Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
1,001–1,200 of 13,187 records
- 1862A Shell in the Trenches before Richmond [recto] — Winslow Homer · National Gallery of Art
- c. 1866Harvesting, New England — Aaron Draper Shattuck · National Gallery of Art
- 1859Cherry Lake, White Mountains — Aaron Draper Shattuck · National Gallery of Art
- 1866Simsbury, Connecticut — Aaron Draper Shattuck · National Gallery of Art
- 1861Maine Coast — Aaron Draper Shattuck · National Gallery of Art
- 1858Stowe, Vermont — Aaron Draper Shattuck · National Gallery of Art
- 1918Self-Portrait — Abbott Handerson Thayer · Cleveland Museum of Art
- c. 1890Hebe — Abbott Handerson Thayer · Cleveland Museum of Art
- probably 1911/1914Mount Monadnock — Abbott Handerson Thayer · National Gallery of Art
- 1919Self-Portrait — Abbott Handerson Thayer · National Gallery of Art
- 1595/1605Study of the Head of a Bearded Man — Abraham Bloemaert · Art Institute of Chicago
- 1645–51Study of a Nude Man — Abraham Bloemaert · Art Institute of Chicago
- 1625/30Saint Willibrord — Abraham Bloemaert · Art Institute of Chicago
- 1601The Circumcision — Abraham Bloemaert · Art Institute of Chicago
- n.d.Roman Soldiers Stoning a Serpent — Abraham Bloemaert · Art Institute of Chicago
- c. 1600Peasant's Cottage (recto); Bridge and Gate (verso) — Abraham Bloemaert · Cleveland Museum of Art
- c. 1600Peasant's Cottage (recto) — Abraham Bloemaert · Cleveland Museum of Art
- c. 1600Bridge and Gate (verso) — Abraham Bloemaert · Cleveland Museum of Art
- c. 1610–15A Barnyard with Goats and a Goatherd — Abraham Bloemaert · Cleveland Museum of Art
- c. 1590Charity — Abraham Bloemaert · Cleveland Museum of Art
- 1600–1650Two Female Heads — Abraham Bloemaert · Cleveland Museum of Art
- late 16th–mid-17th centuryEcce Homo — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centuryChrist and the Canaanite Women — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centuryKneeling Female Figure with Upraised Arms — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centuryStudies of Two Pollard Willows; Verso: Wide Landscape Prospect — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centuryStudy of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centuryStudy of a Headless Draped Figure with Arms Crossed; verso: Figure of a Man in a Voluminous robe, Seen from Behind — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centurySaint John Preaching in the Wilderness — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centuryThe Judgment of Paris — Abraham Bloemaert · The Metropolitan Museum of Art
- late 16th–mid-17th centuryA Farm Building (recto); Head of a Woman and Slight Sketch of Woman Holding a Child (verso) — Abraham Bloemaert · The Metropolitan Museum of Art
- 1596Moses Striking the Rock — Abraham Bloemaert · The Metropolitan Museum of Art
- 1620-25Three Studies of a Woman (recto); Woman from the Back, Study of Legs (verso) — Abraham Bloemaert · The Metropolitan Museum of Art
- ca. 1617-25Design for a frontispiece — Abraham Bloemaert · The Metropolitan Museum of Art
- 1625/1628Head of an Old Man — Abraham Bloemaert · National Gallery of Art
- c. 1620 - 1630Seated Bishop — Abraham Bloemaert · National Gallery of Art
- 1606Ritual Washing of the Israelites — Abraham Bloemaert · National Gallery of Art
- c. 1620Landscape with Seated Figure and Dog — Abraham Bloemaert · National Gallery of Art
- —The Virgin in Glory — Abraham Bloemaert · National Gallery of Art
- c. 1610 - 1620Studies of Legs and Drapery [recto] — Abraham Bloemaert · National Gallery of Art
- c. 1620 - 1630Studies of Hands and Bending Figures [verso] — Abraham Bloemaert · National Gallery of Art
- c. 1590 - 1593Acis and Galatea — Abraham Bloemaert · National Gallery of Art
- 1632Rust op de vlucht naar Egypte — Abraham Bloemaert · Rijksmuseum
- 1600 - 1651Landschap met groenten en vruchten op de voorgrond — Abraham Bloemaert · Rijksmuseum
- —Pomegranates and Other Fruit in a Landscape — Abraham Brueghel · The Metropolitan Museum of Art
- 1670Bunches of Grapes, Pomegranates and Figs in a Landscape — Abraham Brueghel · Rijksmuseum
- 17th centuryCanal Landscape with Figures — Abraham de Verwer · The Metropolitan Museum of Art
- c. 1650View of Hoorn — Abraham de Verwer · National Gallery of Art
- 1621De slag op de Zuiderzee, 6 oktober 1573 — Abraham de Verwer · Rijksmuseum
- n.d.River Landscape with Two Figures in Foreground, Castle in Distance — Abraham Genoels II · Art Institute of Chicago
- 17th–early 18th centuryClassical Landscape with a Building and a River — Abraham Genoels II · The Metropolitan Museum of Art
- c. 1718Landscape with a Natural Arch — Abraham Genoels II · National Gallery of Art
- 1660 - 1679Stilleven met vruchten en een puttertje — Abraham Mignon · Rijksmuseum
- 1660 - 1679The Overturned Bouquet — Abraham Mignon · Rijksmuseum
- ca. 1660 - ca. 1679Stilleven met bloemen en een horloge — Abraham Mignon · Rijksmuseum
- 1660 - 1679Stilleven met vruchten en bokaal op hanenpoot — Abraham Mignon · Rijksmuseum
- 1660 - 1679Stilleven met vruchten en oesters — Abraham Mignon · Rijksmuseum
- 1654 - 1708The Roads of Enkhuizen — Abraham Storck · Rijksmuseum
- 1654 - 1708Walvisvangst in de Poolzee — Abraham Storck · Rijksmuseum
- 1660 - 1722Ruitergevecht — Abraham van Calraet · Rijksmuseum
- 1660 - 1722Cattle — Abraham van Calraet · Rijksmuseum
- n.d.Winter Landscape with Skaters and Sledges on the Ice, a Bridge and a Mill behind — Abraham van Strij · The Metropolitan Museum of Art
- early 19th centuryParents Teaching Their Daughter a Song — Abraham van Strij · The Metropolitan Museum of Art
- 1814Landscape with Castle and Shepherds — Achille Etna Michallon · Cleveland Museum of Art
- c. 1817–20View of St. Peters, Rome — Achille Etna Michallon · Cleveland Museum of Art
- late 16th–early 17th centurySeated Young Woman — Adam Elsheimer · The Metropolitan Museum of Art
- late 16th–early 17th centuryA Temple in a Courtyard (Pool of Bethesda) — Adam Elsheimer · The Metropolitan Museum of Art
- 1605/1608Ceres Changes Stellio into a Lizard — Adam Elsheimer · National Gallery of Art
- n.d.Landscape with Fisherman in Lake — Adam Pynacker · Art Institute of Chicago
- late 1640sWooded Landscape with Travelers — Adam Pynacker · National Gallery of Art
- late 16th–mid 17th centuryJacob Blessing his Sons — Adam van Noort · The Metropolitan Museum of Art
- n.d.Landscape with Lovers and Hunters — Adam van Noort · The Metropolitan Museum of Art
- n.d.Fisherfolk Hauling their Boat onto the Shore — Adam Willaerts · The Metropolitan Museum of Art
- c. 1615 - c. 1630Battle for the Gold Staff (Dominion of the World) — Adam Willaerts · Rijksmuseum
- 1887Standard Club, Chicago, Illinois, Revised Elevation and Details — Adler and Sullivan · Art Institute of Chicago
- 1888Standard Club, Chicago, Illinois, Mantel Details — Adler and Sullivan · Art Institute of Chicago
- 1887/88Standard Club, Chicago, Illinois, Mosaic Floor for Vestibule and Main Hall — Adler and Sullivan · Art Institute of Chicago
- 1892Addition and Alterations, Standard Club , Chicago, Illinois, Details — Adler and Sullivan · Art Institute of Chicago
- 1889/90Hebrew Manual Training School, Chicago, Illinois, East Elevation — Adler and Sullivan · Art Institute of Chicago
- 1889/90Hebrew Manual Training School, Chicago, Illinois, Front Elevation — Adler and Sullivan · Art Institute of Chicago
- 1889/90Hebrew Manual Training School, Chicago, Illinois, First Story Plan — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Lobby Details — Adler and Sullivan · Art Institute of Chicago
- 1886Oakland Avenue Railroad Station, Chicago, Illinois, First Floor Plan — Adler and Sullivan · Art Institute of Chicago
- 1886Oakland Avenue Railroad Station, Chicago, Illinois, East Elevation — Adler and Sullivan · Art Institute of Chicago
- 1892Victoria Hotel, Chicago Heights, Illinois, Front Elevation — Adler and Sullivan · Art Institute of Chicago
- 1892Victoria Hotel, Chicago Heights, Illinois, West Elevation — Adler and Sullivan · Art Institute of Chicago
- 1892Victoria Hotel, Chicago Heights, Illinois, Second Floor Plan — Adler and Sullivan · Art Institute of Chicago
- 1886Illinois Central Railroad, Oakland Avenue Passenger Station, Chicago, Illinois, South Elevation — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Plaster Arch Details — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Plaster Details for Retiring Rooms — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Plaster Details with Electric Lights — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Plaster Details for Vestibule Arch — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Plaster Details for Balcony — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Ornamental Plaster Work, Pilaster Details — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Plaster Details for Balcony — Adler and Sullivan · Art Institute of Chicago
- c. 1887Auditorium Building, Chicago, Illinois, Plaster Details for Gallery — Adler and Sullivan · Art Institute of Chicago
- 1828Study of Hibiscus Plants — Adolf Senff · The Metropolitan Museum of Art
- 1834Portrait of a Young Man — Adolf Senff · The Metropolitan Museum of Art
- 1869The Choirstalls in the Mainz Cathedral — Adolph Menzel · The Metropolitan Museum of Art
- ca. 1880–90View into a Courtyard — Adolph Menzel · The Metropolitan Museum of Art
- 1862Pond at the Edge of the Wood — Adolphe Appian · Art Institute of Chicago
- 1860sWell at the Side of a Road — Adolphe Appian · Cleveland Museum of Art
- 1868Three Fishermen Along the Banks of a River at the Edge of a Forest — Adolphe Appian · Cleveland Museum of Art
- c. 1840A Great Beech Tree at the Edge of a Wood — Adolphe Appian · National Gallery of Art
- 1860sInterior of a Forge (recto) / Yard with a Pigsty (verso) — Adolphe Appian · National Gallery of Art
- 1870sA Rider by a Mountain Pond at Sunset — Adolphe Appian · National Gallery of Art
- 1861Wooded Pond by the Ancient Sluice of Levaux near Vienne — Adolphe Appian · National Gallery of Art
- —A Woodland River with a Fisherman — Adolphe Appian · National Gallery of Art
- 1873The Port of Monaco — Adolphe Appian · National Gallery of Art
- 1870 - 1886Christus zegent de kinderen — Adolphe Joseph Thomas Monticelli · Rijksmuseum
- 1870 - 1880Kustgebergte — Adolphe Joseph Thomas Monticelli · Rijksmuseum
- 1870 - 1886Aan het altaar — Adolphe Joseph Thomas Monticelli · Rijksmuseum
- 1870 - 1886Vrouwen in een bos — Adolphe Joseph Thomas Monticelli · Rijksmuseum
- ca. 1870 - ca. 1886Figures near a Fountain — Adolphe Joseph Thomas Monticelli · Rijksmuseum
- 1912Séquestré — Adolphe Léon Willette · National Gallery of Art
- 1912Hein! Pas très blancs tes dessous... (Hmm! Your Underwear Isn't Very White) — Adolphe Léon Willette · National Gallery of Art
- c. 1867–1869Autumn — Adolphe Monticelli · Cleveland Museum of Art
- c. 1853–1857 or c. 1862A Woodland Fête — Adolphe Monticelli · Cleveland Museum of Art
- c. 1875–1881The Kitchen of the Rôtisserie des Deux Paons — Adolphe Monticelli · Cleveland Museum of Art
- not datedFigures on a Terrace — Adolphe Monticelli · Cleveland Museum of Art
- c. 1857–1862Figures in the Woods — Adolphe Monticelli · Cleveland Museum of Art
- —The Court of the Princess — Adolphe Monticelli · The Metropolitan Museum of Art
- 1879–1883Flowers in a Blue Vase — Adolphe Monticelli · The Metropolitan Museum of Art
- —Four Figures — Adolphe Monticelli · The Metropolitan Museum of Art
- 1860/1861Return from the Hunt — Adolphe Monticelli · National Gallery of Art
- 1796Morning Visit — Adriaan de Lelie · Rijksmuseum
- 1804Jonkheer Gysbert Carel Rutger Reinier van Brienen van Ramerus(1771-1821), with his Wife and four of their Children — Adriaan de Lelie · Rijksmuseum
- 1813Barend Klijn Barendsz (1774-1829). Dichter — Adriaan de Lelie · Rijksmuseum
- 1814 - 1820Portrait of Gerrit Verdooren (1757-1824), Vice-admiral — Adriaan de Lelie · Rijksmuseum
- 1814 - 1820Portret van Wilhelmina Maria Haack (1786-1857). Vierde echtgenote van Gerrit Verdooren — Adriaan de Lelie · Rijksmuseum
- 1780 - 1806Portrait of Jan Nieuwenhuyzen — Adriaan de Lelie · Rijksmuseum
- 1794 - 1795The Art Gallery of Jan Gildemeester Jansz — Adriaan de Lelie · Rijksmuseum
- c. 1790 - c. 1799The Art Gallery of Josephus Augustinus Brentano (1752-1821) in his House on the Herengracht, Amsterdam — Adriaan de Lelie · Rijksmuseum
- 1790Portret van Hendrick de Hartog — Adriaan de Lelie · Rijksmuseum
- in of na 1800Portret van Jan de Bosch (1737-1823) en Margaretha Kroon (1741-1824) — Adriaan de Lelie · Rijksmuseum
- 1806 - 1809The Sculpture Gallery of the Felix Meritis Society — Adriaan de Lelie · Rijksmuseum
- 1671Portrait of Daniel Niellius. Elder of the Remonstrant Church and Sampling Official of Alkmaar — Adriaen Backer · Rijksmuseum
- 1683The Superintendents of the Collegium Medicum in Amsterdam, 1683 — Adriaen Backer · Rijksmuseum
- ca. 1625 - ca. 1630Poor Folk Drinking in a Tavern — Adriaen Brouwer · Rijksmuseum
- c. 1628 - c. 1630Card Fight outside a Country Tavern — Adriaen Brouwer · Rijksmuseum
- 1701Gooseberries on a Table — Adriaen Coorte · Cleveland Museum of Art
- 1696Still Life with Asparagus and Red Currants — Adriaen Coorte · National Gallery of Art
- 1687Still Life with a Hanging Bunch of Grapes, Two Medlars, and a Butterfly — Adriaen Coorte · National Gallery of Art
- 1696Een testje aardbeien op een stenen plint — Adriaen Coorte · Rijksmuseum
- 1698Vier abrikozen op een stenen plint — Adriaen Coorte · Rijksmuseum
- 1699Een takje kruisbessen op een stenen plint — Adriaen Coorte · Rijksmuseum
- 1705Drie perziken op een stenen plint — Adriaen Coorte · Rijksmuseum
- 1698Schelpen op een stenen plint — Adriaen Coorte · Rijksmuseum
- c. 1696Jager met honden aan bosrand — Adriaen Cornelisz Beeldemaker · Rijksmuseum
- 1653The Hunter — Adriaen Cornelisz Beeldemaker · Rijksmuseum
- ca. 1653Portrait of a Woman — Adriaen Hanneman · The Metropolitan Museum of Art
- c. 1653Henry, Duke of Gloucester — Adriaen Hanneman · National Gallery of Art
- 1656Self-Portrait — Adriaen Hanneman · Rijksmuseum
- 1658Portret van Cornelis van Aerssen (1600/02-1662), Heer van Sommelsdijk — Adriaen Hanneman · Rijksmuseum
- n.d.Study of a Male Nude — Adriaen van de Velde · Art Institute of Chicago
- 1663Sleeping Shepherds — Adriaen van de Velde · Cleveland Museum of Art
- c. 1671Seated Woman Searching for Fleas — Adriaen van de Velde · Cleveland Museum of Art
- mid-17th centuryA Sleeping Swine — Adriaen van de Velde · The Metropolitan Museum of Art
- mid-17th centuryA Donkey — Adriaen van de Velde · The Metropolitan Museum of Art
- mid-17th centuryA Young Girl Walking to the Left — Adriaen van de Velde · The Metropolitan Museum of Art
- mid-17th centuryPeasants with Cattle and Sheep — Adriaen van de Velde · The Metropolitan Museum of Art
- ca. 1660 - ca. 1672The Stone Bridge — Adriaen van de Velde · Rijksmuseum
- 1660 - 1672De ophaalbrug — Adriaen van de Velde · Rijksmuseum
- 1667The Annunciation to the Virgin — Adriaen van de Velde · Rijksmuseum
- 1666Het ponteveer — Adriaen van de Velde · Rijksmuseum
- 1671The Hut — Adriaen van de Velde · Rijksmuseum
- 1660 - 1672Hilly Landscape with a High Road — Adriaen van de Velde · Rijksmuseum
- 1660 - 1672De Sankt Severin te Keulen opgenomen in een gefantaseerd stadsbeeld — Adriaen van de Velde · Rijksmuseum
- 1667Portrait of a Couple with Two Children and a Nursemaid in a Landscape — Adriaen van de Velde · Rijksmuseum
- 1669The Hunting Party — Adriaen van de Velde · Rijksmuseum
- 1663Mountainous Landscape with Cows — Adriaen van de Velde · Rijksmuseum
- ca. 1632 (?)To Each His Own Pastime (Elck Sijn Tijt-Verdrijff) — Adriaen van de Venne · The Metropolitan Museum of Art
- 17th centuryAbdijplein of Middelburg — Adriaen van de Venne · The Metropolitan Museum of Art
- ca. 1647 - ca. 1650The Painter’s Studio — Adriaen van Ostade · Rijksmuseum
- ca. 1648Een bakker blazend op zijn hoorn — Adriaen van Ostade · Rijksmuseum
- c. 1648 - c. 1655Portrait of a Boy — Adriaen van Ostade · Rijksmuseum
- 1872Genoveva — Adrian Ludwig Richter · The Metropolitan Museum of Art
- 1872Rübezahl — Adrian Ludwig Richter · The Metropolitan Museum of Art
- 1820–84Three Women and a Child on a Roof — Adrian Ludwig Richter · The Metropolitan Museum of Art
- 1820–84Two Designs for Illustration — Adrian Ludwig Richter · The Metropolitan Museum of Art
- 1820–84View of Milan — Adrian Ludwig Richter · The Metropolitan Museum of Art
- 1820–84Landscape with Mill and Buildings — Adrian Ludwig Richter · The Metropolitan Museum of Art
- 1820–84Three Designs for Book Illustrations — Adrian Ludwig Richter · The Metropolitan Museum of Art
- c. 1824The Sabine Hills and Rocca Santo Stefano Seen from Civitella — Adrian Ludwig Richter · National Gallery of Art
- c. 1495/1499Elisabetta Gonzaga, died 1528, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse] — Adriano Fiorentino · National Gallery of Art
- c. 1495/1499Female Figure Holding a Bridle [reverse] — Adriano Fiorentino · National Gallery of Art
- 1494 or beforeFerdinand II of Aragon, died 1496, Prince of Capua and King of Naples 1495 [obverse] — Adriano Fiorentino · National Gallery of Art
- 1494 or beforeFelicitas Seated, Holding Ears of Corn and Waving Cornucopiae [reverse] — Adriano Fiorentino · National Gallery of Art
- 1495/1496Ferdinand II of Aragon, died 1496, Prince of Capua and King of Naples 1495 [obverse] — Adriano Fiorentino · National Gallery of Art
- 1495/1496Janiform Head [reverse] — Adriano Fiorentino · National Gallery of Art
- 1488 or afterGiovanni Gioviano Pontano, 1426-1503, Poet [obverse] — Adriano Fiorentino · National Gallery of Art
- 1488 or afterUrania Holding a Globe and Lyre [reverse] — Adriano Fiorentino · National Gallery of Art
- c. 1495/1499Elisabetta Gonzaga, died 1526, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse] — Adriano Fiorentino · National Gallery of Art
- c. 1495/1499Female Figure Holding a Bridle [reverse] — Adriano Fiorentino · National Gallery of Art
- probably 1488/1499Portrait of a Boy — Adriano Fiorentino · National Gallery of Art
- c. 1597Le Villaige de Monceaulx — Adrien Montigny · National Gallery of Art
- c. 1597Le Villaige de Brimeu — Adrien Montigny · National Gallery of Art
- c. 1610The Peasant Who Blew Hot and Cold (copy after Aegidius Sadeler) — Aegidius Sadeler · Cleveland Museum of Art
- ca. 1595–1605Anagram in Honor of Charles III, Duke of Lorraine and Bar — Aegidius Sadeler II · The Metropolitan Museum of Art
- c. 1620The Martyrdom of Saint Sebastian — Aegidius Sadeler II · National Gallery of Art
- c. 1660Jacob Shown Joseph’s Blood-Stained Coat — Aert de Gelder · Art Institute of Chicago
How Artmetria works with sources and evidence is set out in the methodology.