Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
3,001–3,200 of 13,187 records
- 1890/1897Study for an Archway — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for an Archway — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for an Archway — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for an Archway — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for Lunettes — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Panel — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Studies for Lunettes [recto] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Diagram of a Lunette [verso] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Lunette — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design [recto] — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Tracing of a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Tracing of a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Tracing of a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Sketches for a Scroll — Charles Sprague Pearce · National Gallery of Art
- 1890/1897Study for a Border Design — Charles Sprague Pearce · National Gallery of Art
- 1820sCharacter Study — Charles Wesley Jarvis · National Gallery of Art
- 1820sThe Drinker — Charles Wesley Jarvis · National Gallery of Art
- 1820sMan Leaning on a Counter — Charles Wesley Jarvis · National Gallery of Art
- —Unknown Yale Student — Charles Wesley Jarvis · National Gallery of Art
- c. 1840Henry Clay — Charles Wesley Jarvis · National Gallery of Art
- 1669Fame [reverse] — Charles-Jean-François Chéron · National Gallery of Art
- 1669Pietro da Cortona, 1596-1669, Italian Painter [obverse] — Charles-Jean-François Chéron · National Gallery of Art
- c. 1655/1675Rosebush Growing out of a Rocky Terrain [reverse] — Charles-Jean-François Chéron · National Gallery of Art
- c. 1655/1675Falvio Orsini, died 1698, Duke of Bracciano [obverse] — Charles-Jean-François Chéron · National Gallery of Art
- c. 1675Carlo Maratta, 1625-1713, Painter [obverse] — Charles-Jean-François Chéron · National Gallery of Art
- c. 1675Genius Inspiring Art [reverse] — Charles-Jean-François Chéron · National Gallery of Art
- —Saints Peter and Paul — Cherubino Alberti · National Gallery of Art
- —Two Draped Figures — Cherubino Alberti · National Gallery of Art
- —Draped Figure with a Staff — Cherubino Alberti · National Gallery of Art
- 1590s?A Design for a Wall Decoration or Fountain — Cherubino Alberti · National Gallery of Art
- —Justice — Cherubino Alberti · National Gallery of Art
- c. 1601Prudence [recto] — Cherubino Alberti · National Gallery of Art
- c. 1822Thomas Abthorpe Cooper (1776-1849) — Chester Harding · Art Institute of Chicago
- c. 1835John Childe — Chester Harding · Cleveland Museum of Art
- c. 1845Amos Lawrence — Chester Harding · National Gallery of Art
- c. 1825Self-Portrait — Chester Harding · National Gallery of Art
- c. 1828Charles Carroll of Carrollton — Chester Harding · National Gallery of Art
- 1829John Randolph — Chester Harding · National Gallery of Art
- 1907Against the Light — Childe Hassam · Art Institute of Chicago
- 1911/14Grant Park, Congress Street — Childe Hassam · Art Institute of Chicago
- 1889Saint-Cloud — Childe Hassam · Art Institute of Chicago
- 1893Woman with Umbrella — Childe Hassam · Art Institute of Chicago
- 1916View of The Art Institute — Childe Hassam · Art Institute of Chicago
- 1890sSweeping Snow — Childe Hassam · Cleveland Museum of Art
- 1891Poppies, Isles of Shoals — Childe Hassam · National Gallery of Art
- 1901A North East Headland — Childe Hassam · National Gallery of Art
- 1887Au Grand Prix de Paris (At the Grand Prix de Paris) — Childe Hassam · National Gallery of Art
- 1912The New York Window — Childe Hassam · National Gallery of Art
- 1904Mount Hood, Oregon — Childe Hassam · National Gallery of Art
- 1901North River Dock, New York — Childe Hassam · National Gallery of Art
- 1910Toledo — Childe Hassam · National Gallery of Art
- 1903Fisherman, Isle of Shoals — Childe Hassam · National Gallery of Art
- 1897 and 1907Big Ben — Childe Hassam · National Gallery of Art
- 1904The Bridge at Grez [recto] — Childe Hassam · National Gallery of Art
- 1886Rainy Day, Boston — Childe Hassam · National Gallery of Art
- 1916Old House at East Hampton — Childe Hassam · National Gallery of Art
- 1904The Bridge at Grez [verso] — Childe Hassam · National Gallery of Art
- 1917Allies Day, May 1917 — Childe Hassam · National Gallery of Art
- 1912Nude Seated — Childe Hassam · National Gallery of Art
- probably 1890The Up-Tide on the Avenue — Childe Hassam · National Gallery of Art
- 1902Oyster Sloop, Cos Cob — Childe Hassam · National Gallery of Art
- 1885Norman Structure — Childe Hassam · National Gallery of Art
- 1888Spectators at the Grand Prix — Childe Hassam · National Gallery of Art
- 1740–97The Immortal Author — Christian Bernhard Rode · The Metropolitan Museum of Art
- 1724–97The Bee and the Hen — Christian Bernhard Rode · The Metropolitan Museum of Art
- c. 1735Portrait of a Man — Christian Friedrich Zincke · Cleveland Museum of Art
- 1715Portrait of John Churchill, 1st Duke of Marlborough — Christian Friedrich Zincke · Cleveland Museum of Art
- —Portrait of a Man — Christian Friedrich Zincke · The Metropolitan Museum of Art
- 1724Richard Abell — Christian Friedrich Zincke · The Metropolitan Museum of Art
- ca. 1730Mrs. Vanderbank — Christian Friedrich Zincke · The Metropolitan Museum of Art
- —Portrait of a Young Man — Christian Friedrich Zincke · The Metropolitan Museum of Art
- —Portrait of a Woman — Christian Friedrich Zincke · The Metropolitan Museum of Art
- 1730 - 1734Anna, prinses van Hannover (1709-59), echtgenote van Willem IV, prins van Oranje-Nassau — Christian Friedrich Zincke · Rijksmuseum
- 1720 - 1737Caroline van Brandenburg-Anspach (1683-1737). Echtgenote van George II, koning van Engeland — Christian Friedrich Zincke · Rijksmuseum
- 1747Saint Francis Reading — Christian Wilhelm Ernst Dietrich · The Metropolitan Museum of Art
- 1712–74Study of a Plant — Christian Wilhelm Ernst Dietrich · The Metropolitan Museum of Art
- 1742Christ Healing the Sick — Christian Wilhelm Ernst Dietrich · The Metropolitan Museum of Art
- 1760sThe Adoration of the Shepherds — Christian Wilhelm Ernst Dietrich · The Metropolitan Museum of Art
- —Surprised, or Infidelity Found Out — Christian Wilhelm Ernst Dietrich · The Metropolitan Museum of Art
- 1731/1732Oriental in a Fantastic Headdress — Christian Wilhelm Ernst Dietrich · National Gallery of Art
- 1862Heemskerck en Barends, hun tweeden togt naar het Noorden beramende — Christoffel Bisschop · Rijksmuseum
- 1850 - 1880De valkenier — Christoffel Bisschop · Rijksmuseum
- 1850 - 1904The Interrupted Prayer — Christoffel Bisschop · Rijksmuseum
- 1770–1825Grape Harvest at the Gulf of Naples — Christoph Heinrich Kniep · The Metropolitan Museum of Art
- 1790sArcadian Landscape with a Mausoleum — Christoph Heinrich Kniep · National Gallery of Art
- 1790sArcadian Landscape with a Doric Temple — Christoph Heinrich Kniep · National Gallery of Art
- 1598Design for a Painted Glass with Scene from the New Testament — Christoph Murer · The Metropolitan Museum of Art
- 1580sThe Three Graces (recto); Four putti engaging in various activities (verso) — Christoph Murer · The Metropolitan Museum of Art
- late 18th–early 19th centuryA Waterfall in a Forest at Langhennersdorf — Christoph Nathe · The Metropolitan Museum of Art
- 1770–1806Wooded Landscape with a Creek — Christoph Nathe · The Metropolitan Museum of Art
- 1524Elogius Honnu [obverse] — Christoph Weiditz the Elder · National Gallery of Art
- 1528Ambrosius Jung, 1471-1548, City Physician of Augsburg [obverse] — Christoph Weiditz the Elder · National Gallery of Art
- 1528Coat of Arms [reverse] — Christoph Weiditz the Elder · National Gallery of Art
- 1531Francisco de los Cobos, c. 1475/1480-1547, Privy Counselor and Chancellor, Art Patron [obverse] — Christoph Weiditz the Elder · National Gallery of Art
- 1531Man Riding Towards a Cliff Carrying A Scroll [reverse] — Christoph Weiditz the Elder · National Gallery of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign for a Floral Pattern — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on a design of ca. 1867We're a Band of Brothers — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designDesign drawing — Christopher Dresser · The Metropolitan Museum of Art
- ca. 1883, based on earlier designTwo design drawings — Christopher Dresser · The Metropolitan Museum of Art
- 1830–92Standing on the Base Ground... I Become a Transparent Eyeball (Illustration for Ralph Waldo Emerson's "Nature") — Christopher Pearse Cranch · The Metropolitan Museum of Art
- 1830–92I Expand and Live in the Warm Day Like Corn and Melons (Illustration for Ralph Waldo Emerson's "Nature") — Christopher Pearse Cranch · The Metropolitan Museum of Art
- 1830–92Build Your Own World. So Fast Will Disagreeable Things...Vanish (Illustration for Ralph Waldo Emerson's "Nature") — Christopher Pearse Cranch · The Metropolitan Museum of Art
- 1830–92Instead of Man Reading We Have the Bookworm — Christopher Pearse Cranch · The Metropolitan Museum of Art
- 1852Castle Gondolfo, Lake Albano, Italy — Christopher Pearse Cranch · National Gallery of Art
- c. 1500/1505Saint Jerome in the Wilderness — Cima da Conegliano · National Gallery of Art
- c. 1492/1495Madonna and Child with Saint Jerome and Saint John the Baptist — Cima da Conegliano · National Gallery of Art
- c. 1495Saint Helena — Cima da Conegliano · National Gallery of Art
- n.d.Edwy and Elgiva — Clarkson Stanfield · Art Institute of Chicago
- n.d.Boys at Peepshow in Street — Clarkson Stanfield · Art Institute of Chicago
- 1820–67Lake of Thun looking North — Clarkson Stanfield · The Metropolitan Museum of Art
- 1820–46Fire at sea — Clarkson Stanfield · The Metropolitan Museum of Art
- 1673 or afterBronze Garden Vase with Two Putti from the Gardens of Versailles — Claude Ballin the Elder · The Metropolitan Museum of Art
- 1673 or afterBronze Garden Vase with Two Dragons from the Gardens of Versailles — Claude Ballin the Elder · The Metropolitan Museum of Art
- 1620sTriumph of the Amazons — Claude Déruet · The Metropolitan Museum of Art
- 1620sDeparture of the Amazons — Claude Déruet · The Metropolitan Museum of Art
- c. 1619Imperfectorum Academia (Academy of the Imperfects) — Claude Déruet · National Gallery of Art
- n.d.Soldier with Halberd — Claude Gillot · The Metropolitan Museum of Art
- ca. 1712–16La scène des deux carrosses — Claude Gillot · The Metropolitan Museum of Art
- ca. 1711–22Four Actors in Heroic Costume, with a Study of a Helmeted Head — Claude Gillot · The Metropolitan Museum of Art
- ca. 1794Project for the Monument de la Montagne, Orléans — Claude Mathieu Delagardette · The Metropolitan Museum of Art
- ca. 1794Project for the Monument de la Montagne, Orléans — Claude Mathieu Delagardette · The Metropolitan Museum of Art
- n.d.Still Life — Claude Venard · Art Institute of Chicago
- n.d.Still Life with Eggs — Claude Venard · Art Institute of Chicago
- 1952Nude in the Studio — Claude Venard · Art Institute of Chicago
- 1404–1410Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404) — Claus de Werve · Cleveland Museum of Art
- 1404–10Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404) — Claus de Werve · Cleveland Museum of Art
- 1404–10Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404) — Claus de Werve · Cleveland Museum of Art
- c. 1440–1450Standing Virgin — Claus de Werve · Cleveland Museum of Art
- 1468Federigo da Montefeltro, 1422-1482, Count of Urbino 1444, and Duke 1474 [obverse] — Clemente da Urbino · National Gallery of Art
- 1468Eagle with Spread Wings Supporting a Platform of Symbolic Objects [reverse] — Clemente da Urbino · National Gallery of Art
- —Portrait of a Man with a Moor's Head on His Signet Ring — Conrad Faber von Creuznach · The Metropolitan Museum of Art
- late 1520sHeinrich(?) vom Rhein zum Mohren (1477–1536) — Conrad Faber von Creuznach · The Metropolitan Museum of Art
- 1793Commemoration of Marie-Antoinette: Louis XVI and Marie-Antoinette [obverse] — Conrad Heinrich Küchler · National Gallery of Art
- 1793Queen Marie-Antoinette Led to the Guillotine [reverse] — Conrad Heinrich Küchler · National Gallery of Art
- 1800George III, 1738-1820, King of Great Britain 1760 [obverse] — Conrad Heinrich Küchler · National Gallery of Art
- 1800Altar with a Burning Offering [reverse] — Conrad Heinrich Küchler · National Gallery of Art
- 1631–32Flying Putti, Surrounding Archangel Raphael — Conrad Meyer · The Metropolitan Museum of Art
- mid-17th–late 17th centuryThe Devil's Kitchen Visited by an Angel — Conrad Meyer · The Metropolitan Museum of Art
- 1651Allegory of the Transience of Life — Conrad Meyer · The Metropolitan Museum of Art
- —Allegory of Poverty and Wealth — Conrad Meyer · National Gallery of Art
- 1856Study — Constantin Guys · Art Institute of Chicago
- n.d.Three Servant Women — Constantin Guys · Art Institute of Chicago
- 1854/56One of the Ladies of the Harem (recto); Fragment of a Landscape (verso) — Constantin Guys · Art Institute of Chicago
- 1865/70Three-Quarter Length Portrait of a Woman — Constantin Guys · Art Institute of Chicago
- n.d.Two Women in Yellow Kerchiefs — Constantin Guys · Art Institute of Chicago
- c. 1840Two Women — Constantin Guys · Art Institute of Chicago
- c. 1870–1875Standing Woman — Constantin Guys · Art Institute of Chicago
- c. 1860–1864 (?)Woman with a Muff — Constantin Guys · Art Institute of Chicago
- 1850/1855Reception — Constantin Guys · Art Institute of Chicago
- n.d.Cavalry Exercise in a Meadow — Constantin Guys · Art Institute of Chicago
- n.d.Riders and Equipage — Constantin Guys · Art Institute of Chicago
- n.d.After the Ballet — Constantin Guys · Art Institute of Chicago
- 1800sA Stop in the Park — Constantin Guys · Cleveland Museum of Art
- 1800sIn Expectation — Constantin Guys · Cleveland Museum of Art
- 1855–60Woman in a Blue Dress (recto); War Encampment Scene (verso) — Constantin Guys · Cleveland Museum of Art
- 1855–60Woman in a Blue Dress (recto) — Constantin Guys · Cleveland Museum of Art
- 1800sWar Encampment Scene (verso) — Constantin Guys · Cleveland Museum of Art
- 19th centuryAt the Ball (recto); La femme à l'éventail, after Goya (verso) — Constantin Guys · Cleveland Museum of Art
How Artmetria works with sources and evidence is set out in the methodology.