Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
2,801–3,000 of 13,187 records
- c. 1585The Judgment of Paris — Carletto Caliari · Cleveland Museum of Art
- 1567–96Bust of a Bearded Old Man, Profile to Right — Carletto Caliari · The Metropolitan Museum of Art
- 16th centuryBust-Length Portrait of an Ecclesiastic — Carletto Caliari · The Metropolitan Museum of Art
- late 17th centuryVertical Oval Vignette of a Mountainous Landscape with Two Shepherds in the Foreground. — Carlo Antonio Buffagnotti · The Metropolitan Museum of Art
- 1734Rural Crossroads, with Farm Buildings in Foreground — Carlo Antonio Tavella · Art Institute of Chicago
- c. 1720The Rest on the Flight into Egypt — Carlo Antonio Tavella · National Gallery of Art
- 1752–1802Design for a Cartouche with a Variant — Carlo Bianconi · The Metropolitan Museum of Art
- 1752–1802Design for a Cartouche with a Lion's Head and Nimbus — Carlo Bianconi · The Metropolitan Museum of Art
- 1752–1802Design for Two Masks Shaped as Satyr and a Winged Medusa Head — Carlo Bianconi · The Metropolitan Museum of Art
- 1752–1802Design for a Cartouche Surmounted by a Lion's Head in Scrollwork Suspending Swags of Fruit and Leaves — Carlo Bianconi · The Metropolitan Museum of Art
- 1732–1802Design for Cartouche with Banners, Drums, Leaves and a Woman's Head with Tiara — Carlo Bianconi · The Metropolitan Museum of Art
- 1752–1802Drawing of a Decorated Coat of Arms surrounded by Books, Owl, Leaves, Vase and a Snake — Carlo Bianconi · The Metropolitan Museum of Art
- 1472Saint Nicholas of Bari — Carlo Crivelli · Cleveland Museum of Art
- 1472Madonna and Child Enthroned — Carlo Crivelli · The Metropolitan Museum of Art
- ca. 1480Madonna and Child — Carlo Crivelli · The Metropolitan Museum of Art
- 1476Pietà — Carlo Crivelli · The Metropolitan Museum of Art
- 1472Saint Dominic — Carlo Crivelli · The Metropolitan Museum of Art
- 1472Saint George — Carlo Crivelli · The Metropolitan Museum of Art
- c. 1490Madonna and Child — Carlo Crivelli · National Gallery of Art
- 1470Madonna and Child Enthroned with Donor — Carlo Crivelli · National Gallery of Art
- ca. 1480Mary Magdalene — Carlo Crivelli · Rijksmuseum
- 1833–1907Design for a Stage Set of a Crypt (for the Opera 'La Morosina' ?) — Carlo Ferrario · The Metropolitan Museum of Art
- 1845–1907Architectural Ruins with a View of a Garden; Stage design for "Ballo don Parasol" — Carlo Ferrario · The Metropolitan Museum of Art
- 1845–1907Architectural Ruins with a View of a Garden; Stage design for Giacomo Meyerbeer's opera, "Robert le diable" — Carlo Ferrario · The Metropolitan Museum of Art
- 1869Stage Set Design for a Ballet: Don Parasol — Carlo Ferrario · The Metropolitan Museum of Art
- c. 1754The Assumption of the Virgin — Carlo Innocenzo Carlone · Cleveland Museum of Art
- 1759/1760The Apotheosis of Saint Euphemia — Carlo Innocenzo Carlone · National Gallery of Art
- 1686–1775The Decapitation of a Male Saint — Carlo Innocenzo Carloni · The Metropolitan Museum of Art
- 1686–1775Saint Lucy in Glory — Carlo Innocenzo Carloni · The Metropolitan Museum of Art
- —The Glorification of Saint Anthony Abbot — Carlo Innocenzo Carloni · The Metropolitan Museum of Art
- 1702–86Design for Festival Decorations on the Bases of Piers — Carlo Marchionni · The Metropolitan Museum of Art
- 1702–86Four Sketches of Putti Hanging Coat of Arms — Carlo Marchionni · The Metropolitan Museum of Art
- c. 1750/1770Caricature of a Peasant with a Broad Hat — Carlo Marchionni · National Gallery of Art
- ca. 1598Paradise — Carlo Saraceni · The Metropolitan Museum of Art
- ca. 1612The Dormition of the Virgin — Carlo Saraceni · The Metropolitan Museum of Art
- ca. 1748–95Design for a Stage Set — Carlo Zucchi the Younger · The Metropolitan Museum of Art
- 18th centuryDesign for an Opera Set, a Congress of Cupids — Carlo Zucchi the Younger · The Metropolitan Museum of Art
- 1804Statue of the Madonna in the Mountains — Caspar David Friedrich · Art Institute of Chicago
- ca. 1825–30Two Men Contemplating the Moon — Caspar David Friedrich · The Metropolitan Museum of Art
- c. 1825Northern Landscape, Spring — Caspar David Friedrich · National Gallery of Art
- 1810 or 1828/1835New Moon or Solar Eclipse above the Riesengebirge Mountains — Caspar David Friedrich · National Gallery of Art
- 1837/1839Moonrise on an Empty Shore — Caspar David Friedrich · National Gallery of Art
- ca. 1775A Bridge on the Aar, at the Foot of the Grimsel, in the Canton of Berne — Caspar Wolf · The Metropolitan Museum of Art
- c. 1774Cascade dessus Wasserberg (Waterfall above Wasserberg) — Caspar Wolf · National Gallery of Art
- 1760sArchitectural Fantasy of Antique Ruins with a Watermill — Caspar Wolf · National Gallery of Art
- 1637/38Standing Male Nude — Cecco Bravo · Art Institute of Chicago
- c. 1630-1660The Dream of Cecco Bravo — Cecco Bravo · Art Institute of Chicago
- c. 1640Study of a Standing Male Nude, with a Study of Head in Three-Quarter Profile — Cecco Bravo · Cleveland Museum of Art
- c. 1900Three Boys Braving the Rapids in Small Boats — Cecil Charles Windsor Aldin · Art Institute of Chicago
- c. 1900Russian Grand Duke — Cecil Charles Windsor Aldin · Art Institute of Chicago
- c. 1900Charmed with the Novelty of Their Situation, They Laughed — Cecil Charles Windsor Aldin · Art Institute of Chicago
- n.d.He Drove Away th[e] Fly — Cecil Charles Windsor Aldin · Art Institute of Chicago
- n.d.Say in the Part of Coriolanus for Instance — Cecil Charles Windsor Aldin · Art Institute of Chicago
- n.d.The Policeman Entered with His Supper — Cecil Charles Windsor Aldin · Art Institute of Chicago
- 1852French Officer — Célestin Nanteuil · National Gallery of Art
- —Music Title — Célestin Nanteuil · National Gallery of Art
- c. 1604Saint Charles Borromeo Entering the Town of Pavia: Design for a Wall Decoration — Cesare Nebbia · Art Institute of Chicago
- c. 1604Saint Charles Borromeo Supervising the Opening of a Crypt — Cesare Nebbia · Art Institute of Chicago
- 1586/89Samuel Enthroned — Cesare Nebbia · Art Institute of Chicago
- c. 1582Saint Helena Kneeling before the True Cross — Cesare Nebbia · Art Institute of Chicago
- 1570–80Moses and Other Figures — Cesare Nebbia · The Metropolitan Museum of Art
- 1536–1614Standing Figure of a Warrior King — Cesare Nebbia · The Metropolitan Museum of Art
- 1536–1614The Assumption of the Virgin — Cesare Nebbia · The Metropolitan Museum of Art
- 1556–1614Saint Mathew and the Angel — Cesare Nebbia · The Metropolitan Museum of Art
- 1570sThe Contest Between Athena and Poseidon for the Possession of Athens — Cesare Nebbia · The Metropolitan Museum of Art
- 1536–1614Building — Cesare Nebbia · The Metropolitan Museum of Art
- 1580–90An Ecclesiastic (Pope?) Blessing a Book before the Sacred College — Cesare Nebbia · The Metropolitan Museum of Art
- ca. 1576The Pentecost (The Descent of the Holy Spirit) — Cesare Nebbia · The Metropolitan Museum of Art
- probably c. 1567/1569Two Figures Struggling before a King — Cesare Nebbia · National Gallery of Art
- n.d.Triumph of Bacchus with Drunken Silenus on Donkey — Cesare Pollini · Art Institute of Chicago
- c. 1600–1630The Baptism of Christ — Cesare Pollini · Cleveland Museum of Art
- 1590/1600Saint Joseph and the Christ Child with Angels and Putti — Cesare Pollini · National Gallery of Art
- —Studies of a Holy Family — Cesare Pollini · National Gallery of Art
- —The Adoration of the Shepherds — Cesare Pollini · National Gallery of Art
- 1926Dead Fowl — Chaim Soutine · Art Institute of Chicago
- c. 1923Landscape at Cagnes — Chaim Soutine · Art Institute of Chicago
- 1923Still Life with Rayfish — Chaïm Soutine · Cleveland Museum of Art
- c. 1923–24Old Woman — Chaïm Soutine · Cleveland Museum of Art
- 1817Scene from Racine's Athalie — Charles Abraham Chasselat · Art Institute of Chicago
- 1818Allegory — Charles Abraham Chasselat · Cleveland Museum of Art
- 1764The Camera Obscura — Charles Amédée Philippe Van Loo · National Gallery of Art
- 1764Soap Bubbles — Charles Amédée Philippe Van Loo · National Gallery of Art
- 1806George Raleigh Dearborn — Charles B. J. Févret de Saint-Mémin · National Gallery of Art
- 1807John Carlyle Herbert — Charles B. J. Févret de Saint-Mémin · National Gallery of Art
- c. 1790–1852Portraits of Georges Arnold Fitzwilliam and Portrait of Eleanor Ramsay Fitzwilliam; a pair — Charles Balthazar Julien Fevret de Saint-Mémin · Cleveland Museum of Art
- c. 1790–1852Portrait of Georges Arnold Fitzwilliam — Charles Balthazar Julien Fevret de Saint-Mémin · Cleveland Museum of Art
- c. 1790–1852Portrait of Eleanor Ramsay Fitzwilliam — Charles Balthazar Julien Fevret de Saint-Mémin · Cleveland Museum of Art
- 1889Costume Design for "Orlando" — Charles Bianchini · The Metropolitan Museum of Art
- 1889Costume for Sir Olivier McText [a]; Descriptive Sheet of Accessories [b] — Charles Bianchini · The Metropolitan Museum of Art
- n.d.Costume Design for a Cavalier (?) in Blue and Burgundy with Feathered Cap and Sword — Charles Bianchini · The Metropolitan Museum of Art
- 1889Costume Design for "Andrey" [a]; Descriptive sheet of Accessories [b] — Charles Bianchini · The Metropolitan Museum of Art
- n.d.Costume Design for a Maiden Draped in White — Charles Bianchini · The Metropolitan Museum of Art
- 1889Costume Design for "Touchstone" [a]; Descriptive Sheet of Costume and Accessories [b] — Charles Bianchini · The Metropolitan Museum of Art
- n.d.Design for Man's "Medieval" Costume — Charles Bianchini · The Metropolitan Museum of Art
- 1889Costume Design for "Officiers du duc Frédéric" [a]; Descriptive Sheet of Costume Accessories [b] — Charles Bianchini · The Metropolitan Museum of Art
- n.d.Costume for a Youth in Yellow and Blue — Charles Bianchini · The Metropolitan Museum of Art
- n.d.Costume Design for "4 Villageois jouant au hautbois" [a]; Descriptive Sheet of Costume Accessories [b] — Charles Bianchini · The Metropolitan Museum of Art
- 1889Costume Design for "Adam" — Charles Bianchini · The Metropolitan Museum of Art
- 1897Brother Richard, a Franciscan Monk; costume design for Jeanne d'Arc by the Paris Opera Company, 1897 — Charles Bianchini · The Metropolitan Museum of Art
- 1897Philip the Good, Duke of Burgundy; costume design for Jeanne d'Arc by the Paris Opera — Charles Bianchini · The Metropolitan Museum of Art
- 1897Joan of Arc; costume design for Jeanne d'Arc by the Paris Opera Company, 1897 — Charles Bianchini · The Metropolitan Museum of Art
- 1912Pair of Hounds — Charles Cary Rumsey · Cleveland Museum of Art
- 1912Hound (1 of 2) — Charles Cary Rumsey · Cleveland Museum of Art
- 1912Hound (2 of 2) — Charles Cary Rumsey · Cleveland Museum of Art
- ca. 1825Interior, Leningrad? — Charles de Brocktorff · The Metropolitan Museum of Art
- ca. 1830Design for interior — Charles de Brocktorff · The Metropolitan Museum of Art
- ca. 1830Design for interior — Charles de Brocktorff · The Metropolitan Museum of Art
- ca. 1830Design for interior — Charles de Brocktorff · The Metropolitan Museum of Art
- ca. 1830Design for interior — Charles de Brocktorff · The Metropolitan Museum of Art
- 1763Allegorical Figure of Melancholy — Charles de La Traverse · The Metropolitan Museum of Art
- 1896Fan Mount: The Spanish Piazza — Charles Edward Conder · The Metropolitan Museum of Art
- 1893–1909Painted fan with a design of feathers and three medallions — Charles Edward Conder · The Metropolitan Museum of Art
- 1911Cottage at Littleton for B.M. Chamber Esq. — Charles Edward Mallows · The Metropolitan Museum of Art
- 1909South Elevation and East or Entrance Elevation of a House — Charles Edward Mallows · The Metropolitan Museum of Art
- 1910Design for Thatched Cottages for Mrs. Kingsley — Charles Edward Mallows · The Metropolitan Museum of Art
- late 19th–early 20th centuryDesign for a Smithy and Two Cottages — Charles Edward Mallows · The Metropolitan Museum of Art
- —Meadow Pond, New York — Charles Frederick William Mielatz · National Gallery of Art
- —Seine et Marne — Charles Frederick William Mielatz · National Gallery of Art
- n.d.Figures in a Park — Charles Georges Dufresne · Art Institute of Chicago
- 1921Jungle Symphony — Charles Georges Dufresne · Art Institute of Chicago
- 1917Three Nudes — Charles Haslewood Shannon · Art Institute of Chicago
- n.d.Summer — Charles Haslewood Shannon · Art Institute of Chicago
- 1918Two Male Figures: Study for "The Good Samaritan" — Charles Hazelwood Shannon · National Gallery of Art
- —Study of Atlas — Charles Hazelwood Shannon · National Gallery of Art
- ca. 1785Lady Dashwood and Her Son — Charles Howard Hodges · The Metropolitan Museum of Art
- c. 1825 - c. 1830Self-portrait — Charles Howard Hodges · Rijksmuseum
- c. 1810Portrait of Emma Jane Hodges (1789-1868) — Charles Howard Hodges · Rijksmuseum
- 1810Willem Bilderdijk (1759-1831), Poet and Historian — Charles Howard Hodges · Rijksmuseum
- 1800 - 1816Reinier Vinkeles (1741-1816). Tekenaar en plaatsnijder — Charles Howard Hodges · Rijksmuseum
- 1835Johan Fraser (1780-1843) — Charles Howard Hodges · Rijksmuseum
- 1835Maria Antoinette Charlotte Sanderson (1782-1859), Wife of Johan Fraser — Charles Howard Hodges · Rijksmuseum
- 1834Christian Edouard Fraser (1812-79). Tweede luitenant van het 5de regiment der Dragonders — Charles Howard Hodges · Rijksmuseum
- c. 1812 - c. 1813Portrait of a Man, perhaps J.W. Beynen — Charles Howard Hodges · Rijksmuseum
- ca. 1812 - ca. 1813Portret van een vrouw — Charles Howard Hodges · Rijksmuseum
- c. 1812 - c. 1816Suzanna Maria Crommelin (1780-1820), Wife of Egbert Johannes Koch — Charles Howard Hodges · Rijksmuseum
- 1809Portret van Lodewijk Napoleon, koning van Holland — Charles Howard Hodges · Rijksmuseum
- c. 1816Portrait of Cornelis Apostool, First Director of the Rijksmuseum — Charles Howard Hodges · Rijksmuseum
- ca. 1821 - ca. 1825Jacoba Vetter (1796-1830), Wife of Pieter Meijer Warnars, Amsterdam Bookseller — Charles Howard Hodges · Rijksmuseum
- 1828Portret van Hendrik Voogd (1768-1839) — Charles Howard Hodges · Rijksmuseum
- n.d.Oberon and Titania, from A Midsummer Night's Dream — Charles Kirkpatrick Sharpe · Art Institute of Chicago
- 1828"Repository for Rubbish, vol. I, L.F.C 1828", Illustration for children's book — Charles Kirkpatrick Sharpe · The Metropolitan Museum of Art
- in or before 1768Fountain in a Courtyard — Charles Louis Clérisseau · National Gallery of Art
- in or before 1768L'Ordre Corinthian — Charles Louis Clérisseau · National Gallery of Art
- —Roman Ruins with a Sepulchre — Charles Louis Clérisseau · National Gallery of Art
- 1802–03Earth Receiving the Code of Roman Law from the Emperors Hadrian and Justinian — Charles Meynier · The Metropolitan Museum of Art
- ca. 1797The Muse Erato Writing Verses Inspired by Love — Charles Meynier · The Metropolitan Museum of Art
- mid-18th centuryFarmyard — Charles Michel Ange Challe · The Metropolitan Museum of Art
- 18th centuryView Within the Colosseum, Rome — Charles Michel Ange Challe · The Metropolitan Museum of Art
- mid-18th centuryView of the Palazza Madama, Rome (?) — Charles Michel Ange Challe · The Metropolitan Museum of Art
- 18th centuryAn Architectural Capriccio; a View Through a Great Arch with an Obelisk in a Piazza in the Middle Distance — Charles Michel Ange Challe · The Metropolitan Museum of Art
- 18th centuryArchitectural Fantasy — Charles Michel Ange Challe · The Metropolitan Museum of Art
- c. 1745The Interior of the Colosseum — Charles Michel-Ange Challe · National Gallery of Art
- c. 1748Arches of the Larger Baths at Hadrian's Villa — Charles Michel-Ange Challe · National Gallery of Art
- c. 1747Architectural Fantasy with a Pyramidal Mausoleum — Charles Michel-Ange Challe · National Gallery of Art
- 1776Portrait of Pierre Antoine de Boyer du Suquet — Charles Nicolas Cochin II · The Metropolitan Museum of Art
- 1761The Marketplace in the Village of Marigny (Partie de la place du marché de Marigny) — Charles Nicolas Cochin II · The Metropolitan Museum of Art
- —Design for a Fountain — Charles Pierre Joseph Normand · The Metropolitan Museum of Art
- ca. 1791Section of a "Galerie dans le palais d'un souverain" — Charles Pierre Joseph Normand · The Metropolitan Museum of Art
- n.d.Each Moment Has Its Sickle — Charles Reuben Ryley · Art Institute of Chicago
- n.d.Paul Before Festus and Agrippa — Charles Reuben Ryley · Art Institute of Chicago
- n.d.Scene from 'A Winter's Tale' — Charles Robert Leslie · Art Institute of Chicago
- 1835–40James William Wallack — Charles Robert Leslie · Art Institute of Chicago
- c. 1860The Trotter — Charles S. Humphreys · National Gallery of Art
- 1876Budd Doble Driving Goldsmith Maid at Belmont Driving Park — Charles S. Humphreys · National Gallery of Art
- 1876Anticipation (for Punch, or the London Charivari, October 23, 1876) — Charles Samuel Keene · The Metropolitan Museum of Art
- 1870–1891Two Nursemaids — Charles Samuel Keene · The Metropolitan Museum of Art
- 1870–1891A Vicar and a Curate — Charles Samuel Keene · The Metropolitan Museum of Art
- 1872"A Tight Fit" — Charles Samuel Keene · The Metropolitan Museum of Art
- 1870–1891She was "Sorry She Spoke" — Charles Samuel Keene · The Metropolitan Museum of Art
- ca. 1879"The Soldier's Tear"–Old Song — Charles Samuel Keene · The Metropolitan Museum of Art
- 1870–91"So Considerate" — Charles Samuel Keene · The Metropolitan Museum of Art
- 1870–1891"A Reproof" — Charles Samuel Keene · The Metropolitan Museum of Art
- 1870–1891"Tract Distributor" — Charles Samuel Keene · The Metropolitan Museum of Art
- 1876"Happy Thought" (for Punch, December 16, 1876) — Charles Samuel Keene · The Metropolitan Museum of Art
- 1870–1891"A Wolf in Sheep's Clothing" — Charles Samuel Keene · The Metropolitan Museum of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette [recto] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of a Flower [verso] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for a Panel — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of a Scroll — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of Figures — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of a Figure from Behind [recto] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of Figures [verso] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for a Lunette [recto] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for a Lunette [verso] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Figure Study — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Figure Studies — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of Two Female Figures in Arched Border — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study of Two Female Figures in Arched Border — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for Lunettes — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Panel — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Panel — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Panel — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Panel — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for an Archway — Charles Sprague Pearce · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.