Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
12,401–12,600 of 13,187 records
- 1794 (recto); n.d. (verso)Cavalry on the March (recto); Fragment of Sketch of Horse (verso) — Thomas Rowlandson · Art Institute of Chicago
- n.d.Monks Dining Outside (recto); Village Street (verso) — Thomas Rowlandson · Art Institute of Chicago
- n.d.The Extravagant Woman Does Not Perceive Her Circumstances Decaying — Thomas Rowlandson · Art Institute of Chicago
- 1815/20Stealing the Preserves — Thomas Rowlandson · Art Institute of Chicago
- c. 1822Physiognomic Study of the Head of a Man and Two Lions — Thomas Rowlandson · Art Institute of Chicago
- n.d.Johnny Safe Returned to His Mamma — Thomas Rowlandson · Art Institute of Chicago
- c. 1775/80Concerto Spirituale — Thomas Rowlandson · Art Institute of Chicago
- n.d.Doctor Syntax on the Road — Thomas Rowlandson · Art Institute of Chicago
- n.d.At an Old English Eating House — Thomas Rowlandson · Art Institute of Chicago
- n.d.Interior of an Inn — Thomas Rowlandson · Art Institute of Chicago
- n.d.Ale House — Thomas Rowlandson · Art Institute of Chicago
- c. 1789Launcetown Cornwall — Thomas Rowlandson · Art Institute of Chicago
- n.d.St. Cullum's, Cornwall — Thomas Rowlandson · Art Institute of Chicago
- n.d.Stanley St. Leonard Church, Gloucestershire — Thomas Rowlandson · Art Institute of Chicago
- 1800Demolition of Old Houses to the North of Westminster Abbey — Thomas Rowlandson · Art Institute of Chicago
- n.d.Limehouse Reach — Thomas Rowlandson · Art Institute of Chicago
- n.d.Alms House of Tottenham — Thomas Rowlandson · Art Institute of Chicago
- n.d.Boat Builders — Thomas Rowlandson · Art Institute of Chicago
- n.d.A Scene in Cornwall — Thomas Rowlandson · Art Institute of Chicago
- 1791Postcart Monks and Women Near Church Door — Thomas Rowlandson · Art Institute of Chicago
- n.d.Dover Coach — Thomas Rowlandson · Art Institute of Chicago
- 1791Post House in Cologne — Thomas Rowlandson · Art Institute of Chicago
- July 1794View of Prizes Taken by Lord Howe Coming in Portsmouth — Thomas Rowlandson · Art Institute of Chicago
- n.d.A View on the Thames — Thomas Rowlandson · Art Institute of Chicago
- 1805Preparation for the Academy—Old Joseph Nollekens and his Venus — Thomas Rowlandson · Art Institute of Chicago
- c. 1822Solitude at Strawberry Hill — Thomas Rowlandson · Art Institute of Chicago
- c. 1798Study for Comforts of Bath — Thomas Rowlandson · Art Institute of Chicago
- 1820Study for Dr. Syntax at a Book Auction — Thomas Rowlandson · Art Institute of Chicago
- n.d.The Doctor's Punishment Put in Execution to the Small Entertainment of the Whole Village — Thomas Rowlandson · Art Institute of Chicago
- n.d.Study for The Honeymoon — Thomas Rowlandson · Art Institute of Chicago
- n.d.Captain Squander Bang Up to the Mark — Thomas Rowlandson · Art Institute of Chicago
- 1822/27Lay Figure at Somerset House — Thomas Rowlandson · Art Institute of Chicago
- n.d.London Scene: Malefactors on Their Way to Tyburn — Thomas Rowlandson · Art Institute of Chicago
- n.d.Rider Thrown at a Hunt — Thomas Rowlandson · Art Institute of Chicago
- n.d.The Basket Seller — Thomas Rowlandson · Art Institute of Chicago
- n.d.Woman Caught Stealing a Drink — Thomas Rowlandson · Art Institute of Chicago
- n.d.Vicar of Wakefield — Thomas Rowlandson · Art Institute of Chicago
- c. 1809Study for Royal Chapel, Whitehall, from Microcosm of London — Thomas Rowlandson · Art Institute of Chicago
- c. 1812Study for Dr. Syntax and Rural Sports — Thomas Rowlandson · Art Institute of Chicago
- c. 1828Study for Dr. Syntax Entertained at College — Thomas Rowlandson · Art Institute of Chicago
- 1808/10Quakers' Meeting — Thomas Rowlandson · Art Institute of Chicago
- n.d.Carriage Horses and Hostlers — Thomas Rowlandson · Art Institute of Chicago
- c. 1800Outside the Salutation Inn, Greenwich — Thomas Rowlandson · Art Institute of Chicago
- 1800Village Fair: Harlequin and Quack — Thomas Rowlandson · Art Institute of Chicago
- c. 1815–25The Village Dance — Thomas Rowlandson · Cleveland Museum of Art
- late 1800s or early 1900sDoctor — Thomas Rowlandson · Cleveland Museum of Art
- c. 1776–1827Escape of French Prisoners — Thomas Rowlandson · Cleveland Museum of Art
- c. 1776–1827Old Maids at a Sale of Curiosities — Thomas Rowlandson · Cleveland Museum of Art
- 1780–1827Going to Ivy Bridge — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Street Scene: Vendor of Brushes — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Nude Couple Embracing — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827The Sailor's Return from Active Service — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Venus, Anchises and Cupid — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi) — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Migrants — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1800The Connoisseur — Thomas Rowlandson · The Metropolitan Museum of Art
- 18th–19th centuryBeauty and the Beast — Thomas Rowlandson · The Metropolitan Museum of Art
- 1784–1795Stable Yard with Horses — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1800The Review — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1816Fairlop Fair, Essex — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Downlands, Sussex — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827The Saw-Setter — Thomas Rowlandson · The Metropolitan Museum of Art
- 1791A Gaming Table at Devonshire House — Thomas Rowlandson · The Metropolitan Museum of Art
- late 18th–early 19th centuryThe Squire's Kitchen — Thomas Rowlandson · The Metropolitan Museum of Art
- late 18th–early 19th centuryShips and Sailors — Thomas Rowlandson · The Metropolitan Museum of Art
- late 18th–early 19th centuryFigures by the Seashore — Thomas Rowlandson · The Metropolitan Museum of Art
- 18th–19th centuryA Couple at Table with Servants — Thomas Rowlandson · The Metropolitan Museum of Art
- 18th–19th centuryDr. Syntax with a Balky Horse Before an Inn — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1815Going Sick to the Rear — Thomas Rowlandson · The Metropolitan Museum of Art
- 1814The Tailor — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827Harbor scene with the tide out, and beached boats — Thomas Rowlandson · The Metropolitan Museum of Art
- 1785–1805The Barber's Shop — Thomas Rowlandson · The Metropolitan Museum of Art
- 1797Carmarthen Castle, Wales — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1810Easterly Winds — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1799Unused study for a plate to "Hungarian and Highland Broadsword Exercise" Feb. 12, 1799 — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827Harbor scene — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827Harbor scene — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827Landscape with Oxen and Felled Tree — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827The Inn at the Ford — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827Landscape with rushing stream and a couple on the bank, frightened by a snake — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1821Pleasure of a Poste aux Anes, from Sentimental Travels — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827Woman Talking to a Seated Male Nude — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1819Tracing of scene from Dr. Syntax — Thomas Rowlandson · The Metropolitan Museum of Art
- 1820Dr. Syntax Loses His Wig — Thomas Rowlandson · The Metropolitan Museum of Art
- 1820Dr. Syntax and the Superannuated Fox Hunters — Thomas Rowlandson · The Metropolitan Museum of Art
- 1819Tracing of scene from Dr. Syntax — Thomas Rowlandson · The Metropolitan Museum of Art
- 1799Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso) — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1799An Irish Howl — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1788The Q A loaded with the spoils of India and Britain, March 6, 1788 — Thomas Rowlandson · The Metropolitan Museum of Art
- late 18th–early 19th centuryA Military Review — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Wooded hillside with deer — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Study of trees — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827St. Austle, Cornwall — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Farming scene — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Tavern scene — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1798The Comforts of Bath: A Public Breakfast — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827Herd of deer under an oak tree — Thomas Rowlandson · The Metropolitan Museum of Art
- 1792Seaport — Thomas Rowlandson · The Metropolitan Museum of Art
- before 1791Shipyard, Greenwich — Thomas Rowlandson · The Metropolitan Museum of Art
- 18th–19th centuryA Blacksmith — Thomas Rowlandson · The Metropolitan Museum of Art
- c. 1790Changing Horses at a Post House in France — Thomas Rowlandson · National Gallery of Art
- —Drovers with a Pair of Rearing Horses — Thomas Rowlandson · National Gallery of Art
- —The Fall of Phaeton — Thomas Rowlandson · National Gallery of Art
- —Cavalry Skirmish — Thomas Rowlandson · National Gallery of Art
- —Diana and Her Nymphs Bathing — Thomas Rowlandson · National Gallery of Art
- c. 1790A Young English Beauty — Thomas Rowlandson · National Gallery of Art
- —The Peep Show — Thomas Rowlandson · National Gallery of Art
- c. 1818Market Day at Richmond in Yorkshire — Thomas Rowlandson · National Gallery of Art
- —Cattle — Thomas Rowlandson · National Gallery of Art
- 1821Antique Figure — Thomas Rowlandson · National Gallery of Art
- c. 1815Nancy Cock - Clear Starcher — Thomas Rowlandson · National Gallery of Art
- probably 1811View from the Inn at Lynton — Thomas Rowlandson · National Gallery of Art
- 1832View of Bayeux — Thomas Shotter Boys · The Metropolitan Museum of Art
- 1820–74View of Issy (A Street in Issy-les-Moulineaux, Seine) — Thomas Shotter Boys · The Metropolitan Museum of Art
- 1830Figures on a beach in northern France — Thomas Shotter Boys · The Metropolitan Museum of Art
- 1650Oliver Cromwell, Commemorating the Victory at the Battle of Dunbar [obverse] — Thomas Simon · National Gallery of Art
- 1650Parliament Assembled in One House [reverse] — Thomas Simon · National Gallery of Art
- 1661King Charles II in Coronation Robes [obverse] — Thomas Simon · National Gallery of Art
- 1661King Charles II Enthroned, being Crowned by Peace [reverse] — Thomas Simon · National Gallery of Art
- c. 1656The Second Great Seal of England, Under the Commonwealth — Thomas Simon · National Gallery of Art
- c. 1845John Stone — Thomas Skynner · National Gallery of Art
- c. 1845Eliza Welch Stone — Thomas Skynner · National Gallery of Art
- c. 1845Portrait of a Man — Thomas Skynner · National Gallery of Art
- c. 1845Portrait of a Woman — Thomas Skynner · National Gallery of Art
- 1825–30Design for a Frieze — Thomas Stothard · The Metropolitan Museum of Art
- 1775–1815Man in broad brimmed hat (sketchbook page) — Thomas Stothard · The Metropolitan Museum of Art
- late 18th–mid-19th centurySeated man in circular medallion (design for a book illustration) — Thomas Stothard · The Metropolitan Museum of Art
- 1811Design for a memorial to Sir William Myers — Thomas Stothard · The Metropolitan Museum of Art
- 1842Mrs. George Lingen — Thomas Sully · Art Institute of Chicago
- 1814Dr. Joseph Klapp — Thomas Sully · Art Institute of Chicago
- 1813Portraits of Jean Terford David and Mary Sicard David — Thomas Sully · Cleveland Museum of Art
- 1813Portrait of Jean Terford David — Thomas Sully · Cleveland Museum of Art
- 1813Portrait of Mary Sicard David — Thomas Sully · Cleveland Museum of Art
- 1824John Quincy Adams — Thomas Sully · National Gallery of Art
- 1834Ann Biddle Hopkinson (Mrs. Francis Hopkinson) — Thomas Sully · National Gallery of Art
- 1834Francis Hopkinson — Thomas Sully · National Gallery of Art
- 1845Andrew Jackson — Thomas Sully · National Gallery of Art
- 1815Abraham Kintzing — Thomas Sully · National Gallery of Art
- 1850Self-Portrait — Thomas Sully · National Gallery of Art
- c. 1847Study for "The Great Seal of the State of Delaware" — Thomas Sully · National Gallery of Art
- c. 1815Man Holding a Book [recto] — Thomas Sully · National Gallery of Art
- c. 1815Figure Studies [verso] — Thomas Sully · National Gallery of Art
- 1815Henry Pratt — Thomas Sully · National Gallery of Art
- 1830Mrs. William Griffin — Thomas Sully · National Gallery of Art
- 1818Lady with a Harp: Eliza Ridgely — Thomas Sully · National Gallery of Art
- 1820Charles Carnan Ridgely — Thomas Sully · National Gallery of Art
- 1810Joseph Dugan — Thomas Sully · National Gallery of Art
- 1811-1812Captain Charles Stewart — Thomas Sully · National Gallery of Art
- 1844The Coleman Sisters — Thomas Sully · National Gallery of Art
- 1814Robert Walsh — Thomas Sully · National Gallery of Art
- 1826Thomas Alston — Thomas Sully · National Gallery of Art
- 1826The David Children — Thomas Sully · National Gallery of Art
- 1832The Vanderkemp Children — Thomas Sully · National Gallery of Art
- c. 1830The Leland Sisters — Thomas Sully · National Gallery of Art
- 1820Studies: Major Thomas Biddle and Thomas Wilcocks Sully — Thomas Sully · National Gallery of Art
- c. 1825Lafayette (Two Views) — Thomas Sully · National Gallery of Art
- —Suffer the Little Children — Thomas Sully · National Gallery of Art
- —Self-Portrait — Thomas Sully · National Gallery of Art
- 1890sHead of a Woman — Thomas Wilmer Dewing · Art Institute of Chicago
- 1884Gloria — Thomas Wilmer Dewing · Cleveland Museum of Art
- 1911Lady with a Mask — Thomas Wilmer Dewing · National Gallery of Art
- c. 1910The Green Dress — Thomas Wilmer Dewing · National Gallery of Art
- c. 1909Head of a Girl — Thomas Wilmer Dewing · National Gallery of Art
- 1886Lady with a Lute — Thomas Wilmer Dewing · National Gallery of Art
- n.d.Two Pilgrims with Portable Shrine — Tiberius Dominikus Wocher · Art Institute of Chicago
- n.d.Figures in Oriental Costume in a Landscape — Tiberius Dominikus Wocher · Art Institute of Chicago
- 1798Self-Portrait with Country Folk from Appenzell — Tiberius Dominikus Wocher · National Gallery of Art
- c. 1495Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt) — Tilman Riemenschneider · Cleveland Museum of Art
- 1502–8Saint Lawrence — Tilman Riemenschneider · Cleveland Museum of Art
- 1502–8Saint Stephen — Tilman Riemenschneider · Cleveland Museum of Art
- c. 1515/1520A Bishop Saint (Burchard of Würzburg?) — Tilman Riemenschneider · National Gallery of Art
- 1330–50Angel from a Tomb — Tino di Camaino · Cleveland Museum of Art
- 1330–50Angel from a Tomb — Tino di Camaino · Cleveland Museum of Art
- 1330–50Angel from a Tomb — Tino di Camaino · Cleveland Museum of Art
- c. 1335Madonna and Child with Queen Sancia, Saints, and Angels — Tino di Camaino · National Gallery of Art
- c. 1540s/c. 1560-1565Venus and Adonis — Titian and Workshop · National Gallery of Art
- c. 1550/1560Vincenzo Cappello — Titian and Workshop · National Gallery of Art
- c. 1553/1555Saint John the Evangelist on Patmos — Titian and Workshop · National Gallery of Art
- 1580/1631Landscape with Two Men Walking — Tobias Verhaecht · Art Institute of Chicago
- 1575–1631Mountainous Landscape with Tobias and the Angel — Tobias Verhaecht · The Metropolitan Museum of Art
- 1616Mountainous Landscape with Travelers on a Road — Tobias Verhaecht · The Metropolitan Museum of Art
- late 16th–early 17th centuryWooded Landscape with Stag Hunt — Tobias Verhaecht · The Metropolitan Museum of Art
- 1576–before 1606The Death of Aeschylus — Tobias Verhaecht · The Metropolitan Museum of Art
- —River Landscape — Tobias Verhaecht · National Gallery of Art
- 1837The Adoration of the Shepherds — Tommaso Minardi · The Metropolitan Museum of Art
- 1823Tasso Contemplating Beauty — Tommaso Minardi · The Metropolitan Museum of Art
- 1787–1871Seated John the Baptist with a Lamb in a Landscape — Tommaso Minardi · The Metropolitan Museum of Art
- 1787–1871The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape — Tommaso Minardi · The Metropolitan Museum of Art
- 1800sSaturn Wrestling with a Snake — Tommaso Minardi · National Gallery of Art
- —A Male Nude Moving to the Left — Tommaso Minardi · National Gallery of Art
- n.d.Gathering Salt Water at the Beach — Utagawa Kuniyoshi · Art Institute of Chicago
- c. 1830sDaikoku and Ebisu, Two of the Seven Gods of Happiness — Utagawa Kuniyoshi · Cleveland Museum of Art
- —Study of Two Young Women [recto] — Valentine Cameron Prinsep · National Gallery of Art
- —Figure Studies [verso] — Valentine Cameron Prinsep · National Gallery of Art
- late 1500sPax with Christ Appearing to the Apostles — Valerio Belli · Cleveland Museum of Art
- 1500sChrist Washing the Feet of the Apostles — Valerio Belli · Cleveland Museum of Art
- c. 1530sThe Adoration of the Magi [obverse] — Valerio Belli · National Gallery of Art
- c. 1530sPresentation of Christ in the Temple [reverse] — Valerio Belli · National Gallery of Art
- —Antique Marriage Scene — Valerio Belli · National Gallery of Art
- —The Entombment — Valerio Belli · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.