Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
601–800 of 13,187 records
- c. 1890-1900Seated Woman — John Singer Sargent · National Gallery of Art
- 1918Studies for "Scots Grey" — John Singer Sargent · National Gallery of Art
- c. 1921Study for "Astronomy" — John Singer Sargent · National Gallery of Art
- 1918-1919Studies for "Gassed" [recto] — John Singer Sargent · National Gallery of Art
- 1869Mountains [verso] — John Singer Sargent · National Gallery of Art
- 1918Devastated Landscape [verso] — John Singer Sargent · National Gallery of Art
- 1918Devastated Trees [verso] — John Singer Sargent · National Gallery of Art
- 1904/1907Gondola Moorings on the Grand Canal — John Singer Sargent · National Gallery of Art
- 1898Manila-Gate to a Villa — John Tinney McCutcheon · Art Institute of Chicago
- 1898Carrying Shells: Just Before the Battle of Manila — John Tinney McCutcheon · Art Institute of Chicago
- 1904Now Look Out for Another French Revolution — John Tinney McCutcheon · Art Institute of Chicago
- 1905Some of the Teamsters Were Not on Strike Yesterday — John Tinney McCutcheon · Art Institute of Chicago
- 1905Harriman and Hyde — John Tinney McCutcheon · Art Institute of Chicago
- 1907If the Next Thaw Jury is Composed of People Who Have Not — John Tinney McCutcheon · Art Institute of Chicago
- 1909William Shows His Uncle Ed the Sights — John Tinney McCutcheon · Art Institute of Chicago
- 1909Good Bye and Good Luck — John Tinney McCutcheon · Art Institute of Chicago
- 1910Of Course There's a Santy! — John Tinney McCutcheon · Art Institute of Chicago
- 1914/15Rounded Up in the Square at Beament — John Tinney McCutcheon · Art Institute of Chicago
- 1916World Wars are No Respectors of Neutral Toes — John Tinney McCutcheon · Art Institute of Chicago
- 1918The Mother's Plea — John Tinney McCutcheon · Art Institute of Chicago
- 1920At the Great Frisco Tournament — John Tinney McCutcheon · Art Institute of Chicago
- 1920Leap Year! The Marion Man Accepts — John Tinney McCutcheon · Art Institute of Chicago
- 1923When the Bonds of Friendship are Strengthened — John Tinney McCutcheon · Art Institute of Chicago
- 1924If They Had Bobbed Their Hair — John Tinney McCutcheon · Art Institute of Chicago
- 1926/27Irvin Cobb — John Tinney McCutcheon · Art Institute of Chicago
- 1927Monday Morning in the Park — John Tinney McCutcheon · Art Institute of Chicago
- 1930He 'Takes Off' Tonight at Midnight — John Tinney McCutcheon · Art Institute of Chicago
- 1938The Pax American — John Tinney McCutcheon · Art Institute of Chicago
- c.1575/1590sPlate 15: Grayling Butterfly, Magpie Moth, and Two Chrysalides — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 29: Pink Rose and Rosebud — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 39: Eight Spiders — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 54: Hairy Dragonfly and Two Darters — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 57: A Ladybug, a Fly, and Four Other Insects — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 6: Two Views of a Mourning Cloak (Camberwell Beauty) Butterfly with a Comma Butterfly — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 71: Two Wasps and a Pill Bug — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 11: A Lioness with Two Lions in the Background — Joris Hoefnagel · National Gallery of Art
- 1580Plate 39: Three Puppies with a Crate and a Bunch of Grapes — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 46: Stone Marten, Chipmunk, and Moles with a Marigold and Lettuce — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 60: Four Small Snakes — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 19: A Damselfish and Other Fish, Including Two "Coracinis" — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 18: Heron and Stork — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 23: A Brandt's Cormorant with a Juvenile Crowned Night Heron — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 25: Great Spotted Woodpecker, Bullfinches, Sparrows, and Other Birds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 38: Merganser with Two Other Waterfowl and a Garland of Melons and Gourds — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 40: European Bee-Eater and Exotic Chicken — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 47: Shore Birds with a Perching Bird — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 49: Gulls with a Carob Tree and a Pistachio Tree(?) — Joris Hoefnagel · National Gallery of Art
- c.1575/1590sPlate 65: Thrushes and Other Birds — Joris Hoefnagel · National Gallery of Art
- 1840/41View of Lucerne — Joseph Mallord William Turner · Art Institute of Chicago
- c. 1832Sunset and Moonrise — Joseph Mallord William Turner · Art Institute of Chicago
- n.d.Gurnet's Head — Joseph Mallord William Turner · Art Institute of Chicago
- c. 1793Hereford Cathedral — Joseph Mallord William Turner · Cleveland Museum of Art
- after 1846Queen Mab's Cave — Joseph Mallord William Turner · Cleveland Museum of Art
- 1794–97Tivoli, Villa of Maecenas and part of the Cascatelle — Joseph Mallord William Turner · The Metropolitan Museum of Art
- 1836Chatel Argent and the Val d'Aosta from above Villeneuve — Joseph Mallord William Turner · The Metropolitan Museum of Art
- 1835–36The Fort of L'Esseillon, Val de la Maurienne, France — Joseph Mallord William Turner · The Metropolitan Museum of Art
- 1790–99Dark Prison (Carcere Oscura) — Joseph Mallord William Turner · The Metropolitan Museum of Art
- 1811Saltash with the Water Ferry, Cornwall — Joseph Mallord William Turner · The Metropolitan Museum of Art
- ca. 1796A landscape with an old oak (or beech) tree — Joseph Mallord William Turner · The Metropolitan Museum of Art
- 1827Mortlake Terrace — Joseph Mallord William Turner · National Gallery of Art
- 1834Venice: The Dogana and San Giorgio Maggiore — Joseph Mallord William Turner · National Gallery of Art
- 1840Oberwesel — Joseph Mallord William Turner · National Gallery of Art
- c. 1804Boats Carrying Out Anchors to the Dutch Men of War — Joseph Mallord William Turner · National Gallery of Art
- 1839The Rape of Proserpine — Joseph Mallord William Turner · National Gallery of Art
- c. 1843The Evening of the Deluge — Joseph Mallord William Turner · National Gallery of Art
- 1843The Dogana and Santa Maria della Salute, Venice — Joseph Mallord William Turner · National Gallery of Art
- 1744/1750The Round Temple on the Piazza Bocca della Verità, Rome — Joseph-Marie Vien · National Gallery of Art
- 1744/1750A Roman Street with Monte Cavo in the Distance — Joseph-Marie Vien · National Gallery of Art
- 1744/1750An Ancient Wall with a Ruined Gate — Joseph-Marie Vien · National Gallery of Art
- 1744/1750View across the Wall of an Italian Garden — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Ruins of the Temple of Venus and Rome in the Forum — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Roman Ruins with a Stand of Cypresses — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Roman Walls — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Loggia and Statuary in an Italian Garden — Joseph-Marie Vien · National Gallery of Art
- 1744/1750View of the Prato of the Villa Borghese — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Italian Farm Buildings by a Stream — Joseph-Marie Vien · National Gallery of Art
- 1744/1750A Building on a Hill with Saint Peter's in the Distance — Joseph-Marie Vien · National Gallery of Art
- 1744/1750A Fortified Town in Italy — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Trees — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Rooftops and Umbrella Pines — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Houses and a Garden on a Hillside in Italy — Joseph-Marie Vien · National Gallery of Art
- 1746/1749Houses on the North Side of the Forum with the Basilica of Maxentius Beyond — Joseph-Marie Vien · National Gallery of Art
- 1744/1750The Forno inside the Walls of the Vatican — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Houses beside a Road in Italy — Joseph-Marie Vien · National Gallery of Art
- 1744/1750Landscape in the Alban Hills — Joseph-Marie Vien · National Gallery of Art
- 1744/1750A Waterfall near a Hilltown in Italy — Joseph-Marie Vien · National Gallery of Art
- 1946Mr. and Mrs. Michael Buhai House, Glencoe, Illinois, Elevations — Lloyd Morgan Yost · Art Institute of Chicago
- 1955Maxon Coiffure, Kenilworth, Illinois, Presentation Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- c. 1946Western Homes, House No. IS-4, Highland Park, Illinois, Presentation Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- 1943–1944Small Homes Guide, Homes for Our Children, Plot and Floor Plan — Lloyd Morgan Yost · Art Institute of Chicago
- 1944Mr. & Mrs. L.R. Morse House, Winnetka, Illinois, View from Street — Lloyd Morgan Yost · Art Institute of Chicago
- 1943Small Homes Guide, Interior Studies with Moveable Partition, Design Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- 1943Small Homes Guide, Interior Studies with Moveable Partition, Cutaway Interior Perspective — Lloyd Morgan Yost · Art Institute of Chicago
- 1943Small Homes Guide, The Homecoming Home, Cutaway Perspective — Lloyd Morgan Yost · Art Institute of Chicago
- 6/21/1940Karl Yost House, Morrison, Illinois, Elevation — Lloyd Morgan Yost · Art Institute of Chicago
- 6/21/1940Karl Yost House, Morrison, Illinois, Elevation — Lloyd Morgan Yost · Art Institute of Chicago
- 08/30/1944Norman C. Deno House, Highland Park, Illinois, Plan and Elevations — Lloyd Morgan Yost · Art Institute of Chicago
- 1945Norman C. Deno House, Highland Park, Illinois, Perspective — Lloyd Morgan Yost · Art Institute of Chicago
- 1940Mr. and Mrs. Karl Wentsel House, Morrison, Illinois, Plan — Lloyd Morgan Yost · Art Institute of Chicago
- 1944Mr. & Mrs. L.R. Morse House, Living-Dining Room, Winnetka, Illinois, Presentation Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- c. 1946Western Homes, House No. IS-3, Highland Park, Illinois, Presentation Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- c. 1946Western Homes, House No. IS-1, Highland Park, Illinois, Presentation Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- c. 1946Western Homes, House No. IS-9, Highland Park, Illinois, Presentation Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- 1944The Homecoming Home, Foundation Plan — Lloyd Morgan Yost · Art Institute of Chicago
- 1908Furniture Design, Upholstered Chair, Wilmette, Illinois, Design Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- 1908Furniture Designs, Upholstered Chair, Wilmette, Illinois, Design Drawing — Lloyd Morgan Yost · Art Institute of Chicago
- 1881–84Sketch of Anatomical Sculpture (recto) Sketch of Madame Cézanne (verso) — Paul Cezanne · Cleveland Museum of Art
- 1906The Gardener Vallier — Paul Cezanne · National Gallery of Art
- c. 1885/1890Banks of the Seine at Médan — Paul Cezanne · National Gallery of Art
- 1866Antony Valabrègue — Paul Cezanne · National Gallery of Art
- c. 1887Montagne Sainte-Victoire, from near Gardanne — Paul Cezanne · National Gallery of Art
- 1877/1881Wash Basin and Scent Bottle [recto] — Paul Cezanne · National Gallery of Art
- c. 1865/1870Study of the "Ecorché" [recto] — Paul Cezanne · National Gallery of Art
- 1877/1880Landscape Near Aix-en-Provence — Paul Cezanne · National Gallery of Art
- 1895/1898Studies Including a Straw Hat — Paul Cezanne · National Gallery of Art
- 1886/1889Madame Cezanne — Paul Cezanne · National Gallery of Art
- 1893/1896Madame Cezanne with her Head Lowered — Paul Cezanne · National Gallery of Art
- 1888/1889Head of the Artist's Son — Paul Cezanne · National Gallery of Art
- c. 1879Study of Puget's "Hercules Resting" — Paul Cezanne · National Gallery of Art
- 1882/1885Study of the Allegorical Figure France in Rubens' "The Exchange of the Two Princesses" — Paul Cezanne · National Gallery of Art
- c. 1889Figure Resting Head on Hand — Paul Cezanne · National Gallery of Art
- 1883/1887Near the Pool at Jas de Bouffan — Paul Cezanne · National Gallery of Art
- 1883/1886Man Bending Forward — Paul Cezanne · National Gallery of Art
- 1880/1883Study of Puget's "Milo of Crotona" — Paul Cezanne · National Gallery of Art
- c. 1895Study of a Standing Male Figure after the Antique — Paul Cezanne · National Gallery of Art
- 1884/1887Two Bathers — Paul Cezanne · National Gallery of Art
- 1870/1872L'Estaque — Paul Cézanne · Art Institute of Chicago
- 1890–92A Study for the Card Players — Paul Cézanne · Art Institute of Chicago
- c. 1885Montagne Sainte-Victoire (The Arc Valley) — Paul Cézanne · Art Institute of Chicago
- 1885/1895Mercury (after Pigalle) — Paul Cézanne · Art Institute of Chicago
- c. 1888Study of a Harlequin — Paul Cézanne · Art Institute of Chicago
- 1894–98 (verso); 1900–06 (recto)Bathers Under a Bridge (recto); Study after Houdon's Ecorché (verso) — Paul Cézanne · The Metropolitan Museum of Art
- 1887–90Studies of a tree (recto and verso) — Paul Cézanne · The Metropolitan Museum of Art
- 1890-95Landscape (recto); Sketch of rocks(?) (verso) — Paul Cézanne · The Metropolitan Museum of Art
- 1878–80In the Oise Valley — Paul Cézanne · The Metropolitan Museum of Art
- 1878–80Entrance to a Garden — Paul Cézanne · The Metropolitan Museum of Art
- 1870–71Gustave Boyer (b. 1840) in a Straw Hat — Paul Cézanne · The Metropolitan Museum of Art
- 1891Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservatory — Paul Cézanne · The Metropolitan Museum of Art
- ca. 1902–6Mont Sainte-Victoire — Paul Cézanne · The Metropolitan Museum of Art
- ca. 1885–86The Pool at Jas de Bouffan — Paul Cézanne · The Metropolitan Museum of Art
- 1893–94Still Life with a Ginger Jar and Eggplants — Paul Cézanne · The Metropolitan Museum of Art
- ca. 1891–92Still Life with Apples and Pears — Paul Cézanne · The Metropolitan Museum of Art
- late 1880sView of the Domaine Saint-Joseph — Paul Cézanne · The Metropolitan Museum of Art
- ca. 1876–77Dish of Apples — Paul Cézanne · The Metropolitan Museum of Art
- ca. 1892–96Seated Peasant — Paul Cézanne · The Metropolitan Museum of Art
- ca. 1875The Fishermen (Fantastic Scene) — Paul Cézanne · The Metropolitan Museum of Art
- c. 1895Fragment of Long Inscription — Paul Gauguin · Art Institute of Chicago
- 1900/03Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina — Paul Gauguin · Art Institute of Chicago
- 1891Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water’s Edge — Paul Gauguin · Art Institute of Chicago
- 1894Two Standing Tahitian Women — Paul Gauguin · Art Institute of Chicago
- 1886/87Breton Bather — Paul Gauguin · Art Institute of Chicago
- 1902The Call — Paul Gauguin · Cleveland Museum of Art
- 1891Head of a Tahitian Woman — Paul Gauguin · Cleveland Museum of Art
- ca. 1894A Farm in Brittany — Paul Gauguin · The Metropolitan Museum of Art
- 1891Ia Orana Maria (Hail Mary) — Paul Gauguin · The Metropolitan Museum of Art
- 1890Landscape at Le Pouldu — Paul Gauguin · National Gallery of Art
- c. 1891/1893Tahitian Heads — Paul Gauguin · National Gallery of Art
- 1884-1888Trees; Sketch of Breton Boy [verso] — Paul Gauguin · National Gallery of Art
- 1884-1888Five Studies of Heads; A Boy in Profile with Studies of Hands and Feet [verso] — Paul Gauguin · National Gallery of Art
- 1884-1888Manuscript Pages [verso] — Paul Gauguin · National Gallery of Art
- 1884-1888Four Fantastic Forms [recto] — Paul Gauguin · National Gallery of Art
- 1884-1888Two Breton Figures and Studies of Two Geese; Man Wearing Hat [verso] — Paul Gauguin · National Gallery of Art
- 1884-1888A Breton Boy with a Jug; Five Animal Forms [verso] — Paul Gauguin · National Gallery of Art
- 1884-1888A Grazing Cow; Head of a Woman with Her Hand on Her Cheek, and Head of a Man with His Hand on His Ear [verso] — Paul Gauguin · National Gallery of Art
- 1884-1888A Head of Man with Hat, Seen from Behind; A Standing Woman [recto] — Paul Gauguin · National Gallery of Art
- 1884-1888Boy's Face; Two Sheep [verso] — Paul Gauguin · National Gallery of Art
- 1929Fleeing Ghost — Paul Klee · Art Institute of Chicago
- 1927Follows with Concern, As Both are Blind — Paul Klee · Art Institute of Chicago
- 1932Artistic Comedy — Paul Klee · Art Institute of Chicago
- 1919Death in the Garden (Legend) — Paul Klee · Art Institute of Chicago
- 1926Portrait Sketch of a Clown — Paul Klee · Art Institute of Chicago
- 1913Garden Still Life — Paul Klee · Art Institute of Chicago
- 1920Schoolhouse — Paul Klee · Art Institute of Chicago
- 1931Blooming Plant — Paul Klee · Art Institute of Chicago
- 1939Leaf from the Memoirs of an Old Woman — Paul Klee · Art Institute of Chicago
- 1923–24Garden on Debris — Paul Klee · Art Institute of Chicago
- 1930Sunset — Paul Klee · Art Institute of Chicago
- c. 1928Stakim — Paul Klee · Art Institute of Chicago
- 1933Animals in Monumental Pose — Paul Klee · Art Institute of Chicago
- 1934Starving Spirits — Paul Klee · Art Institute of Chicago
- 1923Carnival in the Snow — Paul Klee · Cleveland Museum of Art
- 1921Feuer Clown I (Fire Clown) — Paul Klee · National Gallery of Art
- 1917Persische Nachtigallen (Persian Nightingales) — Paul Klee · National Gallery of Art
- 1943/48Studies for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1941Study for The Rock — Peter Blume · Art Institute of Chicago
- 1941/45Study for Flowering Stump — Peter Blume · Art Institute of Chicago
- 1941Trees, Roots and Fungi — Peter Blume · Art Institute of Chicago
- 1943/45Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- c. 1948Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for Excavation — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
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