Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
10,601–10,800 of 13,187 records
- 1729Elizabeth Throckmorton, Canoness of the Order of the Dames Augustines Anglaises — Nicolas de Largillierre · National Gallery of Art
- n.d.Paté d'Anguille — Nicolas Lancret · The Metropolitan Museum of Art
- ca. 1740Studies of a Couple Seated on the Ground, Looking at a Songbook — Nicolas Lancret · The Metropolitan Museum of Art
- c. 1644Study for a Robed Male Saint — Nicolas Mignard · Art Institute of Chicago
- ca. 1645Studies for the Archangel Gabriel (recto and verso) — Nicolas Mignard · The Metropolitan Museum of Art
- 17th centuryStudy for the Archangel Gabriel — Nicolas Mignard · The Metropolitan Museum of Art
- ca. 1649The Visitation — Nicolas Mignard · The Metropolitan Museum of Art
- —A Town by a Rivers Edge — Nicolas Perelle · The Metropolitan Museum of Art
- —Veue et Perspective du Chasteau d'Amboille — Nicolas Perelle · The Metropolitan Museum of Art
- 1823Achille-Etna Michallon, 1796-1822, French Painter [obverse] — Nicolas Pierre Tiolier · National Gallery of Art
- 1823Allegory of Painting [reverse] — Nicolas Pierre Tiolier · National Gallery of Art
- 17th centuryCurlews and Ducks — Nicolas Robert · The Metropolitan Museum of Art
- ca. 1675Three Parrots — Nicolas Robert · The Metropolitan Museum of Art
- 17th centuryA Stapelia Variegata — Nicolas Robert · The Metropolitan Museum of Art
- 1787General Burgoyne Surrenders His Sword to General Gates at Saratoga [reverse] — Nicolas-Marie Gatteaux · National Gallery of Art
- 1787Horatio Gates, 1728-1806, Major General [obverse] — Nicolas-Marie Gatteaux · National Gallery of Art
- in or after 1383Madonna and Child Enthroned between Saints Petronius and Alle (Eligius); Christ in the Initial A — Nicolo da Bologna · National Gallery of Art
- late 14th centuryBirth of John the Baptist — Nicolo da Bologna · National Gallery of Art
- 1350sThe Marriage; the Kiss of the Bride (initial P); the Bride Abandoned (initial D) — Nicolo da Bologna · National Gallery of Art
- 1854The Bourgeois' Kitchen — Octave Tassaert · Cleveland Museum of Art
- c. 1850Heaven and Hell — Octave Tassaert · Cleveland Museum of Art
- c. 1854–1858Portrait of a Young Woman — Octave Tassaert · Cleveland Museum of Art
- 1800sNymphe et Faune — Octave Tassaert · Cleveland Museum of Art
- c. 1850Destitute Dead Mother holding her sleeping Child in Winter — Octave Tassaert · Cleveland Museum of Art
- 1887 - 1945Landschap met zwerm vogels en torii — Ohara Koson · Rijksmuseum
- 1887 - 1945Wilde komkommer met volle maan — Ohara Koson · Rijksmuseum
- 1887 - 1945Bloemen aan waterkant — Ohara Koson · Rijksmuseum
- ca. 1920IJsvogel — Ohara Koson · Rijksmuseum
- n.d.Seated Girl with a Coach in the Distance (The Departure) — Orra Louise White · Art Institute of Chicago
- n.d.Landscape with an Inn and a Bridge — Orra Louise White · Art Institute of Chicago
- —Portrait of a Cardinal (Alessandro Peretti Montalto?) — Ottavio Leoni · National Gallery of Art
- 1623Portrait of a Lady — Ottavio Leoni · National Gallery of Art
- c. 1610Young Woman with Braided Hair and a Veil — Ottavio Leoni · National Gallery of Art
- 1900Sheet of studies for "Ex Libris Victor Graf von Rex" — Otto Greiner · The Metropolitan Museum of Art
- late 19th–early 20th centuryStudy of a Female Dancer — Otto Greiner · The Metropolitan Museum of Art
- late 19th–early 20th centuryA male and a female figures (study for 'Golgotha') — Otto Greiner · The Metropolitan Museum of Art
- late 19th centuryCover design for "Klassischer Skulpurenschatz" — Otto Greiner · The Metropolitan Museum of Art
- c. 1895Elegant Young Woman in Classical Drapery — Otto Greiner · National Gallery of Art
- 1893Standing Male Nude from Behind — Otto Greiner · National Gallery of Art
- —Studies for a Boatman — Otto Greiner · National Gallery of Art
- —Studies of Men in Togas [recto] — Otto Greiner · National Gallery of Art
- 1916/1917Bathers — Otto Mueller · National Gallery of Art
- c. 1920Two Bathers — Otto Mueller · National Gallery of Art
- n.d.Judgement of Paris — Otto van Veen · Art Institute of Chicago
- 1607 or before (?)Emblematic Scene — Otto van Veen · The Metropolitan Museum of Art
- 1556–1629Two women and three children in an interior — Otto van Veen · The Metropolitan Museum of Art
- late 16th–early 17th centuryThe Women of Weinsberg — Otto van Veen · The Metropolitan Museum of Art
- ca. 1595The Martyrdom of Saint Andrew — Otto van Veen · The Metropolitan Museum of Art
- ca.1615–20The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject) — Otto van Veen · The Metropolitan Museum of Art
- 1600 - 1613"Beheading of Julius Paulus and Imprisonment of Claudius Civilis — Otto van Veen · Rijksmuseum
- 1600 - 1613one of a series of twelve on the Insurrection of the Batavians against the Romans " — Otto van Veen · Rijksmuseum
- 1600 - 1613Brinio op het schild geheven — Otto van Veen · Rijksmuseum
- 1600 - 1613De Bataven verslaan de Romeinen bij de Rijn — Otto van Veen · Rijksmuseum
- 1600 - 1613De Bataven sluiten de Romeinen bij Vetera in — Otto van Veen · Rijksmuseum
- 1600 - 1613De Bataafse belegering van het Romeinse legerkamp Vetera — Otto van Veen · Rijksmuseum
- 1600 - 1613Na de val van Vetera laat Julius Civilis zijn haar knippen, terwijl zijn zoontje enige gevangenen doodt — Otto van Veen · Rijksmuseum
- 1600 - 1613one of a series of twelve on the Insurrection of the Batavians against the Romans " — Otto van Veen · Rijksmuseum
- 1600 - 1613Valentinus wordt krijgsgevangen gemaakt — Otto van Veen · Rijksmuseum
- 1600 - 1613Een avondmaal in een bos: ongeïdentificeerde voorstelling — Otto van Veen · Rijksmuseum
- 1600 - 1613one of a series of twelve on the Insurrection of the Batavians against the Romans " — Otto van Veen · Rijksmuseum
- 1600 - 1613The Peace Negotiations between Julius Civilis and the Roman General Cerialis — Otto van Veen · Rijksmuseum
- 1734Portrait of Pope Clement XII Corsini (obverse and reverse) — Ottone Hamerani · Cleveland Museum of Art
- 1734Portrait of Pope Clement XII Corsini (obverse) — Ottone Hamerani · Cleveland Museum of Art
- 1734Portrait of Pope Clement XII Corsini (reverse) — Ottone Hamerani · Cleveland Museum of Art
- 1719Princess Maria Clementina Sobieska, 1702-1735, Wife of James Stuart, Pretender to the British Throne [obverse] — Ottone Hamerani · National Gallery of Art
- 1719Princess Maria Clementina Sobieska in a Chariot [reverse] — Ottone Hamerani · National Gallery of Art
- 1743Benedict XIV (Prospero Lorenzo Lambertini, 1675-1758), Pope 1740 [obverse] — Ottone Hamerani · National Gallery of Art
- 1743Tomb of Princess Maria Clementina Sobieska in St. Peter's [reverse] — Ottone Hamerani · National Gallery of Art
- 1729Prince Charles Edward Stuart, 1720-1788 (The Young Pretender, Bonnie Prince Charlie) [obverse] — Ottone Hamerani · National Gallery of Art
- 1729Prince Henry Stuart, 1725-1807, Cardinal of York 1747 [reverse] — Ottone Hamerani · National Gallery of Art
- 1780Son of the Tunisian Ambassador — Ozias Humphrey · The Metropolitan Museum of Art
- ca. 1780Bearded Man in Oriental Costume — Ozias Humphrey · The Metropolitan Museum of Art
- 1836Polyanthus or Cluster Narcissus (Botanical: Narcissus tazetta) — Pancrace Bessa · Cleveland Museum of Art
- 1836(Botanical: Maurándia semperflorens) — Pancrace Bessa · Cleveland Museum of Art
- 1828–1835Black-eyed Susan — Pancrace Bessa · Cleveland Museum of Art
- c. 1450Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1442 [obverse] — Paolo da Ragusa · National Gallery of Art
- c. 1450Standing Female Figure [reverse] — Paolo da Ragusa · National Gallery of Art
- 1662–1728Flying Figure Appearing before an Enthroned Figure — Paolo De Matteis · The Metropolitan Museum of Art
- ca. 1692Studies of a Reclined Woman on a Seashell, for the Triumph of Galatea (recto and verso) — Paolo De Matteis · The Metropolitan Museum of Art
- 1662–1728Christ Stilling the Tempest ? — Paolo De Matteis · The Metropolitan Museum of Art
- 1662–1728Tobias and the Angel — Paolo De Matteis · The Metropolitan Museum of Art
- 1370sMadonna and Child — Paolo di Giovanni Fei · The Metropolitan Museum of Art
- 1398-1399The Presentation of the Virgin in the Temple — Paolo di Giovanni Fei · National Gallery of Art
- c. 1400/1405The Assumption of the Virgin with Busts of the Archangel Gabriel and the Virgin of the Annunciation — Paolo di Giovanni Fei · National Gallery of Art
- c. 1588Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso) — Paolo Farinati · Art Institute of Chicago
- c. 1545Roman Soldier — Paolo Farinati · Art Institute of Chicago
- n.d.A Man Resting on a Staff — Paolo Farinati · The Metropolitan Museum of Art
- —Ceres Changing Ascalaphus into a Bird of Evil Omen — Paolo Farinati · National Gallery of Art
- 1570/1575The Flaying of Marsyas — Paolo Farinati · National Gallery of Art
- —Head of a Boy — Paolo Farinati · National Gallery of Art
- 1565/1570The Emperor Aulus Vitellius — Paolo Farinati · National Gallery of Art
- c. 1585The Adoration of the Magi — Paolo Farinati · Rijksmuseum
- 1666–1724Scene with Four Figures of Monks Discoursing — Paolo Gerolamo Piola · The Metropolitan Museum of Art
- 1666–1724Mary Magdalen Buying Ointment — Paolo Gerolamo Piola · The Metropolitan Museum of Art
- 1666–1724Standing Figure of Apollo with a Lyre — Paolo Gerolamo Piola · The Metropolitan Museum of Art
- ca. 1700Christ in the House of Martha and Mary (Luke 10:38-42) — Paolo Gerolamo Piola · The Metropolitan Museum of Art
- c. 1720/1724The Presentation in the Temple — Paolo Gerolamo Piola · National Gallery of Art
- 1720/1724Martyrdom of Saint Lawrence — Paolo Gerolamo Piola · National Gallery of Art
- n.d.Figures at an Altar or Classical Sacrifice — Paolo Pagani · Art Institute of Chicago
- 1690–1700The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso) — Paolo Pagani · The Metropolitan Museum of Art
- 1754Study for "The Seconda Macchina for the Chinea of 1754: An Allegory of Waterworks" — Paolo Posi · National Gallery of Art
- 1753Study for "The Seconda Macchina for the Chinea of 1753: The Quarters of the Royal Militia" — Paolo Posi · National Gallery of Art
- after c. 1571Portrait of Agostino Barbarigo — Paolo Veronese · Cleveland Museum of Art
- c. 1570Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto] — Paolo Veronese · Cleveland Museum of Art
- c. 1580Various Sketches of the Madonna and Child (recto) — Paolo Veronese · Cleveland Museum of Art
- c. 1580The Annunciation — Paolo Veronese · Cleveland Museum of Art
- 1556 - 1562Portrait of Daniele Barbaro — Paolo Veronese · Rijksmuseum
- c. 1410sNavicella (recto); Two Drawings of Ships (verso) — Parri Spinelli · Cleveland Museum of Art
- c. 1410sNavicella (recto) — Parri Spinelli · Cleveland Museum of Art
- 1410sTwo Drawings of Ships (verso) — Parri Spinelli · Cleveland Museum of Art
- c. 1440Hercules Leaning on His Club [recto] — Parri Spinelli · National Gallery of Art
- c. 1440Gothic Vault [verso] — Parri Spinelli · National Gallery of Art
- 1886 (recto); c. 1886 (verso)Bust of a Young Girl (recto); Profile of a Young Girl (verso) — Paul Adolphe Rajon · Art Institute of Chicago
- 1885Bust of a Peasant Girl — Paul Adolphe Rajon · Art Institute of Chicago
- 1928Rain — Paul B. Travis · Cleveland Museum of Art
- 1930My First View of the Congo Forest — Paul B. Travis · Cleveland Museum of Art
- 1927Tornado — Paul B. Travis · Cleveland Museum of Art
- late 1860sStudy of Apollo for Marsyas (recto); Face in Profile (verso) — Paul Baudry · Cleveland Museum of Art
- late 1860sStudy of Apollo for Marsyas (recto) — Paul Baudry · Cleveland Museum of Art
- late 1860sFace in Profile (verso) — Paul Baudry · Cleveland Museum of Art
- 1864–74Crouching Nude Male Figure — Paul Baudry · The Metropolitan Museum of Art
- 1864–74Seated Male Nude (recto); Crouching Male Nude (verso) — Paul Baudry · The Metropolitan Museum of Art
- 19th centuryStudy for the Muse Thalia — Paul Baudry · The Metropolitan Museum of Art
- late 16th–early 17th centurySkeleton Hanging from a Tree in a Landscape — Paul Bril · The Metropolitan Museum of Art
- 1611Landscape with a Large Tree — Paul Bril · The Metropolitan Museum of Art
- —Classical Landscape with a Fountain — Paul Bril · National Gallery of Art
- —Heroic Landscape — Paul Bril · National Gallery of Art
- 1890The Pigeon Tower at Bellevue — Paul Cezanne · Cleveland Museum of Art
- 1881/84Sketch of Anatomical Sculpture (recto) — Paul Cezanne · Cleveland Museum of Art
- 1881/84Sketch of Madame Cézanne (verso) — Paul Cezanne · Cleveland Museum of Art
- c. 1895–1900The Brook — Paul Cezanne · Cleveland Museum of Art
- c. 1904Mount Sainte-Victoire — Paul Cezanne · Cleveland Museum of Art
- 1871–76Sheet of Studies — Paul Cezanne · Cleveland Museum of Art
- 1882–84Footpath in the Woods — Paul Cezanne · Cleveland Museum of Art
- 1878/1879Three Pears — Paul Cezanne · National Gallery of Art
- 1880-1885Banks of the Seine at Médan — Paul Cezanne · National Gallery of Art
- 1900/1904Château Noir — Paul Cezanne · National Gallery of Art
- 1900/1903Vase of Flowers — Paul Cezanne · National Gallery of Art
- c. 1905Still Life with Apples and Peaches — Paul Cezanne · National Gallery of Art
- 1886-1887The Artist's Son, Paul — Paul Cezanne · National Gallery of Art
- 1879-1890Louis Guillaume — Paul Cezanne · National Gallery of Art
- 1873House of Père Lacroix — Paul Cezanne · National Gallery of Art
- c. 1876Landscape near Paris — Paul Cezanne · National Gallery of Art
- 1893/1895The Peppermint Bottle — Paul Cezanne · National Gallery of Art
- c. 1876Flowers in a Rococo Vase — Paul Cezanne · National Gallery of Art
- 1866The Artist's Father, Reading "L'Événement" — Paul Cezanne · National Gallery of Art
- c. 1890At the Water's Edge — Paul Cezanne · National Gallery of Art
- c. 1880The Battle of Love — Paul Cezanne · National Gallery of Art
- 1892/1896Man with Pipe — Paul Cezanne · National Gallery of Art
- c. 1900Still Life with Milk Jug and Fruit — Paul Cezanne · National Gallery of Art
- c. 1883Houses in Provence: The Riaux Valley near L'Estaque — Paul Cezanne · National Gallery of Art
- 1888-1890Harlequin — Paul Cezanne · National Gallery of Art
- 1900/1906The Bend in the Road — Paul Cezanne · National Gallery of Art
- c. 1885/1888Mont Sainte-Victoire Seen beyond the Wall of the Jas de Bouffan — Paul Cezanne · National Gallery of Art
- c. 1880The Little Bridge [recto] — Paul Cezanne · National Gallery of Art
- 1884/1885Bust of Madame Cezanne [verso] — Paul Cezanne · National Gallery of Art
- 1882/1885Seated Bather [verso] — Paul Cezanne · National Gallery of Art
- c. 1880/1882Self-Portrait [recto] — Paul Cezanne · National Gallery of Art
- 1877/1881The Artist's Father and Objects on a Mantel [verso] — Paul Cezanne · National Gallery of Art
- c. 1892Trees Leaning over Rocks — Paul Cezanne · National Gallery of Art
- c. 1865/1870Father of the Artist [verso] — Paul Cezanne · National Gallery of Art
- c. 1895Mont Sainte-Victoire [recto] — Paul Cezanne · National Gallery of Art
- c. 1895Bedpost [verso] — Paul Cezanne · National Gallery of Art
- 1889/1892The Plaster Mill (La Moulin à plâtre) — Paul Cezanne · National Gallery of Art
- 1895/1898Study of Puget's "Milo of Crotona" — Paul Cezanne · National Gallery of Art
- c. 1887The Artist's Son Leaning on his Elbow — Paul Cezanne · National Gallery of Art
- 1879/1882Study of Houses — Paul Cezanne · National Gallery of Art
- 1895/1898Landscape with Trees — Paul Cezanne · National Gallery of Art
- 1888/1891Madame Cezanne — Paul Cezanne · National Gallery of Art
- 1891/1894A Head, a Cup, and a Bread Roll — Paul Cezanne · National Gallery of Art
- 1878/1881Kerosene Lamp — Paul Cezanne · National Gallery of Art
- 1888Two Heads — Paul Cezanne · National Gallery of Art
- c. 1895Self-Portrait — Paul Cezanne · National Gallery of Art
- 1889/1892Landscape Seen from the Inside of a Cave — Paul Cezanne · National Gallery of Art
- c. 1880Head of a Young Woman — Paul Cezanne · National Gallery of Art
- 1882/1887Madame Cezanne — Paul Cezanne · National Gallery of Art
- 1879/1882Study of a Decorative Ornament — Paul Cezanne · National Gallery of Art
- 1897/1900Madame Cezanne — Paul Cezanne · National Gallery of Art
- 1880/1883Study of the Allegorical Figure of Health in Rubens' "The Birth of Louis XIII" — Paul Cezanne · National Gallery of Art
- 1890/1894Two Heads of Women — Paul Cezanne · National Gallery of Art
- 1890/1894Woman Leaning Forward — Paul Cezanne · National Gallery of Art
- 1890/1894Woman Leaning Forward — Paul Cezanne · National Gallery of Art
- 1887/1892Bellows in Front of a Fireplace — Paul Cezanne · National Gallery of Art
- 1887/1892Fireplace Tongs and Poker — Paul Cezanne · National Gallery of Art
- 1886/1889Cushion of an Armchair — Paul Cezanne · National Gallery of Art
- c. 1887The Artist's Son Writing — Paul Cezanne · National Gallery of Art
- c. 1887The Artist's Son — Paul Cezanne · National Gallery of Art
- 1887/1889Head of a Boy — Paul Cezanne · National Gallery of Art
- c. 1885Head of a Boy Seen from Behind — Paul Cezanne · National Gallery of Art
- 1885/1888Carnival Scene — Paul Cezanne · National Gallery of Art
- 1888/1891Woman Leaning Forward — Paul Cezanne · National Gallery of Art
- 1886/1889Branch in Flower — Paul Cezanne · National Gallery of Art
- 1882/1885Pine Tree — Paul Cezanne · National Gallery of Art
- 1882/1885Women Bathers and a Roll of Paper — Paul Cezanne · National Gallery of Art
- c. 1885Hand and Shoulder of a Boy — Paul Cezanne · National Gallery of Art
- 1890/1896Two Heads — Paul Cezanne · National Gallery of Art
- 1879/1882Study of the Allegorical Figure Bellona in Rubens' "The Apotheosis of Henri IV" — Paul Cezanne · National Gallery of Art
- 1892/1895Study of an Angel in Rubens' "The Prophet Elijah" — Paul Cezanne · National Gallery of Art
- 1889/1892The Mill — Paul Cezanne · National Gallery of Art
- 1883/1886Two Studies for "The Judgement of Paris" or "The Amorous Shepherd" — Paul Cezanne · National Gallery of Art
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