Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
8,801–9,000 of 13,187 records
- 1772Eleazer Tyng — John Singleton Copley · National Gallery of Art
- c. 1763Anne Fairchild Bowler (Mrs. Metcalf Bowler) — John Singleton Copley · National Gallery of Art
- c. 1767Harrison Gray — John Singleton Copley · National Gallery of Art
- c. 1774Adam Babcock — John Singleton Copley · National Gallery of Art
- c. 1758Drapery Study for "Mary and Elizabeth Royall" — John Singleton Copley · National Gallery of Art
- 1779Study for "The Death of the Earl of Chatham" — John Singleton Copley · National Gallery of Art
- 1776/1780A Gentleman — John Singleton Copley · National Gallery of Art
- c. 1764Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis) — John Singleton Copley · National Gallery of Art
- c. 1774Abigail Smith Babcock (Mrs. Adam Babcock) — John Singleton Copley · National Gallery of Art
- 1776Sketch for The Copley Family — John Singleton Copley · National Gallery of Art
- 1804/1809The Prince Regent as a Hussar — John Singleton Copley · National Gallery of Art
- 1804Baron Graham — John Singleton Copley · National Gallery of Art
- 1793The Red Cross Knight — John Singleton Copley · National Gallery of Art
- n.d.Houses and Stone Wall, Newlyn — John Skinner Prout · Art Institute of Chicago
- n.d.View of Clifton — John Skinner Prout · Art Institute of Chicago
- n.d.Panoramic View of Seaside Town — John Skinner Prout · Art Institute of Chicago
- —The Bristol Riots: The Burning in the Street — John Skinner Prout · National Gallery of Art
- 1860/1870Continental Street Scene — John Skinner Prout · National Gallery of Art
- —A Fountain and a Facade in Austria — John Skinner Prout · National Gallery of Art
- —A Gothic Arch — John Skinner Prout · National Gallery of Art
- 1811Portrait of Isabella Benson — John Smart · The Metropolitan Museum of Art
- ca. 1766Sir William Hood — John Smart · The Metropolitan Museum of Art
- 1777Mrs. Charlotte Lennox — John Smart · The Metropolitan Museum of Art
- ca. 1760Mrs. Comyns — John Smart · The Metropolitan Museum of Art
- ca. 1760Mrs. Caroline Deas — John Smart · The Metropolitan Museum of Art
- possibly ca. 1763Sir George Armytage (1761–1836), Fourth Baronet — John Smart · The Metropolitan Museum of Art
- ca. 1770Miss Ramus — John Smart · The Metropolitan Museum of Art
- —Portrait of a Woman, Said to Be Lady Dering — John Smart · The Metropolitan Museum of Art
- —Portrait of an Officer — John Smart · The Metropolitan Museum of Art
- 1945Untitled (Angel Flying Money to the Lions in Front of The Art Institute of Chicago) — John Steuart Curry · Art Institute of Chicago
- c. 1930Hogs Killing a Rattlesnake — John Steuart Curry · Art Institute of Chicago
- c. 1930Study of a Hog — John Steuart Curry · Art Institute of Chicago
- 1898Scene in Naval Hospital Ward, Canacoa Showing Extemporized Cots — John Tinney McCutcheon · Art Institute of Chicago
- c. 1898–99The Burned Stadium at Pola — John Tinney McCutcheon · Art Institute of Chicago
- 1898A Sleeping Room in the Commandants House: Cavite — John Tinney McCutcheon · Art Institute of Chicago
- 1900A French Cafe-Djibouti, French Somaliland — John Tinney McCutcheon · Art Institute of Chicago
- 1903A Message from the Front — John Tinney McCutcheon · Art Institute of Chicago
- 1904Her First Pair of 'Jumpers'-'Am I A Little Boy Now Mamma?' — John Tinney McCutcheon · Art Institute of Chicago
- 1904Breaking the News to Mr. Roosevelt — John Tinney McCutcheon · Art Institute of Chicago
- 1904The Daily Doings of Granddaddy Davis — John Tinney McCutcheon · Art Institute of Chicago
- 1904The Poorest Man in the World — John Tinney McCutcheon · Art Institute of Chicago
- 1905Some of Mr. Roosevelt's Old Comrades — John Tinney McCutcheon · Art Institute of Chicago
- 1905The French Idea of Neutrality — John Tinney McCutcheon · Art Institute of Chicago
- 1905Bird Center at Sea — John Tinney McCutcheon · Art Institute of Chicago
- 1907Such is the Usual Life of the Modern American Mushroom — John Tinney McCutcheon · Art Institute of Chicago
- 1907Mr. Northside Shows the Wonders of Chicago to a Foreign — John Tinney McCutcheon · Art Institute of Chicago
- 1908Eternal Darkness — John Tinney McCutcheon · Art Institute of Chicago
- 1908An Affinity — John Tinney McCutcheon · Art Institute of Chicago
- 1909The New Straw Hat — John Tinney McCutcheon · Art Institute of Chicago
- 1909The Summer 'White House' at Beverly is Now Open for Business — John Tinney McCutcheon · Art Institute of Chicago
- 1912The Two Peanuts — John Tinney McCutcheon · Art Institute of Chicago
- 1913A Suggestion for Office Seekers in the Next Administration — John Tinney McCutcheon · Art Institute of Chicago
- 1913The Effect of the Tariff on Women's Fashions — John Tinney McCutcheon · Art Institute of Chicago
- 1916Crucial Days for the Iron Cross — John Tinney McCutcheon · Art Institute of Chicago
- 1916The Discovery of America — John Tinney McCutcheon · Art Institute of Chicago
- 1918Grim-Visaged Peace — John Tinney McCutcheon · Art Institute of Chicago
- 1918Next! — John Tinney McCutcheon · Art Institute of Chicago
- 1919One of the U.S. Peace Commissaries — John Tinney McCutcheon · Art Institute of Chicago
- 1919Waiting for Wilson Under the Arc de Triomphe — John Tinney McCutcheon · Art Institute of Chicago
- 1919Aeroplane Impression of the Rhine over Coblentz — John Tinney McCutcheon · Art Institute of Chicago
- 1920He Can't Have Both — John Tinney McCutcheon · Art Institute of Chicago
- 1919Their Lawyer — John Tinney McCutcheon · Art Institute of Chicago
- 1920Next! — John Tinney McCutcheon · Art Institute of Chicago
- 1923The South will Soon be Demanding Restriction of Migration of it's Labor — John Tinney McCutcheon · Art Institute of Chicago
- 1923The Middle Class — John Tinney McCutcheon · Art Institute of Chicago
- c. 1926Cyrus Squawk The Citizens's Candidate — John Tinney McCutcheon · Art Institute of Chicago
- 1927A Story without Words — John Tinney McCutcheon · Art Institute of Chicago
- 1927The Moths and the Flame — John Tinney McCutcheon · Art Institute of Chicago
- 1930A Fertile Field for Trouble — John Tinney McCutcheon · Art Institute of Chicago
- 1930The Last Will and Testament of all Great Wars — John Tinney McCutcheon · Art Institute of Chicago
- 1933It Looks as Though at Last, We Might have a Vamp-Proof President — John Tinney McCutcheon · Art Institute of Chicago
- 1935The Under Dog — John Tinney McCutcheon · Art Institute of Chicago
- 1937We Won the Last War Under that Banner... — John Tinney McCutcheon · Art Institute of Chicago
- 1944Sure, We'll Finish the Job! — John Tinney McCutcheon · Art Institute of Chicago
- 1804/1808William Rogers — John Trumbull · National Gallery of Art
- c. 1792Alexander Hamilton — John Trumbull · National Gallery of Art
- 1784/1786Patrick Tracy — John Trumbull · National Gallery of Art
- c. 1806Alexander Hamilton — John Trumbull · National Gallery of Art
- c. 1737Full Length Portrait of a Man Standing near Balustrade — John Vanderbank · Art Institute of Chicago
- 1735Seated Male Figure with Raised Arm — John Vanderbank · Art Institute of Chicago
- 1738Cybele on Chariot Drawn by Lions — John Vanderbank · Art Institute of Chicago
- 1738Cybele on Chariot Drawn by Lions — John Vanderbank · Art Institute of Chicago
- 1738Cybele on Chariot Drawn by Lions — John Vanderbank · Art Institute of Chicago
- c. 1738Cybele on Chariot Drawn by Lions — John Vanderbank · Art Institute of Chicago
- n.d.Riders in Park — John Vanderbank · Art Institute of Chicago
- n.d.Sketches of Nymph, Satyr and Putto — John Vanderbank · Art Institute of Chicago
- 1714/39Children Playing near Statue in Garden — John Vanderbank · Art Institute of Chicago
- 1734Portrait of a Standing Lady — John Vanderbank · National Gallery of Art
- 1734Portrait of a Standing Lady — John Vanderbank · National Gallery of Art
- 1815/1818Zachariah Schoonmaker — John Vanderlyn · National Gallery of Art
- 1815/1818A Muse — John Vanderlyn · National Gallery of Art
- c. 1842Study for "The Landing of Columbus" — John Vanderlyn · National Gallery of Art
- 1829-1830John Sudam — John Vanderlyn · National Gallery of Art
- in or after 1837Figure Costume Study for Columbus Mural, Washington, D.C. — John Vanderlyn · National Gallery of Art
- c. 1800Portrait of a Seated Man — John Vanderlyn · National Gallery of Art
- —Self-Portrait — John Vanderlyn · National Gallery of Art
- c. 1838The Cape of Pinzon — John Vanderlyn · National Gallery of Art
- probably c. 1820Study of a Woman's Dress — John Vanderlyn · National Gallery of Art
- c. 1827Mary Ellis Bell (Mrs. Isaac Bell) — John Vanderlyn · National Gallery of Art
- 1807Bray Church Yard — John Varley · Cleveland Museum of Art
- 1827Bamborough Castle from the Northeast, with Holy Island in the Distance, Northumberland — John Varley · The Metropolitan Museum of Art
- 1800–42Harlech Castle across the Traeth Mawr — John Varley · The Metropolitan Museum of Art
- ca. 1836On the Thames at Hammersmith — John Varley · The Metropolitan Museum of Art
- 1812Figures beside a waterfall and pool in a wooded landscape — John Varley · The Metropolitan Museum of Art
- ca. 1802Fortified entrance to a Welsh town (East gate of Caernarvon) — John Varley · The Metropolitan Museum of Art
- first half 19th centurySailboat on a Beach — John Varley · National Gallery of Art
- —Landscape with Ruins — John Varley · National Gallery of Art
- 1803Conway in North Wales — John Varley · National Gallery of Art
- —Looking under the Bridge — John Varley · National Gallery of Art
- 1812Pont Aberglaslyn — John Varley · National Gallery of Art
- late 1830sA Clearing in a Forest — John Varley · National Gallery of Art
- probably 1800/1810A Cottage on a Lane — John Varley · National Gallery of Art
- —Study of Trees in a Landscape — John Varley · National Gallery of Art
- —A Stand of Trees [recto] — John Varley · National Gallery of Art
- —Study of a Head in Profile [verso] — John Varley · National Gallery of Art
- —Landscape Composition [recto] — John Varley · National Gallery of Art
- —Two Studies of a Figure Holding a Basket [verso] — John Varley · National Gallery of Art
- c. 1805Harlech Castle and Snowdon — John Varley · National Gallery of Art
- —Valley Landscape — John Varley · National Gallery of Art
- —Two Figures on a Country Road — John Varley · National Gallery of Art
- 1925Sails and Nets, Honfleur (recto); Sketch of Boats and Buildings (verso) — John Warner Norton · Art Institute of Chicago
- 1933Barbados — John Warner Norton · Art Institute of Chicago
- 1929Moroccan Man and Woman Standing — John Warner Norton · Art Institute of Chicago
- 1929Standing Moroccan Man, in Profile — John Warner Norton · Art Institute of Chicago
- 1819Benjamin Rouse — John Wesley Jarvis · Cleveland Museum of Art
- c. 1810Thomas Abthorpe Cooper — John Wesley Jarvis · Cleveland Museum of Art
- c. 1814Commodore John Rodgers — John Wesley Jarvis · National Gallery of Art
- c. 1806/1807Thomas Paine — John Wesley Jarvis · National Gallery of Art
- —Irish Fisherman — John Wesley Jarvis · National Gallery of Art
- 1800Leigh Tor Rocks at Poundsgate, near New Bridge on the Dart, Devon — John White Abbott · Cleveland Museum of Art
- June 30, 1791Cascade of the Aray at Inveraray (Scotland) — John White Abbott · The Metropolitan Museum of Art
- 1809Ugbrooke, Devon — John White Abbott · The Metropolitan Museum of Art
- 1799Peamore, Devon — John White Abbott · National Gallery of Art
- 1841Trees at Fordland, Devon — John White Abbott · National Gallery of Art
- 1810Sheer Cliffs above a Coastal Road — John White Abbott · National Gallery of Art
- 1842Round Tower, Castle of Munoth, Schafhausen, Switzerland — John William Casilear · Cleveland Museum of Art
- 1842Weser — John William Casilear · National Gallery of Art
- after 1851Lake George — John William Casilear · National Gallery of Art
- 1856Birch Boughs, Catskill Mountains — John William Casilear · National Gallery of Art
- late 19th centuryLake of Brienz — John William Casilear · National Gallery of Art
- late 19th centuryMountain Landscape — John William Casilear · National Gallery of Art
- 1857View on Lake George — John William Casilear · National Gallery of Art
- 1840Banknote Studies [recto] — John William Casilear · National Gallery of Art
- —Studies of Classical Temple Facades and Seated Female Figure [verso] — John William Casilear · National Gallery of Art
- 1842Boppart — John William Casilear · National Gallery of Art
- 1860sHudson Highlands — John William Casilear · National Gallery of Art
- 1850sNorth from Storm King — John William Casilear · National Gallery of Art
- —Rocks Along a Lakeshore [recto] — John William Casilear · National Gallery of Art
- —Bridge over Rocky Stream [top verso] — John William Casilear · National Gallery of Art
- 1888San Remo — John William Casilear · National Gallery of Art
- ca. 1828Scene from "My Aunt Margaret's Mirror" (Keepsake Story by Sir Walter Scott) — John William Wright · The Metropolitan Museum of Art
- 1820–48Book illustration: Knight and Monk — John William Wright · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Mirror — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Chimneypiece — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Mirror Surmounted by a Vase — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Oblong Mirror with Sconces — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for an Oval Mirror — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a a Mirror with a Rounded Top — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Chimneypiece — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Chimneypiece — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Chimneypiece — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Chimneypiece — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Chimneypiece — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Chimneypiece — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Sconce with a Mirror — John Yenn · The Metropolitan Museum of Art
- late 18th–early 19th centuryDesign for a Frieze, Ornamented with Lion's Head Paterae — John Yenn · The Metropolitan Museum of Art
- 1690 or slightly earlierFebruary (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierNovember (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierJune (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierApril (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierSeptember (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierJuly (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierAugust (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierOctober (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierDecember (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierMarch (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierJanuary (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- 1640–93An Allegory of the Union of the House of Orange and the Wittelsbach Family (Design for a Title Page of a Thesis) — Jonas Umbach · The Metropolitan Museum of Art
- 1690 or slightly earlierMay (one of a series representing the labors of the months) — Jonas Umbach · The Metropolitan Museum of Art
- —A Waterfall between Rocky Cliffs — Jonas Umbach · National Gallery of Art
- —A Woodland Pond with a Hunter — Jonas Umbach · National Gallery of Art
- —Stream through an Ancient Forest — Jonas Umbach · National Gallery of Art
- late 16th–mid 17th centuryLandscape with a Road Leading Towards a Settlement on a Hill — Joos de Momper the Younger · The Metropolitan Museum of Art
- 1586–1631River Landscape with Wagons on a Road near a Village — Joos de Momper the Younger · The Metropolitan Museum of Art
- 1579–1635Allegory of the Months February and March — Joos de Momper the Younger · The Metropolitan Museum of Art
- ca. 1525The Annunciation — Joos van Cleve · The Metropolitan Museum of Art
- ca. 1520The Crucifixion with Saints and a Donor — Joos van Cleve · The Metropolitan Museum of Art
- ca. 1512–13The Holy Family — Joos van Cleve · The Metropolitan Museum of Art
- ca. 1525–30The Last Judgment — Joos van Cleve · The Metropolitan Museum of Art
- ca. 1525Virgin and Child — Joos van Cleve · The Metropolitan Museum of Art
- —Francis I (1494–1547), King of France — Joos van Cleve · The Metropolitan Museum of Art
- ca. 1525The Holy Family — Joos van Cleve · The Metropolitan Museum of Art
- probably 1518Joris Vezeleer — Joos van Cleve · National Gallery of Art
- probably 1518Margaretha Boghe — Joos van Cleve · National Gallery of Art
- in or before 1521The Hay Harvest (June) — Jörg Breu the Elder · National Gallery of Art
- in or before 1521The Wine Harvest (September) — Jörg Breu the Elder · National Gallery of Art
- ca. 1590–1600Insects and the Head of a Wind God — Joris Hoefnagel · The Metropolitan Museum of Art
- 1589Still Life with Flowers, a Snail and Insects — Joris Hoefnagel · The Metropolitan Museum of Art
- 1578Forum Vulcani: The Hot Springs at Pozzuoli — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sTitle Page — Joris Hoefnagel · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.