Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
8,401–8,600 of 13,187 records
- n.d.Study for Autumn — John La Farge · Art Institute of Chicago
- n.d.Study for Autumn — John La Farge · Art Institute of Chicago
- n.d.Study for Autumn — John La Farge · Art Institute of Chicago
- n.d.Sketch for a Stained Glass Window — John La Farge · Art Institute of Chicago
- n.d.Design for a Window: St. George — John La Farge · Art Institute of Chicago
- 1897A Rishi Stirring Up a Storm — John La Farge · Cleveland Museum of Art
- c. 1850–1910Design for Stained Glass — John La Farge · Cleveland Museum of Art
- c. 1850–1910Strawberry Blossom — John La Farge · Cleveland Museum of Art
- c. 1902The Resurrection of Christ — John La Farge · Cleveland Museum of Art
- c. 1850–1910Chapel Window — John La Farge · Cleveland Museum of Art
- 1901Fortune — John La Farge · Cleveland Museum of Art
- c. 1880Bacchus and Ariadne — John La Farge · Cleveland Museum of Art
- 1867-1868The Last Valley - Paradise Rocks — John La Farge · National Gallery of Art
- 1880sAllegorical Female Figure — John La Farge · National Gallery of Art
- c. 1861Flowers on a Window Ledge — John La Farge · National Gallery of Art
- 1877-1878Study for "Christ Appearing to Mary" — John La Farge · National Gallery of Art
- c. 1890Study for "Faith" and "Hope" — John La Farge · National Gallery of Art
- c. 1890-1891Female Torso — John La Farge · National Gallery of Art
- c. 1885Study for "Commerce" — John La Farge · National Gallery of Art
- 1895-1896Girl in Bow of Canoe Spreading Out Her Loin-Cloth for a Sail, Samoa — John La Farge · National Gallery of Art
- c. 1895The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish — John La Farge · National Gallery of Art
- 1876Angel - Trinity Church Mural — John La Farge · National Gallery of Art
- 1876Study for Moses - Trinity Church, Boston — John La Farge · National Gallery of Art
- 1876Trinity Church, Boston (nave) - Mural Study — John La Farge · National Gallery of Art
- 1881Lesson Study on Jersey Coast — John La Farge · National Gallery of Art
- 1837–64John Bull and Uncle Sam — John Leech · The Metropolitan Museum of Art
- 1837–99Fishey Flies and Fly Fishes (recto); Typeface Designs (verso) — John Leech · The Metropolitan Museum of Art
- 1837–64Kitchen Staff (recto); Mountainous Landscape with Hiker (verso) — John Leech · The Metropolitan Museum of Art
- 1837–64"Vegetarian Odd Fellows: or, Carrott and Pa-Snip" — John Leech · The Metropolitan Museum of Art
- 1837–64"Have You Been to the Pump, Simpson?" — John Leech · The Metropolitan Museum of Art
- 1837–64Comic Sketch — John Leech · The Metropolitan Museum of Art
- 1836–64"Preparing for the Pantomime" — John Leech · The Metropolitan Museum of Art
- 1830–64"The Riverside, Favourable Wind and the Trout Rising as Fast as Possible" — John Leech · The Metropolitan Museum of Art
- 1830–64Lilthorpe's Gallant Attack on Street, Nuisances — John Leech · The Metropolitan Museum of Art
- 1830–64The Pike is a voracious fish and bites readily in the Winter months–Old Gentleman is VERY fond of fishing — John Leech · The Metropolitan Museum of Art
- 1830–64London at the Sea Side — John Leech · The Metropolitan Museum of Art
- 1830–64Boy (loq.) O don't I pity them poor Nobs in Carriages this hot weather — John Leech · The Metropolitan Museum of Art
- 1851Design for "Hooking and Eyeing," a wood engraving published in "Punch" (recto); Sketch of two women and a man (verso) — John Leech · The Metropolitan Museum of Art
- c. 1867–1910Study of an Elephant — John Macallan Swan · Cleveland Museum of Art
- c. 1867–1910Lion — John Macallan Swan · Cleveland Museum of Art
- c. 1867–1910Tiger — John Macallan Swan · Cleveland Museum of Art
- 1874–1910Study of a Jaguar — John Macallan Swan · The Metropolitan Museum of Art
- 19th–20th centuryStudies of a young goat — John Macallan Swan · The Metropolitan Museum of Art
- 1870 - 1904Een leeuwin met vier zogende welpen, genaamd 'Moederliefde' — John Macallan Swan · Rijksmuseum
- 1870 - 1910IJsberen beklimmen een ronddrijvende sloep — John Macallan Swan · Rijksmuseum
- 1870 - 1910IJsberen — John Macallan Swan · Rijksmuseum
- 1870 - 1910Sleeping Lion by Night — John Macallan Swan · Rijksmuseum
- 1926The Pine Tree, Small Point, Maine — John Marin · Art Institute of Chicago
- 1922The Tree, Bare Island, Maine — John Marin · Art Institute of Chicago
- 1910Austrian Tyrol — John Marin · Art Institute of Chicago
- 1910Sketch of a Mountain — John Marin · Art Institute of Chicago
- 1922The Red Sun, Brooklyn Bridge — John Marin · Art Institute of Chicago
- c. 1920Other Side — John Marin · Art Institute of Chicago
- 1923Blue Sea (recto); Sheet of Sketches (verso) — John Marin · Art Institute of Chicago
- 1915Floor Plans for a House — John Marin · Art Institute of Chicago
- 1909Landscape, or Hill and Village, No. 2, Chevreuse — John Marin · Art Institute of Chicago
- 1927Deer Isle, Maine, probably Movement No. 12—Boats and Pertaining Thereto — John Marin · Art Institute of Chicago
- 1923From Bold Island, Maine — John Marin · Art Institute of Chicago
- 1915Landscape in Maine — John Marin · Art Institute of Chicago
- c. 1924Downtown, New York City (with color notes) — John Marin · Art Institute of Chicago
- c. 1900Standing Figure (Woman in Kimono) — John Marin · Art Institute of Chicago
- 1895/1900Two Street Scenes (recto); Figure Studies (verso) — John Marin · Art Institute of Chicago
- 1895/1900Street Scene by the Docks — John Marin · Art Institute of Chicago
- 1895/1900Street Scene with Figures — John Marin · Art Institute of Chicago
- 1895/1900Tiger (recto); Nude Studies (verso) — John Marin · Art Institute of Chicago
- 1895/1900Studies of Figures on Benches — John Marin · Art Institute of Chicago
- 1895/1900Seated Man Reading — John Marin · Art Institute of Chicago
- 1895/1900Street Scene with Carriages and Tram (recto); Horse and Carriage Studies (verso) — John Marin · Art Institute of Chicago
- 1895/1900Figure Studies: Sidewalk Scene, Seated Man (recto); Figure Studies, Head Study (verso) — John Marin · Art Institute of Chicago
- 1895/1900Tree-Lined Street (top); Street Scene with Figures (bottom); Figure Studies (verso) — John Marin · Art Institute of Chicago
- 1895/1900Three Sidewalk Scenes (recto); Steeple and Trees (verso) — John Marin · Art Institute of Chicago
- 1895/1900Horses — John Marin · Art Institute of Chicago
- 1895/1900Crowded Sidewalk in Front of Mansard Roof — John Marin · Art Institute of Chicago
- 1895/1900Street Scene — John Marin · Art Institute of Chicago
- 1895/1900Town Square — John Marin · Art Institute of Chicago
- 1895/1900Study–Hoboken, N.J. — John Marin · Art Institute of Chicago
- 1895/1900Figure on a Bridge — John Marin · Art Institute of Chicago
- 1895/1900Downtown with Statue — John Marin · Art Institute of Chicago
- 1922/24Study for the Red Sun, Brooklyn Bridge — John Marin · Art Institute of Chicago
- 1910The Brook — John Marin · Art Institute of Chicago
- 1910Building — John Marin · Art Institute of Chicago
- 1910West Street, New York — John Marin · Art Institute of Chicago
- c. 1910New York Skyline, Boats in Foreground — John Marin · Art Institute of Chicago
- 1910New York with View of the Flatiron Building — John Marin · Art Institute of Chicago
- 1910Buildings — John Marin · Art Institute of Chicago
- 1910West Shore Docks, Weehawken, New Jersey — John Marin · Art Institute of Chicago
- 1910Skyline with Boats in Foreground — John Marin · Art Institute of Chicago
- 1910Weehawken, New Jersey — John Marin · Art Institute of Chicago
- 1909Spring (Montbarbin) — John Marin · Art Institute of Chicago
- 1916Tree and Mountain Forms, Delaware River Country — John Marin · Art Institute of Chicago
- c. 1910Buildings — John Marin · Art Institute of Chicago
- 1911Saint Paul's, with Other Buildings — John Marin · Art Institute of Chicago
- 1910Buildings, One with Tower — John Marin · Art Institute of Chicago
- 1917Buildings — John Marin · Art Institute of Chicago
- 1920/29Pedestrians on Brooklyn Bridge — John Marin · Art Institute of Chicago
- 1914/15House with Hedges and Path — John Marin · Art Institute of Chicago
- 1910Building — John Marin · Art Institute of Chicago
- 1941Cape Split, Maine — John Marin · Art Institute of Chicago
- 1912Movement: Fifth Avenue — John Marin · Art Institute of Chicago
- 1914Ragged Island, Maine — John Marin · Art Institute of Chicago
- 1917Ocean and Rocks — John Marin · Art Institute of Chicago
- 1917Untitled (Green and White) — John Marin · Art Institute of Chicago
- 1921The Green Sea – Movement – Stonington, Maine — John Marin · Art Institute of Chicago
- 1923Headed for Boston — John Marin · Art Institute of Chicago
- 1923Sea Movement–Green and Blue — John Marin · Art Institute of Chicago
- 1927Movement No 23–The Sea and Pertaining Thereto — John Marin · Art Institute of Chicago
- 1927Movement No 24–Pertaining to Deer Isle–The Road — John Marin · Art Institute of Chicago
- 1930Mountain Forms, New Mexico — John Marin · Art Institute of Chicago
- 1937Sea, Green and Brown, Maine — John Marin · Art Institute of Chicago
- 1941Circus Elephants — John Marin · Art Institute of Chicago
- 1928On Morse Mountain, No. 6, Maine — John Marin · Cleveland Museum of Art
- 1820Death of King George III [obverse] — John Marrian · National Gallery of Art
- 1820Britannia Grieving before Monument of the Stricken King, Guarded by Pallas [reverse] — John Marrian · National Gallery of Art
- 1819Landscape with a Ruined Castle — John Martin · Art Institute of Chicago
- 1833The Destroying Angel — John Martin · Art Institute of Chicago
- c. 1810–20Ruins of an Ancient City — John Martin · Cleveland Museum of Art
- 1842The Valley of the Tyne, My Native Country near Henshaw — John Martin · Cleveland Museum of Art
- 1820Figures Seated by a Lake in a Wooded Landscape — John Martin · Cleveland Museum of Art
- 1820A Man Playing a Harp with other Figures beside a Lake — John Martin · Cleveland Museum of Art
- 1816Joshua Commanding the Sun to Stand Still upon Gibeon — John Martin · National Gallery of Art
- 1847Gleaners in the Wheat Field — John Martin · National Gallery of Art
- 1844View on the River Wye, Looking towards Chepstow — John Martin · National Gallery of Art
- n.d.Study for Sculpture of William III — John Michael Rysbrack · Art Institute of Chicago
- 1700sProject for a Statue: Woman Holding Book with Right Hand — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Unexecuted Design for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- c. 1754Three Studies for Statue of John Locke — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Unexecuted Designs for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Wisdom: Unexecuted Design for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- n.d.Fate with Urn — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Warrior upon Sarcophagus Accompanied by Trophies: Unexecuted Design for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- n.d.Standing Female Figure Turning to the Left — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Unexecuted Design for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Hope: Design for the Unexecuted Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- n.d.Standing Allegorical Figure with Caduceus (Peace?) — John Michael Rysbrack · Art Institute of Chicago
- n.d.Standing Female Figure with Right Arm Raised — John Michael Rysbrack · Art Institute of Chicago
- n.d.Standing Female Figure Pointing to Left — John Michael Rysbrack · Art Institute of Chicago
- n.d.Design for a Funerary Monument with Fate, Urn, Putto — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Unexecuted Design for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- n.d.Design for a Funerary Monument: Four Draped Mourning Female Figures — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Unexecuted Design for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- c. 1733Fortitude: Unexecuted Design for the Monument to the First Duke of Marlborough — John Michael Rysbrack · Art Institute of Chicago
- 1720–70The Return of Joseph — John Michael Rysbrack · The Metropolitan Museum of Art
- 1840Martin Luther Hurlbut — John Neagle · Cleveland Museum of Art
- 1843Richard Mentor Johnson — John Neagle · National Gallery of Art
- c. 1835Amy Taylor Dickson (Mrs. John Dickson) — John Neagle · National Gallery of Art
- c. 1836Thomas W. Dyott — John Neagle · National Gallery of Art
- 1825/1829The Reverend John Albert Ryan — John Neagle · National Gallery of Art
- 1852George Dodd — John Neagle · National Gallery of Art
- 1852Julia Dodd (Mrs. George Dodd) — John Neagle · National Gallery of Art
- 1846Colonel Augustus James Pleasonton — John Neagle · National Gallery of Art
- 1868Still Life — John O'Brien Inman · National Gallery of Art
- 1871Gentlemen's Still Life — John O'Brien Inman · National Gallery of Art
- 1829Rip Van Winkle — John Quidor · Art Institute of Chicago
- 1856The Devil and Tom Walker — John Quidor · Cleveland Museum of Art
- 1849The Return of Rip Van Winkle — John Quidor · National Gallery of Art
- model 1882, carved 1883William Wilson Corcoran — John Quincy Adams Ward · National Gallery of Art
- 1859George Reynolds — John Quincy Adams Ward · National Gallery of Art
- 1857Johnson Mundy, Sculptor — John Quincy Adams Ward · National Gallery of Art
- 1858Sketching - George Fuller — John Quincy Adams Ward · National Gallery of Art
- 1858Sketching - Emanuel Leutze — John Quincy Adams Ward · National Gallery of Art
- 1860Sketch Class Series - E.W. Perry — John Quincy Adams Ward · National Gallery of Art
- 1859H.K. Brown — John Quincy Adams Ward · National Gallery of Art
- 1783/84The Valley of the Eisak Near Brixen in the Tyrol — John Robert Cozens · Art Institute of Chicago
- c. 1790–92Italian Landscape — John Robert Cozens · Cleveland Museum of Art
- August 18 [1782]View of Vesuvius — John Robert Cozens · The Metropolitan Museum of Art
- September 1782 or laterOn the Gulf of Salerno near Vietri — John Robert Cozens · The Metropolitan Museum of Art
- 1782–83View of the Villa Lante on the Janiculum in Rome — John Robert Cozens · The Metropolitan Museum of Art
- 1780Saint Peter's from the Tiber — John Robert Cozens · National Gallery of Art
- 1780sMonte Circeo at Sunset — John Robert Cozens · National Gallery of Art
- 1790Cetara on the Gulf of Salerno — John Robert Cozens · National Gallery of Art
- c. 1840View of the Second Falls on the Sawkill River — John Rubens Smith · National Gallery of Art
- 1819Man Seated at a Table — John Rubens Smith · National Gallery of Art
- February 29, 1890Merganser — John Ruskin · Art Institute of Chicago
- 1845Street in Bologna — John Ruskin · Art Institute of Chicago
- c. 1840–49Viterbo — John Ruskin · Art Institute of Chicago
- 1845Street in Bologna — John Ruskin · Art Institute of Chicago
- 1839/1900Fortresses in Tyrol, near Mals (recto); Castle in Lenzburg (verso) — John Ruskin · Art Institute of Chicago
- n.d.Spanish Chestnut — John Ruskin · Art Institute of Chicago
- 1882St. Cergues — John Ruskin · Art Institute of Chicago
- n.d.Torrent in Tyrol — John Ruskin · Art Institute of Chicago
- 1877Peacock Feather — John Ruskin · Art Institute of Chicago
- 1876Greta — John Ruskin · Art Institute of Chicago
- 1881Salvia Silvarum — John Ruskin · Art Institute of Chicago
- n.d.Byzantine Column Capital — John Ruskin · Art Institute of Chicago
- n.d.Design for an Arch — John Ruskin · Art Institute of Chicago
- c. 1860–69Bridge at Croyland — John Ruskin · Art Institute of Chicago
- c. 1845Shrubs and Trees in Rocky Landscape — John Ruskin · Art Institute of Chicago
- c. 1840Mont Saleve — John Ruskin · Art Institute of Chicago
- c. 1876Budding Sycamore — John Ruskin · Cleveland Museum of Art
- 1849–50Loggia of the Ducal Palace, Venice — John Ruskin · The Metropolitan Museum of Art
- ca. 1866The Valley of Lauterbrunnen, Switzerland — John Ruskin · The Metropolitan Museum of Art
- 1841 (?)Naples — John Ruskin · The Metropolitan Museum of Art
- c. 1845Tower of the Cathedral at Sens — John Ruskin · National Gallery of Art
- mid-1850sTree Study — John Ruskin · National Gallery of Art
- 1845The Garden of San Miniato near Florence — John Ruskin · National Gallery of Art
- 1849Ornamental Study with Acanthus Motif for "The Stones of Venice" — John Ruskin · National Gallery of Art
- 1896Perugino's Udienza del Cambio in the Collegio del Cambio, Perugia — John Russell Pope · National Gallery of Art
- 1896Study of an Altarpiece and Ceiling Panels — John Russell Pope · National Gallery of Art
- c. 1896Siena Brickwork — John Russell Pope · National Gallery of Art
- 1896Palazzo Pollini, Siena, Attributed to Peruzzi — John Russell Pope · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.