Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
1,201–1,400 of 13,187 records
- 1710 - 1727De gevangenneming van Christus — Aert de Gelder · Rijksmuseum
- 1700 - 1727Christus voor Kajafas — Aert de Gelder · Rijksmuseum
- 1680 - 1685King David — Aert de Gelder · Rijksmuseum
- 16th century?Man's Head from the Back — Agnolo Bronzino · Cleveland Museum of Art
- c. 1550Portrait of a Woman — Agnolo Bronzino · Cleveland Museum of Art
- c. 1540A Young Woman and Her Little Boy — Agnolo Bronzino · National Gallery of Art
- c. 1560Eleonora di Toledo — Agnolo Bronzino · National Gallery of Art
- c. 1527/1528The Holy Family — Agnolo Bronzino · National Gallery of Art
- ca. 1390–96The Trinity — Agnolo Gaddi · The Metropolitan Museum of Art
- ca. 1390Saint Margaret and the Dragon — Agnolo Gaddi · The Metropolitan Museum of Art
- shortly before 1387Saint Andrew and Saint Benedict with the Archangel Gabriel [left panel] — Agnolo Gaddi · National Gallery of Art
- shortly before 1387Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel] — Agnolo Gaddi · National Gallery of Art
- c. 1390The Coronation of the Virgin with Six Angels — Agnolo Gaddi · National Gallery of Art
- shortly before 1387Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel] — Agnolo Gaddi · National Gallery of Art
- —Standing Male Nude — Agostino Ciampelli · The Metropolitan Museum of Art
- c. 1600/1610Jeremiah (Design for a Lunette) — Agostino Ciampelli · National Gallery of Art
- —King David (Design for a Lunette) — Agostino Ciampelli · National Gallery of Art
- 1692–1758Studies for the Education of the Virgin — Agostino Masucci · The Metropolitan Museum of Art
- 1692–1758The Virgin Appearing at Mass — Agostino Masucci · The Metropolitan Museum of Art
- 1720/1750Studies of an Apostle Guided by an Angel and the Adoration of the Shepherds — Agostino Masucci · National Gallery of Art
- —Sheet of Studies with Figures, Hands, and Feet — Agostino Masucci · National Gallery of Art
- —An Apostle Guided by an Angel — Agostino Masucci · National Gallery of Art
- —The Adoration of the Shepherds — Agostino Masucci · National Gallery of Art
- —An Apostle Guided by an Angel — Agostino Masucci · National Gallery of Art
- —The Adoration of the Shepherds — Agostino Masucci · National Gallery of Art
- —Studies for Saint Anne in "Education of the Virgin" — Agostino Masucci · National Gallery of Art
- 1768Riverscape with a Waterfall — Aignan-Thomas Desfriches · National Gallery of Art
- probably 1768Landscape with Peasants before an Inn — Aignan-Thomas Desfriches · National Gallery of Art
- n.d.Woman at Her Toilette — Albert Besnard · Art Institute of Chicago
- c. 1890 – 1920The Siesta — Albert Besnard · Cleveland Museum of Art
- c. 1879–80Madeleine Lerolle and Her Daughter Yvonne — Albert Besnard · Cleveland Museum of Art
- 1898Portrait of a Man (Souvenir d'un Passage à Paris) — Albert Besnard · National Gallery of Art
- 1868Mount Vesuvius at Midnight — Albert Bierstadt · Cleveland Museum of Art
- c. 1870Fir Trees and Storm Clouds — Albert Bierstadt · Cleveland Museum of Art
- 1866Mount Starr King, Yosemite — Albert Bierstadt · Cleveland Museum of Art
- 1888-1889The Last of the Buffalo — Albert Bierstadt · National Gallery of Art
- 1869Buffalo Trail: The Impending Storm — Albert Bierstadt · National Gallery of Art
- c. 1876-1877Mount Corcoran — Albert Bierstadt · National Gallery of Art
- 1858Lake Lucerne — Albert Bierstadt · National Gallery of Art
- ca. 1865–67Draped Model — Albert Joseph Moore · The Metropolitan Museum of Art
- 1868–70Drapery Study for "Battledore" (recto); Two Women (verso) — Albert Joseph Moore · The Metropolitan Museum of Art
- ca. 1868Drapery study for "A Venus" — Albert Joseph Moore · The Metropolitan Museum of Art
- 1900/05Bust of a Woman in Profile (recto); Sketches of a Walking Figure and a Horse (verso) — Albert Marquet · Art Institute of Chicago
- 1928The Wharf, Audierne — Albert Marquet · Art Institute of Chicago
- c. 1910Pont Saint Michel, Paris — Albert Marquet · Art Institute of Chicago
- n.d.Standing Nude, Leaning on a Stool — Albert Marquet · Art Institute of Chicago
- 1928Audierne — Albert Marquet · Art Institute of Chicago
- n.d.Ghardaia: Arab Woman and Child — Albert Marquet · Art Institute of Chicago
- 1931The Seine at Triel — Albert Marquet · Art Institute of Chicago
- c. 1896The Essex Canal — Albert Pinkham Ryder · Art Institute of Chicago
- c. 1896–1908The Race Track (Death on a Pale Horse) — Albert Pinkham Ryder · Cleveland Museum of Art
- 1888/1891Siegfried and the Rhine Maidens — Albert Pinkham Ryder · National Gallery of Art
- mid to late 1870sMending the Harness — Albert Pinkham Ryder · National Gallery of Art
- 1860Jérôme Napoleon, 1784-1860 [obverse] — Albert-Désiré Barre · National Gallery of Art
- 1860Inscription [reverse] — Albert-Désiré Barre · National Gallery of Art
- c. 1517Salome with the Head of St. John the Baptist — Albrecht Altdorfer · Cleveland Museum of Art
- 1506Samson and Delilah — Albrecht Altdorfer · The Metropolitan Museum of Art
- 1500–38The Emperor Maxentius Ordering the Burning of the Fifty Wise Men... — Albrecht Altdorfer · The Metropolitan Museum of Art
- c. 1512Christ Nailed to the Cross — Albrecht Altdorfer · National Gallery of Art
- c. 1496, erroneously inscribed in another hand 1508Young Bull — Albrecht Dürer · Art Institute of Chicago
- c. 1515Ascension of Christ — Albrecht Dürer · Cleveland Museum of Art
- 1505The Dead Christ — Albrecht Dürer · Cleveland Museum of Art
- 1507Arm of Eve — Albrecht Dürer · Cleveland Museum of Art
- 1521Music-Making Angels — Albrecht Dürer · The Metropolitan Museum of Art
- 1490–1528Saint Catherine of Alexandria — Albrecht Dürer · The Metropolitan Museum of Art
- 1515Bittern's Wings: study showing both sides — Albrecht Dürer · The Metropolitan Museum of Art
- 1501–3Standing Male Nude Holding a Bow ("Poynter Apollo") — Albrecht Dürer · The Metropolitan Museum of Art
- 1485–1528Knight on Horseback and Landsknecht — Albrecht Dürer · The Metropolitan Museum of Art
- ca. 1505Salvator Mundi — Albrecht Dürer · The Metropolitan Museum of Art
- probably 1519Virgin and Child with Saint Anne — Albrecht Dürer · The Metropolitan Museum of Art
- 1516Virgin and Child — Albrecht Dürer · The Metropolitan Museum of Art
- —Portrait of a Woman, Said to Be Caritas Pirckheimer (1467–1532) — Albrecht Dürer · The Metropolitan Museum of Art
- c. 1495An Eastern Ruler Seated on His Throne — Albrecht Dürer · National Gallery of Art
- 1521Young Woman in Netherlandish Dress — Albrecht Dürer · National Gallery of Art
- 1496/1497A Pastoral Landscape with Shepherds Playing a Viola and Panpipes — Albrecht Dürer · National Gallery of Art
- c. 1496/1499Madonna and Child [obverse] — Albrecht Dürer · National Gallery of Art
- c. 1496/1499Lot and His Daughters [reverse] — Albrecht Dürer · National Gallery of Art
- 1516Portrait of a Clergyman (Johann Dorsch?) — Albrecht Dürer · National Gallery of Art
- 1521Charles V, 1500-1558, King of Spain 1516-1556, Holy Roman Emperor 1519 [obverse] — Albrecht Dürer · National Gallery of Art
- 1521Coats of Arms around Double-headed Eagle [reverse] — Albrecht Dürer · National Gallery of Art
- 1504The Entombment — Albrecht Dürer · National Gallery of Art
- c. 1495An Eastern Ruler Seated on His Throne — Albrecht Dürer · National Gallery of Art
- probably 1510Portrait of a Man — Albrecht Dürer · National Gallery of Art
- 1505The Centaur Family — Albrecht Dürer · National Gallery of Art
- c. 1500Male Nude Holding a Mirror [recto] — Albrecht Dürer · National Gallery of Art
- c. 1500Male Nude with a Lion [verso] — Albrecht Dürer · National Gallery of Art
- 1526Tuft of Cowslips — Albrecht Dürer · National Gallery of Art
- 1495/1499The Virgin Annunciate — Albrecht Dürer · National Gallery of Art
- 1497/1500Female Nude Praying — Albrecht Dürer · National Gallery of Art
- second half 1500sProfile of a Woman's Head (recto) A Kitchen Maid (verso) — Alessandro Casolani · Cleveland Museum of Art
- 1550–1600sProfile of a Woman's Head (recto) — Alessandro Casolani · Cleveland Museum of Art
- 1550–1600A Kitchen Maid (verso) — Alessandro Casolani · Cleveland Museum of Art
- 16th centuryStudies for a Crucifixion — Alessandro Casolani · The Metropolitan Museum of Art
- —Study of a Female Nude — Alessandro Casolani · National Gallery of Art
- late 1580sA Compartmented Ceiling with Allegories and Myths — Alessandro Maganza · National Gallery of Art
- early 17th centuryThe Annunciation — Alessandro Maganza · National Gallery of Art
- 1720/25Ballad Singer at a Shrine of the Virgin — Alessandro Magnasco · Art Institute of Chicago
- 1720/25Picaresque Group with a Monkey and a Magpie — Alessandro Magnasco · Art Institute of Chicago
- c. 1725–35Interior of a Synagogue — Alessandro Magnasco · Cleveland Museum of Art
- 1740s?Flight into Egypt — Alessandro Magnasco · Cleveland Museum of Art
- first half 18th century?A Standing Woman Holding a Child, a Seated Male at her Feet — Alessandro Magnasco · Cleveland Museum of Art
- first half 1700s(?)Building of the Ark — Alessandro Magnasco · Cleveland Museum of Art
- 1730/40Worshippers at a Street Shrine — Alessandro Magnasco · Cleveland Museum of Art
- 1687–1749Elijah Visited by an Angel in the Wilderness (1 Kings 19:4-8) — Alessandro Magnasco · The Metropolitan Museum of Art
- n.d.A Shepherd Addressing a Seated Male Nude — Alessandro Magnasco · The Metropolitan Museum of Art
- ca. 1705–20Standing Pilgrim Friar — Alessandro Magnasco · The Metropolitan Museum of Art
- ca. 1707–8The Tame Magpie — Alessandro Magnasco · The Metropolitan Museum of Art
- —Nuns at Work — Alessandro Magnasco · The Metropolitan Museum of Art
- c. 1740The Baptism of Christ — Alessandro Magnasco · National Gallery of Art
- c. 1740Christ at the Sea of Galilee — Alessandro Magnasco · National Gallery of Art
- c. 1710-1720A Penitent at a Quaker Sermon — Alessandro Magnasco · National Gallery of Art
- 1720sThe Baptism of Christ — Alessandro Magnasco · National Gallery of Art
- c. 1740/1745The Choristers — Alessandro Magnasco · National Gallery of Art
- —Figures in a Storm — Alessandro Magnasco · National Gallery of Art
- 1700 - 1749Landscape with Saint Bruno ? — Alessandro Magnasco · Rijksmuseum
- 1700 - 1749Carthusian Monks in a Landscape — Alessandro Magnasco · Rijksmuseum
- 1710 - 1740Drie Camaldolenser monniken in extatisch gebed — Alessandro Magnasco · Rijksmuseum
- 1710 - 1740Three Camaldolese Monks in Meditative Prayer — Alessandro Magnasco · Rijksmuseum
- 1715 - 1740De kindermoord te Bethlehem — Alessandro Magnasco · Rijksmuseum
- 1715 - 1740The Raising of Lazarus — Alessandro Magnasco · Rijksmuseum
- n.d.Design for a Stage Set?:Interior of a Stateroom with Four Tables Displaying Urns and Tabernacles. — Alessandro Sanquirico · The Metropolitan Museum of Art
- c. 1810Piazza with an Equestrian Monument and a Palace — Alessandro Sanquirico · National Gallery of Art
- c. 1810A Palatial Garden with Circular Terraces — Alessandro Sanquirico · National Gallery of Art
- 1577–1668Allegory of the Trinitarian Order — Alessandro Tiarini · The Metropolitan Museum of Art
- 1577–1688Seated Male Nude Facing Right — Alessandro Tiarini · The Metropolitan Museum of Art
- n.d.Vision of Saint Catherine of Siena — Alessandro Turchi · Art Institute of Chicago
- 1578–1649Allegory of the Immaculate Conception with the Fall of Man — Alessandro Turchi · The Metropolitan Museum of Art
- ca. 1640Judgment of Paris — Alessandro Turchi · The Metropolitan Museum of Art
- c. 1571–1578Feast of the Gods — Alessandro Vittoria · Cleveland Museum of Art
- probably 1551Gaspare Borgia, died 1556, Bishop of Segorbe 1530 — Alessandro Vittoria · National Gallery of Art
- c. 1553Caterina Sandella of Venice, Wife of Pietro Aretino 1548 — Alessandro Vittoria · National Gallery of Art
- 1552/1558Tommaso Rangone, 1493-1577, Physician of Ravenna [obverse] — Alessandro Vittoria · National Gallery of Art
- 1552/1558Virtue Crowning an Ox [reverse] — Alessandro Vittoria · National Gallery of Art
- c. 1556/1558Tommaso Rangone, 1493-1577, Physician of Ravenna [obverse] — Alessandro Vittoria · National Gallery of Art
- c. 1556/1558Apollo Placing a Wreath on a Lion [reverse] — Alessandro Vittoria · National Gallery of Art
- 1570/1580A Gentleman of the Zorzi Family — Alessandro Vittoria · National Gallery of Art
- 1570/1580A Lady of the Zorzi Family — Alessandro Vittoria · National Gallery of Art
- c. 1560Minerva — Alessandro Vittoria · National Gallery of Art
- 1565/1570Saint Jerome — Alessandro Vittoria · National Gallery of Art
- 1660Stilleven met vis — Alexander Adriaenssen · Rijksmuseum
- 1632Stilleven met gevogelte — Alexander Adriaenssen · Rijksmuseum
- 1927The City Fettering Nature — Alexander Blazys · Cleveland Museum of Art
- 1925Russian Dancer — Alexander Blazys · Cleveland Museum of Art
- 1925Balalaika Player — Alexander Blazys · Cleveland Museum of Art
- 1630 - 1660Elisabeth Stuart (1596-1662). Weduwe van Frederik V, keurvorst van de Palts, koning van Bohemen — Alexander Cooper · Rijksmuseum
- 1640 - 1650Portrait of Elizabeth (1618-80), Countess Palatine. Daughter of Frederik V, King of Bohemia, called the 'Winter King' — Alexander Cooper · Rijksmuseum
- ca. 1770Coastal Landscape — Alexander Cozens · The Metropolitan Museum of Art
- 1770–86Landscape with Riverbed and Mountains — Alexander Cozens · The Metropolitan Museum of Art
- 1750–86A blot-lake with boat, surrounded by trees — Alexander Cozens · The Metropolitan Museum of Art
- ca. 1762Ruined Castle and Trees — Alexander Cozens · The Metropolitan Museum of Art
- 1755–65Figure in a classical landscape — Alexander Cozens · The Metropolitan Museum of Art
- c. 1759An Extensive River Landscape — Alexander Cozens · National Gallery of Art
- c. 1770Mountain Landscape with a Hollow — Alexander Cozens · National Gallery of Art
- 1856/92River Stream with Mountains in the Distance — Alexander Helwig Wyant · Art Institute of Chicago
- c. 1872Peaceful Valley — Alexander Helwig Wyant · National Gallery of Art
- 1865Miami and Ohio Rivers — Alexander Helwig Wyant · National Gallery of Art
- ca. 1829Façade Design and Old Plan for the First Merchant's Exchange, New York (unexecuted; front elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- probably 1826First Merchant's Exchange, New York (plan of main floor) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1831Unexecuted Design for Cross-Block Terrace Development (perspective) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 19th centurySyllabus Row, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1853Front Door for Whitby, William P. Chapman House, Rye, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1853–55Design for window tracery for Chapman - full size — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1835–92Designs for House of L. M. Davenport, New Rochelle, in the Tuscan Style (ground plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1838–39Design for University of Michigan (elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1838Design for University of Michigan (elevation and plan of building and grounds) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1838Design Adopted by Governor Mason for University of Michigan (elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1870–79Shore Seat for Montgomery Place, Annandale-on-Hudson, New York (elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1853Turret top for Whitby, William P. Chapman House, Rye, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1851Samuel F. B. Morse House, Poughkeepsie, New York (perspective and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1845House for William J. Rotch, New Bedford, Massachusetts (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1838Knoll for William and Philip R. Paulding, Tarrytown (south and east [front] elevations) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1838Study for a Library (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1843Study for the Astor Library, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1834–35American Institute, New York City (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1832Church of the French Protestants (Eglise Français du Saint Esprit), New York (front elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1831–34Church of the French Protestants (Eglise Français du Saint Esprit), New York (section and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1833University of the City of New York, Washington Square (facade of main building) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1836House for William C. Rhinelander, No. 1 Fifth Avenue, New York (front elevation and partial section, project) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1826City Hall Park, New York — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1834Villa for Robert Donaldson, Fishkill Landing, New York (perspective and plans) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1835Lyceum of Natural History, New York (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1865Lyndhurst for George Merritt, Tarrytown, New York (west [rear] elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1832Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1843Design for a Double Townhouse (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1854Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1845Belmead, Virginia, for Philip St. George Cocke (plan of principle floor) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1845"Belmead", James River, Virginia, Residence of Philip St. George Cocke (vignette of riverside elevation and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1825–38Two Plans for an Unidentified House — Alexander Jackson Davis · The Metropolitan Museum of Art
- n.d.Design for a University (entrance façade and plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1850–58University of North Carolina, Chapel Hill, Student Libraries (two sections) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1856House for R. Dabney, Powhatan, Virginia (front elevation) — Alexander Jackson Davis · The Metropolitan Museum of Art
- June 18, 1858House for R. Dabney, Powhatan, Virginia (plan of principal floor) — Alexander Jackson Davis · The Metropolitan Museum of Art
- June 18, 1858House of R. Dabney, Powhatan, Virginia (long section) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1858House of R. Dabney, Powhatan, Virginia (north [rear] side) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1835Villa for David Codwise, near New Rochelle, NY (project; elevation and four plans) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1836House for Henry Whitney, New Haven, Connecticut (revised plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- 1835House for Henry Whitney, New Haven, Connecticut (client's plan) — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1839First Premium Design for the Capitol of Ohio at Columbus by Walter of Cincinnati — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1839Plan by T. Cole, Esq. for the Capitol of Ohio — Alexander Jackson Davis · The Metropolitan Museum of Art
- ca. 1850Design for Small Gothic Cottage, Design IV from The Architecture of Country Houses — Alexander Jackson Davis · The Metropolitan Museum of Art
How Artmetria works with sources and evidence is set out in the methodology.