magdalen, and Saint John the Evangelist — Lazzaro Tavarone · The Metropolitan Museum of Art
- c. 1620A Ceiling Decoration with Landscapes and Battles — Lazzaro Tavarone · National Gallery of Art
- c. 1590The Blessed in Paradise with the Virgin and St. John the Baptist before God — Lazzaro Tavarone · National Gallery of Art
- c. 1620/1630A Kneeling Friar in Prayer — Lazzaro Tavarone · National Gallery of Art
- c. 1585Road to Cavalry — Leandro Bassano · Art Institute of Chicago
- c. 1580The Dead Christ with Angels — Leandro Bassano · Cleveland Museum of Art
- 1557–1622The Martyrdom of Saint Lawrence — Leandro Bassano · The Metropolitan Museum of Art
- c. 1592A Man Lifting a Bundle — Leandro Bassano · National Gallery of Art
- 1815Design for a Monument of the Victory of Waterloo (recto); Portico with Corinthian Columns (verso) — Leo von Klenze · The Metropolitan Museum of Art
- 1826Panorama of Tivoli from a Loggia — Leo von Klenze · National Gallery of Art
- c. 1830On the Bay of Naples — Léon-François-Antoine Fleury · National Gallery of Art
- c. 1830The Tomb of Caecilia Metella — Léon-François-Antoine Fleury · National Gallery of Art
- 1660/69The Mystic Marriage of Saint Catherine — Leonard Bramer · Art Institute of Chicago
- 1620s?Studies of a Bear — Leonard Bramer · National Gallery of Art
- —Stellio Changed into a Lizard by Ceres — Leonard Bramer · National Gallery of Art
- 1848William Hogarth, 1697-1764, Painter [obverse] — Leonard Charles Wyon · National Gallery of Art
- 1848Canvassing for Votes (central scene from a painting by William Hogarth) [reverse] — Leonard Charles Wyon · National Gallery of Art
- 1807–45He Has Been Decorated (Y esta' Condecorado!) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Dust to Dust (Et in pulverem reverteris) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45They Spin Well (Bien lo hilan) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45She Doesn't Recognize Herself (No se conoce) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45They'll Get Their Desserts (Buen pelo echará) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45His Excellency is Not at Home (No recibe in Excel) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Already They Are Going (Ya se van) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45He Leaves Them in Good Shape (Buenos los deja) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45A Funeral with Honors (Valientes exequias) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Birds of a Feather (Entre los suyos) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45He Will Not Laugh (Y el no se rie) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45At Last She Sees Clearly (Ya ve claro) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45They Centainly Can Use It (Bien lo han menester) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45The Last Song (El aria final) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Having a Good Time (Se regodean) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Ex Cathedra (Ex Catedra) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Human Ailments (Achaques humanos) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45They are Polishing Him Up (Y se las pulen) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Long Live the Chains! (Vivan las caenas [cadenas]) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45They Strut About Elegantly (Lindamente se pavonean) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45It's Raining Elves (Llueven duendes) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Lost Labor (Trabajo perdido) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Shackled to His Treasure (Preso á su tesoro) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Flying and Other Excesses (Volando y otros excesos) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45Greed Breaks the Bag (La codicia rompe el saco) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45There Was No Business (No encontraron avio) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45He Looks and Doesn't Recognize Himself (Se mira y no se ve) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45The Notaries Flew of With The Prey (Escribanitos volaron con la presa) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45They Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1807–45The Pampered Idiot (Niño zangolotino) — Leonardo Alenza y Nieto · The Metropolitan Museum of Art
- 1640–50Three Dancing Putti — Leonardo Scaglia · The Metropolitan Museum of Art
- 1640–50Ornamental Motif Surmounted by a Coat of Arms — Leonardo Scaglia · The Metropolitan Museum of Art
- 1640–50Four Putti on Clouds — Leonardo Scaglia · The Metropolitan Museum of Art
- 1780 - 1800Rudolf van Olden (1746-1813). Raad- en rekenmeester van prins Willem V — Leonardus Temminck · Rijksmuseum
- 1775 - 1813Portret van een vrouw met een parelcollier — Leonardus Temminck · Rijksmuseum
- 1763 - 1813Portret van een vrouw met een zwarte sjaal — Leonardus Temminck · Rijksmuseum
- 1763 - 1813Portret van een man — Leonardus Temminck · Rijksmuseum
How Artmetria works with sources and evidence is set out in the methodology.