Artmetria · Public knowledge
Public knowledge
Factual catalogue records of works held in public collections. Each page states what the holding institution records, names that institution, carries the record’s rights status, and links to the institution’s own entry so every fact can be checked at its source.
These pages carry no valuation, no estimate and no market analysis.
801–1,000 of 13,187 records
- 1943/48Study for The Rock — Peter Blume · Art Institute of Chicago
- 1941/45Study for Flowering Stump — Peter Blume · Art Institute of Chicago
- 1943/48Study for Flowering Stump — Peter Blume · Art Institute of Chicago
- 1610/16Nude Youth in the Pose of the Spinario — Peter Paul Rubens · Art Institute of Chicago
- late 1613 or early 1614The Last Supper — Peter Paul Rubens · Art Institute of Chicago
- after 1616–18A Faun Grasping a Bunch of Grapes — Peter Paul Rubens · Cleveland Museum of Art
- c. 1637–38The Feast of Herod (recto) — Peter Paul Rubens · Cleveland Museum of Art
- c. 1637–38Tomyris with the Head of Cyrus (verso) — Peter Paul Rubens · Cleveland Museum of Art
- c. 1615Diana and Her Nymphs Departing for the Hunt — Peter Paul Rubens · Cleveland Museum of Art
- c. 1632/35Reconciliation of the Romans and the Sabines (recto) Venus Disarming Mars, Drapery Study (verso) — Peter Paul Rubens · Cleveland Museum of Art
- c. 1632/35Reconciliation of the Romans and the Sabines (recto) — Peter Paul Rubens · Cleveland Museum of Art
- recto 1611; verso 1601-2Presentation in the Temple — Peter Paul Rubens · The Metropolitan Museum of Art
- early 17th centuryMartyrdom of Saint Lawrence — Peter Paul Rubens · The Metropolitan Museum of Art
- n.d.Study of a Standing Female Saint — Peter Paul Rubens · The Metropolitan Museum of Art
- ca. 1620–30Head of a Satyr (Silenus) — Peter Paul Rubens · The Metropolitan Museum of Art
- early 17th centuryHead of Silenus — Peter Paul Rubens · The Metropolitan Museum of Art
- ca. 1601–2The Prophets David and Daniel — Peter Paul Rubens · The Metropolitan Museum of Art
- ca. 1616Atalanta and Meleager — Peter Paul Rubens · The Metropolitan Museum of Art
- ca. 1608–9The Holy Family with Saint Elizabeth, Saint John, and a Dove — Peter Paul Rubens · The Metropolitan Museum of Art
- ca. 1616Wolf and Fox Hunt — Peter Paul Rubens · The Metropolitan Museum of Art
- —Saint Teresa of Avila Interceding for Souls in Purgatory — Peter Paul Rubens · The Metropolitan Museum of Art
- —Susanna and the Elders — Peter Paul Rubens · The Metropolitan Museum of Art
- —Virgin and Child — Peter Paul Rubens · The Metropolitan Museum of Art
- n.d.Nobleman — Philipp William May · Art Institute of Chicago
- 1899London East End: Sketch in an East End Gin Shop — Philipp William May · Art Institute of Chicago
- 1897Man with Violin Case — Philipp William May · Art Institute of Chicago
- n.d.A Drinking Bar — Philipp William May · Art Institute of Chicago
- n.d.A Coster Woman — Philipp William May · Art Institute of Chicago
- n.d.Sketches at the Association Cup Football Match — Philipp William May · Art Institute of Chicago
- n.d.Arry and Arriet — Philipp William May · Art Institute of Chicago
- 1893Sketch in the Midway Plaisance — Philipp William May · Art Institute of Chicago
- 1884/1903Portrait of a Woman with Black Hat — Philipp William May · Art Institute of Chicago
- 1892Ah! Would You? — Philipp William May · Art Institute of Chicago
- 1894What Made You Take Up Art as a Profession? — Philipp William May · Art Institute of Chicago
- 1898At a County Fair — Philipp William May · Art Institute of Chicago
- 1900Theatre Toyal Drury Lane Programme — Philipp William May · Art Institute of Chicago
- n.d.Portrait of Paul Maitland, Artist — Philipp William May · Art Institute of Chicago
- 1892Study for Cover — Philipp William May · Art Institute of Chicago
- n.d.Three Card Trick, Epsom — Philipp William May · Art Institute of Chicago
- n.d.The Modern Troubadour — Philipp William May · Art Institute of Chicago
- n.d.The Man in the Street — Philipp William May · Art Institute of Chicago
- 1896London Female Character — Philipp William May · Art Institute of Chicago
- n.d.British Seaman on Shoreleave — Philipp William May · Art Institute of Chicago
- n.d.Sketches of a Barrel and Other Objects — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Panoramic Italian Landscape — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Fantasy Landscape with Ruins and Figures — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Tulip — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Rose — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Terrace, Trees and Equestrian Statue — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Petit Frianon — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Two Figures on a Bench in a Clearing, Female Statue Nearby — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Terrace with Urn, Sphinx and Female Statue — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Statues and a Fountain — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Sketch of Arched Entry to a Terrace — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Sheet of Sketches: Men and Women — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Sketches of Architecture — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Sheet of Sketches: Crowd and Individual Figures — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Balustrade with Two Sphinxes Urn — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.Sheet of Sketches — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Stairway to Terrace with Temple and Column — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Two Sphinxes and a Couple Near a Collonade — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Equestrian Statue Among Trees — Pierre Antoine Mongin · Art Institute of Chicago
- n.d.View of the Park at Versailles: Ruined Columns and an Open Iron Gate — Pierre Antoine Mongin · Art Institute of Chicago
- 1655/1660God the Father Supported by Angels — Rembrandt van Rijn · National Gallery of Art
- 1635/1637Bust of an Elderly Man in a Flat Cap — Rembrandt van Rijn · National Gallery of Art
- c. 1646/1650View over the Amstel from the Rampart — Rembrandt van Rijn · National Gallery of Art
- 1644/1645Jan Cornelisz Sylvius, the Preacher — Rembrandt van Rijn · National Gallery of Art
- early 1640sJoseph Recounting His Dreams — Rembrandt van Rijn · National Gallery of Art
- c. 1630/1631Beggar Man and Woman — Rembrandt van Rijn · National Gallery of Art
- c. 1650/1655A Landscape with Farm Buildings among Trees — Rembrandt van Rijn · National Gallery of Art
- c. 1650Figures on the Anthoniesdijk Entering Houtewael [verso] — Rembrandt van Rijn · National Gallery of Art
- 1656A Woman Holding a Pink — Rembrandt van Rijn · National Gallery of Art
- 1664Lucretia — Rembrandt van Rijn · National Gallery of Art
- c. 1660A Young Man Seated at a Table (possibly Govaert Flinck) — Rembrandt van Rijn · National Gallery of Art
- 1637A Polish Nobleman — Rembrandt van Rijn · National Gallery of Art
- 1628/1630Beggar Woman Leaning on a Stick — Rembrandt van Rijn · National Gallery of Art
- 1635Man in Oriental Dress — Rembrandt van Rijn · Rijksmuseum
- 1645 - 1647Portrait of Ephraim Bueno — Rembrandt van Rijn · Rijksmuseum
- ca. 1628Zelfportret — Rembrandt van Rijn · Rijksmuseum
- 1626Tobit and Anna with the Kid — Rembrandt van Rijn · Rijksmuseum
- 1634Portrait of Haesje Jacobsdr van Cleyburg — Rembrandt van Rijn · Rijksmuseum
- 1633Portrait of Johannes Wtenbogaert — Rembrandt van Rijn · Rijksmuseum
- 1662The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’ — Rembrandt van Rijn · Rijksmuseum
- c. 1774Portrait of Mary Wise — Thomas Gainsborough · Cleveland Museum of Art
- 1769Portrait of George Pitt, First Baron Rivers — Thomas Gainsborough · Cleveland Museum of Art
- mid-to-late 1780sMountain Landscape with Figures and Buildings — Thomas Gainsborough · The Metropolitan Museum of Art
- ca. 1757A clump of trees — Thomas Gainsborough · The Metropolitan Museum of Art
- 1787A Boy with a Cat—Morning — Thomas Gainsborough · The Metropolitan Museum of Art
- 1770sPortrait of a Young Woman, Called Miss Sparrow — Thomas Gainsborough · The Metropolitan Museum of Art
- probably 1783Wooded Upland Landscape — Thomas Gainsborough · The Metropolitan Museum of Art
- 1783Georgiana, Duchess of Devonshire — Thomas Gainsborough · National Gallery of Art
- 1786Miss Catherine Tatton — Thomas Gainsborough · National Gallery of Art
- c. 1778Mrs. John Taylor — Thomas Gainsborough · National Gallery of Art
- c. 1776/1777Mrs. Paul Cobb Methuen — Thomas Gainsborough · National Gallery of Art
- 1785John, 4th Earl of Darnley — Thomas Gainsborough · National Gallery of Art
- late 1770sLandscape with Cattle by a Cottage — Thomas Gainsborough · National Gallery of Art
- 1781A Rocky Wooded Landscape with a Figure by a Stream — Thomas Gainsborough · National Gallery of Art
- c. 1786Francis Basset, Lord de Dunstanville — Thomas Gainsborough · National Gallery of Art
- c. 1786Frances Susanna, Lady de Dunstanville — Thomas Gainsborough · National Gallery of Art
- c. 1755Drover with Calves in a Country Cart — Thomas Gainsborough · National Gallery of Art
- c. 1781/1782Seashore with Fishermen — Thomas Gainsborough · National Gallery of Art
- 1827Coach Changing Horses — Thomas Rowlandson · Art Institute of Chicago
- n.d.Newport — Thomas Rowlandson · Art Institute of Chicago
- n.d.Coach Changing Horses — Thomas Rowlandson · Art Institute of Chicago
- n.d.Landscape with Wayside Cross and Cottages — Thomas Rowlandson · Art Institute of Chicago
- n.d.Village on the River — Thomas Rowlandson · Art Institute of Chicago
- c. 1812Study for Dr. Syntax made Free of the Cellar — Thomas Rowlandson · Art Institute of Chicago
- c. 1800–1810Watering Horses — Thomas Rowlandson · Cleveland Museum of Art
- 1775–1827Lady Elliott, Commonly Called Dolly The Tall — Thomas Rowlandson · Cleveland Museum of Art
- 1780–1827Nude Couple Embracing — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827The Reception — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827City View with Medieval Gate (perhaps York) — Thomas Rowlandson · The Metropolitan Museum of Art
- ca. 1791How to Escape Losing — Thomas Rowlandson · The Metropolitan Museum of Art
- 1775–1827"The Social Day" from the "World of Miniature" — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Wooded Landscape with Ruins — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Hilly landscape with rocks — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827The Drawing Lesson — Thomas Rowlandson · The Metropolitan Museum of Art
- 1780–1827Landscape — Thomas Rowlandson · The Metropolitan Museum of Art
- 1815/1820A Soldier's Widow — Thomas Rowlandson · National Gallery of Art
- 1805/1810A Funeral Procession — Thomas Rowlandson · National Gallery of Art
- —The Foot Bath (Drying Out) — Thomas Rowlandson · National Gallery of Art
- c. 1535 or laterChrist and the Woman Taken in Adultery — Valerio Belli · Cleveland Museum of Art
- c. 1525The Betrayal of Christ — Valerio Belli · Cleveland Museum of Art
- early 1500s or laterThe Three Fates — Valerio Belli · Cleveland Museum of Art
- early 1500sMars, Minerva, Venus, and Cupid — Valerio Belli · Cleveland Museum of Art
- —Judgment of Paris — Valerio Belli · National Gallery of Art
- 1530sThe Adoration of the Shepherds — Valerio Belli · National Gallery of Art
- 1525 or afterThe Betrayal of Christ — Valerio Belli · National Gallery of Art
- —Christ Carrying the Cross — Valerio Belli · National Gallery of Art
- 1525 or afterChrist Carrying the Cross — Valerio Belli · National Gallery of Art
- —The Entombment — Valerio Belli · National Gallery of Art
- —Noli Me Tangere — Valerio Belli · National Gallery of Art
- —Christ Appearing to the Apostles — Valerio Belli · National Gallery of Art
- —Neptune, Amphitrite and Cupid — Valerio Belli · National Gallery of Art
- —Hercules between Minerva and Venus — Valerio Belli · National Gallery of Art
- —Peace and Prosperity — Valerio Belli · National Gallery of Art
- —A Lion Hunt — Valerio Belli · National Gallery of Art
- —A Seated Man — Valerio Belli · National Gallery of Art
- probably 1532Bembo beside a Stream [reverse] — Valerio Belli · National Gallery of Art
- 16th centuryConcord Holding Cornucopiae [reverse] — Valerio Belli · National Gallery of Art
- probably 1520s, before 1540Orestes Released from the Furies — Valerio Belli · National Gallery of Art
- 1885The Carrot Puller — Vincent van Gogh · Art Institute of Chicago
- March 1884Avenue of Pollard Birches and Poplars — Vincent van Gogh · Art Institute of Chicago
- 1889Cypresses — Vincent van Gogh · Art Institute of Chicago
- 1889The Large Plane Trees (Road Menders at Saint-Rémy) — Vincent van Gogh · Cleveland Museum of Art
- 1890Adeline Ravoux — Vincent van Gogh · Cleveland Museum of Art
- 1889Two Poplars in the Alpilles near Saint-Rémy — Vincent van Gogh · Cleveland Museum of Art
- 1890Bouquet of Flowers in a Vase — Vincent van Gogh · The Metropolitan Museum of Art
- 1888The Flowering Orchard — Vincent van Gogh · The Metropolitan Museum of Art
- 1890Irises — Vincent van Gogh · The Metropolitan Museum of Art
- 1888–89L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911) — Vincent van Gogh · The Metropolitan Museum of Art
- 1888Oleanders — Vincent van Gogh · The Metropolitan Museum of Art
- 1885Peasant Woman Cooking by a Fireplace — Vincent van Gogh · The Metropolitan Museum of Art
- 1887Self-Portrait with a Straw Hat (obverse: The Potato Peeler) — Vincent van Gogh · The Metropolitan Museum of Art
- 1890Green Wheat Fields, Auvers — Vincent van Gogh · National Gallery of Art
- 1889The Olive Orchard — Vincent van Gogh · National Gallery of Art
- 1888The Harvest — Vincent van Gogh · National Gallery of Art
- c. 1879/1880The Zandmennik House — Vincent van Gogh · National Gallery of Art
- 1888Harvest--The Plain of La Crau — Vincent van Gogh · National Gallery of Art
- 1887Zelfportret — Vincent van Gogh · Rijksmuseum
- 1884Boerendorp in de avond — Vincent van Gogh · Rijksmuseum
- 1985/98The Mob — William Steig · Art Institute of Chicago
- c. 1980Untitled (Group of Figures with Clown) — William Steig · Art Institute of Chicago
- c. 1990No Fair - Two Against One — William Steig · Art Institute of Chicago
- c. 1995Untitled (Angel and Devil) — William Steig · Art Institute of Chicago
- 1961Such an Advanced Civilization Would Know Nothing About War — William Steig · Art Institute of Chicago
- c. 1985Parting of the Ways — William Steig · Art Institute of Chicago
- c. 1990Men with Balls — William Steig · Art Institute of Chicago
- 1975Untitled (Men at Bar; Line Drawings) — William Steig · Art Institute of Chicago
- 1984Scaredy-Cats — William Steig · Art Institute of Chicago
- 1978/84Night[mare] in New York — William Steig · Art Institute of Chicago
- 1975Untitled (Woman Walking in Park) — William Steig · Art Institute of Chicago
- 1985Heartbroken Fans — William Steig · Art Institute of Chicago
- 1987I Do not Hate You. You're Projecting — William Steig · Art Institute of Chicago
- 1977Untitled (Cigar, Native American, and Smoker) — William Steig · Art Institute of Chicago
- c. 1975Acrobats — William Steig · Art Institute of Chicago
- c. 1980Scary [Worrisome] Room — William Steig · Art Institute of Chicago
- 1989Sardines — William Steig · Art Institute of Chicago
- c. 1980Untitled (Dog Asks Man for Change) — William Steig · Art Institute of Chicago
- c. 1980Bore and Victim — William Steig · Art Institute of Chicago
- 1982New Neighborhood — William Steig · Art Institute of Chicago
- 1881The Return, Tynemouth (recto) Study (verso) — Winslow Homer · Art Institute of Chicago
- 1898/99Schooner - Nassau — Winslow Homer · Art Institute of Chicago
- 1894Breaking Storm, Coast of Maine — Winslow Homer · Art Institute of Chicago
- c. 1892Campfire, Adirondacks — Winslow Homer · Art Institute of Chicago
- 1880Two Boys Watching Schooners — Winslow Homer · Art Institute of Chicago
- 1887Prout's Neck, Breaking Wave — Winslow Homer · Art Institute of Chicago
- 1881Tynemouth Priory, England — Winslow Homer · Art Institute of Chicago
- 1873A Fisherman's Daughter — Winslow Homer · Cleveland Museum of Art
- c. 1868White Mare — Winslow Homer · Cleveland Museum of Art
- 1889Leaping Trout — Winslow Homer · Cleveland Museum of Art
- 1899Salt Kettle, Bermuda — Winslow Homer · National Gallery of Art
- 1873Four Boys on a Beach — Winslow Homer · National Gallery of Art
- 1873The Red School House — Winslow Homer · National Gallery of Art
- 1870The Dinner Horn (Blowing the Horn at Seaside) — Winslow Homer · National Gallery of Art
- 1878The Green Hill — Winslow Homer · National Gallery of Art
- 1862Rebel Works at Yorktown — Winslow Homer · National Gallery of Art
- 1862Playing Cards — Winslow Homer · National Gallery of Art
- n.d.Thanksgiving in Camp [verso] — Winslow Homer · National Gallery of Art
- 1865Carrying the Wounded — Winslow Homer · National Gallery of Art
How Artmetria works with sources and evidence is set out in the methodology.