Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
8,201–8,400 of 13,187 records
- ca. 1662–63Young Woman with a Lute — Johannes Vermeer · The Metropolitan Museum of Art
- ca. 1662Young Woman with a Water Pitcher — Johannes Vermeer · The Metropolitan Museum of Art
- c. 1664Woman Holding a Balance — Johannes Vermeer · National Gallery of Art
- c. 1665A Lady Writing — Johannes Vermeer · National Gallery of Art
- c. 1669Girl with the Red Hat — Johannes Vermeer · National Gallery of Art
- c. 1669 - c. 1670De liefdesbrief — Johannes Vermeer · Rijksmuseum
- ca. 1660The Milkmaid — Johannes Vermeer · Rijksmuseum
- ca. 1658Gezicht op huizen in Delft, bekend als ‘Het straatje’ — Johannes Vermeer · Rijksmuseum
- ca. 1663Brieflezende vrouw — Johannes Vermeer · Rijksmuseum
- 1866The Heath near Wolfheze — Johannes Warnardus Bilders · Rijksmuseum
- ca. 1840 - ca. 1890Landscape with Farmstead — Johannes Warnardus Bilders · Rijksmuseum
- 1860 - 1890Bosgezicht bij Wolfheze. — Johannes Warnardus Bilders · Rijksmuseum
- ca. 1790Portrait of a Man — John Barry · The Metropolitan Museum of Art
- ca. 1790Portrait of a Woman — John Barry · The Metropolitan Museum of Art
- ca. 1790Portrait of a Man, Said to Be John Durham — John Barry · The Metropolitan Museum of Art
- 1774A Man with the Initials AC — John Bogle · The Metropolitan Museum of Art
- 1773A Woman with the Initials MCC — John Bogle · The Metropolitan Museum of Art
- 1961Atlas Eclipticalis (Mixer Manipulation) — John Cage · Art Institute of Chicago
- 1987"Where R = Ryoanji 10R/6 – 5–87" — John Cage · Art Institute of Chicago
- c. 1820Dutch Market or Fair — John Coney · Art Institute of Chicago
- c. 1820Religious Festival in Northern France, possibly Normandy — John Coney · Art Institute of Chicago
- 1820Ely Cathedral, Cambridgeshire, S.W. View — John Coney · National Gallery of Art
- 1816Binfield Rectory and Church, Berkshire — John Constable · Art Institute of Chicago
- c. 1802A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso) — John Constable · Art Institute of Chicago
- n.d.Landscape with Cows — John Constable · Art Institute of Chicago
- c. 1800–37Landscape with Trees Surrounding a Pond — John Constable · Cleveland Museum of Art
- 1800sHampstead Heath — John Constable · Cleveland Museum of Art
- 1800sHampstead Heath — John Constable · Cleveland Museum of Art
- c. 1796–1837Landscape — John Constable · Cleveland Museum of Art
- 1828Branch Hill Pond, Hampstead — John Constable · Cleveland Museum of Art
- c. 1821Hampstead Heath, Looking Toward Harrow — John Constable · Cleveland Museum of Art
- ca. 1801Young pollards — John Constable · The Metropolitan Museum of Art
- ca. 1801–2Derbyshire landscape — John Constable · The Metropolitan Museum of Art
- 1833A Mill Near Colchester — John Constable · The Metropolitan Museum of Art
- 1818Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856) — John Constable · The Metropolitan Museum of Art
- ca. 1825Salisbury Cathedral from the Bishop's Grounds — John Constable · The Metropolitan Museum of Art
- ca. 1810–11Stoke-by-Nayland — John Constable · The Metropolitan Museum of Art
- 1830–35Cloud study — John Constable · The Metropolitan Museum of Art
- 1821-1822Cloud Study: Stormy Sunset — John Constable · National Gallery of Art
- 1818-1819The White Horse — John Constable · National Gallery of Art
- 1816Wivenhoe Park, Essex — John Constable · National Gallery of Art
- 1820Salisbury Cathedral from Lower Marsh Close — John Constable · National Gallery of Art
- 1806Epsom Heath — John Constable · National Gallery of Art
- —Half-Length Portrait of a Cleric — John Constable · National Gallery of Art
- —A Seascape with Two Sail Boats — John Constable · National Gallery of Art
- c. 1801A Great Oak Tree — John Constable · National Gallery of Art
- 1822Yarmouth Jetty — John Constable · National Gallery of Art
- January 12, 1812Study for Three Trees — John Crome · The Metropolitan Museum of Art
- ca. 1812Study for Tree Trunks and Lane — John Crome · The Metropolitan Museum of Art
- 1879Standing Nude Binding Her Hair — John Dawson Watson · National Gallery of Art
- 1879Standing Nude with Crossed Arms — John Dawson Watson · National Gallery of Art
- ca. 1870–90Elevation of Fireplace Wall in an Elizabethan Revival Room — John Dibblee Crace · The Metropolitan Museum of Art
- ca. 1860Design for a room with two fireplaces — John Dibblee Crace · The Metropolitan Museum of Art
- 1898Window with marine motifs, design for Fishmongers’ Hall, London — John Dibblee Crace · The Metropolitan Museum of Art
- 1898Window with marine motifs, design for Fishmongers’ Hall, London — John Dibblee Crace · The Metropolitan Museum of Art
- 1780Child Holding a Doll — John Downman · The Metropolitan Museum of Art
- 1781Miss Mary Cruikshank, only sister of James Cruikshank — John Downman · The Metropolitan Museum of Art
- 1769–1824Memento Portrait of a Young Midshipman — John Downman · The Metropolitan Museum of Art
- 1787The Dyson Children — John Downman · The Metropolitan Museum of Art
- 1785Elizabeth Ford, later Lady Colville of Culross — John Downman · The Metropolitan Museum of Art
- 1781Isabella Hunter, Cousin of the Artist — John Downman · The Metropolitan Museum of Art
- 1785Mrs. Morgan and her Child — John Downman · The Metropolitan Museum of Art
- 1785Mrs. Palmer — John Downman · The Metropolitan Museum of Art
- 1780Thomas Jackson — John Downman · The Metropolitan Museum of Art
- ca. 1776Captain Downman, the artist's brother — John Downman · The Metropolitan Museum of Art
- 1776Mrs. Downman, sister-in-law of the artist — John Downman · The Metropolitan Museum of Art
- c. 1770Mrs. John Lothrop — John Durand · National Gallery of Art
- c. 1770John Lothrop — John Durand · National Gallery of Art
- 1843Aeneas Shown the Body of Pallas from Virgil's "Aeneid" — John Everett Millais · Cleveland Museum of Art
- 1840Lovers under a Tree — John Everett Millais · National Gallery of Art
- c. 1842Study of a Pottery Jug [recto] — John Everett Millais · National Gallery of Art
- 1793Sheet of Sketches — John Flaxman · The Metropolitan Museum of Art
- 1792–93Dante and Virgil in the Suicidal Wood (Inferno, Canto 13, verses 22-23) — John Flaxman · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne — John Flaxman · The Metropolitan Museum of Art
- 1775–1826Sheet of studies with female figure kneeling and embracing standing figure — John Flaxman · The Metropolitan Museum of Art
- 19th centuryTwo male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory) — John Flaxman · The Metropolitan Museum of Art
- 19th centuryMale classical figure holding a torch (design for large fireplace white tiles produced in Wedgwood's factory) — John Flaxman · The Metropolitan Museum of Art
- 19th centuryFemale classical figure (design for large fireplace white tiles produced in Wedgwood's factory) — John Flaxman · The Metropolitan Museum of Art
- 1899Design for large fireplace white tiles produced in Wedgwood's factory — John Flaxman · The Metropolitan Museum of Art
- 19th centuryDesign for large fireplace white tiles produced in Wedgwood's factory — John Flaxman · The Metropolitan Museum of Art
- 19th centuryDesign for large fireplace white tiles produced in Wedgwood's factory — John Flaxman · The Metropolitan Museum of Art
- 19th centuryDesign for large fireplace white tiles produced by Wedgwood's factory — John Flaxman · The Metropolitan Museum of Art
- 1779–1810Two women grieving — John Flaxman · The Metropolitan Museum of Art
- 19th centuryComposition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso) — John Flaxman · The Metropolitan Museum of Art
- ca. 1811St. John the Evangelist — John Flaxman · The Metropolitan Museum of Art
- 1869Near Newport — John Frederick Kensett · Art Institute of Chicago
- 1860sView near Newport — John Frederick Kensett · Cleveland Museum of Art
- 1854An October Day in the White Mountains — John Frederick Kensett · Cleveland Museum of Art
- c. 1851–1852View of Niagara Falls — John Frederick Kensett · Cleveland Museum of Art
- 1857View on the Genesee near Mount Morris — John Frederick Kensett · National Gallery of Art
- 1850-1860Building by a Dam — John Frederick Kensett · National Gallery of Art
- 1857Beacon Rock, Newport Harbor — John Frederick Kensett · National Gallery of Art
- c. 1853Landing at Sabbath Day Point — John Frederick Kensett · National Gallery of Art
- c. 1869/1872Beach at Beverly — John Frederick Kensett · National Gallery of Art
- c. 1844Study for Mehmet Ali Pasha — John Frederick Lewis · Cleveland Museum of Art
- 1850The Temple of Edfu: The Door of the Pylon — John Frederick Lewis · Cleveland Museum of Art
- 1832/1834Head of a Spanish Monk — John Frederick Lewis · National Gallery of Art
- 1863A Fakeer at the Door of a Mosque, Constantinople — John Frederick Lewis · National Gallery of Art
- 1895For the Track — John Frederick Peto · National Gallery of Art
- c. 1890sBreakfast — John Frederick Peto · National Gallery of Art
- c. 1890sAn English Breakfast — John Frederick Peto · National Gallery of Art
- c. 1890sThe Old Kettle — John Frederick Peto · National Gallery of Art
- c. 1890sThe Blue Envelope — John Frederick Peto · National Gallery of Art
- 1880-1890sStill Life with Oranges and Goblet of Wine — John Frederick Peto · National Gallery of Art
- 1890Still Life with Cake, Lemon, Strawberries, and Glass — John Frederick Peto · National Gallery of Art
- 1893Mug, Book, Biscuits, and Match — John Frederick Peto · National Gallery of Art
- 1890/early 1900sStraw Hat, Bag, and Umbrella — John Frederick Peto · National Gallery of Art
- c. 1890The Old Violin — John Frederick Peto · National Gallery of Art
- 1794The Rainbow — John Glover · The Metropolitan Museum of Art
- before 1831Early morning near Loch Katrine in the Trossachs, Scotland — John Glover · The Metropolitan Museum of Art
- 1794Barren Coast and Slight Storm — John Glover · The Metropolitan Museum of Art
- c. 1825A View of Dovedale — John Glover · National Gallery of Art
- c. 1795A Mountain Valley with a Waterfall — John Glover · National Gallery of Art
- c. 1795An Oak Tree — John Glover · National Gallery of Art
- c. 1795The River at Llangollen — John Glover · National Gallery of Art
- 19th centuryDesign for desk and/or portfolio cabinet — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryOrnament Design — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryDoor Knockers and Mounts from Rouen Cathedral, Goodwich Court, etc. (recto and verso) — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryRinceau Border with Unicorn and Inlay on copper, Italian 18th century — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryRinceau and Strapwork Ornament — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryTwo Rectangular Ornaments with Strapwork, Foliage and an Eagle — John Gregory Crace · The Metropolitan Museum of Art
- ca. 1854Carved Wood Door for Dining Room, Leighton Hall — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryDesign for Stained Glass Windows — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryCarved and Painted Ceiling with Six Figural Medallions, for Cleish Castle — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryDesign for Panelled Ceiling with Figures and Carving — John Gregory Crace · The Metropolitan Museum of Art
- ca. 1857Ceiling design for the Library, Stuffynwood Hall, Derbyshire — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryCeiling design — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryRococo Style Ceiling Design — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryDesign for Ceiling with Two Portraits and Fan Supports at Corners — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryDesign for a Coffered and Painted Ceiling in Rust and Olive Green, with a Quatrefoil Motif — John Gregory Crace · The Metropolitan Museum of Art
- ca. 1850Design for the Decoration of the Drawing Room at Eastnor Castle, Herefordshire — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryInterior with coffered ceiling and Corinthian order applied to walls — John Gregory Crace · The Metropolitan Museum of Art
- ca. 1870–90Dining Room Elevation in a Simplified Third Pompeian Style — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryInterior: Fireplace wall — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryElevation and Cross-Section of of Gallery Wall — John Gregory Crace · The Metropolitan Museum of Art
- 19th centuryGallery Lined with Display Cases — John Gregory Crace · The Metropolitan Museum of Art
- 1774Fishermen — John Hamilton Mortimer · Art Institute of Chicago
- 1770sA Sacrifice Interrupted — John Hamilton Mortimer · Cleveland Museum of Art
- 1770–79Beaching a Fishing Boat in a Gale — John Hamilton Mortimer · The Metropolitan Museum of Art
- ca. 1773Stripping the Slain — John Hamilton Mortimer · The Metropolitan Museum of Art
- 1760–79Classical Subject of Fighting — John Hamilton Mortimer · The Metropolitan Museum of Art
- 1765The Reviewers' Cave — John Hamilton Mortimer · The Metropolitan Museum of Art
- ca. 1763Classical Figures, after Charles Le Brun — John Hamilton Mortimer · The Metropolitan Museum of Art
- 1770–79 (?)Lucretia's Dead Body is Carried by her Husband, Led by her Mourning Father — John Hamilton Mortimer · The Metropolitan Museum of Art
- 1770–79Banditti in a mountainous landscape — John Hamilton Mortimer · The Metropolitan Museum of Art
- 1775/1776Beatrice — John Hamilton Mortimer · National Gallery of Art
- 1770/1775Bacchanal — John Hamilton Mortimer · National Gallery of Art
- 1770/1775Three Oriental Heads — John Hamilton Mortimer · National Gallery of Art
- 1770/1775Three Oriental Heads — John Hamilton Mortimer · National Gallery of Art
- 1770/1775Three Oriental Heads — John Hamilton Mortimer · National Gallery of Art
- 1770/1775Two Oriental Heads — John Hamilton Mortimer · National Gallery of Art
- 1760s/1770sDesigns for Decorative Vases — John Hamilton Mortimer · National Gallery of Art
- c. 1770/1774Study for "The Rustic Dancers" — John Hamilton Mortimer · National Gallery of Art
- —Mucius Scaevola [recto] — John Hamilton Mortimer · National Gallery of Art
- —Studies with Central Female Face — John Hamilton Mortimer · National Gallery of Art
- c. 1870Forest Interior — John Henry Hill · Cleveland Museum of Art
- 1903Plum — John Henry Hill · National Gallery of Art
- 1866Golden Robin (Northern Oriole) — John Henry Hill · National Gallery of Art
- 1858The Hudson at Nyack — John Henry Hill · National Gallery of Art
- 1857Landscape, Early Spring — John Henry Hill · National Gallery of Art
- c. 1865Trees Profiled against the Sky — John Henry Hill · National Gallery of Art
- 1610 - 1664Karel I (1600-49), koning van Engeland — John Hoskins · Rijksmuseum
- 1632Henriëtte Maria van Frankrijk (1609-1669). Echtgenote van Karel I van Engeland — John Hoskins · Rijksmuseum
- 1630 - 1645Henriëtte Maria van Frankrijk (1609-1669). Echtgenote van Karel I van Engeland — John Hoskins · Rijksmuseum
- 1620 - 1664Henriëtte Maria van Frankrijk (1609-1669). Echtgenote van Karel I van Engeland — John Hoskins · Rijksmuseum
- 1770Portrait of a Man, Possibly Sir Soulden Lawrence — John I Smart · Cleveland Museum of Art
- c. 1785Portrait of Anna Maria Woolf, née Smart — John I Smart · Cleveland Museum of Art
- c. 1776Portrait of a Woman — John I Smart · Cleveland Museum of Art
- c. 1776Portrait of Mr. Gambier — John I Smart · Cleveland Museum of Art
- c. 1770sPortrait of Sukey, Lady Oglander, née Serle — John I Smart · Cleveland Museum of Art
- c. 1775Portrait of a Woman — John I Smart · Cleveland Museum of Art
- c. 1772Portrait of a Woman — John I Smart · Cleveland Museum of Art
- c. 1776Portrait of M. de Viapre — John I Smart · Cleveland Museum of Art
- c. 1776Portrait of Mr. Shippard — John I Smart · Cleveland Museum of Art
- 1778Portrait of Charlotte Bertie, née Warren, 4th Countess of Abingdon — John I Smart · Cleveland Museum of Art
- c. 1776Portrait of Mrs. Nathaniel Bailey, née Lamack — John I Smart · Cleveland Museum of Art
- 1799Portrait of Lieutenant General Daniel Burr — John I Smart · Cleveland Museum of Art
- c. 1794Portrait of an Officer — John I Smart · Cleveland Museum of Art
- 1789Portrait of a Man — John I Smart · Cleveland Museum of Art
- 1786Portrait of a Man — John I Smart · Cleveland Museum of Art
- 1770Portrait of Constantine Phipps — John I Smart · Cleveland Museum of Art
- 1802Self-Portrait — John I Smart · Cleveland Museum of Art
- c. 1800–1810Portrait of General Keith MacAlister — John I Smart · Cleveland Museum of Art
- 1809Portrait of Miss Mary Tadman — John I Smart · Cleveland Museum of Art
- 1785Portrait of Sir Captain West of the Dutton Indiaman — John I Smart · Cleveland Museum of Art
- 1787Portrait of Sir John Macpherson, 1st Baronet, Governor-General of India — John I Smart · Cleveland Museum of Art
- c. 1775Portrait of a Man — John I Smart · Cleveland Museum of Art
- c. 1775Portrait of a Woman — John I Smart · Cleveland Museum of Art
- c. 1827Peregrine Falcons (Duck Hawks) — John James Audubon · Cleveland Museum of Art
- 1829Osprey and Weakfish — John James Audubon · National Gallery of Art
- c. 1827Farmyard Fowls — John James Audubon · National Gallery of Art
- c. 1841Arctic Hare — John James Audubon · National Gallery of Art
- 1820Hermit Thrush — John James Audubon · National Gallery of Art
- 1812Blue Yellow Back Warbler — John James Audubon · National Gallery of Art
- 1828English Black Cocks — John James Audubon · National Gallery of Art
- July 1848A Country Scene — John La Farge · Art Institute of Chicago
- n.d.Design for Window Wisdom — John La Farge · Art Institute of Chicago
- n.d.Faith — John La Farge · Art Institute of Chicago
- n.d.Woman with Folded Hands — John La Farge · Art Institute of Chicago
- c. 1875Study for a Stained Glass Window — John La Farge · Art Institute of Chicago
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