Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
5,001–5,200 of 13,187 records
- c. 1859Winter in the Country — George Henry Durrie · National Gallery of Art
- c. 1858Winter in the Country — George Henry Durrie · National Gallery of Art
- 1866A Peach, Seville — George Henry Hall · National Gallery of Art
- 1885A Pomegranate, Siena — George Henry Hall · National Gallery of Art
- 1869Tulip — George Henry Hall · National Gallery of Art
- 1884Lemons — George Henry Hall · National Gallery of Art
- 1809Statue on Lawn in Epsom — George Henry Harlow · Art Institute of Chicago
- 1816Portrait Head — George Henry Harlow · The Metropolitan Museum of Art
- —Self-Portrait — George Henry Harlow · The Metropolitan Museum of Art
- 1814Edmund Kean in the Character of Macbeth — George Henry Harlow · The Metropolitan Museum of Art
- 1887Flower Girl in Holland — George Hitchcock · Art Institute of Chicago
- 1892The Blessed Mother — George Hitchcock · Cleveland Museum of Art
- 1858Durham, Connecticut — George Inness · Cleveland Museum of Art
- 1866A Winter Sky — George Inness · Cleveland Museum of Art
- 1871Approaching Storm from the Alban Hills — George Inness · Cleveland Museum of Art
- 1888Landscape — George Inness · Cleveland Museum of Art
- 1866In the Woods — George Inness · Cleveland Museum of Art
- c. 1872Albano, Italy — George Inness · Cleveland Museum of Art
- 1864Harvest Time — George Inness · Cleveland Museum of Art
- 1881Fleecy Clouds — George Inness · Cleveland Museum of Art
- before 1956Cows in a Field — George Inness · Cleveland Museum of Art
- c. 1878Montclair, New Jersey — George Inness · Cleveland Museum of Art
- 1892Sunny Autumn Day — George Inness · Cleveland Museum of Art
- 1849The Wood Chopper — George Inness · Cleveland Museum of Art
- c. 1875–77The Wheat Field — George Inness · Cleveland Museum of Art
- 1867Harvest Scene in the Delaware Valley — George Inness · National Gallery of Art
- 1891Sunset in the Woods — George Inness · National Gallery of Art
- 1876Hillside at Étretat — George Inness · National Gallery of Art
- 1891Harvest Moon — George Inness · National Gallery of Art
- c. 1852Landscape — George Inness · National Gallery of Art
- c. 1856The Lackawanna Valley — George Inness · National Gallery of Art
- c. 1874Lake Albano, Sunset — George Inness · National Gallery of Art
- 1872-1874View of the Tiber near Perugia — George Inness · National Gallery of Art
- —A Woman Reclining on a Cushion — George Jones · National Gallery of Art
- —Seated Man — George Jones · National Gallery of Art
- c. 1880Beached Vessel — George Loring Brown · National Gallery of Art
- 1833Shoe, Herring, and Book — George Loring Brown · National Gallery of Art
- n.d.Whistler in a Hansom Cab — George Louis Pamella Busson Dumaurier · Art Institute of Chicago
- 1894Aggravating Flippancy — George Louis Pamella Busson Dumaurier · Art Institute of Chicago
- 1893Groves of Blarney — George Louis Pamella Busson Dumaurier · Art Institute of Chicago
- n.d.Two Sketches: Two Women and Baby with Man Looking On — George Louis Pamella Busson Dumaurier · Art Institute of Chicago
- 1815Inscription [reverse] — George Mills · National Gallery of Art
- 1898Solidarity — George Minne · Cleveland Museum of Art
- c. 1780–85Mrs. Samuel Howitt (née Elizabeth Rowlandson) — George Murgatroyd Woodward · Cleveland Museum of Art
- ca. 1798Country Lovers — George Murgatroyd Woodward · The Metropolitan Museum of Art
- 1758 - 1809Portret van een vrouw — George Nikolaus Ritter · Rijksmuseum
- 1800 - 1809Portret van een ziek meisje in bed liggend — George Nikolaus Ritter · Rijksmuseum
- 1852Self-Portrait — George Peter Alexander Healy · Cleveland Museum of Art
- 1860Abraham Lincoln — George Peter Alexander Healy · National Gallery of Art
- 1876Roxana Atwater Wentworth — George Peter Alexander Healy · National Gallery of Art
- 1865–75View of a colliery at the edge of a town — George Price Boyce · The Metropolitan Museum of Art
- 1864Newcastle at Night from the Rabbit Banks, Gateshead — George Price Boyce · The Metropolitan Museum of Art
- 1866–67Autumn landscape with a colliery — George Price Boyce · The Metropolitan Museum of Art
- 1827 or 1829A figure weeping over a grave — George Richmond · The Metropolitan Museum of Art
- 1837Portrait of two children — George Richmond · The Metropolitan Museum of Art
- before 1864Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso) — George Richmond · The Metropolitan Museum of Art
- 1840–80Study of a man gazing down — George Richmond · The Metropolitan Museum of Art
- 1881Portrait of George Eliot, seen in profile to the left — George Richmond · The Metropolitan Museum of Art
- possibly 1848Study of a tree — George Richmond · The Metropolitan Museum of Art
- 1840–60 (?)Landscape at Margate — George Richmond · The Metropolitan Museum of Art
- 1840–70Cedar trees in a park — George Richmond · The Metropolitan Museum of Art
- 1820–90Burdock — George Richmond · The Metropolitan Museum of Art
- 1840–80Study of a plant — George Richmond · The Metropolitan Museum of Art
- 1870–79 (?)Study of a female nude, seated — George Richmond · The Metropolitan Museum of Art
- ca. 1830"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5) — George Richmond · The Metropolitan Museum of Art
- 1865Landscape with a Fantastic Castle — George Sand · The Metropolitan Museum of Art
- 1848Common Thistle (Chardon Commun) — George Sand · The Metropolitan Museum of Art
- 1966The Truck — George Segal · Art Institute of Chicago
- 1965Couple on a Bed — George Segal · Art Institute of Chicago
- c. 1965Seated Female Nude — George Segal · Art Institute of Chicago
- 1891Church at Montigny-Sur-Loing, France, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891Church Tower, Cologne, Germany, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891Tower of Heidelberg Castle, Germany, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891Arcade from Heidelberg Castle, Germany, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891Clocktower on a Street, Lucerne, Switzerland, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891Campanile, Piazza de San Marco, Venice, Italy, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891Sta. Maria della Salute, Venice, Italy, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891San Miniato, Florence, Italy, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1891Gothic Church, Rouen, France, Travel Sketch — George Washington Maher · Art Institute of Chicago
- October 4, 1891View of Florence, Italy, Travel Sketch — George Washington Maher · Art Institute of Chicago
- October 5, 1891Palazzo Vecchio, Florence, Italy, Travel Sketch — George Washington Maher · Art Institute of Chicago
- 1818Stilleven met jachtbuit en Griekse stèle: allegorie op de Herfst — Georgius Jacobus Johannes van Os · Rijksmuseum
- 1817Stilleven met bloemen in een Griekse vaas: allegorie op de Lente — Georgius Jacobus Johannes van Os · Rijksmuseum
- 1820 - 1861Still Life with Flowers — Georgius Jacobus Johannes van Os · Rijksmuseum
- early 1500sPortrait of a Monk — Gerard David · Cleveland Museum of Art
- c. 1485–90The Nativity — Gerard David · Cleveland Museum of Art
- ca. 1498Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso) — Gerard David · The Metropolitan Museum of Art
- 1506The Annunciation — Gerard David · The Metropolitan Museum of Art
- ca. 1500Christ Taking Leave of His Mother — Gerard David · The Metropolitan Museum of Art
- ca. 1495The Crucifixion — Gerard David · The Metropolitan Museum of Art
- ca. 1510–15The Nativity with Donors and Saints Jerome and Leonard — Gerard David · The Metropolitan Museum of Art
- early 1480sThe Nativity — Gerard David · The Metropolitan Museum of Art
- ca. 1512–15The Rest on the Flight into Egypt — Gerard David · The Metropolitan Museum of Art
- ca. 1510–15Virgin and Child with Four Angels — Gerard David · The Metropolitan Museum of Art
- ca. 1520Virgin and Child — Gerard David · The Metropolitan Museum of Art
- ca. 1520The Adoration of the Magi — Gerard David · The Metropolitan Museum of Art
- ca. 1485–90Saint John the Baptist; Saint Francis Receiving the Stigmata — Gerard David · The Metropolitan Museum of Art
- ca. 1500–1505Christ Blessing — Gerard David · The Metropolitan Museum of Art
- c. 1510The Rest on the Flight into Egypt — Gerard David · National Gallery of Art
- c. 1500/1520The Saint Anne Altarpiece: Saint Nicholas [left panel] — Gerard David and Workshop · National Gallery of Art
- c. 1500/1520The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel] — Gerard David and Workshop · National Gallery of Art
- c. 1500/1520The Saint Anne Altarpiece: Saint Anthony of Padua [right panel] — Gerard David and Workshop · National Gallery of Art
- n.d.Putti and Coat of Arms — Gerard de Lairesse · Art Institute of Chicago
- n.d.Angel Appearing to Saint — Gerard de Lairesse · Art Institute of Chicago
- n.d.The Annunciation — Gerard de Lairesse · Art Institute of Chicago
- n.d.Sketches of Five Busts — Gerard de Lairesse · Art Institute of Chicago
- n.d.Design for Title page: Clio Taking Dictation from Minerva — Gerard de Lairesse · Art Institute of Chicago
- after 1654The Kiss of Peace and Justice — Gerard de Lairesse · Cleveland Museum of Art
- c. 1670Hermes Ordering Calypso to Release Odysseus — Gerard de Lairesse · Cleveland Museum of Art
- n.d.Design for a Frontispiece of a Title Page — Gerard de Lairesse · The Metropolitan Museum of Art
- n.d.Mythological Subject — Gerard de Lairesse · The Metropolitan Museum of Art
- n.d.Bacchanalian Scene with Nymphs and Putti — Gerard de Lairesse · The Metropolitan Museum of Art
- mid-17th–early 18th centuryThe Circumcision — Gerard de Lairesse · The Metropolitan Museum of Art
- n.d.The Pentecost — Gerard de Lairesse · The Metropolitan Museum of Art
- n.d.Arcadian Scene with Bacchus — Gerard de Lairesse · The Metropolitan Museum of Art
- mid-17th–early 18th centuryAllegory of Fecundity (?) — Gerard de Lairesse · The Metropolitan Museum of Art
- 1671Apollo and Aurora — Gerard de Lairesse · The Metropolitan Museum of Art
- n.d.The Sacrifice of Noah — Gerard Hoet · The Metropolitan Museum of Art
- n.d.Moses and the Burning Bush — Gerard Hoet · The Metropolitan Museum of Art
- 1673Michelangelo Buonarroti, 1475-1564, Italian Artist (obverse) — Gérard Léonard Hérard · National Gallery of Art
- 1673Emblems of the Arts with the Belvedere Torso (reverse) — Gérard Léonard Hérard · National Gallery of Art
- 1640 - 1660Catharina van Well (1626-1722), Wife of Guilliaam van Bleyswijk — Gerard van Kuijl · Rijksmuseum
- 1651Musicerend gezelschap — Gerard van Kuijl · Rijksmuseum
- 1785Hilly Landscape with Figures Beside Waterfall — Gerard van Nijmegen · Art Institute of Chicago
- 1790Berglandschap bij Düsseldorf — Gerard van Nijmegen · Rijksmuseum
- 1650/74Christ and the Woman Taken in Adultery — Gerbrand van den Eeckhout · Art Institute of Chicago
- c. 1670A Bearded Figure Wearing a Turban and Fur Coat, Half Length, Turned to the Right — Gerbrand van den Eeckhout · Art Institute of Chicago
- 1642–43David's Promise to Bathsheba — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- 1650Landscape with Ruins — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- ca. 1655Young Man in Broad-Brimmed Hat, Resting His Chin on His Left Hand — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- 1660sIsaac's Reception of Rebecca — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- 17th centuryUriah before King David — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- 17th centuryA Sleeping Shepherd Boy — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- 1642Isaac Blessing Jacob — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- early 1650sA Musical Party — Gerbrand van den Eeckhout · The Metropolitan Museum of Art
- early 1640sThe Levite at Gibeah — Gerbrand van den Eeckhout · National Gallery of Art
- 1650 - 1674Christ and the Woman in Adultery — Gerbrand van den Eeckhout · Rijksmuseum
- 1650 - 1674Badende mannen — Gerbrand van den Eeckhout · Rijksmuseum
- 1664The Last Supper — Gerbrand van den Eeckhout · Rijksmuseum
- 1827Majordomo Albrecht — Gerhard Wilhelm von Reutern · Cleveland Museum of Art
- mid to late 1820sBernhard's Whooping Cough Face — Gerhard Wilhelm von Reutern · National Gallery of Art
- c. 1827Bust of Eva Maatz — Gerhardt Wilhelm von Reutern · Art Institute of Chicago
- 1800–1865Portrait of the Postillion Johann Heinrich Matheis — Gerhardt Wilhelm von Reutern · The Metropolitan Museum of Art
- 1814Heuvelachtig landschap — Gerrit Jan Michaëlis · Rijksmuseum
- 1831Mr. Willem Bilderdijk na zijn dood — Gerrit Jan Michaëlis · Rijksmuseum
- —Odysseus and Teiresias — Gerrit Pietersz Sweelinck · National Gallery of Art
- —Annunciation to the Shepherds — Gerrit Pietersz Sweelinck · National Gallery of Art
- mid-1600sThe Crucifixion — Gerrit van Battem · Cleveland Museum of Art
- 18th century ?View of the Laurenskerk, Rotterdam — Gerrit van Battem · The Metropolitan Museum of Art
- 1615/35Christ in the Garden of Olives — Gerrit van Honthorst · Art Institute of Chicago
- c. 1616Samson and Delilah — Gerrit van Honthorst · Cleveland Museum of Art
- 1625–55Musical Scene — Gerrit van Honthorst · Cleveland Museum of Art
- early 17th–mid 17th centurySusanna and the Elders — Gerrit van Honthorst · The Metropolitan Museum of Art
- 1623The Concert — Gerrit van Honthorst · National Gallery of Art
- 1620sDiana and Two Nymphs Receiving Gifts from a Satyr (recto) — Gerrit van Honthorst · National Gallery of Art
- c. 1630Diana and Four Nymphs Receiving Gifts from a Satyr — Gerrit van Honthorst · National Gallery of Art
- 1620sDecorative Motifs with Garlands (verso) — Gerrit van Honthorst · National Gallery of Art
- c. 1400Madonna and Child — Gherardo Starnina · Cleveland Museum of Art
- ca. 1407Evangelist — Gherardo Starnina · Rijksmuseum
- c. 1407Twee evangelisten — Gherardo Starnina · Rijksmuseum
- 1613/14Study for Mercury — Giacomo Cavedone · Art Institute of Chicago
- 1610/12Study for Christ Child — Giacomo Cavedone · Art Institute of Chicago
- c. 1614Head of the Virgin — Giacomo Cavedone · Cleveland Museum of Art
- ca.1620–60Head of beared man (recto), Study of an apostle (verso) — Giacomo Cavedone · The Metropolitan Museum of Art
- c. 1612Seated Warrior Holding a Sword and Shield [recto] — Giacomo Cavedone · National Gallery of Art
- c. 1612Clasped Hands [verso] — Giacomo Cavedone · National Gallery of Art
- 1764–1835A Port near Venice: Chioggia (?) — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835Quinta Valle at Castello — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835The Punta di San Giobbe, with the Island of San Secondo in the Distance — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835The Island of Burano — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835San Biagio on the Giudecca — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835The Tower at Marghera — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835Piazza San Marco Decorated for the Festa della Sensa — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835View of the Isola di San Giorgio Maggiore — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835View of the Piazza di San Marco Toward the South (showing the now destroyed church of San Geminiano) — Giacomo Guardi · The Metropolitan Museum of Art
- 1764–1835The Island of San Giorgio Maggiore, Venice — Giacomo Guardi · The Metropolitan Museum of Art
- —Capriccio of Classical Ruins on a Shore — Giacomo Guardi · National Gallery of Art
- —Capriccio of Classical Ruins with a Fortress — Giacomo Guardi · National Gallery of Art
- 1744–1817Project for the Riding-School of the Horse Guards in Saint Petersburg - Elevation of the Side Entrance — Giacomo Quarenghi · The Metropolitan Museum of Art
- 1744–1817Project for the Alexander Palace, Tsarskoe Selo (Section) — Giacomo Quarenghi · The Metropolitan Museum of Art
- 1792–96North Elevation and Ground Plan of the Alexander Palace at Tsarskoe Selo — Giacomo Quarenghi · The Metropolitan Museum of Art
- 1792–96Central Salon of the Alexander Palace at Tsarskoe Selo — Giacomo Quarenghi · The Metropolitan Museum of Art
- ca. 1776Longitudinal Section of Great Throne Room (Saint George's Hall), Winter Palace, Saint Petersburg — Giacomo Quarenghi · The Metropolitan Museum of Art
- 1778/1779The Piazza of Saint Peter's Seen through an Arch of the Basilica — Giacomo Quarenghi · National Gallery of Art
- c. 1800Geometrical Elevation of the Peace Plaza and Façade of the Opera House — Giacomo Quarenghi · National Gallery of Art
- 1790/1815An Ornate Ceiling with an Allegory of Spring — Giacomo Quarenghi · National Gallery of Art
- 1681–1767Christ Blessing — Giacomo Zoboli · The Metropolitan Museum of Art
- 1681–1767The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso) — Giacomo Zoboli · The Metropolitan Museum of Art
- n.d.Council of the Gods — Giacomo Zoboli · The Metropolitan Museum of Art
- 18th centuryStudy for the Figure of Christ — Giacomo Zoboli · The Metropolitan Museum of Art
- 18th centuryStudy of Male Figure Kneeling in a Three-Quarter View, Facing Left (a Shepherd) — Giacomo Zoboli · The Metropolitan Museum of Art
- 18th centuryAcademy Sketch of a Seated Male Figure. — Giacomo Zoboli · The Metropolitan Museum of Art
- 18th centuryFinished Academy Study of a Seated Male Figure — Giacomo Zoboli · The Metropolitan Museum of Art
- 1791February with the sign of Pisces — Giambattista Maderni · Rijksmuseum
- 1790 - 1791Nine Months with Signs of the Zodiac — Giambattista Maderni · Rijksmuseum
- ca. 1720The Descent from the Cross — Gian Antonio Burrini · The Metropolitan Museum of Art
- 1656–1727Landscape with Figures near a Tomb — Gian Antonio Burrini · The Metropolitan Museum of Art
- 1672/75Putti Carrying the Cross (recto); Studies of a Hand (verso) — Gian Lorenzo Bernini · Art Institute of Chicago
- 1650– 1700Head of Proserpina — Gian Lorenzo Bernini · Cleveland Museum of Art
- 1630–40Sketches for a Wall Tomb with Skeletons — Gian Lorenzo Bernini · The Metropolitan Museum of Art
How Artmetria works with sources and evidence is set out in the methodology.