Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
5,201–5,400 of 13,187 records
- 1598–1680Seated Figures of Saint Ursula and Saint Cecilia — Gian Lorenzo Bernini · The Metropolitan Museum of Art
- 1642–43Study for a Triton (recto); Anatomical Studies ? (verso) — Gian Lorenzo Bernini · The Metropolitan Museum of Art
- 1610–80Caricature of a Man Pointing — Gian Lorenzo Bernini · The Metropolitan Museum of Art
- c. 1623Monsignor Francesco Barberini — Gian Lorenzo Bernini · National Gallery of Art
- c. 1615Portrait of a Young Man — Gian Lorenzo Bernini · National Gallery of Art
- 1498Isabella d'Este, 1474-1539, Wife of Francesco II Gonzaga of Mantua 1490 [obverse] — Giancristoforo Romano · National Gallery of Art
- 1498Winged Victory [reverse] — Giancristoforo Romano · National Gallery of Art
- 1507Isabella of Aragon, 1470-1524, Wife of Giangaleazzo Sforza, Duke of Milan, 1489 [obverse] — Giancristoforo Romano · National Gallery of Art
- 1507Figure before a Palm Tree [reverse] — Giancristoforo Romano · National Gallery of Art
- c. 1803–5Elizabeth Beltzhoover Mason — Gilbert Stuart · Cleveland Museum of Art
- c. 1815Dr. James Stuart; Mary Campbell Stuart — Gilbert Stuart · Cleveland Museum of Art
- c. 1815Mary Campbell Stuart — Gilbert Stuart · Cleveland Museum of Art
- c. 1805Wilson Cary Nicholas — Gilbert Stuart · Cleveland Museum of Art
- 1794Captain Joseph Anthony — Gilbert Stuart · National Gallery of Art
- c. 1798Counsellor John Dunn — Gilbert Stuart · National Gallery of Art
- c. 1815/1818Commodore Thomas Macdonough — Gilbert Stuart · National Gallery of Art
- 1793/1794George Pollock — Gilbert Stuart · National Gallery of Art
- 1784Sir Joshua Reynolds — Gilbert Stuart · National Gallery of Art
- 1804Anna Maria Brodeau Thornton (Mrs. William Thornton) — Gilbert Stuart · National Gallery of Art
- 1795George Washington (Vaughan portrait) — Gilbert Stuart · National Gallery of Art
- c. 1787Luke White — Gilbert Stuart · National Gallery of Art
- c. 1798Sarah Shippen Lea (Mrs. Thomas Lea) — Gilbert Stuart · National Gallery of Art
- 1800Horace Binney — Gilbert Stuart · National Gallery of Art
- 1795/1799John Bill Ricketts — Gilbert Stuart · National Gallery of Art
- 1782The Skater (Portrait of William Grant) — Gilbert Stuart · National Gallery of Art
- c. 1800/1815John Adams — Gilbert Stuart · National Gallery of Art
- c. 1803/1805George Washington — Gilbert Stuart · National Gallery of Art
- 1803/1805Ann Barry — Gilbert Stuart · National Gallery of Art
- 1800Robert Liston — Gilbert Stuart · National Gallery of Art
- 1800Henrietta Marchant Liston (Mrs. Robert Liston) — Gilbert Stuart · National Gallery of Art
- 1814Benjamin Tappan — Gilbert Stuart · National Gallery of Art
- 1814Sarah Homes Tappan (Mrs. Benjamin Tappan) — Gilbert Stuart · National Gallery of Art
- 1804Eleanor Parke Custis Lewis (Mrs. Lawrence Lewis) — Gilbert Stuart · National Gallery of Art
- 1793/1794Catherine Brass Yates (Mrs. Richard Yates) — Gilbert Stuart · National Gallery of Art
- 1793/1794Lawrence Reid Yates — Gilbert Stuart · National Gallery of Art
- c. 1821James Madison — Gilbert Stuart · National Gallery of Art
- c. 1821George Washington — Gilbert Stuart · National Gallery of Art
- 1811/1813Samuel Alleyne Otis — Gilbert Stuart · National Gallery of Art
- c. 1821Thomas Jefferson — Gilbert Stuart · National Gallery of Art
- 1794John Jay — Gilbert Stuart · National Gallery of Art
- 1580sLandscape with Venus and Adonis — Gillis van Coninxloo · Cleveland Museum of Art
- after 1589View of St. John Lateran, Rome — Gillis van Coninxloo · The Metropolitan Museum of Art
- late 16th, early 17th centuryLandscape — Gillis van Coninxloo · The Metropolitan Museum of Art
- early 1800sA Beauty — Gion Seitoku · Cleveland Museum of Art
- early 1800sCourtesan — Gion Seitoku · Cleveland Museum of Art
- 1549Paul III (Alessandro Farnese, 1466-1549), Pope 1534 [obverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1549Unicorn Purifying the Realm [reverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1561Pius IV (Giovanni Angelo de' Medici, 1499-1565), Pope 1559 [obverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1561The Porta Pia, Rome [reverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1571Pius V (Michele Ghislieri, 1504-1572), Pope 1566 [obverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1571Battle of Lepanto [reverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1547/1572Ippolito II d'Este, 1509-1572, Son of Alfonso I d'Este, Cardinal 1538 — Giovan Federico Bonzagni · National Gallery of Art
- c. 1547Pier Luigi Farnese, 1503-1547, 1st Duke of Parma and Piacenza 1545 [obverse] — Giovan Federico Bonzagni · National Gallery of Art
- c. 1547Citadel of Piacenza [reverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1575Gregory XIII (Ugo Buoncompagni, 1502-1585), Pope 1572 [obverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1575Opening of the Porta Santa [reverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1561Cardinal Federico Cesi, Bishop of Palestrina [obverse] — Giovan Federico Bonzagni · National Gallery of Art
- 1561Facade of Santa Caterina dei Funari, Rome [reverse] — Giovan Federico Bonzagni · National Gallery of Art
- n.d.Woman and Dog — Giovanni Angelo Canini · Art Institute of Chicago
- ca. 1630Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum') — Giovanni Angelo Canini · The Metropolitan Museum of Art
- 1615–66Scene of Martyrdom — Giovanni Angelo Canini · The Metropolitan Museum of Art
- 1615–66Unidentified Subject: Reclining Nude Male Figure and Cattle — Giovanni Angelo Canini · The Metropolitan Museum of Art
- 1615–66The Virgin and Child Appearing to Saint Anthony of Padua and a Hermit — Giovanni Angelo Canini · The Metropolitan Museum of Art
- 1615–66Design for a Frontispiece; Allegorical Composition with a Young Man Kneeling before a Tree — Giovanni Angelo Canini · The Metropolitan Museum of Art
- late 1650sThe Vision of Saint William of Aquitaine — Giovanni Angelo Canini · The Metropolitan Museum of Art
- —Classical Landscape — Giovanni Angelo Canini · National Gallery of Art
- 1675–1741The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso) — Giovanni Antonio Pellegrini · The Metropolitan Museum of Art
- 1695–1741The Annunciation — Giovanni Antonio Pellegrini · The Metropolitan Museum of Art
- 1675–1741Virgin Standing on Clouds Holding a Scapular in Her Left Hand — Giovanni Antonio Pellegrini · The Metropolitan Museum of Art
- 1725Design for a Ceiling: Allegories of the Four Continents — Giovanni Antonio Pellegrini · The Metropolitan Museum of Art
- 1531/36Head of Saint John the Evangelist: Study for the Disputation on the Immaculate Conception — Giovanni Antonio Sogliani · Art Institute of Chicago
- 1566–1643Rinaldo and Armida — Giovanni Baglione · The Metropolitan Museum of Art
- ca. 1598Group of Nude Male Figures Kneeling and Standing in Supplication — Giovanni Baglione · The Metropolitan Museum of Art
- 1599–1600Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso) — Giovanni Baglione · The Metropolitan Museum of Art
- ca. 1599–1610The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso) — Giovanni Baglione · The Metropolitan Museum of Art
- 1582/84Christ Washing the Disciples’ Feet — Giovanni Balducci · Art Institute of Chicago
- c.1600A Battle on a Bridge — Giovanni Balducci · National Gallery of Art
- mid-1340sScenes from the Life of Christ — Giovanni Baronzio · The Metropolitan Museum of Art
- c. 1335Madonna and Child with Five Angels — Giovanni Baronzio · National Gallery of Art
- c. 1335The Baptism of Christ — Giovanni Baronzio · National Gallery of Art
- c. 1335The Birth, Naming, and Circumcision of Saint John the Baptist — Giovanni Baronzio · National Gallery of Art
- n.d.Child's Head — Giovanni Battista Caracciolo · Art Institute of Chicago
- ca. 1625–30The Calling of Saint Matthew — Giovanni Battista Caracciolo · The Metropolitan Museum of Art
- c. 1515Virgin and Child with Saints and Donors — Giovanni Battista Cima da Conegliano · Cleveland Museum of Art
- 1512 - 1517Maria met kind — Giovanni Battista Cima da Conegliano · Rijksmuseum
- late 18th–mid-19th centuryThe Forum of Trajan, Rome — Giovanni Battista Cipriani · The Metropolitan Museum of Art
- 1745–85Design for Three Panels for a Library — Giovanni Battista Cipriani · The Metropolitan Museum of Art
- —Angels and Putti — Giovanni Battista Crosato · National Gallery of Art
- 1745/1750The Triumph of Amphitrite — Giovanni Battista Crosato · National Gallery of Art
- 1670/90Detail Study for The Assumption of St. Agnes — Giovanni Battista Gaulli · Art Institute of Chicago
- n.d.Flora — Giovanni Battista Gaulli · Art Institute of Chicago
- c. 1675–1677Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome) — Giovanni Battista Gaulli · Cleveland Museum of Art
- c. 1577Study for the Purification of the Virgin — Giovanni Battista Naldini · Art Institute of Chicago
- 1537–91Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso) — Giovanni Battista Naldini · The Metropolitan Museum of Art
- 1537–91The Dead Christ Supported by Three Figures — Giovanni Battista Naldini · The Metropolitan Museum of Art
- 1537–91Kneeling Male Figure with Outstretched Arms (recto); Semi-Nude Seated Male Figure seen from Behind (verso) — Giovanni Battista Naldini · The Metropolitan Museum of Art
- 1537–91Design for the End Pier of a Table — Giovanni Battista Naldini · The Metropolitan Museum of Art
- ca. 1557Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso) — Giovanni Battista Naldini · The Metropolitan Museum of Art
- c. 1566?Mercury and Aglauros — Giovanni Battista Naldini · National Gallery of Art
- c. 1550Studies of a Male Nude — Giovanni Battista Naldini · National Gallery of Art
- 1777Portrait of Benjamin Franklin — Giovanni Battista Nini · Cleveland Museum of Art
- 1770Hiacynthe de Rigaud, 1741-1817, Comte de Vaudreuil — Giovanni Battista Nini · National Gallery of Art
- 1777Benjamin Franklin, 1706-1790, Diplomat and Statesman — Giovanni Battista Nini · National Gallery of Art
- 1768Albertine de Nivenheim — Giovanni Battista Nini · National Gallery of Art
- 1589/90Presentation of the Body of Saint Antoninus of Florence — Giovanni Battista Paggi · Art Institute of Chicago
- 1587David with Goliath's Head and Sword — Giovanni Battista Paggi · Art Institute of Chicago
- late 1500sSaint Peter Martyr — Giovanni Battista Paggi · Cleveland Museum of Art
- c. 1570Madonna and Child in Glory above Three Saints — Giovanni Battista Paggi · Cleveland Museum of Art
- 1554–1627Christ Receiving the Virgin into Heaven — Giovanni Battista Paggi · The Metropolitan Museum of Art
- before 1613The Madonna and Child in Glory Adored by Saints — Giovanni Battista Paggi · National Gallery of Art
- ca. 1777The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli) — Giovanni Battista Piranesi · The Metropolitan Museum of Art
- 1720–78Two Men Holding Long Staffs (recto); Proof impression of part of an etching, and scribbles in the artist's hand (verso) — Giovanni Battista Piranesi · The Metropolitan Museum of Art
- 1758–69Coat of Arms of Clement XIII (Rezzonico) — Giovanni Battista Piranesi · The Metropolitan Museum of Art
- 1754/62Caricature of a Man, Full-Length, Facing Left — Giovanni Battista Tiepolo · Art Institute of Chicago
- 1735/40The Flight Into Egypt — Giovanni Battista Tiepolo · Art Institute of Chicago
- 1750–59The Holy Family, Saint Joseph with a Book — Giovanni Battista Tiepolo · Art Institute of Chicago
- 1742/43Democritus and Heraclitus Laughing and Sorrowing over the Follies of the World — Giovanni Battista Tiepolo · Art Institute of Chicago
- 1749/50 (recto); 1750/53 (verso)The Head of a Young Man in Profile to the Left (recto); Studies of Allegorical Figures (verso) — Giovanni Battista Tiepolo · Art Institute of Chicago
- n.d.Holy Family with St. John and Two Angels — Giovanni Battista Tiepolo · Art Institute of Chicago
- c. 1726Three Angels Appearing to Abraham — Giovanni Battista Tiepolo · Art Institute of Chicago
- 1740/52Punchinellos Cooking and Tasting Gnocchi (Punchinellos' Repast) — Giovanni Battista Tiepolo · Art Institute of Chicago
- n.d.Caricature of a Man, Full Length, Facing Front — Giovanni Battista Tiepolo · Art Institute of Chicago
- c. 1730–35Two Monks Contemplating a Skull — Giovanni Battista Tiepolo · Art Institute of Chicago
- c. 1735Flight into Egypt: The Embarkment of the Holy Family — Giovanni Battista Tiepolo · Cleveland Museum of Art
- 1739Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany) — Giovanni Battista Tiepolo · Cleveland Museum of Art
- c. 1726The Last Communion of St. Jerome — Giovanni Battista Tiepolo · Cleveland Museum of Art
- c. 1740sMale(?) Figure Seen from Below — Giovanni Battista Tiepolo · Cleveland Museum of Art
- 1696–1770Punchinello with Dumpling or Fritter — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 18th centuryHead of a Young Man in Three-Quarter View — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1729The Triumph of Marius — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- late 1750sThe Adoration of the Magi — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1752Allegory of the Planets and Continents — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760sThe Apotheosis of the Spanish Monarchy — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760sThe Apotheosis of the Spanish Monarchy — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760Allegorical Figure Representing Arithmetic — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1725–29The Battle of Vercellae — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1725–29The Capture of Carthage — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- ca. 1740–50A Female Allegorical Figure — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760Allegorical Figure Representing Geometry — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- ca. 1751–52The Investiture of Bishop Harold as Duke of Franconia — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760Allegorical Figure Representing Metaphysics — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760sNeptune and the Winds — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1758–59Saint Thecla Praying for the Plague-Stricken — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760Allegorical Figures Representing Virtue and Abundance — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760Allegorical Figure Representing Fortitude — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760Allegorical Figure Representing Prudence — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760Allegorical Figure Representing a Virtue, Possibly Patriotism — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1760sThe Chariot of Aurora — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1740–50A Female Allegorical Figure — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- ca. 1767–70The Flight into Egypt — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- ca. 1745–47The Meeting of Antony and Cleopatra — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1696–1770Standing Man in a Turban, Holding a Sword — Giovanni Battista Tiepolo · The Metropolitan Museum of Art
- 1750/1760Figure on a Cloud — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1725Two Monks with a Prostrate Man — Giovanni Battista Tiepolo · National Gallery of Art
- 1762Wealth and Benefits of the Spanish Monarchy under Charles III — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1767/1770Madonna of the Goldfinch — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1760?Standing Figure Wearing a Hat — Giovanni Battista Tiepolo · National Gallery of Art
- 1754/1762The Holy Family — Giovanni Battista Tiepolo · National Gallery of Art
- 1752/1753A Seated Male Nude — Giovanni Battista Tiepolo · National Gallery of Art
- 1752/1753Male Nude Leaning on His Elbow (verso) — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1726The Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso) — Giovanni Battista Tiepolo · National Gallery of Art
- —Head of a Young Man in Profile — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1750Study of a Draped Figure — Giovanni Battista Tiepolo · National Gallery of Art
- before c. 1762Study for a Ceiling with the Personification of Counsel — Giovanni Battista Tiepolo · National Gallery of Art
- 1753/1762A Standing Oriental Wearing a Greatcoat — Giovanni Battista Tiepolo · National Gallery of Art
- 1753/1762A Standing Oriental Holding a Rod — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1755/1760Young Lady in a Tricorn Hat — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1735/1745Saint Roch Carried to Heaven by Angels — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1743/1745Bacchus and Ariadne — Giovanni Battista Tiepolo · National Gallery of Art
- 1725/1730Queen Zenobia Addressing Her Soldiers — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1750Scene from Ancient History — Giovanni Battista Tiepolo · National Gallery of Art
- 1712/1715The Fall of the Rebel Angels — Giovanni Battista Tiepolo · National Gallery of Art
- 1755/1760A Venetian Lawyer at His Desk — Giovanni Battista Tiepolo · National Gallery of Art
- 1724/1729Classical Figures Gathered around an Urn — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1745Bacchus and Ariadne — Giovanni Battista Tiepolo · National Gallery of Art
- 1750Three Cherubs and a Beribboned Staff — Giovanni Battista Tiepolo · National Gallery of Art
- mid 1740sThe Meeting of Antony and Cleopatra — Giovanni Battista Tiepolo · National Gallery of Art
- 1735/1740The Virgin and Child Adored by Bishops, Monks, and Women — Giovanni Battista Tiepolo · National Gallery of Art
- —Standing Man in Sixteenth-Century Costume — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1740Saint Mary Magdalene Lifted by Angels — Giovanni Battista Tiepolo · National Gallery of Art
- c. 1740Venus and Cupid Discovering the Body of Adonis — Giovanni Battista Tiepolo · National Gallery of Art
- 1750sA Woman Seated on a Cloud, Seen from Below — Giovanni Battista Tiepolo · National Gallery of Art
- n.d.Two Sketches of Saint Sebastian — Giovanni Battista Trotti · Art Institute of Chicago
- possibly 1585/1590God Enthroned Surrounded by Saints — Giovanni Battista Trotti · National Gallery of Art
- n.d.Birds and Animals around a Dead Tree — Giovanni Benedetto Castiglione · Art Institute of Chicago
- c. 1655The Angel Departing from the Family of Tobit (?) — Giovanni Benedetto Castiglione · Art Institute of Chicago
- c. 1645–50A Pagan Sacrifice — Giovanni Benedetto Castiglione · Art Institute of Chicago
- 1640sTobit Burying the Dead — Giovanni Benedetto Castiglione · Cleveland Museum of Art
- early 1660sBacchanal Before a Herm — Giovanni Benedetto Castiglione · Cleveland Museum of Art
- c. 1650–59The Oath of Abraham’s Servant — Giovanni Benedetto Castiglione · Cleveland Museum of Art
- 1640/1647Two Nymphs and a Satyr — Giovanni Benedetto Castiglione · National Gallery of Art
- 1645/1650Alexander at the Tomb of Cyrus — Giovanni Benedetto Castiglione · National Gallery of Art
- c. 1645Noah Leading the Animals into the Ark — Giovanni Benedetto Castiglione · National Gallery of Art
- 1650/1655The Adoration of the Shepherds — Giovanni Benedetto Castiglione · National Gallery of Art
- 1488/1493Robert Briconnet, President of the Court of Inquiry [obverse] — Giovanni Candida · National Gallery of Art
- 1488/1493Inscription [reverse] — Giovanni Candida · National Gallery of Art
- c. 1535/1538Standing Captive and Africa Mourning [reverse] — Giovanni da Cavino · National Gallery of Art
- c. 1538Genius Holding a Dolphin and Pouring a Libation [reverse] — Giovanni da Cavino · National Gallery of Art
- 1520 or afterGiampietro Mantova Benavides, died 1520, Paduan Physician [obverse] — Giovanni da Cavino · National Gallery of Art
- 1540Girolamo Cornaro, c. 1486-1551, Venetian Patrician [obverse] — Giovanni da Cavino · National Gallery of Art
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