Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
10,201–10,400 of 13,187 records
- 18th centuryAn Oriental Astronomer in His Study — Martin Johann Schmidt · The Metropolitan Museum of Art
- 18th centuryThree Men in a Landscape near Sculptures — Martin Johann Schmidt · The Metropolitan Museum of Art
- c. 1780Tobias and the Angel — Martin Johann Schmidt · National Gallery of Art
- 1764The Virgin of the Immaculate Conception (recto) — Martin Johann Schmidt · National Gallery of Art
- c. 1765Satyrs and Nymphs — Martin Johann Schmidt · National Gallery of Art
- 1867–68Point Judith, Rhode Island — Martin Johnson Heade · Cleveland Museum of Art
- 1873Apple Blossoms — Martin Johnson Heade · Cleveland Museum of Art
- 1873Orchid Blossoms — Martin Johnson Heade · Cleveland Museum of Art
- 1872High Tide on the Marshes — Martin Johnson Heade · Cleveland Museum of Art
- c. 1866/1876View of Marshfield — Martin Johnson Heade · National Gallery of Art
- c. 1871/1875Sunlight and Shadow: The Newbury Marshes — Martin Johnson Heade · National Gallery of Art
- 1864Rio de Janeiro Bay — Martin Johnson Heade · National Gallery of Art
- 1871Cattleya Orchid and Three Hummingbirds — Martin Johnson Heade · National Gallery of Art
- c. 1890Giant Magnolias on a Blue Velvet Cloth — Martin Johnson Heade · National Gallery of Art
- second half 15th centuryKing Herod Receiving the Three Magi — Martin Schongauer · The Metropolitan Museum of Art
- second half of the 15th centurySt. Matthew — Martin Schongauer · The Metropolitan Museum of Art
- —Bust of a Monk Assisting at Communion — Martin Schongauer · National Gallery of Art
- —Young Woman Wearing a Scarf — Martin Schongauer · National Gallery of Art
- c. 1565Marco Mantova Benavides, 1489-1582, Lawyer and Collector [obverse] — Martino da Bergamo · National Gallery of Art
- c. 1565Reclining Bovine [reverse] — Martino da Bergamo · National Gallery of Art
- c. 1815The Prodigal Son Taking Leave of His Father — Mary Ann Willson · National Gallery of Art
- c. 1815The Prodigal Son Wasted His Substance — Mary Ann Willson · National Gallery of Art
- c. 1815The Prodigal Son in Misery — Mary Ann Willson · National Gallery of Art
- c. 1815The Prodigal Son Reclaimed — Mary Ann Willson · National Gallery of Art
- c. 1423/1424The Annunciation — Masolino da Panicale · National Gallery of Art
- c. 1430The Archangel Gabriel — Masolino da Panicale · National Gallery of Art
- c. 1430The Virgin Annunciate — Masolino da Panicale · National Gallery of Art
- c. 1620sThe Seven Archangels (recto); Studies of an Archangel and a Wind God (verso) — Massimo Stanzione · Cleveland Museum of Art
- c. 1620sThe Seven Archangels (recto) — Massimo Stanzione · Cleveland Museum of Art
- c. 1620sStudies of an Archangel and a Wind God (verso) — Massimo Stanzione · Cleveland Museum of Art
- ca. 1640Judith with the Head of Holofernes — Massimo Stanzione · The Metropolitan Museum of Art
- 1635/1640Madonna and Child — Massimo Stanzione · National Gallery of Art
- c. 1544Hercules [obverse] — Master HB · National Gallery of Art
- c. 1544Lichas Brings Hercules the Shirt of Nessus [reverse] — Master HB · National Gallery of Art
- —Nymph Carried Off by a Horseman — Master M.C. · National Gallery of Art
- —Apollo, Venus, Mars and Vulcan — Master M.C. · National Gallery of Art
- 1526Václav Payer (Wenceslaus Beyer), 1488-1537, State Physician of Bohemia [obverse] — Master M.P. · National Gallery of Art
- 1526Book, Skull, Bones, and Rider in Landscape [reverse] — Master M.P. · National Gallery of Art
- ca. 1490–1500Saint Adalbert and Saint Procopius — Master of Eggenburg · The Metropolitan Museum of Art
- ca. 1490–1500The Burial of Saint Wenceslas — Master of Eggenburg · The Metropolitan Museum of Art
- c. 1400Death of the Virgin — Master of Heiligenkreuz · Cleveland Museum of Art
- c. 1400/1410The Death of Saint Clare — Master of Heiligenkreuz · National Gallery of Art
- ca. 1400The Crucifixion — Master of the Berswordt Altar · The Metropolitan Museum of Art
- ca. 1400The Flagellation — Master of the Berswordt Altar · The Metropolitan Museum of Art
- —Village atop a River Cliff [recto] — Master of the Blue Landscapes · National Gallery of Art
- —Buildings on a River Bank [verso] — Master of the Blue Landscapes · National Gallery of Art
- 1430sInitial S with King David as Scribe — Master of the Cypresses · National Gallery of Art
- 1430sInitial T with a group of Benedictine monks singing before an altar from which issues water — Master of the Cypresses · National Gallery of Art
- 1430sInitial A — Master of the Cypresses · National Gallery of Art
- 1430sInitial D — Master of the Cypresses · National Gallery of Art
- 1430sInitial L — Master of the Cypresses · National Gallery of Art
- 1430sInitial D — Master of the Cypresses · National Gallery of Art
- 1430sInitial U (?) — Master of the Cypresses · National Gallery of Art
- 1430sInitial N (?) with David in Prayer — Master of the Cypresses · National Gallery of Art
- 1430sInitial I with David — Master of the Cypresses · National Gallery of Art
- 1430sInitial I with David — Master of the Cypresses · National Gallery of Art
- 1430sInitial C with David (King Saul?) — Master of the Cypresses · National Gallery of Art
- 1430sInitial L with Old Testament Prophet — Master of the Cypresses · National Gallery of Art
- 1430sInitial D with David — Master of the Cypresses · National Gallery of Art
- ca. 1490Christ Appearing to Mary Magdalen — Master of the Drapery Studies · The Metropolitan Museum of Art
- ca. 1480The Holy Kinship — Master of the Drapery Studies · The Metropolitan Museum of Art
- mid- to late 1470sChrist on the Cross [recto] — Master of the Drapery Studies · National Gallery of Art
- c. 1490Female Figure Kneeling in Prayer [verso] — Master of the Drapery Studies · National Gallery of Art
- c. 1788Thomas Dawson, Viscount Cremorne — Mather Brown · National Gallery of Art
- 1787William Vans Murray — Mather Brown · National Gallery of Art
- 1780/1790Bible Lesson [recto] — Mather Brown · National Gallery of Art
- 1780/1790Three Figures [verso] — Mather Brown · National Gallery of Art
- 1780/1790Allegory: Four Putti — Mather Brown · National Gallery of Art
- 1823Justice and Faith [reverse] — Mathias-Nicholas-Marie Vivier · National Gallery of Art
- 1823Robert-Joseph Pothier, 1699-1772, Jurist and Professor [obverse] — Mathias-Nicholas-Marie Vivier · National Gallery of Art
- late 1700s–early 1800sScenes from Essays in Idleness — Matsumura Goshun · Cleveland Museum of Art
- late 1700s–early 1800sScenes from Essays in Idleness — Matsumura Goshun · Cleveland Museum of Art
- late 1700s–early 1800sScenes from Essays in Idleness — Matsumura Goshun · Cleveland Museum of Art
- 1785Seventy-Two Peaks Under the Blue Sky with Mount Furong — Matsumura Goshun · Cleveland Museum of Art
- late 1700sGathering of Poetic Immortals with Poem Drafts — Matsumura Goshun · Cleveland Museum of Art
- late 1700sHappy Forest, from Water Margin — Matsumura Goshun · Cleveland Museum of Art
- c. 1780Oath of the Peach Garden, from Romance of the Three Kingdoms — Matsumura Goshun · Cleveland Museum of Art
- 1446 or laterPortrait of Sigismondo Pandolfo Malatesta, Lord of Rimini and Fano (obverse) — Matteo de' Pasti · Cleveland Museum of Art
- 15th centuryPortrait of Sigismondo Pandolfo Malatesta, Lord of Rimini and Fano (reverse) — Matteo de' Pasti · Cleveland Museum of Art
- 15th centuryMedal of Isotta degli Atti da Rimini (obverse) and (reverse) — Matteo de' Pasti · Cleveland Museum of Art
- 15th centuryMedal of Isotta degli Atti da Rimini (obverse) — Matteo de' Pasti · Cleveland Museum of Art
- 15th centuryMedal of Isotta degli Atti da Rimini (reverse) — Matteo de' Pasti · Cleveland Museum of Art
- c. 1450Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse] — Matteo de' Pasti · National Gallery of Art
- c. 1450The Malatesta Elephant in a Meadow [reverse] — Matteo de' Pasti · National Gallery of Art
- c. 1453/1455Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse] — Matteo de' Pasti · National Gallery of Art
- c. 1453/1455The Malatesta Elephant in a Meadow [reverse] — Matteo de' Pasti · National Gallery of Art
- 1446-c. 1450Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse] — Matteo de' Pasti · National Gallery of Art
- 1446The Castle of Rimini [reverse] — Matteo de' Pasti · National Gallery of Art
- 1470sThe Crucifixion — Matteo di Giovanni · Cleveland Museum of Art
- c. 1460/1465Madonna and Child with Angels and Cherubim — Matteo di Giovanni · National Gallery of Art
- c. 1465/1470Madonna and Child with Saint Jerome, Saint Catherine of Alexandria, and Angels — Matteo di Giovanni · National Gallery of Art
- n.d.A Young Boy Seen from Behind, holding a sword and cap — Matteo Rosselli · The Metropolitan Museum of Art
- 1622/1624A Male Nude, Half Reclining — Matteo Rosselli · National Gallery of Art
- —Saint John the Baptist — Matteo Rosselli · National Gallery of Art
- —Man Playing a Lute [recto] — Matteo Rosselli · National Gallery of Art
- —Man Leaning on a Rail [verso] — Matteo Rosselli · National Gallery of Art
- c. 1602Standing Man Wearing a Cloak and Hat — Matteo Rosselli · National Gallery of Art
- c. 1535–1540Model for the Obverse of the Medal of Son of Martin III Geuder — Matthes Gebel · Cleveland Museum of Art
- 1528Model for the Reverse of the Medal of Martin III Geuder — Matthes Gebel · Cleveland Museum of Art
- 1528Philipp von Pfalz-Neuburg, Count Palatine, 1503-1548 [obverse] — Matthes Gebel · National Gallery of Art
- 1528Shield with Casques and Crests [reverse] — Matthes Gebel · National Gallery of Art
- —Marx Rechlinger, died 1532, Patrician of Nuremberg — Matthes Gebel · National Gallery of Art
- 1530Charles V, 1500-1558, King of Spain 1516-1556, Holy Roman Emperor 1519 [obverse] — Matthes Gebel · National Gallery of Art
- 1530Inscription in a Wreath [reverse] — Matthes Gebel · National Gallery of Art
- 1535Ludwig X, 1495-1545, Duke of Bavaria 1514 [obverse] — Matthes Gebel · National Gallery of Art
- 1535Shield with Casques and Crests [reverse] — Matthes Gebel · National Gallery of Art
- 1541Wilhelm Löffelholz von Kolberg, 1501-1554, Patrician of Nuremberg [obverse] — Matthes Gebel · National Gallery of Art
- 1541Shield, Cuirass, Casque, and Crest [reverse] — Matthes Gebel · National Gallery of Art
- 1529Hieronymus Holzschuher, 1469-1529, Patrician of Nuremberg [obverse] — Matthes Gebel · National Gallery of Art
- 1529Shield of Arms, Crest and Mantling [reverse] — Matthes Gebel · National Gallery of Art
- c. 1532Johann Frederich, 1503-1554, Elector of Saxony 1532 [obverse] — Matthes Gebel · National Gallery of Art
- c. 1532Blazon of Arms [reverse] — Matthes Gebel · National Gallery of Art
- —Raymund Fugger, 1489-1535, Scholar and Patron of the Arts [obverse] — Matthes Gebel · National Gallery of Art
- —Allegory of Liberality [reverse] — Matthes Gebel · National Gallery of Art
- —Lorenz Truchsess von Pommersfelden, 1473-1543, Dean of the Cathedral of Mainz [obverse] — Matthes Gebel · National Gallery of Art
- —Hourglass on an Inscribed Tablet [reverse] — Matthes Gebel · National Gallery of Art
- 1535Lorenz Staiber, 1485/1486-1539, Patrician of Nuremberg, Writer, and Orator [obverse] — Matthes Gebel · National Gallery of Art
- 1535Magdalena Rummel, Wife of Lorenz Staiber 1509 [reverse] — Matthes Gebel · National Gallery of Art
- 1529Georg Hermann, 1491-1552, German Philospher [obverse] — Matthes Gebel · National Gallery of Art
- 1529Shields and Helm [reverse] — Matthes Gebel · National Gallery of Art
- 1526Christoph Kress von Kressenstein,1484-1535, Patrician and Diplomat [obverse] — Matthes Gebel · National Gallery of Art
- 1526Coat of Arms [reverse] — Matthes Gebel · National Gallery of Art
- 1528Friedrich the Elder, 1460-1536, Margrave of Brandenburg-Ansbach 1486 [obverse] — Matthes Gebel · National Gallery of Art
- 1528Blazon of Arms [reverse] — Matthes Gebel · National Gallery of Art
- 1820sSenator Thomas Hart Benton — Matthew Harris Jouett · Cleveland Museum of Art
- 19th centuryJames G. McKinney — Matthew Harris Jouett · Cleveland Museum of Art
- c. 1820Augustus Fielding Hawkins — Matthew Harris Jouett · National Gallery of Art
- 1764/1766Madonna of Saint Jerome — Matthew Pratt · National Gallery of Art
- c. 1774William Henry Cavendish Bentinck, 3rd Duke of Portland — Matthew Pratt · National Gallery of Art
- 1706–07Feuillant monks carry the bier with the body of Jean de la Barrière — Matthieu Elias · The Metropolitan Museum of Art
- 1706–07The arrest of Jean de La Barrière by the League at Lombez — Matthieu Elias · The Metropolitan Museum of Art
- 1706Jean de La Barrière blessing a cardinal — Matthieu Elias · The Metropolitan Museum of Art
- ca. 1570–83A Mountainous River Landscape with a Hermit and a Chapel — Matthijs Bril the Younger · The Metropolitan Museum of Art
- ca. 1570–80The Ruins of the Forum of Nerva, Rome, seen from the South-West — Matthijs Bril the Younger · The Metropolitan Museum of Art
- c. 1863De Noord-West-Buitensingel in Den Haag — Matthijs Maris · Rijksmuseum
- 1870 - 1912Kop van een vrouw, genaamd 'A fair beauty' — Matthijs Maris · Rijksmuseum
- 1871The Nieuwe Haarlemse Sluis on the Singel, known as ‘Souvenir d’Amsterdam’ — Matthijs Maris · Rijksmuseum
- c. 1877Fairy Tale — Matthijs Maris · Rijksmuseum
- 1857Arenden op rotsen — Matthijs Maris · Rijksmuseum
- 1859Keuken — Matthijs Maris · Rijksmuseum
- 1858Portret van Louis Sierich (1834-1919), schilder — Matthijs Maris · Rijksmuseum
- 1863Boot met knotwilg — Matthijs Maris · Rijksmuseum
- c. 1856 - c. 1857Study of an Old Woman — Matthijs Maris · Rijksmuseum
- 1857Portret van Jacob Maris — Matthijs Maris · Rijksmuseum
- ca. 1885 - ca. 1898De schaapherderin, bekend als ‘Monumental Conception of Humanity’ — Matthijs Maris · Rijksmuseum
- 1700sPortrait of a Man — Maurice Quentin de La Tour · Cleveland Museum of Art
- c. 1742Jacques Dumont, called Le Romain — Maurice Quentin de La Tour · Cleveland Museum of Art
- ca.1745Préparation for a Portrait of Louis XV (1710-1774) — Maurice Quentin de La Tour · The Metropolitan Museum of Art
- n.d.Architectural Fantasy (recto); Architectural Details (verso) — Mauro Antonio Tesi · Art Institute of Chicago
- 1750–66Façade and Ruins — Mauro Antonio Tesi · The Metropolitan Museum of Art
- 1750–66Design for an Altar Erected for the Holy Week — Mauro Antonio Tesi · The Metropolitan Museum of Art
- 1750–66Design for the Left Half of an Altar — Mauro Antonio Tesi · The Metropolitan Museum of Art
- 1730–66One Quarter Design for a Painted Ceiling — Mauro Antonio Tesi · The Metropolitan Museum of Art
- mid-18th centuryStudy for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso) — Mauro Antonio Tesi · The Metropolitan Museum of Art
- —Left Half Design for an Architectural Project — Mauro Antonio Tesi · The Metropolitan Museum of Art
- 1750s/1766Studies of the Cenotaph of Annia Regilla — Mauro Antonio Tesi · National Gallery of Art
- c. 1755Stage Design — Mauro Antonio Tesi · National Gallery of Art
- c. 1760Capriccio with a Palladian Villa — Mauro Antonio Tesi · National Gallery of Art
- 1914Dead Russian — Max Beckmann · Art Institute of Chicago
- 1949Women Fishing — Max Beckmann · Art Institute of Chicago
- 1915Portrait of a Woman (possibly Gräfin Aga vom Hagen) — Max Beckmann · Art Institute of Chicago
- 1949Birdplay — Max Beckmann · Art Institute of Chicago
- 1928Bathers — Max Beckmann · Art Institute of Chicago
- 1917Self-Portrait — Max Beckmann · Art Institute of Chicago
- 1925, reworked in 1944Carnival in Naples — Max Beckmann · Art Institute of Chicago
- 1918Seated Boy — Max Beckmann · Art Institute of Chicago
- 1929Reclining Nude — Max Beckmann · Art Institute of Chicago
- 1931Ilonka — Max Beckmann · Art Institute of Chicago
- c. 1920View from a Window of People Walking Down the Street — Max Beckmann · Art Institute of Chicago
- before 1947Study of Two Heads — Max Beckmann · Art Institute of Chicago
- 1937Self-Portrait — Max Beckmann · Art Institute of Chicago
- 1949Perseus's Last Duty — Max Beckmann · Cleveland Museum of Art
- 1821Altenhausen bei Freysing — Max Joseph Wagenbauer · National Gallery of Art
- 1806"The Blue Pool" in the Rein Valley near Garmisch — Max Joseph Wagenbauer · National Gallery of Art
- 1930/60Bust of Figure in Green — Max Kahn · Art Institute of Chicago
- n.d.Woman Looking Over a Valley — Max Kahn · Art Institute of Chicago
- 1924Torso — Max Kalish · Cleveland Museum of Art
- 1926The Bread Line — Max Kalish · Cleveland Museum of Art
- 1878Studies for headpieces and vignettes in the book, Amor und Psyche (Opus V) — Max Klinger · The Metropolitan Museum of Art
- ca. 1880–82The Head of a Young Woman Wearing a Bonnet — Max Klinger · The Metropolitan Museum of Art
- 1883Three Studies of Heads of Women — Max Klinger · The Metropolitan Museum of Art
- 1879Paar im Grase–Umarmung in einer Landschaft (A Couple on the Grass–An Embrace in a Landscape) — Max Klinger · The Metropolitan Museum of Art
- 1887In the Park, from "A Love (Opus X)" — Max Klinger · The Metropolitan Museum of Art
- 1910The Artist's Mother-in-Law — Max Pechstein · Art Institute of Chicago
- n.d.Factory — Max Pechstein · Art Institute of Chicago
- 1911The Red House — Max Pechstein · Art Institute of Chicago
- 1919Mother and Child (recto) — Max Pechstein · Cleveland Museum of Art
- 1894Uomo che legge (Man reading) — Medardo Rosso · Art Institute of Chicago
- c. 1892The Jewish Boy — Medardo Rosso · Cleveland Museum of Art
- c. 1662A Cottage in the Woods — Meindert Hobbema · Cleveland Museum of Art
- c. 1664Hut among Trees — Meindert Hobbema · National Gallery of Art
- 166[2?]The Travelers — Meindert Hobbema · National Gallery of Art
- c. 1670Village near a Pool — Meindert Hobbema · National Gallery of Art
- c. 1658Wooded Landscape with Figures — Meindert Hobbema · National Gallery of Art
- 1668A Farm in the Sunlight — Meindert Hobbema · National Gallery of Art
- 1663A Wooded Landscape — Meindert Hobbema · National Gallery of Art
- 1665A View on a High Road — Meindert Hobbema · National Gallery of Art
- ca. 1664Een watermolen — Meindert Hobbema · Rijksmuseum
- ca. 1665Wooded Landscape with Merrymakers in a Cart — Meindert Hobbema · Rijksmuseum
- ca. 1664Een watermolen — Meindert Hobbema · Rijksmuseum
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