Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
401–600 of 13,187 records
- 1926Lemons on a Pewter Plate — Henri Matisse · Art Institute of Chicago
- 1944Young Woman before a Table — Henri Matisse · Art Institute of Chicago
- c. 1918Woman with a Shawl, in a Garden — Henri Matisse · Art Institute of Chicago
- 1939Girl in Yellow and Blue with Guitar — Henri Matisse · Art Institute of Chicago
- April 1939Study of a Woman — Henri Matisse · Art Institute of Chicago
- 1919 or 1920Interior at Nice — Henri Matisse · Art Institute of Chicago
- August 1909Seated Female Nude, Holding One Knee, with Sketch of a Foot — Henri Matisse · Art Institute of Chicago
- April 28, 1920Portrait of Léonide Massine — Henri Matisse · Art Institute of Chicago
- July 1947Head — Henri Matisse · Art Institute of Chicago
- c. 1926Seated Woman with Full-Skirted Dress — Henri Matisse · Art Institute of Chicago
- 1916Apples — Henri Matisse · Art Institute of Chicago
- 1910Seated Female Nude, One Foot on a Stool — Henri Matisse · Art Institute of Chicago
- 1911/12Female Nude Lying Facedown on a Table — Henri Matisse · Art Institute of Chicago
- 1923/24Reclining Female Nude with Raised Knee — Henri Matisse · Art Institute of Chicago
- 1905Grounded Fishing Boat — Henri Matisse · Art Institute of Chicago
- n.d.Muscle — Henry Stacy Marks · Art Institute of Chicago
- 1849/98Two Sketches of Pheasant (recto); Sketch of Pheasants and Female Nude (verso) — Henry Stacy Marks · Art Institute of Chicago
- n.d.Woman Putting Her Foot into Water, with Small Sketch of Standing Woman — Henry Stacy Marks · Art Institute of Chicago
- n.d.Standing Woman in Profile — Henry Stacy Marks · Art Institute of Chicago
- n.d.Standing Man Smoking a Pipe, Seen from Behind — Henry Stacy Marks · Art Institute of Chicago
- n.d.Woman Reclining — Henry Stacy Marks · Art Institute of Chicago
- 1872Welcombe — Henry Stacy Marks · Art Institute of Chicago
- n.d.Unfinished Sketch of Seated Man — Henry Stacy Marks · Art Institute of Chicago
- n.d.Unfinished Sketch of Man in Tunic — Henry Stacy Marks · Art Institute of Chicago
- n.d.Woman in Loose Gown on Chair — Henry Stacy Marks · Art Institute of Chicago
- n.d.Seated Woman Leaning on Pillows — Henry Stacy Marks · Art Institute of Chicago
- n.d.Two Sketches of Standing Laborer — Henry Stacy Marks · Art Institute of Chicago
- n.d.Woman Seated on a Tabouret — Henry Stacy Marks · Art Institute of Chicago
- c. 1890Sleeping Man — Henry Stacy Marks · Art Institute of Chicago
- n.d.Man on Horseback — Henry Stacy Marks · Art Institute of Chicago
- n.d.Landscape with Bridge — Henry Stacy Marks · Art Institute of Chicago
- n.d.Churchyard — Henry Stacy Marks · Art Institute of Chicago
- n.d.Figures in Procession — Henry Stacy Marks · Art Institute of Chicago
- n.d.Three Sketches of Pelicans — Henry Stacy Marks · Art Institute of Chicago
- n.d.Barn and Bridge — Henry Stacy Marks · Art Institute of Chicago
- third quarter 1800sSheet of Studies with a Group of Four Figures to the Right (recto) Sketches of Various Figures (verso) — Honoré Daumier · Cleveland Museum of Art
- 19th centuryTwo Male Heads — Honoré Daumier · The Metropolitan Museum of Art
- —Man Carrying a Sack — Honoré Daumier · National Gallery of Art
- after 1863-before 1873At the Gallery Drouot — Honoré Daumier · National Gallery of Art
- 1855/1857In Church — Honoré Daumier · National Gallery of Art
- model c. 1832/1835, cast 1929/1930Félix Barthe — Honoré Daumier · National Gallery of Art
- model c. 1832/1835, cast 1929/1930Jean-Pons-Guillaume Viennet — Honoré Daumier · National Gallery of Art
- model c. 1832/1835, cast 1929/1940Jean-Auguste Chevandier de Valdrome — Honoré Daumier · National Gallery of Art
- model c. 1832/1835, cast 1929/1950Antoine-Maurice-Apollinaire, Comte D'Argout — Honoré Daumier · National Gallery of Art
- model c. 1832/1835, cast 1929/1950Marthe-Camille Bachasson, Comte de Montalivet — Honoré Daumier · National Gallery of Art
- model c. 1832/1835, cast 1929/1950Auguste Gady — Honoré Daumier · National Gallery of Art
- —Old Woman Seated — Honoré Daumier · National Gallery of Art
- —Study of a Man — Honoré Daumier · National Gallery of Art
- —The Prodigal Son — Honoré Daumier · National Gallery of Art
- —The Grandmother — Honoré Daumier · National Gallery of Art
- —Head of a Man — Honoré Daumier · National Gallery of Art
- —Head of a Man — Honoré Daumier · National Gallery of Art
- —Head of a Man — Honoré Daumier · National Gallery of Art
- —Head of a Man — Honoré Daumier · National Gallery of Art
- c. 1857The Reading — Honoré Daumier · Rijksmuseum
- 1922Catherine and Jessica Colvin House, Lake Forest, Illinois, West Elevation — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1924John T. McCutcheon Apartment, Chicago, Illinois, Design Notes — Howard Van Doren Shaw · Art Institute of Chicago
- 1922Phi Delta Theta Fraternity House, Champaign, Illinois, Perspective — Howard Van Doren Shaw · Art Institute of Chicago
- early 20th cen.Lake Forest Garden, Lake Forest, Illinois, Site Plan — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1900–1920W. D. Douglas Estate, Lake Minnetonka, Minnesota, Plot Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1922Oak Dresser, Working Drawing — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1908Recess for Chinese Statue for H.J. McBirney, Lake Forest, Illinois, Plan and Elevation — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1910/24Unidentified House, Sketch — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1920Apartment Building Design Proposal, Chicago, Illinois, Typical Floor Plan — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1920sC.T. Atkinson House, Lake Forest, Illinois, Gate Design — Howard Van Doren Shaw · Art Institute of Chicago
- 1909/10Peter Fortune, Residence: West Elevation — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1900Ragdale Signs, Lake Forest, Illinois, Designs — Howard Van Doren Shaw · Art Institute of Chicago
- 1914Clayton Mark House, Lake Forest, Illinois, Layout of Drive in Forecourt — Howard Van Doren Shaw · Art Institute of Chicago
- 1914Clayton Mark House, Lake Forest, Illinois, Basement Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1914Clayton Mark House, Lake Forest, Illinois, Roof and Attic Plan — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1930sFountain Plumbing Study — Howard Van Doren Shaw · Art Institute of Chicago
- N.d.Terrace Study, Plan — Howard Van Doren Shaw · Art Institute of Chicago
- 1897Ragdale House, Lake Forest, Illinois, Working Drawings — Howard Van Doren Shaw · Art Institute of Chicago
- c. 1770Arch of Constantine with Statue of Nero — Hubert Robert · Art Institute of Chicago
- c. 1765Fountain in the Park — Hubert Robert · Art Institute of Chicago
- c. 1769The Grotto of Posillipo — Hubert Robert · Cleveland Museum of Art
- 1794–95Visitors leaving a prison — Hubert Robert · The Metropolitan Museum of Art
- ca. 1780Figures in a Colonnade — Hubert Robert · The Metropolitan Museum of Art
- ca. 1761The Nymphaeum of the Villa di Papa Giulio, Rome — Hubert Robert · The Metropolitan Museum of Art
- ca. 1763Figures in One of Michelangelo's Niches on the Apse of St. Peter's, Rome — Hubert Robert · The Metropolitan Museum of Art
- ca. 1773Artist Sketching a Young Girl — Hubert Robert · The Metropolitan Museum of Art
- ca. 1756Capriccio with an Ancient Temple — Hubert Robert · The Metropolitan Museum of Art
- 1781 or laterA Roman Capriccio with the Pyramid of Gaius Cestius — Hubert Robert · National Gallery of Art
- c. 1763/1764A Roman Capriccio — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of a Female in a Toga — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Statue of a Roman Woman (Female Deity?) Seen from the Side [verso] — Hubert Robert · National Gallery of Art
- 1754/1765A Decorative Sculpture with a Woman Seen from Behind — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Bust of a Roman Woman and Statue of a Roman Man — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Two Statues of Male Nudes — Hubert Robert · National Gallery of Art
- probably c. 1754/1765Housetops behind a Wall — Hubert Robert · National Gallery of Art
- —Young Woman with Donkeys Riding under a Natural Bridge — Hubert Robert · National Gallery of Art
- 1760The Oval Fountain in the Gardens of the Villa d'Este, Tivoli — Hubert Robert · National Gallery of Art
- 1763Italian Park with a Tempietto — Hubert Robert · National Gallery of Art
- c. 1810Bust of a Man, Head Turned to Right — Jacques-Louis David · Art Institute of Chicago
- c. 1810Study for Distribution of Eagles, Prince Eugène de Beauharnais — Jacques-Louis David · Art Institute of Chicago
- c. 1791 or 1816–1820Head of an Old Man in Profile — Jacques-Louis David · Art Institute of Chicago
- c. 1810Study for "The Distribution of the Eagles" — Jacques-Louis David · Art Institute of Chicago
- 1785/86The Departure of Marcus Attilius Regulus for Carthage — Jacques-Louis David · Art Institute of Chicago
- 1775/80Socrates and Diotime — Jacques-Louis David · National Gallery of Art
- 1775/80A River God and Two Classical Sculptures — Jacques-Louis David · National Gallery of Art
- 1775/80Classical Sculpture of a Pensive Woman — Jacques-Louis David · National Gallery of Art
- 1775/80Classical Sculpture of a Woman with an Outstretched Arm — Jacques-Louis David · National Gallery of Art
- 1775/80Leucothea, Side View — Jacques-Louis David · National Gallery of Art
- 1775/80Roman Buildings on a Hill — Jacques-Louis David · National Gallery of Art
- 1775/80Comic Warrior, Seated Woman, and Figure with a Shield — Jacques-Louis David · National Gallery of Art
- 1775/80Warriors with Victims, and Other Classical Subjects — Jacques-Louis David · National Gallery of Art
- 1775/80Women at an Altar — Jacques-Louis David · National Gallery of Art
- 1775/80Two Figures with a Mirror — Jacques-Louis David · National Gallery of Art
- 1775/80Round Pitcher — Jacques-Louis David · National Gallery of Art
- 1775/80Woman with Tambourines — Jacques-Louis David · National Gallery of Art
- 1775/80Man with a Cornucopia and Seated Woman — Jacques-Louis David · National Gallery of Art
- —Roman Statue of a Standing Woman — Jacques-Louis David · National Gallery of Art
- c. 1879Study for "The Blue Girl: Portrait of Miss Elinor Leyland" — James McNeill Whistler · Art Institute of Chicago
- 1898/99Butterfly (recto); Fragment of Butterfly (verso) — James McNeill Whistler · Art Institute of Chicago
- 1898/99Butterfly "Encountered" (recto); Sketch for Tailpiece (verso) — James McNeill Whistler · Art Institute of Chicago
- 1883/1888Portrait of Miss Maud Franklin — James McNeill Whistler · Art Institute of Chicago
- 1898/99Butterfly with Checkered Wings — James McNeill Whistler · Art Institute of Chicago
- c. 1882Head of a Girl — James McNeill Whistler · Art Institute of Chicago
- c. 1872Standing Woman Holding Up Her Dress (verso) — James McNeill Whistler · Cleveland Museum of Art
- 1871/1874Nude Leaning on a Rail [recto] — James McNeill Whistler · National Gallery of Art
- 1880/1882Harper Pennington — James McNeill Whistler · National Gallery of Art
- 1882Miss Cumberlege — James McNeill Whistler · National Gallery of Art
- 1881Arrangement in Black - No.3 — James McNeill Whistler · National Gallery of Art
- c. 1896Alexander Arnold Hannay — James McNeill Whistler · National Gallery of Art
- c. 1896-1898Gold and Brown: Self-Portrait — James McNeill Whistler · National Gallery of Art
- c. 1885Violet [Note?]...The Return of the Fishing Boats — James McNeill Whistler · National Gallery of Art
- probably 1885Beach Scene — James McNeill Whistler · National Gallery of Art
- 1883/1884Village Shop, Chelsea — James McNeill Whistler · National Gallery of Art
- early 1700s?Perseus and Minerva before a Temple — Jan Goeree · Cleveland Museum of Art
- before 1704View of the Mons Testaceus (above) and the Pyramid of Cestius (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704Reconstruction of the Theatre of Marcellus (above) and a View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704Reconstruction of the Thermae Olympiadis (above) and View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of the Templum Pacis (above) and a View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704Ruins of the Forum of Nerva (above) and Another View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704Arch of Septimius Severus, Frontal Elevation (above) and Side View (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of the Mausoleum of Augustus (above) and a View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of the Temple of Divus Claudius in Monte Coelio (above) and a View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstuction of the Pantheon (above) and a View of its Appearance Around 1700 (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of the Temple of Antonious and Faustina (above) and a View of the Ruins (below) — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of a View of the Obelisk at the Entrance of the Via Flaminia — Jan Goeree · The Metropolitan Museum of Art
- before 1704View of the Ruins of the Palatine Hill — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of a Castle on the Viminal Hill at the Esqualine Gate — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of the Theatre of Pompey — Jan Goeree · The Metropolitan Museum of Art
- before 1704A Reconstruction of the Colosseum in Cross-Section — Jan Goeree · The Metropolitan Museum of Art
- before 1704Adumbration of Capitoline Hill — Jan Goeree · The Metropolitan Museum of Art
- 1696–1704Christ's Entry Into Jerusalem — Jan Goeree · The Metropolitan Museum of Art
- n.d.General of the First Empire Giving his Cavalry Orders to Charge — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1818/1819Seven Sketches of Pairs of Boxers — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1818/1819Seven Sketches of Pairs of Boxers or Wrestlers — Jean Louis André Théodore Géricault · Art Institute of Chicago
- c. 1818–1819Sketches for Military Compositions — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1818/19Study of a Horse Turning Its Head and Raising His Hind Leg — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1818/19Sketch of a Horse Facing Right and a Caricature in Profile — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1818/19Portrait of a Man — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1818/19Dog Standing in Dog House and Study of a Munitions Cart — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Sketches of Heads — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Sketches of A Cavalry Battle, Soldiers, and a Landscape — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Nine Sketches of a Young Woman in Fashionable Dress — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Studies of Blacksmiths and Horses — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Studies — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Sheet of Sketches: Greyhounds; A Male and a Female Head in — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Study of Napoleon on Horseback with Sketches of Nudes Among Rocks — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Sketches of a Cavalry Battle and Studies of a Draught Horse — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Six Sketches of a Chasseur Beside His Horse — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/1814Sketches for a Cavalry Battle and a Mounted Officer — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1813/14Sketches of a Cavalry Battle, Head, and Paws of a Greyhound — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1818/1819Napoleonic Army Coach with Sketches of Heads — Jean Louis André Théodore Géricault · Art Institute of Chicago
- 1915Marin Island — John Marin · Art Institute of Chicago
- 1915Sketch of Marin Island — John Marin · Art Institute of Chicago
- 1910Trees with Town in Distance — John Marin · Art Institute of Chicago
- c. 1944Self-Portrait — John Marin · Art Institute of Chicago
- c. 1921Untitled (Evergreen Tree, Maine) — John Marin · Art Institute of Chicago
- c. 1941Circus Horses — John Marin · Art Institute of Chicago
- 1895/1900Figure Studies — John Marin · Art Institute of Chicago
- 1895/1900Horse and Carriage — John Marin · Art Institute of Chicago
- 1895/1900Street Scene (Oyster Shop) — John Marin · Art Institute of Chicago
- 1910Street Scene — John Marin · Art Institute of Chicago
- 1908Mills and Footbridge, Meaux — John Marin · Art Institute of Chicago
- 1940sThe Bridge, New York — John Marin · Art Institute of Chicago
- c. 1917Sketch of Lower Manhattan — John Marin · Art Institute of Chicago
- 1914The Little Tree, Maine — John Marin · Art Institute of Chicago
- 1908A Rolling Sky, Paris, After Storm — John Marin · Art Institute of Chicago
- 1918Spring Rains — John Marin · Art Institute of Chicago
- 1919Tree and Sea, Maine — John Marin · Art Institute of Chicago
- 1929West Forty-Second Street from Ferryboat — John Marin · Art Institute of Chicago
- 1930Valley of the Hondo, New Mexico — John Marin · Art Institute of Chicago
- 1940Nudes in Sea — John Marin · Art Institute of Chicago
- 1898Portrait of Lisa Colt Curtis — John Singer Sargent · Cleveland Museum of Art
- 1902Peter A. B. Widener — John Singer Sargent · National Gallery of Art
- 1904/1905Sir Neville Wilkinson on the Steps of the Palladian Bridge at Wilton House — John Singer Sargent · National Gallery of Art
- 1911Simplon Pass — John Singer Sargent · National Gallery of Art
- 1875-1880Two Heads — John Singer Sargent · National Gallery of Art
- 1891-1916Studies for "Triumph of Religion" — John Singer Sargent · National Gallery of Art
- 1871Forest, Ramsau, Germany — John Singer Sargent · National Gallery of Art
- c. 1903-1916Study for "Triumph of Religion" — John Singer Sargent · National Gallery of Art
- 1920-1922Studies for "Entering the War" — John Singer Sargent · National Gallery of Art
- 1918Studies for "Entering the War" [recto] — John Singer Sargent · National Gallery of Art
- 1880Studies for "Fumee d'Ambre Gris" — John Singer Sargent · National Gallery of Art
- 1920-1922Studies of Generals Plumer and Haig for "General Officers of World War I" [recto] — John Singer Sargent · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.