Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
8,601–8,800 of 13,187 records
- c. 1896Siena Cathedral, Entrance to Library — John Russell Pope · National Gallery of Art
- c. 1896An Interesting Romanesque Treatment, San Giovanni, Pistoia — John Russell Pope · National Gallery of Art
- c. 1896St. Andrea, Pistoia — John Russell Pope · National Gallery of Art
- c. 1896Library, San Lorenzo — John Russell Pope · National Gallery of Art
- 1897The Duomo, Florence — John Russell Pope · National Gallery of Art
- c. 1896Il Marzocco, Donatello — John Russell Pope · National Gallery of Art
- c. 1896Bologna Brick Wall — John Russell Pope · National Gallery of Art
- c. 1896Study of Moldings — John Russell Pope · National Gallery of Art
- 1898Palazzo Communale, Bologna — John Russell Pope · National Gallery of Art
- c. 1898Tomb of Dante, Ravenna — John Russell Pope · National Gallery of Art
- c. 1898Brickwork in Rimini — John Russell Pope · National Gallery of Art
- c. 1898Byzantine Doorway with Duomo, Rimini — John Russell Pope · National Gallery of Art
- c. 1898Sta. Maria della Salute, Venice — John Russell Pope · National Gallery of Art
- c. 1898Loggia del Consiglio, Padua — John Russell Pope · National Gallery of Art
- ca. 1747–48Dining Room at Kirtlington Park, Oxfordshire — John Sanderson · The Metropolitan Museum of Art
- ca. 1747–48Design for the painting, Mars, Venus & Cupid for the Dining Room at Kirtlington Park, Oxfordshire — John Sanderson · The Metropolitan Museum of Art
- 1747–48Design for the Dining Room at Kirtlington Park, Oxfordshire — John Sanderson · The Metropolitan Museum of Art
- ca. 1747–48Design for Ceiling at Kirtlington Park, Oxfordshire — John Sanderson · The Metropolitan Museum of Art
- 1823–42Ruined Castle — John Sell Cotman · The Metropolitan Museum of Art
- 1808–11(?)Farm Building by a Pond — John Sell Cotman · The Metropolitan Museum of Art
- ca. 1818Doorway, Heckingham Church — John Sell Cotman · The Metropolitan Museum of Art
- 1803The east end of Rievaulx Abbey, Yorkshire — John Sell Cotman · The Metropolitan Museum of Art
- 1824–31The Abbatial House, Abbey of St. Ouen, Rouen — John Sell Cotman · The Metropolitan Museum of Art
- 1830Boats off the coast, storm approaching — John Sell Cotman · The Metropolitan Museum of Art
- ca. 1818The Town of Beccles from the Bridge, Suffolk — John Sell Cotman · The Metropolitan Museum of Art
- 1810–40A figure resting in a ruined tower — John Sell Cotman · The Metropolitan Museum of Art
- 1917/21Seated Male Nude with Extended Leg (recto); Sketch of Kneeling Male Nude and Divided Circle (verso) — John Singer Sargent · Art Institute of Chicago
- 1917/21Bound Man (recto); Sketch of Bound Man (verso) — John Singer Sargent · Art Institute of Chicago
- c. 1908Tarragona Terrace and Garden — John Singer Sargent · Art Institute of Chicago
- n.d.Forest Scene — John Singer Sargent · Art Institute of Chicago
- 1917The Basin, Vizcaya — John Singer Sargent · Art Institute of Chicago
- 1917The Loggia, Vizcaya — John Singer Sargent · Art Institute of Chicago
- 1917The Terrace, Vizcaya — John Singer Sargent · Art Institute of Chicago
- 1917The Patio, Vizcaya — John Singer Sargent · Art Institute of Chicago
- 1909Olive Trees, Corfu — John Singer Sargent · Art Institute of Chicago
- 1914Woodsheds, Tyrol — John Singer Sargent · Art Institute of Chicago
- 1911Workmen at Carrara — John Singer Sargent · Art Institute of Chicago
- 1914An Artist at His Easel — John Singer Sargent · Art Institute of Chicago
- 1911Harriett Pullman Carolan — John Singer Sargent · Art Institute of Chicago
- 1917/21Seated Male Nude, Arms Uplifted — John Singer Sargent · Art Institute of Chicago
- 1917/21Sketches of Legs and Feet — John Singer Sargent · Art Institute of Chicago
- 1917/21Seated Male Nude — John Singer Sargent · Art Institute of Chicago
- 1919Female Nude Seated on a Low Bench — John Singer Sargent · Cleveland Museum of Art
- undatedThe Cossack — John Singer Sargent · Cleveland Museum of Art
- 1908The Patio — John Singer Sargent · Cleveland Museum of Art
- 1918–19Studies of a Soldier Drinking, for Gassed (recto); Studies of a Male Nude (verso) — John Singer Sargent · Cleveland Museum of Art
- 1918–19Studies of a Soldier Drinking, for Gassed (recto) — John Singer Sargent · Cleveland Museum of Art
- 1918–19?Studies of a Male Nude (verso) — John Singer Sargent · Cleveland Museum of Art
- 1911In Austrian Tyrol — John Singer Sargent · Cleveland Museum of Art
- 1919Portrait of Dorothy Draper — John Singer Sargent · Cleveland Museum of Art
- 1891Pavement, Cairo — John Singer Sargent · National Gallery of Art
- c. 1880Spanish Church Interior — John Singer Sargent · National Gallery of Art
- c. 1907Frascati, Architectural Study — John Singer Sargent · National Gallery of Art
- c. 1904The Calle della Rosa with the Monte di Pietà, Venice — John Singer Sargent · National Gallery of Art
- c. 1891Cairo — John Singer Sargent · National Gallery of Art
- 1918A War Memorial — John Singer Sargent · National Gallery of Art
- 1883Margaret Stuyvesant Rutherfurd White (Mrs. Henry White) — John Singer Sargent · National Gallery of Art
- 1878En route pour la pêche (Setting Out to Fish) — John Singer Sargent · National Gallery of Art
- 1890-1900Male Torso with Pole — John Singer Sargent · National Gallery of Art
- c. 1880Campo dei Frari, Venice — John Singer Sargent · National Gallery of Art
- c. 1913Turkey — John Singer Sargent · National Gallery of Art
- 1918Soldiers in a Devastated Landscape [recto] — John Singer Sargent · National Gallery of Art
- 1918-1919Studies for "Gassed" — John Singer Sargent · National Gallery of Art
- c. 1921Study of Orpheus for "Classic and Romantic Art" — John Singer Sargent · National Gallery of Art
- 1903-1916Studies for "Heaven" and "Hell" — John Singer Sargent · National Gallery of Art
- 1920-1922Studies for "General Officers of World War I" — John Singer Sargent · National Gallery of Art
- c. 1921Study for "Classic and Romantic Art" — John Singer Sargent · National Gallery of Art
- 1922-1925Studies of Achilles for "Chiron and Achilles" — John Singer Sargent · National Gallery of Art
- 1890-1892Study for "Frieze of Prophets" — John Singer Sargent · National Gallery of Art
- c. 1918Study for "Apollo and Daphne" — John Singer Sargent · National Gallery of Art
- 1922-1925Studies for "The Unveiling of Truth" — John Singer Sargent · National Gallery of Art
- c. 1921Study for "Apollo and the Muses" — John Singer Sargent · National Gallery of Art
- 1922-1925Study for "Phaethon" — John Singer Sargent · National Gallery of Art
- 1922-1925Studies of Notus for "The Winds" — John Singer Sargent · National Gallery of Art
- c. 1921Study of Apollo for "Apollo and the Muses" — John Singer Sargent · National Gallery of Art
- 1919-1920Study for "Arion" — John Singer Sargent · National Gallery of Art
- 1922-1925Studies for "Apollo in His Chariot with the Hours" — John Singer Sargent · National Gallery of Art
- 1922-1925Study for "Philosophy" — John Singer Sargent · National Gallery of Art
- 1903-1916Studies for "The Fall of Gog and Magog" — John Singer Sargent · National Gallery of Art
- 1903-1916Study for "Judgment" — John Singer Sargent · National Gallery of Art
- 1919-1920Study for Figure above "Music" — John Singer Sargent · National Gallery of Art
- 1903-1916Study of the Resurrection for "Fifteen Mysteries of the Rosary" — John Singer Sargent · National Gallery of Art
- 1871Hintersee, Germany — John Singer Sargent · National Gallery of Art
- c. 1900-1910Olimpio Fusco — John Singer Sargent · National Gallery of Art
- 1903-1916Study for "The Fall of Gog and Magog" — John Singer Sargent · National Gallery of Art
- 1920-1922Studies of Victory for "Death and Victory" — John Singer Sargent · National Gallery of Art
- 1920-1922Study of Field Marshal John French for "General Officers of World War I" — John Singer Sargent · National Gallery of Art
- 1869Swiss Chalet — John Singer Sargent · National Gallery of Art
- 1903-1916Study of Adam for the "Fifteen Mysteries of the Rosary" — John Singer Sargent · National Gallery of Art
- 1872Man with Curly Hair — John Singer Sargent · National Gallery of Art
- c. 1921Studies for "Classic and Romantic Art" — John Singer Sargent · National Gallery of Art
- 1918-1919Studies for "Gassed" — John Singer Sargent · National Gallery of Art
- 1919-1920Studies of Aphrodite for "Aphrodite and Eros" — John Singer Sargent · National Gallery of Art
- 1903-1916Study of the Crucifixion for "Fifteen Mysteries of the Rosary" — John Singer Sargent · National Gallery of Art
- 1919-1920Studies for "Two Classical Male Figures Wrestling" — John Singer Sargent · National Gallery of Art
- 1918-1919Studies for "Gassed" [recto] — John Singer Sargent · National Gallery of Art
- c. 1921Studies for "Astronomy" — John Singer Sargent · National Gallery of Art
- c. 1918Study of Apollo for "Apollo and Daphne" — John Singer Sargent · National Gallery of Art
- 1903-1916Study for "Handmaid of the Lord" — John Singer Sargent · National Gallery of Art
- 1920-1922Study of General Louis Botha for "General Officers of World War I" — John Singer Sargent · National Gallery of Art
- 1912Gondolier, Venice — John Singer Sargent · National Gallery of Art
- 1870-1872Bellosguardo, Florence — John Singer Sargent · National Gallery of Art
- 1918Trucks [recto] — John Singer Sargent · National Gallery of Art
- 1880-1905Bust of a Man — John Singer Sargent · National Gallery of Art
- 1868-1869The Alps [recto] — John Singer Sargent · National Gallery of Art
- 1918Gun Carriages, France — John Singer Sargent · National Gallery of Art
- c. 1872Studies of Cattle — John Singer Sargent · National Gallery of Art
- c. 1876Men on a Spar — John Singer Sargent · National Gallery of Art
- c. 1874-1877Couple on a Cot — John Singer Sargent · National Gallery of Art
- c. 1871-1872Mother and Child [recto] — John Singer Sargent · National Gallery of Art
- 1875Ramparts at St. Malo—Yacht Race — John Singer Sargent · National Gallery of Art
- c. 1874-1877Seated Men — John Singer Sargent · National Gallery of Art
- 1903-1916Studies for "The Fall of Gog and Magog" — John Singer Sargent · National Gallery of Art
- c. 1921Studies for "Apollo and the Muses" — John Singer Sargent · National Gallery of Art
- 1919-1920Studies for "Dancing Figures" — John Singer Sargent · National Gallery of Art
- 1919-1920Studies for "Two Classical Male Figures Jumping" — John Singer Sargent · National Gallery of Art
- 1920-1925Study of a Draped Figure — John Singer Sargent · National Gallery of Art
- 1903-1916Study for "Hell" — John Singer Sargent · National Gallery of Art
- c. 1907By the Fountain, Villa Torlonia, Frascati, Italy — John Singer Sargent · National Gallery of Art
- 1880-1900Studies of a Swan — John Singer Sargent · National Gallery of Art
- 1880-1900Swans in the Water — John Singer Sargent · National Gallery of Art
- c. 1875Studies of a Man's Head — John Singer Sargent · National Gallery of Art
- 1874-1880Bacchus — John Singer Sargent · National Gallery of Art
- c. 1921Study for "Astronomy" — John Singer Sargent · National Gallery of Art
- 1869Lake Shore, Menaggio [recto] — John Singer Sargent · National Gallery of Art
- 1878En route pour la pêche (Setting Out to Fish) — John Singer Sargent · National Gallery of Art
- c. 1880Ponte Panada, Fondamenta Nuove, Venice — John Singer Sargent · National Gallery of Art
- c. 1921Study of Apollo for "Apollo and the Muses" — John Singer Sargent · National Gallery of Art
- 1870-1872Ponte Vecchio, Florence [recto] — John Singer Sargent · National Gallery of Art
- 1870-1872Monastery [recto] — John Singer Sargent · National Gallery of Art
- 1919-1920Study for Figure above "Music" — John Singer Sargent · National Gallery of Art
- 1918-1919Studies for "Gassed" — John Singer Sargent · National Gallery of Art
- 1875-1880Head of a Man — John Singer Sargent · National Gallery of Art
- 1903-1916Studies for "Judgment" — John Singer Sargent · National Gallery of Art
- 1903-1916Study for "Hell" — John Singer Sargent · National Gallery of Art
- 1868-1869Lake Shore — John Singer Sargent · National Gallery of Art
- 1918Motorcycle [recto] — John Singer Sargent · National Gallery of Art
- 1918Motorcycle — John Singer Sargent · National Gallery of Art
- 1918Man Pulling a Horse into a Stall — John Singer Sargent · National Gallery of Art
- 1918-1919Studies for "Gassed" — John Singer Sargent · National Gallery of Art
- 1922-1925Study for "The Danaïdes" — John Singer Sargent · National Gallery of Art
- 1895-1903Study for "Dogma of the Redemption: Frieze of Angels" [recto] — John Singer Sargent · National Gallery of Art
- 1918-1919Studies for "Gassed" — John Singer Sargent · National Gallery of Art
- c. 1916/1919Apollo and Daphne — John Singer Sargent · National Gallery of Art
- 1918Studies for "Shoeing Calvary Horses at the Front" [recto] — John Singer Sargent · National Gallery of Art
- 1871Head of a Boy; and the Entrance to a Shack — John Singer Sargent · National Gallery of Art
- 1918Cannon Trailers, France — John Singer Sargent · National Gallery of Art
- 1870-1872Italian Villa [recto] — John Singer Sargent · National Gallery of Art
- 1918Motorcycle [verso] — John Singer Sargent · National Gallery of Art
- 1870-1872Clouds [verso] — John Singer Sargent · National Gallery of Art
- 1870-1872Studies of Peasants with Wheelbarrows [verso] — John Singer Sargent · National Gallery of Art
- 1870-1872Studies of Peasants [verso] — John Singer Sargent · National Gallery of Art
- 1868-1869Tree Trunks [verso] — John Singer Sargent · National Gallery of Art
- c. 1871-1872Napoleonic Head and Judgment of Paris [verso] — John Singer Sargent · National Gallery of Art
- 1918Two Shattered Trees; and Study for "The Road" [verso] — John Singer Sargent · National Gallery of Art
- 1918Study for "Shoeing Calvary Horses at the Front" [verso] — John Singer Sargent · National Gallery of Art
- 1918-1919Falling Male Nude [verso] — John Singer Sargent · National Gallery of Art
- 1920-1922Study of Drapery [verso] — John Singer Sargent · National Gallery of Art
- 1918-1919Studies of Male Nudes [verso] — John Singer Sargent · National Gallery of Art
- 1895-1903Study for "Dogma of the Redemption: Frieze of Angels" [verso] — John Singer Sargent · National Gallery of Art
- 1911Nonchaloir (Repose) — John Singer Sargent · National Gallery of Art
- 1901Ellen Peabody Endicott (Mrs. William Crowninshield Endicott) — John Singer Sargent · National Gallery of Art
- 1907Miss Mathilde Townsend — John Singer Sargent · National Gallery of Art
- 1902Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain) — John Singer Sargent · National Gallery of Art
- 1882Street in Venice — John Singer Sargent · National Gallery of Art
- 1890Miss Grace Woodhouse — John Singer Sargent · National Gallery of Art
- 1888Eleanora O'Donnell Iselin (Mrs. Adrian Iselin) — John Singer Sargent · National Gallery of Art
- 1902/1904A Bridge and Campanile, Venice — John Singer Sargent · National Gallery of Art
- c. 1892Camprodón, Spain — John Singer Sargent · National Gallery of Art
- 1904/1907A Corner of the Library in Venice — John Singer Sargent · National Gallery of Art
- 1916The Rt. Reverend William Lawrence — John Singer Sargent · National Gallery of Art
- 1912Capilla Real Entablature, Granada — John Singer Sargent · National Gallery of Art
- —Studies of Hands — John Singer Sargent · National Gallery of Art
- —Figure Studies of a Nude Youth — John Singer Sargent · National Gallery of Art
- 1908Wild Olive Tree Roots, Valldemosa, Majorca — John Singer Sargent · National Gallery of Art
- 1882Miss Beatrice Townsend — John Singer Sargent · National Gallery of Art
- 1879Marie Buloz Pailleron (Madame Édouard Pailleron) — John Singer Sargent · National Gallery of Art
- 1890-1891Bedouin Women — John Singer Sargent · National Gallery of Art
- 1890-1892Study of Ezekiel for "Frieze of Prophets" — John Singer Sargent · National Gallery of Art
- 1909-1916Study for "The Crucifixion and Death of Our Lord" — John Singer Sargent · National Gallery of Art
- 1903-1916Study for "Hell" — John Singer Sargent · National Gallery of Art
- n.d.Two American Officers — John Singleton Copley · Art Institute of Chicago
- 1785–89Sketch for "Siege of Gibraltar" — John Singleton Copley · Art Institute of Chicago
- c. 1785–86Study for The Siege of Gibraltar — John Singleton Copley · Cleveland Museum of Art
- 1812A Hussar Officer on Horseback — John Singleton Copley · Cleveland Museum of Art
- c. 1783Portrait of William Murray, Earl of Mansfield (1705-1793) — John Singleton Copley · Cleveland Museum of Art
- 1785–86Drapery Study; Two Figures Pulling a Pole — John Singleton Copley · Cleveland Museum of Art
- 1764Anna Dummer Powell — John Singleton Copley · Cleveland Museum of Art
- 1769Catherine Greene — John Singleton Copley · Cleveland Museum of Art
- c. 1765Nathaniel Hurd — John Singleton Copley · Cleveland Museum of Art
- 1756Jane Browne — John Singleton Copley · National Gallery of Art
- 1765John Temple — John Singleton Copley · National Gallery of Art
- c. 1770-1772Thomas Amory II — John Singleton Copley · National Gallery of Art
- 1783-1786Study for "The Defeat of the Floating Batteries at Gibraltar" — John Singleton Copley · National Gallery of Art
- 1783-1786Study for "The Defeat of the Floating Batteries at Gibraltar" — John Singleton Copley · National Gallery of Art
- 1779The Death of the Earl of Chatham — John Singleton Copley · National Gallery of Art
- c. 1760Epes Sargent — John Singleton Copley · National Gallery of Art
- 1800/1801Colonel William Fitch and His Sisters Sarah and Ann Fitch — John Singleton Copley · National Gallery of Art
- 1776/1777The Copley Family — John Singleton Copley · National Gallery of Art
- 1778Watson and the Shark — John Singleton Copley · National Gallery of Art
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